(TrendHunter.com) Dreamy and sensual, the editorial by photographer Aaron Feaver for Cake Magazine appears to revolve around an adventurous motor trip embarked on by two lovers. If that were the case, Feaver would…
Après avoir réalisé le clip de The XX – Chained, le collectif Young Replicant a mis en images le morceau « First Fires » de Bonobo. Produite par Pulse Films, cette création très réussie et d’une grande sensibilité met en scène les acteurs Salomon Anaya & Caitriona Balfe. A découvrir dans la suite.
A report by the West Yorkshire police covered 68 of hundreds of sexual abuse allegations that have surfaced against the former television presenter Jimmy Savile.
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(TrendHunter.com) While historical buffs might wet their pants at the idea of roaming the ruins of Pompeii or the Mayan Temples, sci-fi geeks will probably cut off their pinky toe for the chance to explore the…
(TrendHunter.com) Playing along the borders of nonsense, Csilla Klenyanszki creates surreal scenes that she then photographs to share with the world. Note the order of her process, instead of taking a photo first and…
(TrendHunter.com) Sustainability is a hot button topic these days and the Soleta ZeroEnergy One by FITS home features a number of innovative design aspects that make it oh so green. Built on the basis of four…
Many of Mumbai’s iconic destinations were once named after prominent figures of the British Raj. However, post India’s independence many of these places were renamed after well-known Indian personalities. Through its walking tours, Raconteur Walks takes locals and tourists on the city’s journey from Bombay to Mumbai.
Advertising Agency: ELEVEN Brandworks, Mumbai, India
Founder Director: Prateek Bhardwaj
Creative Directors: Abhishek Dey, Sambit Mishra
Art Director: Sanjog Karulkar
Copywriter: Navin Chawla
Illustrator: Nishikant Palande
The post Reconteur Walks by Eleven appeared first on desicreative.
The campaign equates faucets to instruments and uses music to tell the story of the faucet’s reliable, precise control.
To demonstrate the concept of Touch2O faucets as precisely tuned instruments, we collaborated with Glenn Kotche, drummer from the Grammy Award winning band Wilco, and a world-renowned percussionist and composer in his own right.
Glenn used his knowledge of experimental percussion to recreate the American Motown classic, “Reach Out, I’ll Be There” using only Touch2O faucets and their water hitting various kitchen and bathroom items. He spent a day at Delta’s Dream2O Showroom in Chicago experimenting and recording the individual and specific notes needed to recreate the song.
Advertising Agency: Leo Burnett, Chicago, USA
Chief Creative Officer: Susan Credle
Executive Creative Director: Charley Wickman
Creative Director: Jo Shoesmith
Associate Creative Director / Art Director: Greg Nobles
Associate Creative Director / Copywriter: Brooke Anderson
Account Director: Cindy Blikre
Account Supervisor: Jennifer Kalseim
Executive Producer: Tom Keramidas
Producers: Rod Wilson, Matthew Scoville
Music Director: Gabe McDonough
Production Company: Furlined
Director: Stuart Parr
Editorial: Final Cut
Editor: Adrianna Tomasetting
Director of Photography: Max Goldman
At the annual upfront week, the largest broadcast networks and cable channels will show off their programming for the 2013-14 season in expensive presentations.
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Recentemente falei aqui de “Riot”, um simulador 8-bit de protestos, e de como o florescimento dos games independentes anda produzindo boas e inovadoras ideias.
Um outro criativo trabalho é “Papers, Please”, desenvolvido por Lucas Pope, e que tem uma proposta bem incomum. No jogo você é um inspetor de imigração e, com o poder que os carimbos lhe dão, deve decidir quem pode ou não entrar no país.
Jamais poderíamos imaginar burocracia como algo divertido, mas o jogo constrói muito bem o cenário para nos manter interessados.
“Papers, Please” se passa em 1983, no distópico estado comunista de Arstotzka, que passou seis anos em guerra com a vizinha Kolechia. Seu objetivo é inspecionar os imigrantes e turistas que desejam entrar no país, tomando decisões – se nega ou concede o visto – baseado-se apenas nos documentos apresentados
“Papers, Please” recebeu luz verde no Steam, e pode ser baixado de graça na fase beta
Parece fácil, certo? Mas, novamente, o jogo desenvolve inúmeras possibilidades. Além de pessoas procurando por trabalho, há espiões, bandidos e terroristas tentando burlar o controle da sua fronteira. Você deve procurar por inconsistências no passaporte, e lidar com as diversas restrições que são baixadas pelo governo com frequência.
A quantidade de regras, que mudam o tempo todo, vai dificultar o seu trabalho, até porque você não tem tempo ilimitado para verificar detalhadamente as informações. Se falhar no critério, seu salário é reduzido, e você pode morrer de fome. Um indicador no canto inferior direito mostra o seu peso em quilos.
“Papers, Please” levou luz verde da comunidade no Steam, e em sua fase beta pode ser baixado de graça. Tem pra Mac e PC.
Assista o trailer acima. Já no vídeo abaixo você pode conferir a jogabilidade detalhada desse trhiller de papelada:
/dica do leitor Miguel Castarde
Post originalmente publicado no Brainstorm #9
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(TrendHunter.com) Renowned sculptor Scott Hove is wowing audiences once again with this latest art exhibition called ‘Guns & Ecstasy,’ which showcases a variety of different weaponry that are designed…
(TrendHunter.com) People are largely impressed by successful sculptural cakes that are modeled on inedible objects, and this Surgery Cake would certainly stir up some intense reactions. Depicting a fairly realistic (…
His announcement came amid reports that the Fox network has decided to remove all of the show’s on-air judges and its executive producer.
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Microsoft is said to have offered to take over the Nook unit’s e-books and devices operations, but it is unclear whether there are any current talks on a possible deal.
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Avec ses séries photographiques « Things Come Apart & Disassembly Series », Todd McLellan nous propose de décomposer entièrement des objets sophistiqués pour en voir toutes les pièces. Une création visuellement très réussie qui sera publiée chez Thames & Hudson durant le mois de mai. Plus dans la suite.
From Adbusters #107: The Epic Story of Humanity: Part 1, Spring
Sixteen years is all the time we have left to reduce our oil addiction and avert the predicted 2 degree celsius global temperature rise caused largely by automobiles.
The #16yearsleft campaign, started by Toronto based activist/art group Our Horizon, is pushing for city councils across the world to put warning labels on gas pumps. Go to ourhorizon.org and start with your hood. Send a letter to your local representative here.
As for me, I carry the stickers around in my backpack so that whenever I’m out and about, I’ve got a quick and dirty way to earn #killcap points. Stickers are silent, fast and effective. I just grab some designs from the web and print them at home. It may not earn as many points as rancid butter in Goldman Sachs, but by now I’ve probably slapped a few hundred memes onto the gasoline pumps around town. I bike whenever possible. And I offset my carbon emissions by playing #killcap.
The Web site identified 30 partners in its online video marketplace, which offers subscription rates ranging from 99 cents to $7.99 a month.
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Most of the Brazilian Symphony Orchestra’s (OSB) audience is older than 65 years. To ensure its survival they needed more admirers. So, how to attract people to a music genre they don’t usually listen to? We shot the orchestra playing classic movies themes and used You Tube to make people realize they already like classical music. As a result we had a 40% increase of young people in the audience and all the orchestra’s concerts for this season are sold out.
Advertising Agency: Artplan, Rio de Janeiro, Brazil
Art Director: Augusto Correia, Leonardo Marçal, Rodrigo Lopes
Copywriter: Augusto Correia, Leonardo Marçal, Rodrigo Lopes
Web Developer: Leonardo Marçal
Web Production: Augusto Correia, Leonardo Marçal
Agency Producer: Ana Ourique
Photographer: Bruno Foscaldo
Executive Creative Director: Roberto Vilhena
Creative Director: Alessandra Sadock, Gustavo Tirre
Account Executive: Ana Deccache
Account Manager: Pedro Sharp
Media: Tiago Pinheiro
Film Production: Tycoon
Director: Kiko Lomba
Producer: Samara França
Editor: Ralse
A Tok&Stok passa o ano fora do radar da comunicação, mas, não coincidentemente, sempre aparece semanas antes do Festival de Cannes. É como um relógio suíço.
A marca pouco faz. Produções como essa então – vídeo acima – nunca antes na história desse país. Não falo nem de compra de mídia e veiculação na televisão, porém, sequer em seu canal no YouTube o comercial aparece.
Situado em um vilarejo do século XVIII, especialmente construído para o filme, vemos aqui o ritual de iniciação de um garoto. São longos dois minutos e meio até descobrirmos do que realmente se trata, mas não envolve caçadas ou grandes inimigos, apenas montagem de móveis.
Filmado em Praga, o comercial tem criação da DM9DDB e produção da Fulano Filmes.
Vamos lá Tok&Stok. Promova seu filme. Coragem.
Post originalmente publicado no Brainstorm #9
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(TrendHunter.com) The Numero Yokyo No.67 June 2013 editorial features international model Karolina Kurkova dressed in minimalist white ensembles that are beautifully accented with a simple floral headpiece.
With…
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