New York Times adapta seu logo para conteúdo em vídeo

O New York Times inaugurou um hub dedicado ao conteúdo em vídeo, e para tanto fez uma adaptação de seu clássico logo, que será utilizado dentro da plataforma.

Proposto pelo estúdio Work Order, o “T” foi sutilmente alterado, incluindo um símbolo de play. A intenção é refletir uma união harmoniosa entre velha e nova mídia.

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Desde o início do ano, o New York Times vem investindo forte em conteúdo multimídia. O hub de vídeos conta com 14 diferentes canais, e oferta de publicidade nativa. Apenas no mês de março, foram publicados 430 novos vídeos no site do clássico jornal, contra 270 em 2013 inteiro

Abaixo, a versão animada do logo:

Para acompanhar a iniciativa, será lançada também a campanha “Beyond Words”:

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Brainstorm9Post originalmente publicado no Brainstorm #9
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The Slo Mo Guys Blow Up Daiquiris and Pina Coladas For Captain Morgan

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In a couple of less-than-exciting slow motion videos, The Slo Mo Guys have a bit of fun smashing up a collection of daiquiris and pina coladas for Captain Morgan. But they did make another video entitled Canon which is actually pretty cool.

To support the premiere of this video series, the brand will be hosting a two-week contest that challenges fans to guess the number of cocktails that were demolished during the making of “Cannon.” The 100 fans who come the closest to the correct amount of cocktail causalities will win a Captain Morgan branded cannonball. The contest will be hosted on Facebook, where fans will be able to submit their entries in the comment section.

After Eliminating Women’s ‘Creamy Behemoths’ Poo-Pourri Wants to Eliminate Men’s ‘Man Manure’

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Well it’s nowhere near as funny as witnessing a cute birthing a creamy behemoth from her cavernous bowels all to promote a spray, Poo-Pourri, that traps poo smells beneath toilet water.

While the first video, which has over 26 million views, was filled with an endless litany of pet names for pooping, this one is a bit more sterile and comes off as if it were a sterile product demonstration video.

Much like DollarShaveClub, sequels never really live up to the original.

IKEA – Wonderful Everyday

Réalisée par Keith Schofield et produite par Caviar, voici la nouvelle campagne d’IKEA au Royaume-Uni : « Chaque jour merveilleux » rassemble famille, convivialité, ergonomie, et design dans une vidéo dynamique qui montre une cuisine de famille en mouvement constant, mais où tout néanmoins se passe en douceur.

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Age of Wonder: Mistaken ideas about Darwinism

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Fortey believes that the natural progress of evolution is always towards greater richness, and that this is the way our planet is meant to be when Darwinian evolution is allowed to play out naturally. Mistaken ideas about Darwinism have contributed to a view of human life that diminishes rather than enhances richness, particularly in the Weltanschauung of market capitalism continue

Dylan Thomas’ ‘Do Not Go Gentle Into That Good Night’ Beautifully Highlights Medical Efforts in Tanzania

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Here’s some beautiful new work from New York-based agenda:NY for the new Abbott Fund campaign. Directed by Ruben Latre, the work, produced by Hostage Films, was created to highlight the global work done through Abbott’s international partnerships across the globe. Director Latre spent 10 days in Tanzania filming at the Muhimbili National Hospital in Dar es Salam. Latre came onboard as director & DP for the campaign, which filmed in hospital environments and features the trials and tribulations faced by patients and doctors.

The video is backed by a voiceover which slowly intones Dylan Thomas’ Do Not Go Gentle Into That Good Night. Which a fitting testament to the plight faced by those highlighted in this vodeo

This is What Game of Thrones, Star Trek, Walking Dead Look Like on Easter

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Just in time for Easter, Easy Explain Videos is out with a collection of, well, easy to understand spoofs of well known TV shows such as Game of Thrones, Star Trek, The X-Files, Breaking Bad, Homeland, Walking Dead, Dexter and The Big Bang Theory.

Each video, with its own unique name like Game of Eggs, Star Tregg and The Egg Files are all about experiencing some witty Easter amusement. Check three of them out in the video below and all of them on this site where you can vote on what you’d like them to create next.

Você aceitaria uma vaga para o trabalho mais difícil do mundo?

Os 24 candidatos ao trabalho mais difícil do mundo não acreditavam no que ouviam durante a entrevista que faziam através de videoconferência. Eles pareciam estarrecidos enquanto o entrevistador esclarecia detalhes da vaga, que incluíam a necessidade de estar disponível 24 horas por dia, durante o ano todo, sem a possibilidade de férias, de pausa para o café e, ainda pior – sem nenhum pagamento.

“O sentimento que você vai ter ao ajudar o seu colega será imensurável”, tentava convencer o recrutador, diante das caras de horror das pessoas durante a entrevista. Por fim, ele questiona: sabe quem faz isso todos os dias?

A resposta levou cada um deles a refletir mais sobre a disponibilidade que esse trabalho tão difícil requer, sem ter quase nada em troca. Confira no vídeo. A ação é da Agência Mullen, de Boston, para a Cardstore.com.

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Let’s Throw Colored Powder on Some Models in Slow Motion And Call It An Ad

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Well the headline pretty much sums it up. Ad since this is a fashion ad, it makes perfrect sense too. Because, as we all know, you can get away with anything when you are creating a fashion ad. Everything from vapid stares into the camera to getting faux raped by a bunch of shirtless guys works just fine for fashion brands.

So why not toss colored powder on a threesome of models to tout the launch of British fashion brand Barbour’s collaboration with Pantone for its Spring Summer 2014 collection? In solow motion.

Yea. Fashion Advertising. It’s awesome.

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Capsus Films a conçu, produit et réalisé ce manifeste pour la nouvelle marque de montres MONA : une vidéo chaleureuse parlant de l’âme des choses. La montre se fait discrète et la vidéo met en avant des paysages, des humains, des sentiments, des couleurs et des sensations très esthétiques.

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G.I. Joe-Themed Episode of Community Is Packed With Retro Awesomeness

NBC's Community regularly pays tribute to its characters' pop culture obsessions, but it still came out of left field when the last episode focused on protagonist Jeff's love of G.I. Joe. 

Not a knockoff legally distinct from G.I. Joes, either, but the actual Joe toys and cartoons themselves, both owned whole cloth by Hasbro, which is apparently totally cool with integrating its product into a really good episode of an extremely dark comedy (Jeff was hallucinating about children's toys after mixing anti-aging pills and alcohol).

Update: Hasbro's Mike Vogel says he loved the episode. "They made all the toys and did all of the designs and animation themselves," Vogel told us. "However we did work with them every step of the way to ensure authenticity. The Community team sent us the script, all of the character designs, props, backgrounds, etc. It was actually a very easy process. The Community team are all clearly such hardcore G.I. Joe fans that they made sure everything was 100 percent authentic before they sent it to us. Their love for the brand was apparent in everything they did and we couldn't be more thrilled with how it all turned out!" (Who wants to bet Jeff mixes less funny meds with his booze in draft 1?)

One of the best things showrunner Dan Harmon and his team managed to do was include some slightly too real advertisements for toys based on the characters:

It's all series accurate, too. Overly earnest feminist Britta is "Buzzkill," uptight Annie is "Tight Ship," motherhood-crazed Shirley is "Three Kids," meta Abed is "Fourth Wall," and Jeff Winger is "Wingman." Each sold separately. And if the show taught us one thing, it's that collecitng 1980s military toys is a perfectly reasonable obsessi … er, hobby for an adult man and there is nothing unusual about it. 

And of course the episode had to include one of G.I. Joe's "Knowing Is Half the Battle" PSAs featuring characters from the show:

We'd post more of the ads, but they seriously make up about a third of the episode, so just check out the whole thing below:




Uma pedalada por um mundo em miniatura, feita com 6 GoPros e um suporte customizado

Conhecida como projeção estereográfica, a técnica de transformar uma superfície esférica em uma representação plana foi recriada pelo fotógrafo alemão Jonas Ginter de um jeito bem criativo: ele colocou 6 câmeras GoPro bem juntinhas, usando um suporte customizado, criado com a ajuda de uma impressora 3D.

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O resultado da engenhoca  é uma perspectiva divertida e diferente, que mostra quase 360? de um passeio de bike e de outras atividades do dia a dia.

Nada como unir a disponibilidade da tecnologia com um bocado de criatividade. Só cuidado para não ficar tonto com o vídeo.

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‘Wolf of BuzzFeed’ faz piada do ‘império’ compartilhável criado por Jonah Peretti

O sucesso do BuzzFeed, site que surgiu em 2006 como uma grande fonte de listas e de gatinhos e que tem expandido como uma plataforma de conteúdo, foi o mote para a crítica do canal Half Day Today. Essa vídeo-paródia faz um paralelo entre o CEO do BuzzFeed, Jonah Peretti, e o personagem Jordan Belfort, de ‘O Lobo de WallStreet’.

Apesar do tom divertido ao imitar o trailer do longa de Martin Scorsese, as críticas são bastante ácidas. Logo no começo, o narrador avisa que o BuzzFeed trabalha com o segmento mais fácil de atingir no mundo inteiro – os usuários do Facebook – e que o principal cuidado dos redatores seria o de não fazer nenhuma lista com números pares.

Em meio às brincadeiras, saem mais farpas. “Apesar de tudo isso, será que algum desses conteúdos era mesmo interessante?”, se questiona o personagem que interpreta Peretti, respondendo logo em seguida: “claro que não!”.

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As mensagens cortantes continuam ao longo dos quase 2 minutos de vídeo, como o trecho que destaca que o trailer foi feito ‘baseado na resposta de um quiz’ do BuzzFeed, e que o roteiro da história fora escrito por pessoas que poderiam ter sido ótimos jornalistas (!).

Divertido e altamente provocador.

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Hip Hop Artists Uses AT&T’s ‘It’s Not Complicated’ Ad to Promote New Album

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To help promote the launch of Future’s sophomore album, Honest, hip hop insider Karen Civil has released a video that pays homage to AT&T’s It’s Not Complicated campaign. The video, which as far as we can tell, is an unaired spot originally created for the campaign (we are confirming), features It’s Not Complicated frontman Beck Bennett and the usual bunch of kids.

Bennett asks the kids whether he should get a fast car or a slow car. The kids answer, “A fast car.” To which Bennett asks, Why?” The kids then begin to chant, “You deserve it.” Future’s “You Deserve It” then begins to play as the kids gyrate in slow motion.

This brandjacking is quite cute. It has 26,000 views since being released yesterday. Our question, though, is whether or not AT&T will let this slide or whether they’ll have something to say about it.

That Generic Brand Video Is Approaching 1 Million Views

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That video from stock video provider Dissolve, which was inspired by poetic literature written by Kendra Eash, is approaching one million views on YouTube. The video itself, entitled This is A Generic Brand Video, is a collection of stock footage from Dissolve strung together with a voiceover which mocks the ridiculousness of every real branded video in existence.

In one such example of ridiculousness, the very Sam Elliott-sounding voiceover intones,”See how this guy in a lab coat holds up a beaker. That means we do research.”

The work is, perhaps, one of the best examples of a brand mocking itself in a successful manner that allows everyone to chuckle at the ridiculousness of it, the ridiculousness of the sort of work we do in this business and, at the same time, marvel at the simple, effective brilliance of the work.

Evian Baby Gets Jiggy With Spider-Man

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Last week, we were teased that Evian would be unleashing another dancing baby video featuring Spider-Man. Today, it’s been released and while it’s not quite as fun as the original, it’s still got a bit of a kick.

As he swings thought the city, Spider-Man meets a miniature version of himself and, like in the original, the two have a face to face dance off.

Currently stuck at 301+ views, the video has 244 likes and many positive comments. People seem to like the tie in and are profusely professing their love for Spidey.

Cats React to Viral Videos in Surreal Friskies-Branded Spoof

Forget about kids and teens, how to do cats feel about watching other felines online?

In a bit of branded self-satire, YouTube megaproducers The Fine Bros. partnered with Friskies to create Cats React to Viral Videos, an April Fools' version of their highly popular Kids React, YouTubers React and Elders React Web series. But, instead of naive kids and teens talking about pop culture events, the duo interviewed kittens, cats and some fellow YouTube stars in cat costumes about famous cat videos. 

(Apparently, cats don't love the clips as much as their human servants do.)

"The Friskies team has been a great collaborative partner," Benny and Rafi Fine tell AdFreak in an email. "Our fans have always been asking us to make a spinoff of our popular React franchise, but with cats instead."

The Fine Bros. have a history of working with brands, so the spoof didn’t feel unnatural.

"The Fine Bros are some of the top video creators in the world today and have never integrated a brand partner into their 'React' franchise before. With a video like ‘Cats React,’ however, it felt like the perfect opportunity for Friskies and the Fine Brothers to collaborate,” Shaun Belongie, senior brand manager for Friskies, said in an email.

The product that Friskies is trying to promote, Friskies SauceSations, isn't featured heavily in the video. It only appears in a few small scenes and in the title card at the end of the video.

Reach Entertainment's head of digital, Marc Hustvedt, whose agency produced the ad, explained that in order for a video to go viral, it needs to feel organic. Brand sponsors can't litter the ad with their logos, or people will be turned off and won't feel the need to share it.


    



The New Detroit Rolls Up In A Ford C-Max

Cadillac chose to feature an arrogant white man with questionable values to promote its new electric vehicle. Thankfully, Ford made a much wiser decision. It’s 2014 Ford C-MAX is introduced in the following video by Pashon Murray, founder of Detroit Dirt, a sustainability consultancy and advocacy group in Detroit.

“We’re crazy entrepreneurs trying to make the world better,” Murray establishes.

According to Detroit Free Press, Ford spokeswoman Sara Tatchio described the video as “lighthearted.” She’s correct about the tone of the ad, but the message is pretty serious.

“The C-MAX is sending a message about where we’re going in the future and caring about conserving resources. This is a movement about changing Detroit and practicing sustainability. That’s why they came at me,” Murray said, explaining how Ford’s agency Team Detroit chose her for the spot.

There is much to like here. I especially appreciate Ford saying that there’s nothing wrong with walking to the market to buy locally produced goods. This is the correct position on sustainability—buy a car from us, because you’re going to need it, but walk when you can.

Speaking honestly about transportation and natural resources takes balls when you’re a car company. It also makes mocking the French for their short work weeks and long vacations seem like some serious douchebaggery.

N’est-ce pas?

Previously on AdPulp: Howard Roark Drives a Cadillac ELR—So Can You

The post The New Detroit Rolls Up In A Ford C-Max appeared first on AdPulp.

Floats by Misha Shyukin

L’artiste Misha Shyukin, basé à Londres, est créateur d’animation. Passionné par les mouvements graphiques, l’artiste réalise cette vidéo basée sur les objets qui flottent. Une conception étrange et abstraite, et à la fois très esthétique caractérise ces 85 secondes d’oeuvre artistique. Plus de détails dans la suite de l’article.

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Os principais clichês dos comerciais em apenas um vídeo

Mesmo com bons exemplos para nos surpreender, algumas estratégias publicitárias já se tornaram tão batidas que viraram clichês. São buzzwords em letras garrafais, trens e metrôs simbolizando o progresso, cientistas de jaleco em referência à tecnologia científica, carros circulando pelas ruas das grandes cidades para dar a impressão de velocidade e timelapses representando o tempo que passa. Tudo isso com uma voz grave narrando o que seriam os os principais pilares da empresa. Exceto que, nesse caso, é apenas uma grande tiração de sarro. 

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Com base em um poema de Kendra Eash, a Dissolve usou seu próprio banco de dados de clipes HD para retratar como seria um ‘comercial genérico’, reunindo alguns dos principais lugares comuns da publicidade.

Sarcasticamente, o comercial da marca provoca os criativos a fazerem ‘algo mais’ com o material fornecido pela empresa – que, afinal, não precisa ser usado apenas para retratar clichês.

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