Hasta La Creative!

There’s not much anyone can do to avoid life’s little indignities. But if you’ve got some money in the bank, you can at least be well dressed while facing them.

That, at least, is the upshot of a new ad from Middle Eastern clothing retailer Centrepoint and agency Impact BBDO Dubai. 

Shot in black and white, it features a young man driving a flashy vintage sportscar while a stunning woman stares out the window from the backseat (perhaps reflecting the marketer’s audience). The party drips with ennui. Despite the trappings of success, this gent can’t escape banal little tragedies—a stone in his shoe during a meeting, a piece of gum left on his seat by some thoughtless predecessor, a baby on the airplane he’s riding in.

The uncaring universe, it turns out, does not love him like his mother does (assuming the universe recognizes he’s there at all). His scruples eventually reach a high point when the car breaks down on a set of railroad tracks. 

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Brad Paisley and Rachel Platten are on your side, performing expanded versions of Nationwide’s iconic jingle in the insurance company’s new spots from Ogilvy & Mather.

Launched during NBC’s Olympics coverage, the work presents “Songs for All Your Sides,” striving to tell “the whole story of what Nationwide is and how we can support our members through their life stages,” says client CMO Terrance Williams.

Both Paisley and Platten contribute to the lyrics in their respective spots, touching on issues like banking services and retirement plans. First up, country star Paisley works the frets, waxing poetic about man caves and RVs (which, let’s face it, wouldn’t seem out of place in most country songs):

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Earlier this week, an updated take on a famous anti-drug PSA posed the classic question: “This is your brain. This is your brain on drugs. Any questions?”

Nope. But what about your Ikea furniture on drugs?

Hunter Fine and Alex Taylor are two veteran copywriters who met several years ago while working at BBDO New York and continue to collaborate on the occasional side project. Last year, they were discussing the shared frustrations of building Ikea furniture when a friend noted that the experience would be particularly difficult for someone under the influence of certain intoxicants.

Using the power of the pun, they then developed the idea for “Hikea,” a video series in which they recruited several willing strangers to go on camera, take substantial doses of psychedelic drugs, and attempt to construct new desks and drawers without injuring themselves in the process.

We think it’s fair to say that they experienced varying degrees of success. In the first episode, things went predictably awry for Giancarlo and Nicole once the LSD kicked in.

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You know how sometimes people fish on Twitter in hopes that a brand will give them free stuff? For the last few months, Kanye West’s been doing that with Ikea. And Ikea Australia finally gave him an answer—one so packed with lulz you could use it as a throw pillow. 

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Like a true nature’s child, Flo was born to be wild. Or something.

Progressive’s iconic ad character, played by Stephanie Courtney, revs up the va-va-vroom in this tongue-in-cheek motorcycle-themed print campaign created by Arnold Worldwide with Buffalo Art Co. and custom bike builder Chase Stopnik. (The work marks another departure for Flo from her familiar white-and-blue aproned commercial appearances, following her ectoplasmic turn in spots touting the insurer’s sponsorship of the Ghostbusters reboot.)

Now, Flo goes the sexy/rebel biker-chick route—which, of course, yields some high-octane kitsch, as she poses on custom-built “Chrome Thrones” made from motorcycle parts designed to represent different rigs.

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Building on Apple’s “Shot on iPhone” campaign, TBWAMedia Arts Lab gives us “The Human Family,” a new spot with Maya Angelou narrating her poem “The Human Family.” 

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With help from BMB founder/chairman Trevor Beattie, the SETI Institute—devoted to, among other things, the search for technologically sophisticated life on worlds orbiting other stars—has released a new logo that features a question mark smack-dab at the lead. 

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Search for “CEO” on Google Images, and you’ll find only a handful of the first 100 results include female faces. Of those, one is a stock photo and another is … CEO Barbie.

A 2015 study by CNNMoney found that 14.2 percent of leadership positions in the S&P 500 are held by women, and according to nonprofit Catalyst, only 4 percent of top companies are currently led by female chief executives.

To help change Google’s own male-dominated portrayal of CEOs, three aspiring agency professionals working their way through BBH’s internship program, The Barn, want to change that fact with the help of some strategic SEO magic.

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When the robopocalypse comes, will you be ready? Or will you at least have some snacks on hand so you can ride out the chaos in an underground bunker somewhere?

A snack brand called Halfpops wants to help—partly by stoking fears that highly advanced artificial intelligence will rise up and kill us one day (soon) and partly by offering sustenance to the robofighting code ninjas among us. These two groups need each other to survive, says Halfpops.

That’s the premise of the brand’s new digital ad campaign, which teases the concept of Armageddon. It’s all in fun, though, so there’s really no need to worry about death by cyborg (at least not yet).

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A horned, hairy monster represents a pre-teen’s ravenous appetite which, left unchecked, swells to Godzilla-esque proportions in the first-ever ad campaign for Foster Farms Corn Dogs. On the plus side, that furry freak is a beast on the soccer field (we’d pick him for our team any day!)—and the middle-schooler jonesing for a snack never once morphs into Marilyn Monroe:

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