‘World Under Water’ Uses StreetView to Visualize Flooding From Climate Change

If this week's news of a potentially disastrous Antarctic ice melt wasn't enough to give you a sinking feeling, then you might want to check out "World Under Water," an interactive initiative that lets people see what their neighborhoods might look like following floods caused by climate change.

BBDO and Proximity Singapore created the site for CarbonStory, a crowdfunding platform, ahead of World Environment Day on June 5. The site includes most areas on Earth catalogued by Google StreetView.

"This is an emotionally engaging consumer experience that we hope will change behaviors," says Ronald Ng, CCO of the agencies that crafted the work. The goal is to convince folks to calculate and offset their carbon footprint and hopefully slow global warming and the melting of the polar ice caps.

The campaign's timing is prescient, as NASA just determined that melting ice sheets in Antarctica could cause higher global sea levels than previously anticipated. Luckily, that process should take a few centuries, so in the meantime we can use CarbonStory's tool to preview the potentially soggy world of our descendants.

At least one scientific researcher, Philip Orton of the Stevens Institute of Technology, says World Under Water's approach is all wet. Interviewed by Mashable, he dismisses the campaign as an "information-less thing that just demonstrates what it looks like to have water on your block (be it Denver or Charleston). It has very little actual information content."

Typing in my location generates an image of waves rushing down the street, covering cars and lapping at second-story windows. But with all the rain we get here in Boston, it always kind of looks like that anyway.




In a World of Insane Homemade Ads for Used Cars, This Might Be the Craziest

"Do you want to be perceived as rich and cuddly? Of course you do!"

We've seen our share of crazy homemade ads for used cars. But this one, created by a Swedish art director known as Castor, ranks right up there with the best of them.

"This is a personal ad for my Volvo 245GL '93," he writes. "Red. Five owners before me. Complete service journal by Volvo up until in 2009. Inspected until November 30. New battery and radiator. Summer and winter tires. 7500 Swedish crowns or the highest bidder."

That's about $1,142. A bargain, judging by the epic video.

Via Devour.




Impressive Student Ads Memorably Show Moms Exiled to Toilet Stalls to Breastfeed

Do you like eating in public restrooms? Or does the sight of a toilet and the acrid scent of piss ruin your appetite?

Johnathan Wenske and Kris Haro, both juniors at the University of North Texas, created these nicely made student ads depicting young mothers breastfeeding on toilets—to support bill HB1706 in the Texas legislature, which would protect mothers from harassment and discrimination when they breastfeed their children in public.

The creatives were inspired by the story of a woman who was harassed for breastfeeding in a Target. They decided to shoot three young mothers, perhaps because young moms are least likely to breastfeed. To their credit, the ads don't try to shock. They merely capture the everyday situation many mothers face "when nurture calls." They don't go overboard by art directing a dirty bathroom or even a poorly lit bathroom, but the images are still powerful because breastfeeding in a toilet stall, even a reasonably clean toilet stall, is disgusting.

The three simple headlines are pretty perfect, too.

Seeing breastfeeding in another light—from the perspective of moms forced to nurture an infant in a toilet stall—might help more people to see that the cost of their comfort is another's discomfort. And they might even decide to look away instead of having their say.

See the ads below. Via Yahoo.




Canal+ Makes Clever Use of Its + Symbol in Redesigned Movie Posters

This Canal+ campaign, which uses the French TV channel's trademark "+" symbol as a visual cue in a series of reimagined movie posters, sure has lots of positives.

The work was created by BETC Paris to celebrate the 67th Cannes Film Festival (which runs May 14-25) and will appear as outdoor and print advertising during the event. Nine movies screening on Canal+ are featured, including Despicable Me 2, Fast & Furious 6, Star Trek Into Darkness and Man of Steel. The "+"s on these particular posters work extremely well, replacing, respectively, a Minion, tire tracks, stars in outer space and the stylized "S" on Superman's chest.

Canal+ has produced notably offbeat advertising in recent years, including ads with bears and dwarf clowns (via BETC) and a mockumentary about the guy behind Hollywood's most famous scream (via FCB).

The original poster artwork for many of the films in this latest campaign was intricate and memorable. (Trek's was quite dynamic, casting the outline-shape of the Star Fleet uniform badge as a dramatic "window" framing device.) Even so, the simplicity of Canal+'s sleek, stripped-down approach offers an uncluttered, clever homage that ultimately amounts to addition by subtraction.

CREDITS
Client: Canal+
Brand Management: Alice Holzman, Élodie Bassinet, Anne-Gaëlle Petri, Coline Andre
Agency: BETC, Paris
Agency Management: Bertille Toledano, Guillaume Espinet, Elsa Magadoux, Hugo Chavanel
Executive Creative Director: Stéphane Xiberras
Creative Director: Olivier Apers
Art Director: Jordan Lemarchand
Copywriter: Julien Deschamps
Traffic: Coralie Chasset
Production: Sarah Belhadj




Campaign to Plant More Trees in NYC Begins by Tagging Everything That Isn’t One

OK, it's time to play "Tree, Not a Tree."

New York City has so few trees that people there might have forgotten what a tree is, exactly. At least, that's the tongue-in-cheek idea behind the New York Restoration Project's new campaign from ad agency Tierney.

The effort involves tagging objects around the city (especially in low-tree/high-traffic neighborhoods) with labels that read, "Not a Tree." Accompanying text says, "There aren't enough trees in the city. Let's change that," along with the NotATree.org URL.

"Yes, a Tree" tags will go on saplings planted as part of NYRP's MillionTreesNYC project. Text on those reads, "Thank you. This is exactly what our city needs."

The campaign also includes more traditional media, including TV, radio ("That little red thing on the sidewalk that dogs like to tinkle on? Not a tree"), print, billboards and online quiz banners. It runs May through June, which is prime planting season.

The New York Restoration Project, founded by Bette Midler, is recruiting New Yorkers as volunteers for MillionTreesNYC, which hopes to plant 1 million new trees by 2017.

More images and credits below.

CREDITS
Client: New York Restoration Project

Agency: Tierney, Philadelphia
Executive Creative Director: Patrick Hardy
Creative Director, Copywriter: Andrew Cahill
Art Director: Tracy Shinko
Agency Producer: Tom Adjemian
Editor: Aaron Hann
Project Manager: Ben Wollman
Account Director: Rick Radzinski

Postproduction: Shooters, Philadelphia
Producers: Rebecca Lyons, Matthew Licht, Eileen Dare
Colorist: Janet Falcon
Sound Engineers: Bob Schachner, Mike Taylor

Radio: Mister Face, division of Sound Lounge, New York
Executive Producer: Michael Schmidt
Producer: Torria Sheffield
Recording Engineer: Collin Blendell




Newspaper Ad Asking ‘Got Stumps?’ Appears Above Photo of Amputee

Here's a front-page ad placement disaster so awkward, it makes you feel bad for everyone involved.

A tree service ad bought a year in advance ran in Sunday's Anchorage Daily News with the headline "Got Stumps?"—right above a photo of a triathlete who lost the lower half of a leg in a car accident.

The owner of the business being advertised, TBF Services, tells Jim Romenesko that he learned about the poor placement of his sticky-note ad after friends began texting him Sunday. He hadn't heard from the newspaper yet, but we're guessing he's going to get one heck of a make-good offer over this one. 




‘You Are What You Share’ Video Captures the Sheer Stupidity of Social Media

State.com has set all our hilarious social media frustrations to classical music.

Along with all having to look at what other people care about, which turns out is never what you care about, there’s angst about hashtagging, tail-wagging and "Am I bragging?" All of it leads up to the message that no one cares about your social media posts. State suggests we use another part of our brain, though they don’t say which part.

Seriously, do you have any idea from this promo what the State app actually does? Turns out it allows you to rate and comment on topics without posting or sending your comments to social media, and then it turns those ratings into graphs … because graphs.

So, if you hate social media and love graphs, log off your networks and download the State app. Or you know, at least stop Instagraming pictures of lamps.

Credits below.

CREDITS
Client: State.com
Director and Editor: Alex Gorosh
Director of Photography: Matt Garrett
Executive Producer: Max Joseph
Producer: Josh Fruehling




Honda Creates Bottled Water Brand in Honor of Vehicle That Emits Only Drinkable H2O

The compressed hydrogen-powered Honda FCX runs so clean, its exhaust contains only water—and it's so clean, it's drinkable. To celebrate this, Honda Australia and Leo Burnett Melbourne came up with a memorable stunt—creating a new bottled-water brand, H2O.

As seen in the case study below, the automaker gave the water away in movie theaters around Australia (as free samples, no less) as a way of showing people what they're doing for the environment. There are also plans to make the water available at Honda service stations and dealerships.

Copy on the bottle reads: "Delicious, fresh H2O from a pristine mineral spring, cool mountain glacier or … the exhaust pipe of the Honda FCX. The world's first hydrogen-powered car that emits only water. Water so clean and pure, you could put it in a bottle and drink it. Now isn't that refreshing?"

Note the use of "could." It doesn't appear that this water is actually the by-product of FCX. Still, a neat idea. The product is nicely designed, too, with an effective minimalist aesthetic. I really like how well the Honda logo works as the hydrogen symbol in H20.

Via Popsop.




Kevin Bacon’s Brother Michael Does Ads for Turkey Bacon in Union of Less Famous Bacons

Brad Pitt's brother did it. Now it's Kevin Bacon's brother's turn.

Michael Bacon, the less famous of the Bacon brothers—though not entirely unknown, as he is one-half of The Bacon Brothers, the band—has signed up for an amusing campaign by Oscar Mayer to advertise another less famous bacon: turkey bacon.

The video below, from 360i, sets up the goal of the campaign, which is to get people to follow Michael on Twitter and catch his more famous actor brother. (This will be a challenge. Kevin has about 431,000 followers. Michael currently has about 1,300.)

"We really feel for Michael, and we want to support him as much as possible," says Tom Bick, senior director of integrated marketing and advertising at Oscar Mayer. "You just have to embrace each one for its own individual qualities. And that's what we do with our entire line of bacon products—each one is spectacular, because it's made by the bacon experts at Oscar Mayer."

Being used almost literally as a piece of meat doesn't seem to bother Michael, though. Good luck to him.




Coke Plays Peacemaker in Another War: the Milan Soccer Rivalry

Here's an amusing bit of mischief. Coca-Cola brought together fans on both sides of one of soccer's fiercest rivalries by making them give each other sodas.

"Fair Play Machines," a campaign from McCann in Milan, shows the brand placing a pair of its signature high-tech, manipulative vending machines at opposite ends of San Siro Stadium in Milan while club teams Inter Milan and A.C. Milan were facing off there. Fans of each team could hit a button to serve a Coke to an opposing fan at the other machine—effectively forcing opponents to do something nice for one another.

The clip is full of the happy vibes to be expected from Coke ads, and a nice nod to good sportsmanship—in a league where its opposite has been disturbingly true lately.

It's also reminiscent of the brand's "Small World Machines" campaign from last year, which tried to ameliorate the India-Pakistan conflict with a similar set of interconnected machines—though softening a sports feud is maybe a less pretentious bit of peacemaking for a sugar water company.

Credits below.

CREDITS
Client: Coca-Cola
Roel Annega – CSE Marketing Director
Andreas Johler – CSE My Coke Director
Guido Rosales – EUG IMC Director
Claudia Navarro – CSE IMC Director
Francesco Cibò – CSE Content Excellence Manager
Camilla Zanaria – CSE Content Excellence Manager
Agency: McCann Worldgroup Milan
Global Creative Director: Miguel Bemfica,
Creative Director: Gastón Guetmonovitch, Miguel Usandivaras
Art Director: Cristina Caballero
Copywriter: Curro Piqueras
Graphic Designer: Marina Tercelán
Account Manager: Sanziana Fanica
Account Director: Andrei Kaigorodov
Agency Producer: Massimo Busato
Production Company: Filmmaster Productions
Director: Edoardo Lugari,
Executive Producer: Karim Bartoletti
Producer: Elena Marabelli
Editor: Francesco Cusanno, Toboga
Music: Alberto Cimarrusti, Bronze Radio Return




Fun Prank or Abuse of Power? Cops Pull Over Drivers to Give Them Ice Cream

Their intentions were good, but this ad about real police stopping motorists to give them free ice cream has left some critics saying the feel-good attempt is little more than a corporate-sponsored abuse of power.

Opinions are clearly mixed on the commercial for Unilever-owned Wall's Ice Cream, known in America under brand names like Eskimo and Good Humor. With 500,000 views and 1,266 thumbs-up votes (compared to just 96 thumbs down) on YouTube, the spot seems to be a winner. But the video's comments are awash in negative feedback.

"Oh great, make me late for an appointment so you can play a joke on me," notes one commenter. "I'm sorry, but this is an unacceptable use of government resources.?"

"Apparently abuse of power and playing on people's fear of arbitrary prosecution is cute now," says another.

This isn't exactly an easy time to be building social media goodwill around police officers. The recent #MyNYPD initiative meant to encourage positive photos of cops in the community instead led to a deluge of images of police beating and wrongfully detaining suspects. So it's understandable that some viewers wouldn't enjoy seeing police (or in this case California's Plumas County Sheriff's deputies) pulling over innocent people on a corporation's dime.

But the ad also has its share of fans, several of whom laughably dismissed the haters by pointing out that the ad ends with the comment, "People need to lighten up a little bit."




GE Travels the World to Show the Very Human Side of Its Cutting-Edge Tech

GE generally does a good job of telling stories around technology that's diverse and specialized. A new collection of two-minute spots from BBDO New York is no exception.

There are three videos in the series so far, all beautifully shot and edited. One introduces a jet-skiing Japanese doctor who uses the brand's portable medical equipment to tend to patients on the country's islands.

A second interviews the inhabitants of another island halfway around the world, in Scotland, that gets power from underwater turbines made by GE. The third features a young boy in China taking his first flight to meet his soccer heroes, thanks to GE's jet technology.

The ads are a little heavy-handed in their sentimentality at moments and could probably accomplish the same thing in a smaller window, but the slower pacing isn't altogether unpleasant. They also aren't quite as inventive as the brand's recent, trippy spot that envisioned some of the same products through the eyes of a child.

But they do have the narrative appeal and human element that was missing from the clips of GE's research lab equipment smashing random objects, or the the shipping container dance that the brand choreographed. The global scope also brings to mind IBM's recent 60-commercial opus for the Masters, but with a somewhat less granular, more humble approach not aimed at proving that the brand is in fact everywhere at once—though it's still easy to imagine that it is.

 

CREDITS:

Agency: BBDO, New York
Client: GE                     
Chief Creative Officer, Worldwide: David Lubars
Executive Creative Director: Michael Aimette
Senior Creative Director: Chris Lisick
Group Director of Content Production: Anthony Nelson
Producer: George Sholley
Associate Creative Directors:  Judd Counsell, Lance Vining
Head of Music Production: Rani Vaz
Senior Account Director, Worldwide: Emma Armstrong
Account Director: Katie Hankinson
Account Manager:  Tessa Cosenza
Assistant Account Executive: Joslyn Dunn
Production Company: Greenpoint Pictures
Director: The Hudson Dusters
Director of Photography: Logan Roos
Music House: The Music Bed
Editing, Visual Effects House: Greenpoint Pictures
Editor, "Moon Power in Scotland": Logan Roos
Editor, "Zeng's First Flight": Philip Knowlton
Editor, "Kumiko's First Ultrasound": Philip Knowlton
Sound Design: One Thousand Birds




Google Thanks Every Teacher on Earth for Helping Kids Discover the Worlds Beyond

Google thanks "every teacher on Earth" for inspiring students to reach for the stars in this clip that uses space exploration and astronomy as its central theme.

Space is a great fit for Teacher Appreciation Week because the best teachers, regardless of the subject, take us on bold journeys and open vistas filled with wonder. The ad notes that gazing at the night sky is like looking into the past (since starlight takes an immensely long time to reach Earth). By presenting limitless possibilities, teachers unlock our minds and give us glimpses of our future selves.

Of course, Google resources are touted, but it works in context, and the company did give something back, donating $340,000 this week to fund every classroom request made by teachers in Atlanta on DonorsChoose.org.

The spot risks a snag when the teacher confides, "When I was a little girl, all I wanted to do was go to the moon." Presumably, that aspiration went unfulfilled, which is kind of sad. Still, she's elated to be sharing her knowledge and enthusiasm, so in that way her dream still soars.




Kevin Durant’s Touching MVP Speech Is Now an NBA Mother’s Day Ad

If Donald Sterling is the feel-bad story of the NBA Playoffs, Kevin Durant represents something altogether different.

His humble and heartfelt tribute to his mom during the Tuesday ceremony, where he received this year's MVP award, has lit up the Internet with good cheer. And now the NBA has turned it into a sweet message to moms, three days before Mother's Day.

Produced by Goodby, Silverstein & Partners with NBA Entertainment, the ad mixes footage of a cheering Wanda Pratt with the words of her son, star forward of the Oklahoma City Thunder. The spot will break during tonight's playoff game coverage.




Old Spice Lets Its Fingers Do the Walking in Real-Time Twitter Campaign

Idle hands are the devil's playthings, and those hands look particularly evil when they have 14 fingers or the heads of chickens.

Earlier today, Old Spice posed a simple question on Twitter:

The answers came flooding in, and the team at Wieden + Kennedy has been busy ever since, whipping up Photoshopped images of some of the more peculiar replies.

Check some of them out below, and give Old Spice a hand for another inspired time-waster.




Christie’s, the Auction House, Actually Made an Ad That Doesn’t Smell 250 Years Old

Auction house Christie's may be celebrating its 250th birthday in 2016, but it's trying to seem more youthful in this promo for a contemporary art sale happening this Monday.

From the Christie's site: "Professional skateboarder Chris Martin rides through Christie's, giving a behind-the-scenes look at highlights from our 'If I Live I'll See You Tuesday' Contemporary Art Evening Sale, with a soundtrack by Awolation."

The video—presumably made in a contemporary style to push the contemporary product—does a nice job of showing off the art. Loic Gouzer of Christie's tells NPR: "We always show art in the same way, on pristine galleries, on white walls and I think that if you change a bit the context, you infuse it with a new meaning."

But not everyone is impressed.

Art critic Michael Miller of the New York Observer said, "I thought the video was ridiculous. As if they're marketing to a bunch of punk rockers who like skateboarding but, you know, have an extra $10 million just on standby to spend on a Warhol."

If nothing else, Martin has the role of douchey art handler down pat.

Directed by Gary Gardner. Via The Denver Egotist.




Godzilla Is ‘Craving Italian’ in Fiat’s Movie Tie-In Ad

As if Italian auto brand Fiat hasn't had enough challenges in its recent U.S. reboot, the car becomes a snack for none other than Godzilla in this goofy but likable tie-in with the upcoming movie.

In this 45-second spot, created by The Richards Group, Big G chases down a four-door Fiat while generally wreaking havoc across a city, only to find the car's not quite the bite-size morsel he had in mind. (Some commenters have been amused by the ad's disclaimer assuring viewers that the giant-lizard-fueled mayhem "didn't actually happen.")

The movie debuts May 16. It stars Bryan Cranston, who will probably fire his agent that day. Unless he wakes up in bed next to Jane Kaczmarek, relieved that this puzzling career move was just a bad dream.




This Ad Has No Respect for Personal Space, but at Least Honda Does

How do you sell a car to people who live in a city with plenty of transportation options? Simple. Offer them personal space. From there, it's cake.

This new ad for Honda's City vehicle by Leo Burnett's Melbourne office may be geared for Australians, but showing the sheer variety of ways that some jerk can invade your personal bubble works for any metropolis.

It could be my Northeast upbringing (I'm uncomfortable if someone outside my immediate family tries to hug me), but I appreciate just how annoyed these people are. Contrasting that with the visible space and relief the vehicle's interior offers is a nice effort.

Environmentally friendly mass transit, be damned!

Credits below.

CREDITS
Client: Honda
General Manager, Communications: Jason Miller
Brand Communications Manager: Melissa Altarelli

Agency: Leo Burnett, Melbourne, Australia
Executive Creative Director: Jason Williams
Creative Director: Andrew Woodhead
Head of Copy: Sarah McGregor
Senior Art Director: Rob McDowell
Senior Agency Producer: Cinnamon Darvall
Group Account Director: Chris Ivanov
Senior Account Director: Jaime Morgan
Account Manager: Jacquelyn Whelan

Production Company: The Sweet Shop
Director: Noah Marshall
Producer: Tony Whyman




The Girl in This Clean-Water PSA Can’t Cry, but Not Because She Isn’t Heartbroken

Water Is Life and DDB New York's latest spot is, like much of their other work, heartbreaking. The ad focuses on the struggles of a young girl born in the slums of India, and does not pull its punches.

In the past few years, the clean water charity has skewered the smarmy #FirstWorldProblems hashtag, helped a 4-year-old Kenyan boy fulfill his bucket list, and most recently, created a water safety book with pages that double as water filters.

The new PSA, titled "The Girl Who Couldn't Cry," is an incredibly powerful piece of film, leaning heavily on shock value. But as with the organization's previous efforts, it makes its point all the more effective by creating that discomfort in—and compassion from—more privileged viewers.




Awkward Around People With Disabilities? These Ads Want to Help

Ever met someone with a disability and felt unsure what to say or how to even shake hands? If so, you're not alone, and British advocacy group Scope is here to help end the awkwardness.

Grey London worked with Scope to create a campaign "based on the insight that most people don’t know how to act around disabled people—which usually doesn't come from deep-seated prejudice but is due, primarily, to 'innocent ignorance.'"

The ads below show situations that almost anyone will recognize: How to shake a hand that isn't there, how to get the attention of someone you've realized is deaf and how to talk to someone in a wheelchair without looking like you're trying to comfort a child.

Offering play-by-play commentary on the situations is Channel 4 presenter Alex Brooker, who was born with multiple disabilities and wears a prosthetic leg.

The "End the Awkwardness" campaign strikes a great balance of tackling a real barrier between people while also avoiding the implication that you should feel like a monster for making the occasional social blunder. 

"We're extending the hand of friendship to those who feel awkward around disability," says Vicki Maguire, deputy ecd at Grey London. "This is not a blame game. There's often no malice involved—many people just don't know how to act. We've had great success with education through comedy, and our aim here is to remove the stigma that often exists around disability. It's time to break the ice."

The campaign has a quiz to help determine your awkwardness level. Despite having friends with a wide range of disabilities, I tried to be honest with my answers and learned that I'm "a big dollop of cringe." The site's advice? "Next time you feel a nervous laugh or 'what the heck do I do now' coming on, stay calm and just remember, you can do this."

CREDITS:

Project: "End the Awkward"
Client: Scope
Executive Creative Director: Nils Leonard
Creative Director: Vicki Maguire
Creatives: Lex Down, Jamie Starbuck
Agency Producer: Holly Blackwell
Account Management: Bill Scott, Katharine Easteal, Sophie Fredheim, Rosalie Jones
Planners: Matt Tanter, Mike Alhadeff
Media Agency: Mediacom
Production Company: Biscuit
Director: Jeff Low
Editor: Anne Perri, Workpost
Producer: Kwok Yau
Director of Photography: Daniel Bronks
Postproduction: The Mill
Audio Postproduction: Scramble