Justin Timberlake is not one to let the grass grow under his feet. An extremely popular solo artist, he’s also launched several “brand extensions” of himself that have been well received by critics, fans, and the public. His first new venture was Tennman Records, which began in 2007. Then, in February of 2009, he and best friend Trace Ayala announced William Rast, a clothing line that “is an extension of you.” Unlike most new designer lines, William Rast not only gained notice, but also received praise from the fashionistas.
His latest venture? 901 Silver Tequila.
901 Silver is either named in tribute to the area code in which Timberlake grew up (Memphis) or for “that moment when your evening ends but your night is just beginning.” However, more than the Timberlake name is attracting attention. The tequila has been reviewed favorably by those who know tequila. According to the NY Daily News:
Timberlake’s new tequila, called 901, passed the sip test – and then some – among three New York tequila aficionados with very discerning tastes.
What makes 901 Silver Tequila unique is the method they chose to kickoff the first major promotion. Known as 901at901on901, andtranslated to 9/01, at 9:01, on www.901.com, it’s an invite to the public to creatively craft ”The Big Idea” to aid the launch of this relatively new brand. The winner will become Executive Vice President of Big Ideas for 901 Silver Tequila.
To the victor go the spoils, which include the lengthy job title, a trip to Vegas (round-trip airfare for two, hotel stay and, of course, two tickets to the Justin and Friends concert), VIP access to all parties, $25,000 in “bonus” money, plus the chance to show off his or her creative skills among an elite group of people.
According to Kevin Ruder, President of 901 Silver (Timberlake is CEO):
We like to incorporate consumer feedback as part of our normal business practice at 901 Silver. We’ve turned that premise into a contest.
The following video outlines the challenge:
The contest ends on November 30th and the winner will be chosen by a panel of experts on December 4, 2009.
Jeff Louis: Media Planner, Brand Project Manager, blogger, and aspiring writer. Please leave a comment, follow him on Twitter or check LinkedIn for his profile. As always, thanks for reading.
(TrendHunter.com) McDonalds has always been a huge fan of creative ads and they don’t shy away from creative billboards, photoshopped faces and unique product placement.
Anheuser-Busch InBev has thrown down the gauntlet. Consumers in China must answer. An opportunity has presented itself for Budweiser enthusiasts to play creative director and develop an ad to commemorate the 2010 Chinese New Year.
There is one rule in this contest: the ad must feature ants. For the past decade, A-B InBev has incorporated the ant motif in every ad campaign for the Chinese New Year.
Paul Wong, the director of the Budweiser ants TV spots since 2003, said the ants depict “the Chinese national spirit of diligence, solidarity and intelligence.”
The digital contest was developed by A-B InBev’s marketing team in Shanghai to better engage the Chinese people by utilizing the Chinese video-sharing site, Tudou.com. The site will allow participants to write, draw and edit storyboards for a TV spot.
“We realized user-generated ideas and online video are both very popular among internet users at this stage, so this is the area that we want to use as well,” said Vivian Yeh, A-B InBev’s Shanghai based new media manager.
The grand prize winner will receive 100,000 RMB ($14,637) and will help produce the ad.
Note: I’d submit my own Budweiser Ants TV ad if it weren’t for my locale. I actually have a great idea for a spot. But to maintain the peace of mind of the contestants, I won’t divulge. However, I’ll tell you this… it involves myriad ants, an ant farm that extends across China, a sea of Budweiser brew, an eccentric panda and O’Hara from Enter the Dragon. Now, let it play out in your head…
Rohan Raj. Syrupy schmaltz. Finessing perpetual cadence. Boundless behemoth. Absence of mutual exclusivity? Priceless…Reach him via Twitter or LinkedIn.
Os tweens (8 à 12 anos) representam cerca de USD 40 bilhões/ano em poder de compra. Responsáveis por esta representativa participação no consumo, eles foram alvos de um focus group organizado por Martin Lindstrom, autor do livro “Buyology – Truth and Lies About Why We Buy“. A pesquisa, envolvendo meninos e meninas, foi transmitida pela emissora americana NBC em seu programa Today Show, no início de agosto.
As crianças foram convidadas a realizar diversas tarefas e identificar as marcas que iam sendo apresentadas, usando a audição, a identificação, o olfato e alguns outros sentidos.
Concluiu-se que os tweens são altamente críticos e conhecem muito bem as marcas, até mais do que os próprios pais (escondidos atrás de uma janela de vidro) imaginavam.
Será que sua marca está pensando corretamente sobre como influenciar este poderoso público consumidor?
Uma tendência que se firmou com bastante intensidade de uns anos pra cá foi a da colaboração, a também chamada tendência do crowdsoursing. Empresas dos mais variados setores já foram atrás do talento criativo e analítico do grande público, afim de aperfeiçoar e/ou mudar algo que houvesse necessidade. E como não há limites em um mundo participativo, até mesmo cidades estão apostando no apoio vindo de seus residentes.
Londres deu início ao concurso que busca as melhores idéias enviadas pelo público para a construção de uma nova identidade visual da cidade, que passa por uma crise de branding.
Sugestões bem criativas e algumas irreverentes estão sendo enviadas pelo público, convidado através do Twitter e de um blog.
A idéia de criar uma competição foi levada pela prefeitura de Londres à MovingBrands, um escritório especializado em arquitetura de marca e design.
Um vídeo que mostra o dinamismo das rápidas mudanças enfrentadas pelo nosso mundo, foi criado pelos caras da MovingBrands, e você pode conferir na sequência.
Para quem acompanha o blog, sabe que eu já falei algumas vezes (aqui e aqui) sobre o posicionamento da Converse.
Totalmente conectada aos seus consumidores mais jovens, a marca sempre cria iniciativas ligadas à arte, à música e ao entretenimento em geral.
Em seu novo site, criado pela sueca Perfect Fools, podem ser vistas várias fotos de festivais, concertos e eventos por toda a Europa. Ao som de bandas mais independentes, a navegação pelo site proporciona uma boa interatividade, e os visitantes podem fazer upload de suas fotografias, bem como procurar imagens deste grande mural virtual através de uma filtragem por localização, tribos comportamentais e modelos de calçados da Converse. Vale a visita
Todo mundo já sabe que o Branded Content é uma poderosa arma de comunicação, que se utiliza de vários formatos, quer seja TV, rádio, eventos e internet, com a ambição de dar às marcas a oportunidade de promoverem sua identidade, seus produtos e serviços de modo direcionado e sempre aliando conteúdo pertinente ao entretenimento.
Lá nos EUA, a Pampers lançou uma websérie de 12 episódios. A história se passa nos dias de hoje, e conta detalhes de um dos processos mais nostálgicos da vida de um casal: os preparativos para o nascimento do primeiro bebê.
A Pampers disse que a websérie, hospedada em (http://www.pampers.com), não é um branded video, nem mesmo utiliza product placement. O que é, então? De acordo com Patrick Kraus, diretor de marketing da Pampers, a marca está se promovendo também como uma plataforma de conteúdo. Ok, só mais uma filosofia corporativa, mas que não deixa de ser Branded Content.
In June, Beyond Madison Avenue ran a post about designer Rachel Nasvik, a New York City designer famous for chic, custom-made handbags, and the “scavenger hunt” in New York city where consumers followed clues published on social media sites to discover where she had hidden 96 of these designer handbags around the city. The campaign was a great success, and displayed a great use of social media as well as a natural knack for getting noticed.
Well, Rachel Nasvik has again taken to the streets, but in an entirely different manner.
New York City (NYC) is known for many things, one of them being a place where consumers can purchase merchandise that has been pirated from well-known designers. Basically, knock-offs sold on the street for nothing that look like the original.
Well Nasvik and team turned the tables on the design pirates by using their fly-by-night grocery carts as a means of promoting original Nasvik designs. In what could be called a second scavenger hunt, Nasvik sent clues to her 1,000+ followers on Twitter, alerting them that the game, once again, was a-foot. This time she was hiding her designer goods amidst the copycats roaming the streets of NYC. The cost for a Nasvik original off the cart was an affordable $10, while down the street at Saks, the same bag brought in $300. This obviously was not going to make Nasvik any money.
Yet, what she lost in terms of dollars was replaced by her gains in public relations, love from her fans, earned media coverage, and a creative use of distribution channels. She has taken social media to a whole new level, interacting with her fan-base personally with a fun and competitive game that was not online, but in the “real” world.
Plus, her brand is now being copied by pirates…meaning that Nasvik’s designs have truly “made it.”
Jeff Louis is a Strategic Media Planner, Brand Project Manager, blogger, and aspiring writer. You can reach him on Twittter or LinkedIn. He is always searching for great ideas and new friends.
Uma verdadeira fidelidade à marca é constituída por aquele consumidor que não a abandona, nem em último caso.
Nunca descontinuar a compra de produtos daquela marca, vestir camisas, bonés e outros vestuários que estampam o logo da marca favorita são indícios básicos e comuns de fidelização à uma marca. Porém, como tudo nessa vida, existe o indiscutível radicalismo. Da mesma maneira que uma religião, algumas marcas podem influenciar e redefinir os hábitos de um consumidor. Alguns chegam ao ponto de tatuar as marcas em seus braços, pernas, peitos e até nas suas partes íntimas.
Existe explicação para isso? Podemos afirmar que sim. Da mesma forma que existem marcas de personalidade – aquelas que conseguem gerar um relacionamento mais efetivo e próximo com o seu consumidor, a ponto de fazer com que as pessoas tatuem seus logos – existem também as pessoas de personalidade. Não é qualquer um que tatuaria uma imagem “comercial” em seu próprio corpo.
Dá uma olhada na quantidade de fotos de tattoos que foram encontradas na internet. E a pergunta-reflexão que fica é: Você tatuaria uma marca no seu corpo? Sim? Qual? Não? Por que?
(TrendHunter.com) Things are certainly looking up for The Icecreamists. The innovative ice cream company has just launched The Sex Pistol, a frozen dessert they claim induces potent arousal among those who ingest it.
If there are two things Americans don’t like, it’s paying taxes and not being the best at something we invented. Unfortunately, the government’s recent takeover of General Motors handed us both of these bitter pills. As a result, the GM brand has suffered tremendous damage, with many people being openly hostile towards the company.
Is it right for us to direct our anger at GM for not recognizing the changing auto market? Sure. Is it productive? No.
As painful as it may be for some to hear, now that “We the People of the United States of America” own a 61% share of General Motors, it’s in all of our best interests that the company succeeds. Part of that success will come from GM’s future marketing efforts.
On August 11th, at a GM press event, Vice Chairman Bob Lutz talked about the changes that are coming to GM marketing, his opinions on GM’s current commercials, and his desire to address the perception of a quality gap between GM and foreign cars.
Bob Lutz, in his new role as GM’s chief creative guru, already is shaking up advertising and marketing to close what he has long argued is a huge gap between the quality of GM cars and trucks and the public perception of them.
Asked how advertising will change, he contrasted a current Buick ad — one he doesn’t like — with a new Chevy ad.
The “Photo Shoot” TV commercial, which shows a Buick LaCrosse and an Enclave and a snooty film director at a fashion model pool party, reminds Lutz of old GM ads when its products weren’t so good.
“There was a natural tendency,” he said, “to do charming stories of the family washing the car and the kids putting the beach balls in the back, to give the viewer a kind of a warm feeling. That’s one type of advertising, and you’re going to see way less of that.”
By contrast, Lutz likes a new Chevy spot in which ex-football star Howie Long compares the fuel economy of several Chevy models favorably with Hondas, before cutting to a Honda product GM can’t compete with — a lawnmower. Lutz said the ad dispels “this commonly held myth that in every category the Japanese are the masters of fuel economy, when in fact they’re not.”
Here’s the commercial Bob Lutz doesn’t like.
Unfortunately, I cannot post the commercial Bob Lutz does like without a “written approval from GM.” But here it is via YouTube.
I agree with Lutz’s ad strategy, but it’s a strategy that should have been implemented a decade ago when fuel-efficient imports first started hitting the roads. Nevertheless, it’s no use looking in the rear-view mirror (automobile pun intended).
As an American taxpayer, you’re part-owner of the company. What do you think of the spots? Is Bob Lutz right to gear GM marketing away from high concept ads and toward direct comparisons?
Rob Frappier is a marketing copywriter and blogger working in the social media sphere. To reach Rob, visit his blog, or follow him on Twitter.
I was speaking with a co-worker today and we began talking about how, with the recent major decrease in the economy and spending, companies have stopped using their employee’s brains and are doing the bare minimum to keep themselves afloat. This is probably the worst idea companies could do at this time.
Businesses are no longer buying marketing and advertising spots in order to save money. This move has killed off corporations and lesser known counterparts have taken their places. Why? Because the smaller companies didn’t forget to use a strategy.
It doesn’t necessarily mean that one product was better than another. It’s because the little guys took the money that they had reserved for advertising and marketing and actually used it for… surprise, those very things. They created a campaign and a strategy. While the big guys sat on their hands and saved their money, the lesser known of the two became the top seller.
Here’s another analogy to put it into perspective. Remember the guy in your high school that every girl had a crush on, but he really wasn’t that great? Well, he had a strategy… and it worked. Whether it was being rude to girls, ignoring them, or playing some other mind game, he had a strategy. The rest of the male population only knew they liked a girl and that was as far as they got.
Advertising and marketing are the same. It’s all about the strategy. And in the eyes of the consumers, when a relatively unknown product becomes better than the more well-known and ubiquitous substitutes, a great advertising campaign and strategy could really establish brand equity.
Perhaps the best strategic campaign is HBO’s “True Blood.” Not only did it have fantastic print ads, but it also introduced interactive sites, games, and a carbonated drink called “Tru Blood” that is portrayed as a synthetic blood drink in the actual show. It even brought in other vendors such as BMW’s MINI Cooper.
Let’s go back in time to the 1680’s, where the word strategy was developed. The term, meaning “to lead,” originated from the field of battle. It’s the science or art of combining and employing the means of war in planning and directing large military movements and operations.
A business could have the best product or idea, but if there’s no strategy, there’s no competition. So go to war, strategize, and be victorious.
Megan Green is a freelance propagation planner who has had her work published on PR News Wire, as well as many other outlets. Contact her on LinkedIn, Facebook, Twitter, or at megankategreen@gmail.com.
Se você também nasceu nos anos 80, vai se lembrar um pouco do Mc Kids. Ele foi um famoso game de console que o Mc Donald’s lançou no início dos anos 90, especialmente para a plataforma NES.
Embora houvessem algumas controvérsias em relação a influência do game sobre os hábitos alimentares do jovens consumidores, ele se tornou um sucesso de vendas. Foi levado para a Europa, lá chamado de Mc Land, onde também sumia das prateleiras rapidamente, chegando a ser adaptado para PC (MS-DOS) e até Game Boy.
O caso do Mc Kids reverte a defesa de muitos especialistas que afirmam que o advergame é uma “nova mídia“. Até mesmo seu maior concorrente, o Burger King, se posiciona entre os principais benchmarks quando o assunto é advergame. Vide os jogos que eles vendem sob a plataforma Microsoft Xbox.
Hoje, dificilmente você vai entrar em um site de algum produto voltado para crianças e adolescentes, e não se deparar com um joguinho online. O mesmo acontece hoje com mobile applications de muitas marcas. Isso significa que o negócio virou commodity. Inovador foi o pessoal do Mc Donald’s, que instituiu uma ferramenta pouco ou quase nada utilizada pelas marcas como uma estratégia de marketing, naquela época.
Sendo assim, olhamos para trás e vemos que a inovação propriamente dita precisa ser revista e repensada pelas marcas e suas consultoras.
:: UPDATE ::
Depois de vasculhar mais um pouco sobre o histórico dessa plataforma, e receber algumas dicas de leitores, resolvi atualizar o post com a ordem cronológica dos primeiros advergames da história – que se tem registro. Veja na sequência:
Pepsi Invaders (1983)
Este foi um jogo de Atari criado pela Coca-Cola. A mecânica era semelhante ao do Space Invaders, só que os aliens eram substituidos por letras que completavam a palavra Pepsi.
Yo! Noid (1990)
Lançado em 1990, o Yo! Noid era um joguinho de aventura, onde o personagem principal era o Noid, mascote da Domino’s Pizza. O manual do jogo vinha com um cupom de desconto de 1 dólar da Domino’s.
Mc Kids (1991)
Dicas do Flavio Serpa, Orlando Callegari e Ricardo Guimarães.
Sometimes the past is fulfilled with wonderful memories of friends, music, good times and lots of laughter. Or, the past should remain exactly where it is, especially when remembering how you dressed, your bodily piercings, and that mullet with the spiked top that would never go out of style. If you remember the mullet, do you recall these lyrics?
Buying bread from a man in Brussels He was six foot four and full of muscles I said, “Do you speak-a my language?” He just smiled and gave me a vegemite sandwich”
By: Men At Work, “A Land Down Under
What in the heck is Vegemite, anyway? Until writing this post, I didn’t know, nor care. Then I found out that Vegemite is actually produced by Kraft Foods, and that Kraft has developed a new Vegemite formula and has rolled it out in Australia…
My first thought: “Would this be the next huge marketing FAIL, akin to the New Coke Formula back in 1985?”
Knowing absolutely nothing about the product, I had to do some research. What is Vegemite?
Vegemite is similar to the British product Marmite, which is a tacky paste, brown in color, with a salty “beef broth” or “meaty-like taste.” Marmite is usually spread on toast or biscuits but can also be mixed with hot water to make a drink. Marmite is made out of yeast extract saved after the beer brewing process. During World War I, the flow of Marmite to Australia was interrupted and an Australian cheese company, Fred Walker & Co., commissioned an Aussie scientist to come up with similar replacement.
Vegemite was introduced with great fanfare (including a national naming contest) in 1923. The naming campaign was a big success; the product flopped. Despite various marketing efforts, Vegemite sales remained poor. Kraft purchased Walker & Co. in 1926 (forming the Kraft Walker Cheese Company) and in 1928, changed the name to Parmite, which killed Vegemite’s tiny though hard-won market share. Vegemite never recovered.
So, with plenty of Vegemite on-hand, the Kraft Walker Cheese Company started giving it away with Pontiac automobiles and cheese products. Sales responded positively; then, the British medical association proclaimed that Vegemite was a great source of Vitamin B. Sales increased more. By World War II, Vegemite was in 9 of 10 Australian homes, had become part of a soldier’s daily ration kit, and was even carried by Aussie’s traveling abroad due to lack of availability in other countries. Today, Vegemite is one of the most well-known global brands and outsells Marmite in Australia by huge margins.
Kraft tried to extend the brand with a cheese and Vegemite “single,” but failed. However, marketing contests, such as limerick and song competitions, boosted sales. Then, following the war, the baby boom hit and Kraft jumped on Vegemite’s Vitamin B content for infants;
“…baby care expert Sister Mc Donald, said in the Women’s Weekly that “Vegemite is most essential”, further cementing Vegemite’s reputation for nutrition and wholesomeness. Infant Welfare Centres were recommending babies have their quota of Vitamin B1, B2 and Niacin. Vegemite had them all!”
By the 1950’s, Vegemite was to Australia what apple pie is to America, aided in part by consumer-oriented campaigns initiated by J.Walter Thompson.
On July 7, 2009, Kraft released a ’second’ Vegemite. The new Vegemite is a mix of Vegemite and cream cheese, is less salty, spreads much easier, and supposedly tastes better. To coincide with the release of the new recipe, Kraft is running a competition to give the new flavor a name, hearkening back to the competitions that worked 50 years ago. Kraft recently launched a comprehensive marketing campaign to name the new Vegemite, drawing on the successes of past campaigns that involved the public.
In fact, the new campaign mixes both traditional and Social Media, including an interactive website that includes fun facts, the naming contests, and the history of Vegemite. The new Vegemite can be found on Facebook, YouTube, and Twitter. Below is the one of several commercials. This one has been extended to be 48-seconds long:
And, just as in the early days, J. Walter Thompson was chosen for creative expertise. While some wait to see if this brand extension will be a coup or a pile of crap, early research shows that Vegemite has more brand affinity than Coca-Cola, Starbucks, and Nike (globally);
The research analysed 1.5 billion posts across 38 languages within social networking sites, blogs, message boards, and online news. The results discovered 479,206 mentions for Vegemite, with brand affinity found more often than any other product globally.
If this was an election, the early results would show that the new Vegemite is a serious contender; however, all the votes haven’t been cast. Based on my research, I believe that the new Vegemite will most certainly take space in Australian kitchens.
Jeff Louis: Strategic Media Planner, Brand Project Manager, blogger and aspiring writer. To contact Jeff, leave a comment here, or find him on LinkedIn or Twitter.
Aqui está mais um ótimo comercial da Heineken. Criado pela McCann Erickson de Dublin, Irlanda, e produzido pela produtora mais cobiçada pelas agências gringas, a Psyop, o filme mais parece um clipe musical. Não é à toa. A marca está divulgando a sua iniciativa global de apoio aos projetos musicais que enaltecem o que há de melhor em todos os cantos do mundo, a chamada Heineken Music. Dê o play! Enjoy!
Foi só falar da importância de se criar comunidades virtuais para as marcas, que surge mais uma. É a Destination Smart, uma rede social criada especialmente para abrigar a opinião e o interesse dos maiores entusiastas do Smart no Reino Unido.
Além de permitir que os membros troquem mensagens, a comunidade oferece notícias, fotos, vídeos, fóruns de discussão, sub-grupos, eventos e até a possibilidade de interagir com os “Smart Experts“: fornecedores, representantes e consumidores que sabem tudo sobre a marca, preparados para tirar qualquer dúvida oriunda dos membros desta nova comunidade.
Assista o vídeo da apresentação do Leo Carbonell, planner da Selluloid AG e painelista do EBP 2009. Ao lado de Danilo Cid, sócio e dir. de criação da Ana Couto Branding & Design, Marcelo Douek, da Lukso, e Renata Bokel, da Fischer + Fala! (Totalcom), ele falou um pouco sobre a sua especialidade, que é Branded Content, e quais são as suas principais finalidades. A apresentação do Leo também foi colocada no Slideshare, aqui.
A scheduled twenty minute interview with MarketingAnd President and CEO, Sammy James, ended up lasting an hour. This is what happens you speak with an expert and a true believer of innovative tools for online marketing. As the interview continued, I began to recognize how various online businesses could benefit from its approach. Thank you, Mr. James, for your extra time and attention.
MarketingAnd is an eclectic mixture of product and service — part software-developer, part consultancy, part provider, and part business partner. It is capable of working within an established agency-client relationship and can also provide its own expertise to clients.
What do they do exactly?
MarketingAnd organically augments the number of business leads a company receives and then increases the conversion rate from lead to sale. The main difference between MarketingAnd and other lead/conversion companies is that MarketingAnd doesn’t broker lists or teach sales tactics. Its strength lies in converting visitors into leads, and leads into sales. Think of cultivating the low-hanging fruit.
Why go out and buy leads when you can simply convert the ones you already have?
Most of the time, consumers are researching due to their lack of knowledge towards specific products or services. For example, if I move from a condominium to a house, I’d have a lawn to care for. My limited knowledge in lawnmowers would lead me to various home improvement websites where I would be known as a prospect, or lead. This is where MarketingAnd comes in, providing the necessary tools to engage visitors like me one-on-one.
Sammy James will be the first to tell you that he is a huge advocate of accountability. Thus, it’s no surprise that MarketingAnd’s suite of tools measure, qualify, and quantify. As the company expanded, it partnered with larger institutions (universities, health care companies, automotive dealers) that possessed their own marketing capabilities but didn’t track leads, cost-per-call, cost-per-sale, call volume, or closing ratio. MarketingAnd has the tools to address these issues.
One of these tools is called Form to Phone. In an Internet sales cycle, leads go from extremely hot (ready to buy) to ice cold in a very short time. Form to Phone helps establish a quicker response time. Here’s how it works:
As soon as a prospect fills out a form and hits the submit button, your phone rings (wherever you are) and you’re given the person’s name and the reason for his or her inquiry.
You press “1″ and are instantly connected to the prospect via the number he or she provided on the form.
You engage the prospect in dialogue – before your competitors even have a chance.
Form to Phone also alleviates what is known as call reluctance. Call reluctance is a phenomenon where a salesperson experiences a heightened level of anxiety or apprehension before calling prospective client. It could be so overwhelming that it decreases the total number of sales calls made and can render the salesperson useless. Because the sales cycle depends on volume and repetition, every call not made is a potential loss. Form to Phone is effective because it calls the salesperson with a lead. All the salesperson has to do is hit “1.”
Is MarketingAnd successful? According to Mr. James, its client-retention rate is between 90%-95%, and some clients have seen sales increases in the 300% range. If this seems like an appropriate fit to your business, research MarketingAnd first-hand. If you are in the higher-education business, its sister company, Get Starts, specializes in educational system needs.
Jeff Louis: Strategic Media Planner, Brand Project Manager, blogger and aspiring writer. To contact Jeff, leave a comment or contact him on Twitter or LinkedIn.
According to an article in PC World, starting today, in an apparent move to become a more upscale brand, the electronic retailer best known for transistors, capacitors, and other relatively obscure doo-hickeys will change its name to “The Shack” and focus more on mobile technology. While Radio Shack, I mean The Shack, has always carried flat screen TV’s, laptops, and cell phones, is the gradual shift from hardware accessories consistent with its brand? Do consumers automatically think of Radio Shack, I mean The Shack, when they need the latest in wireless technology?
Exactly. The shift from its original focus means the encroachment into traditional electronic retail. How competitive is The Shack compared to the big boys of electronic retail – Best Buy, Circuit City, Walmart, etc. – especially considering the comparatively microscopic store size?
Today’s launch includes a live event called “Shack Summer Netogether,” featuring two 17-foot laptop computers in NYC and San Francisco, allowing live video and audio exchanges between the two cities via webcam.
In an interview with PC World’s Jeff Bertolucci, CMO Lee Applbaum says the new moniker stems from loyal customers, associates, and investors referring to the company as The Shack. Applbaum also mentions that while they have a loyal customer base in electronic parts, they’re also aggressively targeting mobile technology. “You will see a real focus on mobility and wireless products from leading brands in our new advertising.”
Stay tuned to see how this risky move unfolds.
Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via Twitter, LinkedIn, or her blog.
Today somebody asked me why I love social media. There are so many reasons and it’s hard for me to choose only a few. So I did what any other social media savvy individual would do: I posted the question on Facebook, Twitter and other outlets. I was able to use social media to explain why I love social media and I think fellow blogger Jenna McWilliams says it best: “Social media is not a trend, but a fundamental human urge to communicate,” and now we have more ways to do so. So, my top five reasons:
1. 1-800 customer care number? Consider it a thing of the past. Remember the time when we had 1-800 numbers? We’d wait on hold for eternity to finally get connected to someone in another country who was so far from executives that we were sure our complaints or problems would never be heard. Social media has changed that. Now companies have to listen to their customers because unhappy ones can broadcast their displeasure through social media. Also, it’s no longer a one-way conversation. Some companies have jumped onto the social media bandwagon (as they should) and created accounts to ask consumers to help create and improve their brands. Two most notable examples are Starbucks’ My Starbucks Idea and Burger King’s Whopper Sacrifice.
3. Being connected (this was the most popular answer I received after posting the question). When something happens to ourselves or to someone we know, we share it with others through pictures, comments and tweets. More importantly, it’s a new way to get news, support, and advice on anything.What better way to educate yourself on advertising and marketing than by following an expert in a specific field? Who knows, it could even get you a job (Tweeter Neal Schafer had it happen to him after he started his blog and web site).
4. Creative campaigns. I’ve said it before and I’ll say it again – if I had a TiVo, all I would record are commercials. I like advertising, but not because I want to learn about the products. I like the creativity used to showcase a product to consumers. And now with social media, they’re becoming even more creative. Viral videos, Twitter giveaways, Facebook fan pages, etc. I can’t get enough of them. Old school + new school = awesome, consumer-activity-inducing campaigns.
5. The best thing about social media? It is changing the way wethink. And with the exponential growth of it, no social media professional can be sure of where these new media will lead. But I can tell you that it’s exciting to see the evolution.
Megan Green is a freelance propagation planner who has had her work published on PR News Wire, as well as many other outlets. Contact her on LinkedIn, Facebook, Twitter, or at megankategreen@gmail.com.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.