Hyundai Will Air an 11-Minute Sci-Fi Film During the Ad Breaks of TNT's Legends Premiere

Serious commercials are hard to do well, but when you’re doing content specifically for TNT’s upcoming Sean Bean spy thriller, Legends, it’s sort of mandatory.

So Hyundai and TNT turned to New Form, the ad shop run by movie idea guys Brian Grazer and Ron Howard, to create an energetic three-part story that will air over a combined total of 11 minutes during the limited commercial slots of Wednesday’s Legends pilot.

TNT has pulled out all the marketing stops for the launch of Legends, and several of its ideas have been rather clever. (Given its star’s career history, my favorite is the #dontkillseanbean hashtag game on Twitter). Hyundai’s long-form ad, however, is certainly the flashiest.

In the three-part short film, a man chases down the shadowy corporation that’s kidnapped his girl, and while the new Hyundai Genesis sedan plays a major part in the show, viewers won’t feel overly bombarded by brand messaging.

The video is part of a larger partnership around the series for Hyundai, too. Not only will the automaker sponsor the show on air, but it will also have category exclusivity and will sponsor digital versions of the show, too.

More broadly, the digital presentation is a nice perk for cable subscribers, who will be able to get the show’s premiere episode a week before it debutes via TNT’s on-demand service or the WatchTNT app. The episode will also play on TNTDrama.com, though it requires subscriber verification (as does most everything these days).



Saatchi & Saatchi Europe Turns Prague into ‘The Musical City’ for Toyota

If you like watching bad karaoke, you’re going to love Saatchi & Saatchi Europe’s newest spot for the Toyota Yaris Hybrid.

The agency turned Prague into a playlist by replacing street signs with the names of songs (much to the chagrin of local cabbies) and connecting the car’s stereo to the GPS so that the song changed every time the driver changed streets. In this way, drivers could select the song by altering their route. Supposedly the “best performers” were chosen to appear in the television spot, which airs in Poland, UK, Czech Republic, Sweden, France, Hungary, Italy, Denmark, Germany and Spain, but we think you’ll agree “most entertaining” is a more accurate description.

So what does karaoke have to do with the Toyota Yaris Hybrid? (more…)

New Career Opportunities Daily: The best jobs in media.

Dunkin's Shark Week Donut Is Not for Use as a Flotation Device

Dunkin’ Donuts has partnered with Discovery Channel’s beloved Shark Week to bring you the offering above, the Shark Bite donut, a yeast confection iced with a red-and-white pattern resembling a life preserver.

The partnership extends to the Dunkin’ logo on the Shark Week homepage—it’s mostly the same, except it shows a missing bite and the slogan reads, “Shark Week runs on Dunkin'” rather than “America runs on Dunkin'”.

The donut is going out to select stores across the country, says Harold Morgenstern, svp of national ad sales for Discovery. “Very rarely does Dunkin’ Donuts change its logo,” he said. The deal is part of a larger Discovery partnership for the restaurant: “They’ll be in all of our higher-rated premiere shows across the network,” said Morgenstern. “For Shark Week, [Dunkin’ is] new. They’ve been on and off the network for quite some time.” Morgenstern says the partnership will also include a billboard in Times Square and ways for fans to interact.

“We’re going to have ‘Take a Bite, Take a Pic,’ encouraging fans to take a bite and take a picture of it [for social media]. During Shark After Dark, we’ll show some of those and have some prizing involved,” he said.

Accordingly, we thought of some suggestions for future donut/show integrations.

Nude Donut (Naked & Afraid) — It’s free, but you don’t get a napkin.

Crab Surprise (Deadliest Catch) — A box with 11 mousetraps and one donut inside.

Lucky Donut (Gold Rush) — Available to groups of 10 or more. One customer gets a delicious donut of his or her choice, and everyone else gets cold french fries.

Hide-a-Donut (Moonshiners) — Actually a flask.

Experimental Donut (Mythbusters) — Explodes.

We expect to hear back from Discovery about these suggestions any moment now. Shark Week comes back Aug. 10; you can get your life preserver donut at Dunkin’ from Aug. 4.



Walter White Boldly Goes Where No Meth Dealer's Gone Before

When you have zero coding skills, how do you keep busy at your company’s hackathon? For the non-engineers at i.TV, the answer was to blast a meth dealer into space.

“The hackathon leaves those of us without coding skills regretting the fact that we’re not technical wizards,” marketing director Johnny Galbraith tells AdFreak. “So instead of sitting on our  hands, we decided to launch Walter White into space and get it on film.” 

The second-screen company owns the social networking tool tvtag (formerly GetGlue), and users were asked to pick which popular character should get launched: Walter White (Breaking Bad), Daryl Dixon (The Walking Dead) or Daenerys Targaryen (Game of Thrones). In the end, Walter White won the chance to be tvtag’s first Space Ambassador.

The tvtag team spent a day building the Walter White bobblehead vehicle and then drove out into the Utah desert to launch. The video shows the team launching the vehicle, and a camera records Walter White’s glorious flight through the atmosphere and its landing, where the bobblehead sadly becomes decapitated. (Symbolic of the Breaking Bad series, perhaps.)

The reactions on YouTube are, as expected, full of comment gold. They range from a Jesse Pinkman-esque “Science, bitch!” to, “Misleading, thought he would be hustling meth to aliens.”

“The response has been overwhelmingly positive. Like us, so many Breaking Bad fans are still bummed that the show is over. So it’s been awesome reading through all the ‘Yeah, science!’ comments. One person was mad that we would endanger the International Space Station with our project, but we’re happy to report we dodged that bullet by about 1 million feet in altitude.”

Galbraith recognizes they’re certainly not the first to launch a bobblehead into space. Earlier this year, snack brand Little Debbie launched a carton of Cosmic Cupcakes and a bobblehead into space.

This is a fun new trend, but I’d like for someone to focus resources on figuring out how to get a pizza to my house while it’s still hot. Maybe we could strap some rockets to those fancy Domino’s motorcycles?

FOX and Nielsen: Ratings War No More

In what would have been quite the change of scenery for a major ratings draw, FOX recently threatened to leave Nielsen to go to exclusively with Rentrak for its measurement needs. In what resembled a real-life episode of 24, this imbroglio went unsettled until the last minute.

In short, advertisers (and our fellow agencies) don’t have to worry about altering subscriptions or anything, FOX is staying put.

The story from MediaPost tells us that this tiff between the two sources almost escalated into something nasty. The deal was announced just as Fox’s previous contract was set to expire, averting what would have been one of the biggest defections of a major TV stations group in Nielsen’s recent history.

(more…)

New Career Opportunities Daily: The best jobs in media.

This Shark Week Teaser Is a Chum-Tossing Celebration of Carnivorous Delights

Just watching Discovery’s Shark Week will make you feel like you’re skiing on two great whites while a mermaid clings to your leg.

Behold the resplendent CGI overkill of this internally produced Discovery Channel spot, featuring different kinds of sharks leaping around our chum-tossing “King of Summer.” You’ll have to watch two or three times to catch all that’s happening as he drives his great whites into a sea of seals, seagull snacks and fleeing penguins.

The mustachioed hero basks in the carnage, a look of unadulterated glee on his face. And then the mermaid winks at us. It is cheesy for the sake of cheese, and it’s blood in the water for Shark Week fans.



Q&A: How Reading Rainbow Soared Back, and How It Will Reach Its $5 Million Goal

Things are looking sunnier than ever for Reading Rainbow.

After the show’s Kickstarter hit its $1 million goal in just 11 hours, the creators set their sights on a new butterfly in the sky: $5 million. With one week left, the Kickstarter is currently at $4 million in pledges from more than 83,000 backers.

We caught up with Reading Rainbow co-founder and CEO Mark Wolfe (who wrote and directed the Kickstarter video) and chief marketing advisor Teri Rousseau to find out how they’ve remained authentic to their brand while reinventing Reading Rainbow for a new generation of digital natives.

AdFreak: Tell me a bit about the brand after Reading Rainbow left public television.

CEO Mark Wolfe with LeVar Burton

Rousseau: The original mission when LeVar and Mark formed RR Kids was to bring back Reading Rainbow for this generation and LeVar very much felt that the way to bring that back was through digital technology. Our original app was for the Kindle Fire and iPad, and it went really well. We had kids reading over 150,000 books a week. It was a top-downloaded app.

Wolfe: I think we’re just lucky that parents are looking for something. Kids want to spend time in front of an electronic device. When television was the medium, kids wanted to be in front of it, and now it’s a tablet. You can’t mitigate that; you just have to utilize that as best as possible. Parents are confronted with so many choices, and not many of them are positive choices.

Rousseau: We recognize we’re competing against the Angry Birds of the world. One of our special elements in the app is our aesthetic. We’ve developed these beautiful islands where you can discover the books on: Animal Island, Awesome People Island (that’s the nonfiction), National Geographic Island. It’s fun to just explore that world and it becomes very game-like. Children want fun. Parents want quality content. That’s a challenge and that’s a challenge to any family brand: making sure you meet the mark with parents and children both. We had to make it very interactive while making sure we maintained the principles of the linear show.

So preserving the credibility of the Reading Rainbow brand was key in the creation of the app?

Marketing advisor Teri Rousseau

Rousseau: We were very careful with our development. We did do focus testing with both kids and parents. Our mission was bringing the brand back for digital and there’s no doubt it resonates with today’s families. At the same time, we didn’t want to disappoint anyone’s memory of what it was.

You had an existing fan base from another generation that you didn’t want to alienate.

Rousseau: Those classic episodes still hold up and are available on iTunes. Teachers still use them in the classroom. But I think the opportunity to bring back such a beloved and icon brand has been a once and a lifetime opportunity. Now know we did it right. We’ve proved that Reading Rainbow works in this new form, and what we needed to do to bring it to the next level was get help from the community.

What’s the next level beyond the app?
Rousseau: We were hearing, “Is it on Android?” and, “Is it in classrooms?” Teachers were finding it themselves and paying for the app out of their own pocket. We needed to figure out a way to bring it to them in their own classrooms, and give access to schools free of charge for those in need.

So you created the Kickstarter campaign, and it’s been wildly successful.
Rousseau: The whole Kickstarter thing has been overwhelming. Beyond our wildest dreams.

Wolfe: We’ve been absolutely surprised by the response, we had a feeling we’d be successful in the campaign, to raise a million dollars because we believed the audience that was most likely to help is the audience in their 20s and 30s that grew up with the show, but we did not by any stretch of the imagination think we’d reach $1 million in 11 hours.

The video seems designed to appeal to more than just the Reading Rainbow fan base. There are also a lot of great nods in there to LeVar’s career on Star Trek.
Wolfe: We wanted to hit as many groups as possible. The Star Trek fan audience is in their 40s, and if you’re a Star Trek fan you appreciate the world of Gene Roddenberry. That world is a meritocracy where you’re rewarded for how you help the team and that’s an audience that appreciates literacy in society.

Beyond the message of Star Trek, LeVar himself seems to be a big advocate for literacy. Would you say this is LeVar’s labor of love?
Rousseau: Absolutely! This is a lifelong mission of his. The brand has been around 30 years. It’s very much his life’s work.

Wolfe: When you get to know him personally, as I have for many years now, he’s authentic. LeVar is the Reading Rainbow guy in real life. His mother was an English teacher, and he was raised with an emphasis on reading.

So it’s that authenticity that shines through in the messaging.
Wolfe: Audiences have such a finely tuned radar for authenticity and for bullshit, and that’s what’s hard for all of us advertisers and filmmakers is to walk that fine line between entertainment and informing them and keep everything authentic, and we hit that sweet spot. And I think that helped the message become clearer and more embraced.

Did it help in the Kickstarter too?
Wolfe: We filmed it at an elementary school and this school gave us free run of their offices. All the teachers, all the parents were excited about doing it, because everyone loves Reading Rainbow. They weren’t just a location; they said please come and please let us be part of something that helps us bring Reading Rainbow back for schools.

And that made the difference to the credibility. It really did seem like you’d just walked into a real school… apparently because you did.
Wolfe: The kids loved it. We were surrounded by love. The principal actually plays the teacher in the video, and she stayed late, till 10 p.m. because we were running late filming. She kept the school open for us. But nobody complained. Administrators, teachers, students, they all stayed late for us and I just think that’s huge. That made it so much fun for everybody. It felt like a group effort, that everyone was pulling for this.

Just like they are with the Kickstarter. Good luck with your $5 million goal.
Wolfe: Thanks. I think you’ll be hearing about it. There’s definitely more to come.  



U.S. Midfielder Bradley Takes Center Stage in Latest SportsCenter Spot

With the FIFA World Cup set to kick off next week, the ESPN marketing onslaught continues, this time starring U.S, National Team midfielder Michael Bradley, who co-stars alongside the WWL’s anchor Bram Weinstein in the latest SportsCenter spot from W+K New York. In the :30 clip above, Bradley’s accompanied by a little sidekick as he makes his rounds throughout the Bristol campus of ESPN, which holds the English-language rights for the World Cup, which takes place place as you might know in Brazil.

This latest effort marks the 400th-plus “This is SportsCenter” spot from the network, which also marks its eighth World Cup broadcast. It’s a more subdued than previous ads, though the tinge of dry humor remains intact, and yes, this one’s for the kids (after all, the little ones accompany each player in the pitch). O Positive director David Shane once again returns to the fold, following up his Bubba Watson-starring SportsCenter spot from two months ago with a well-timed piece that has chanting USA ahead of the world’s biggest stage.

continued…

New Career Opportunities Daily: The best jobs in media.

Netflix Creates the Best Worst Website for Its New Cartoon, BoJack Horseman

Netflix has done quite a bit of clever marketing in its recent past, from the minimalist teasers for House of Cards to its fake listings for shows featured in Arrested Development.

The streaming service’s newest oddity is part of the promotion for BoJack Horseman, an upcoming Adult Swim-ish show about a talking horse who’s fallen on hard times after the demise of his 1990s sitcom. 

The promo site is designed to perfectly mimic not just a ’90s GeoCities page, but also to autoplay the theme song from BoJack’s defunct sitcom, Horsin’ Around. (Think of it as Full House and Charles in Charge meets Mr. Ed.) 

We have to wonder: How long did it take to make this look so convincingly stupid? I mean, the little sub-window with a pair of scroll bars that lead to a “dead” image—that’s hard to do these days! The mouseovers that make the font size inflate? Literally years have been spent trying to make sure this sort of thing doesn’t happen. So hats off to the fine folks in the marketing department at Netflix for briefly un-fixing the Internet. 

The series, starring Will Arnett (obviously), Amy Sedaris, Alison Brie and Aaron Paul, will premiere on Aug. 22, Netflix announced today.

And now, the opening theme to Horsin’ Around. You’re so, so welcome.



John Oliver's Parody Ad Skewers GM With Bleak Phrases From an Internal Memo

While it’s true HBO is not an ad-supported network, Last Week Tonight’s John Oliver made an exception Sunday, uttering the words rarely heard on the premium cable network: “We’ll be right back.”

Of course what followed wasn’t a real commercial, but instead a GM ad parody created to punctuate Oliver’s hilarious (and disturbing) dissection of internal practices at GM, where a long list of defects in cars over the past decade led to an even longer list of no-go words and phrases compiled in a memo, which blacklisted phrases like “deathtrap,” “defective,” “catastrophically flawed,” “Hindenburg”—you get the idea.

Obviously the point of the memo was to make sure none of those words ended up associated with the cars once they got to the market—a sensible notion, from a branding perspective, but probably not a directive that was terribly wise to put on paper. So after a lengthy segment eviscerating GM (remember, this is the guy who stretched potshots at quetionably healthy drink Pom Wonderful over two episodes), Oliver cut away to a fake GM ad containing almost all those words the car company didn’t want associated with its brand.

Just to tie a bow on the whole takedown, HBO is even running Oliver’s GM bit as a lengthy pre-roll ad on YouTube this week. From a comedy perspective, the segment is gold. From a marketing perspective, it’s like watching a Hellraiser movie.



Source

This Real-Time Game from Adventure Time's Creator Is the Best Thing on Twitter in Years

Just as the doubters were writing Twitter’s obituary, animator and Adventure Time creator Pendleton Ward had to go and show that the network can still have a few fun surprises after all.

On Tuesday, Ward tweeted a rough sketch of a prison cell, with this comment: “You wake up in a dungeon cell. What do you do?”

Fans who played along were rewarded with fun and laughably literal results to their suggested actions, such as “talk to the guard” or “kiss rat.” Ward found time to keep the game going today, changing the name on his account to Quest Attack.

For children of the ’80s, it’s a fun flashback to early adventure games like Zork and its graphical successors like King’s Quest, all of which required you to carefully type out each command.

Check out the first two days of Quest Attack below, then be sure to follow Ward on Twitter to stay up to date. 

 

What will happen next in this epic adventure? Tune in to Twitter for the next exciting installment of QUEST ATTACK!

Via Joystiq.



Source

Netflix Faces Hurdles, Country by Country, in Bid to Expand in Europe

Already growing in Britain, the American digital video distributor will face entrenched local competitors on the Continent — not to mention Amazon.



Edward Snowden Talks to Brian Williams of NBC

An extensive interview, the first for American television, will air on Wednesday at 10 p.m.



This Real-Time Game from Adventure Time’s Creator Is the Best Thing on Twitter in Years

Just as the doubters were writing Twitter's obituary, animator and Adventure Time creator Pendleton Ward had to go and show that the network can still have a few fun surprises after all.

On Tuesday, Ward tweeted a rough sketch of a prison cell, with this comment: "You wake up in a dungeon cell. What do you do?"

Fans who played along were rewarded with fun and laughably literal results to their suggested actions, such as "talk to the guard" or "kiss rat." Ward found time to keep the game going today, changing the name on his account to Quest Attack.

For children of the '80s, it's a fun flashback to early adventure games like Zork and its graphical successors like King's Quest, all of which required you to carefully type out each command.

Check out the first two days of Quest Attack below, then be sure to follow Ward on Twitter to stay up to date. 

 

What will happen next in this epic adventure? Tune in to Twitter for the next exciting installment of QUEST ATTACK!

Via Joystiq.




John Oliver’s Parody Ad Skewers GM With Bleak Phrases From an Internal Memo

While it's true HBO is not an ad-supported network, Last Week Tonight's John Oliver made an exception Sunday, uttering the words rarely heard on the premium cable network: "We'll be right back."

Of course what followed wasn't a real commercial, but instead a GM ad parody created to punctuate Oliver's hilarious (and disturbing) dissection of internal practices at GM, where a long list of defects in cars over the past decade led to an even longer list of no-go words and phrases compiled in a memo, which blacklisted phrases like "deathtrap," "defective," "catastrophically flawed," "Hindenburg"—you get the idea.

Obviously the point of the memo was to make sure none of those words ended up associated with the cars once they got to the market—a sensible notion, from a branding perspective, but probably not a directive that was terribly wise to put on paper. So after a lengthy segment eviscerating GM (remember, this is the guy who stretched potshots at quetionably healthy drink Pom Wonderful over two episodes), Oliver cut away to a fake GM ad containing almost all those words the car company didn't want associated with its brand.

Just to tie a bow on the whole takedown, HBO is even running Oliver's GM bit as a lengthy pre-roll ad on YouTube this week. From a comedy perspective, the segment is gold. From a marketing perspective, it's like watching a Hellraiser movie.




TV Sports: Looking for a Sure Thing in the Belmont Stakes? Bet on NBC

With California Chrome striving to win the first Triple Crown in 36 years, the network will be a winner no matter the outcome.

Wieden + Kennedy Wasted This Client’s Money on Awful Ads, but That Was the Point

Hiring a fashion designer to make a T-shirt for a rat. Sponsoring a soccer team best known for its embarrassing losses. These seem like particularly odd ways to spend an ad budget.

But when the product is a new TV show that forces traveling celebrities to find entertaining ways of getting rid of cash quickly, it's actually pretty fitting as marketing.

To promote 24 Hours to Go Broke, a new series on the UKTV network, Wieden + Kennedy London did both of the above, as well as the following:

• Bribed a farmer to paint an ad on the side of his cows
• Paid a restaurant owner to temporarily rename his fish and chips shop, and its menu, after the show
• Paid a street musician to hand out money
• Perhaps most amusingly, got passersby in London's art-heavy Shoreditch neighborhood to shave their beards into buckets, then used the trimmings to create lettering for a billboard

See those videos below. Because even though it's gross to make a sign out of a salad of stranger facial hair, it's certainly original.




Mad Men Stars Pose for Vintage-Style Product Ads in ‘For Your Consideration’ Campaign

AMC serves up a fun Emmy Awards campaign for Mad Men, casting its stars in print work that has the look and feel of classy period advertising from the Sterling Cooper era.

Mad Men creator Matthew Weiner and The Martin Agency helped craft the well-realized ads, which capture the flavor of the show with a credible '60s vibe, and mark the first "For Your Consideration" effort the series has ever done. "In the past, we’ve campaigned for Mad Men by letting the show sell itself," says AMC marketing chief Linda Schupack. "This year, we wanted to be a little more fun and playful."

We get Jon Hamm as Don Draper himself wearing cool shades and an enigmatic expression, along with the headline, "Behind every pair of our glasses is a man with winning character … and much more." Redheads get more nods (Emmy nods), according to the fiery ad with henna-haired Christina Hendricks as Joan Holloway. And Kiernan Shipka, who portrays Don's daughter Sally, looks all set to frug on Hullabaloo or Shindig in her mod minidress. (The copy touts "Statuette's. For the young girl who has ALMOST everything.")

My favorite is the ad with John Slattery as a dapper Roger Sterling, attired by "The Madison Avenue Collection." This might be the most period-conscious execution of the lot, with dead-on detail and art direction. (Is that pristine airport ashtray Sterling silver? No butts about it!) His smoldering stare, directed at the fishnet-stockinged legs of a woman nearby, speaks volumes, while the copy is pure '60s: "You move through life with ease, and sometimes people take your quick mind, sharp wit and wry sense of humor for granted. But those who know, know—you always give your best."

Named outstanding drama series in each of its first four seasons (in addition to numerous other awards), the show hasn't won an Emmy over the past two seasons, and some critics say its poignant pathos has slid into sappy soap opera shenanigans. Well, even if Season 7 isn't vintage Mad Men, its Emmy campaign sure is.

See all the ads below. Via THR.




Advertising: Political Procedurals Play Starring Role in Fall TV Season

Examples of the trend include “CSI: Cyber,” “Madam Secretary” and “Scorpion” on CBS; “Allegiance,” “Odyssey” and “State of Affairs” on NBC; and a potential series on TNT, “President X.”

As Barbara Walters Retires, the Big TV Interview Signs Off, Too

Ms. Walters has been the queen of the TV celebrity “get.” But stars and politicians no longer need the networks to reach their public.