Cannapreneurial Activity Is At All Time High

So far, nine states and the District of Columbia have legalized the use of recreational cannabis, and two dozen states have approved medical marijuana. According to a Quinnipiac University poll released Thursday, support for legalization hit 63 percent in the survey — the highest level of support recorded by a Quinnipiac poll. Support for medical […]

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Ad Council Names Situation as Social AOR for ‘Love Has No Labels’

Digital-first agency Situation has won social agency of record duties for the award-winning “Love Has No Labels” project from The Ad Council.

Moving forward, the New York shop will handle social content creation and community engagement while working closely with R/GA, which remains creative lead on the ongoing project. The two parties have worked together in the past, and the assignment came without a formal pitch.

“Our social communities have always been a critical component of Love Has No Labels as a way of reaching our supporters and beyond with messages about diversity and inclusion,” said Ellyn Fisher, SVP of Marketing and Communications at the Ad Council. “We’re excited to work with the Situation team to develop and share content that continues to move the public towards greater love and acceptance.”

Situation’s work will cover the campaign’s Facebook, Twitter and Instagram channels as well as its influencer marketing work and its collaborations with brand partners as the project evolves.

“As an agency, our ultimate success is defined by so much more than the financial success we help drive for our clients. It’s for that reason that we’re honored to put our talents and resources behind Love Has No Labels,” said agency founder and president Damian Bazadona.

Since launching in 2015, “Love Has No Labels” has become one of ad history’s better-known PSA efforts, with its inaugural effort racking up nearly 60 million views.

Situation’s clients include major media companies, sports franchises and B2B groups as well as some very New York-specific entities like Broadway shows (Dear Evan Hansen, Mean Girls, etc.), tourist destinations (One World Observatory, The Madison Square Garden Company) and cultural institutions (BAM, The Met Opera, The New York Philharmonic).

BBDO New York Explores Fashion Doppelgangers in ‘The Chase’ For Macy’s

What would you do if you saw somebody who looked exactly like you, only better dressed?

BBDO New York tackles the question in its spring campaign for Macy’s. Set to a version of the second most stalker-y song of the New Wave era (Blondie‘s “One Way Or Another”), a spot entitled “The Chase” features a series of women who encounter such fashion-forward look-a-likes and do their best to keep up with them — hopefully just to kindly ask them where they got the outfit.

The spot ends with one woman looking at the reflection to find herself already wearing the outfit she was chasing after seconds earlier, concluding with the lines, “Find Spring Fashion. Find The Remarkable You.” Social media activations support the effort.

“Spring is an excellent time to update your wardrobe to reflect the freshness and fun of the season. From minimalist designs rendered in sun washed pales and charming florals to reimagined applications of stripes and utilitarian details, we’ve culled together a truly inspired assortment of clothing, accessories and beauty that will reenergise our customers to make them look and feel remarkable,” Macy’s Fashion senior vice president Cassandra Jones said in a statement published by LBB. “In our Spring fashion campaign, we show just how empowering and transformative fashion can be! We’re excited to have our customers find the best version of themselves with their favorite influencers through our unique #FINDREMARKABLE and Live hack Instagram programs.”

The Live Hack program launches today, featuring Wendy Nguyen from Wendy’s Look Book, Jones and other fashion personalities giving viewers fashion advice by utilizing Instagram’s new Live Share feature.

BBDO New York won creative duties for Macy’s last August, following a review, and subsequently launched a holiday campaign for the brand. “The Chase” follows on the heels of JCPenney’s own spring campaign, which represented the first work from that brand’s new agency of record, Badgers & Winters.

Credits:

Agency: BBDO New York
Executive Creative Director: Danilo Boer, Marcos Kotlhar
Chief Creative Officer: Greg Hahn (New York)
Executive Producer: Dan Blaney
Account Executive: Clare Driggs
Associate Creative Director: Cesar Finamori, Roberto Danino, Joao Unzer, Kathryn Kvas
Planning Director: Lindsey Gonnella (Group)
Senior Director: Corey Cirillo
Director of Music: Rani Vaz
Assistant Account Executive: Maddy Bell
Business Affairs Manager: Nancy Espinal
Communications Planner: Julie Naidu
Global Chief Creative Officer: David Lubars
Account Manager: Justin Perrelli
Account Director: Lauren Munilla

Production Company: MJZ
Executive Producer: Emma Wilcockson
Director: Nicolai Fuglsig, Adam Somner (Assistant)
DOP: Greig Fraser
Line Producer: Laurie Boccaccio
Production Designer: Jahmin Assa

Edit Company: Work
Editor: Rich Orrick
Edit Assistant: Theo Mercado
Executive Producer: Erica Thompson

Post Production/VFX
Producer: Alexa Mauro
Executive Producer: Charlotte Arnold

Grade: Tom Poole @ Company 3
ROTO: Trace VFX
VFX: Blacksmith
2D Lead Aritsts: Daniel Morris
2D Artists: Chris Memoli, Youngjae Lee

Sound Mix: Sonic Union
Mix: Steve Rosen
Music Production: Sound Tree
Producer: Jay James (Sound Tree), Luis Almau, Peter Raeburn, Luke Fabia
Sound Design: Brian Emrich

Senior Project Manager: Noreen Masih

VFX Supervisor: Daniel Morris

Voice Actor: Kyra Selman

Barkley Named AOR For At Home, Refreshes Brand With Spring Campaign

Retail chain At Home debuted a new spring campaign from Kansas City-based agency Barkley, which it named as its agency of record, following a review.

“We are excited to be launching our spring ad campaign to continue educating customers about At Home’s endless possibilities for every room, style and budget,” At Home chief marketing officer Ashley Sheetz said in a statement. “After an in-depth review process, it was clear that Barkley is a great fit for us. They understand our brand and our customer, making them best suited to tell our story.”

The campaign is centered around a 30-second spot entitled “Refresh, On Repeat.” It opens on a family arriving at a new house and shows them experimenting with a variety of decorative options, as At Home prices for the items pop up. “This is not a showroom,” the voiceover begins, “this is a place to experiment, play and refresh.”

The brand says “yes,” it continues, “to decorating the walls,” “rearranging the furniture” and “the seasonal make over…and over.”

The spot concludes by positioning At Home as “the home décor superstore,” cementing its focus as a budget-friendly outlet for all home decorating needs.

“We are thrilled to be working with At Home to increase the company’s brand awareness and put customers into the At Home mindset,” Barkley CEO Jeff King said in a statement. “The Spring campaign focuses on At Home’s core customer: home décor devotees who love to continuously refresh and redecorate their homes.”

Last summer Barkley absorbed fellow Kansas City agency Meers. In December, the agency welcomed Jessica Walden-Morden as its newest creative director.

Cadillac Says Decision to Hire McDonald’s Vet as CMO Won’t Affect Its Relationship With Publicis Groupe

Today Cadillac officially hired Deborah Wahl as its new chief marketing officer three months after her predecessor Uwe Ellinghaus resigned, citing unspecified health problems.

Big trouble for Publicis, right? Not according to the client.

They gave us the following statement:

“Deborah’s appointment will not impact our AOR relationship with Rokkan, within the Publicis Groupe. Rokkan has been a part of the Publicis Group and working on pieces of the Cadillac business since 2014.  Their scope expanded towards the end of 2016.”

First, we didn’t realize Rokkan had assumed the lead role. And it’s interesting to see the client make such a firm commitment to its agency.

The Wall Street Journal, which broke the Wahl story this morning, reported that “Cadillac has lost U.S. market share each year since 2014, even as its sales in China—the world’s biggest auto market—have tripled over the same period,” adding that the company “now lags far behind BMW, Lexus and Daimler AG’s Mercedes-Benz.”

The fact that Wahl previously worked at Lexus hints that Cadillac looks to retake that former pole position … but does not want to review its creative advertising business.

Cadillac spent $270 million in paid media in the U.S. in 2016 and $188 million last year, according to Kantar Media.

Vegemite Ends 74-Year Relationship with JWT

Love it or leave it yeast-derived food spread brand from the land down under Vegemite ended a relationship with JWT dating back over seven decades.

JWT served as the brand’s creative agency for 74 years and launched its long-running “Happy Little Vegemites” campaign.

Yesterday, Bega Foods tapped Melbourne-based agency Thinkerbell to handle the account, after acquiring Vegemite from Monedelez Foods last year. Oddly enough, it had been some 90 years since Vegemite was owned by an Australian company.

“Through recognising the strength in our Australian heritage and our need to focus on the future to continue positive momentum, we felt the time was right to refresh our creative agency,” Bega Foods marketing director Ben Hill said in a statement. “Thinkerbell – a new cutting-edge Australian agency – represent everything that we want our brands to deliver. With a new team and new outlook, we are thrilled to be working closely with Thinkerbell to instill the Vegemite and Bega brands further into the Australian psyche.”

Thinkerbell was founded by Cummins & Partners vets Adam Ferrier, Ben Couzens and Jim Ingram last year.

“We feel a great responsibility and are thrilled to be at the helm of the creative execution to drive the future success of brands such as Bega and Vegemite, two of Australia’s most loved and iconic brands,” Ferrier said in a statement.

“Our approach and differentiation is that we focus on bringing science and
creativity together. We will use this combination to spearhead the development of a new creative platform that will help both Vegemite and Bega Peanut Butter continue to grow into new markets locally and abroad,” added managing partner Maggie Read.

Helzberg Diamonds Names New CMO, Picks Carmichael Lynch as Creative AOR

Helzberg Diamonds, a legacy jewelry company whose CMO recently left for Party City, has announced both a new top marketer and a new agency of record, Carmichael Lynch.

Ellen Junger joins Helzberg from Payless Shoes, a business she led through bankruptcy after spending more than a decade atop Hallmark Cards’ marketing department. Her arrival and the choice of a new agency mark an new stage in the brand’s “I Am Loved” marketing strategy at a time when young consumers are less interested in premium jewelry.

“We’re thrilled to announce Ellen Junger as the chief marketing officer of Helzberg Diamonds,” chairwoman and CEO Beryl Raff. “Ellen brings a wealth of experience in retail and will help lead Helzberg Diamonds into the next generation of innovation for the brand.”

Carmichael Lynch won creative, social, design, influencer and analytics duties after a competitive review. As part of this shift, Horizon Media will also take over all media planning and buying duties for the brand, which has been a client for more than a decade.

“I have always been a fan of Helzberg Diamonds as a company with a strong legacy of success and leadership in jewelry retail, but also as a consumer,” said Junger. “I look forward to taking this great company forward by re-energizing the brand through smart marketing and new ways of reaching consumers.”

“We are proud to partner with Helzberg Diamonds and help propel their business,” added Carmichael Lynch President Julie Batliner.

In the past, Helzberg has worked with various agencies including Doner and, more recently, Barkley. NexGen Agency came on to handle customer experience work in 2016.

Kantar Media estimates that Helzberg spent just over $3 million on paid media in 2016, though other parties put that total in the low double digits. New work will launch this spring.

Fairlife Expands Doner’s Agency of Record Responsibilities

In December of 2016, Coca-Cola dairy brand fairlife selected Doner as its creative and strategic agency of record.

Now fairlife is expanding its relationship with the agency further, tasking Doner with handling creative and strategic responsibilities for fairlife’s YUP! and Core Power protein shakes brands, without a review. Doner will also be responsible for handling “360-degree marketing and advertising for an expanded portfolio of current products and future product innovations,” according to a press release.

“Doner has become a trusted go-to agency partner for marketing communications due to their ability to capture our core promise and difference,” fairlife vice president, communications Anders Porter said in a statement. “They were the clear choice to help introduce some of our newer product innovations to the market.”

“This is an incredible opportunity to help further build fairlife’s reputation for reimagining the dairy category,” added Doner president and CEO David DeMuth. “We look forward to a deeper partnership that advances fairlife’s focus on quality, taste, freshness and superior nutrition as they continue to grow nationally and to innovate across a range of incredible real milk products.”

Doner’s first campaign for fairlife, “Good Morning” promoted its flagship fairlife Ultra-Filtered Milk product.

Jägermeister Appoints Firstborn as Digital Agency of Record

Spirits brand/college staple Jägermeister has selected Firstborn as its digital agency of record, following a review launched in October which included four undisclosed agencies, in addition to Firstborn.

Firstborn will be tasked with handling all digital duties for the brand. Jägermeister will continue to work with global lead creative agency Opperman Weiss, Cross Media, which was named media AOR for the brand last year and Integer on point-of-sale.

“We are a brand that likes to be first—so we were looking for a digital partner that could not only conceive of, but execute, technologically-driven ideas that would push the norm and bring innovative thinking to our marketing,” Mast-Jägermeister U.S. vice president, integrated marketing and services Heather Kozera said in a statement. “Firstborn is the perfect agency to provide that leading-edge digital expertise.”

The appointment follows Jägermeister’s first major rebranding campaign in its 80-year history last year. For Firstborn, it follows the agency picking up work for NYU Langone, luxury apparel brand Lafayette 148 and travel brand Tauck.

Ford Says It Is Still ‘Exploring Options’ With WPP Amid Senior Leadership Upheaval

In most cases, a new CMO is very bad news for an incumbent agency, especially if the client is as big and important as Ford.

But the big shakeup that hit the company last week does not appear to have affected its relationship with WPP. At least not yet.

ICYMI, North American president Raj Nair left last week after an investigation into what a statement called “inappropriate behavior” and a New York Times expose detailing a “culture of harassment” at the company.

The following day, Ford announced Nair’s replacement as well as several other new executives including, most prominently, CMO and group VP of Lincoln Joy FaloticoKumar Galhotra, who had held the CMO role since last November, will assume Nair’s former role.

It was Galhotra’s promotion more than three months ago that led Ford to state that it was re-examining its relationship with WPP and the dedicated GTB unit as part of a larger marketing review. This news came several months after a major round of layoffs at the agency’s Detroit headquarters, and that development followed the appointment of Jim Hackett to CEO at Ford last May.

Today, a client spokesperson said that the new leadership changes will not directly affect the larger WPP partnership.

“Our comment to WPP/GTB has not changed since the last time we shared,” the representative said. “We value the talented and creative men and women at WPP. They are trusted partners and curators of the Ford brand. As we are across the Ford business, we are exploring options to improve the fitness of our marketing and advertising operations. No decisions have been made.”

This is, indeed, the same quote we received back in November.

A couple of things have changed since then, chief among them Ford choosing Laundry Service (which is owned by sports marketing giant Wasserman Group) to handle social media content for a 2018 campaign to promote the Lincoln Navigator SUV. That marked the first time the client had gone outside the holding group for such an assignment. Ford sales also dropped in the U.S. and China during Q4 as Fiat Chrysler threatens to overtake the company in 2018.

WPP and GTB deferred to the client for comment.

Converse Launches a Global Media Agency Review with PHD Sitting Out

Nike-owned Converse, best known for those timeless Chuck Taylor sneakers, has placed its global media buying and planning business in review.

Multiple parties close to the matter confirm that the company recently issued an RFI. According to these sources, the query included questions about various global regions. Converse purportedly looks to consolidate the entirety of that business with a single agency network.

A spokesperson for PHD, which is incumbent on the U.S. business, confirmed that the review is active and that it will not be pitching. The Omnicom agency won Converse away from Mediavest in early 2015.

Sources say Nike has reached out to WPP, but it’s not clear at this time which networks are involved. Spokespeople for GroupM and MEC did not respond to emails regarding the review, and Converse PR has not responded to multiple emails and phone calls this week.

The precise scope of the review is also unclear. It follows AdAge’s January report on Nike’s “reverse auction” reviews, which are designed to reduce overall agency fees.

Sales of Converse shoes dropped significantly last year, with the biggest hit coming in the North American market. But Nike implied that this was part of an intentional effort to make the shoes more desirable, citing “a purposeful tightening of supply in North America” along with considerable gains in China.

According to our sources, the review does not touch on creative, which has been with Anomaly since 2007.

Greg Paull, co-founder and principal of international search consultancy R3, estimated that Nike spends around $100 million each year promoting the various Converse brands around the world.

Kantar Media’s latest numbers, however, have the U.S. totals at only $3.5 million for 2016.

Don’t Worry About Brand Loyalty—Focus on Creating Connections Between Customers

We are social creatures who organize around common interests and shared experiences. We’re not just college graduates, we’re Cornhuskers or Ducks or Bulldogs. We’re not just music fans, we’re Deadheads or Parrotheads or Panic freaks. Our identities are formed in association with these groups or institutions. Belonging to the group, or tribe, is central to […]

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Wolfgang Picks Up TRUECar Rebranding Assignment

Auto-buying platform TRUECar has hired Wolfgang of L.A. to handle a rebranding campaign.

The agency/consultancy, formed by former David&Goliath executives Mike Geiger, Seema Miller and Colin Jeffery less than a year ago, hopes to help the company stand out in a market that now includes a growing number of competitors like, say, Vroom—which picked Anomaly as its AOR late last year.

“TRUECar was really innovative when they launched in 2008,” said president Miller. “But the marketplace has become incredibly competitive lately, and they recognized the need to separate themselves. We couldn’t be more excited to help them do just that.”

This move marks a big change for TRUECar, which has relied on direct marketing in recent years.

TRUECar chief brand officer Lucas Donat cited the agency’s dual-purpose selling points in explaining the relationship: “Wolfgang’s consultancy/agency model has allowed them to be extremely nimble and flexible in working with our in-house team, while also shouldering the full responsibility for the 2018 campaign.”

The release gives no indication as to the direction of the creative, but based on the image above we have little doubt that it will be quite bad ass.

Back in 2013, the brand took some heat for an ad that seemed, at least to some viewers, to imply that women couldn’t really handle the car-buying process without a handy man until TRUECar came about.

The copy included the lines “TRUECar makes it a lot easier to go in by yourself” and “I don’t need to bring a dude with me,” but the company said this messaging was intended to empower female consumers while noting that the creative director behind the campaign was, in fact, a woman.

This is Wolfgang’s second win of the year after the team picked up Halo Top in January. The Stagwell Group, run by former political strategist Mark Penn, acquired a minority stake in the company last March.

Budweiser Officially Pivots to Project-Based Work in the U.S.

After counting Anomaly as its U.S. creative agency of record for 8 years, Budweiser has officially moved to a project-based model for its stateside ad campaigns.

A spokesperson for parent company AB InBev confirmed the change today, though one perhaps could have connected the dots based on the fact that Anomaly was not involved in the brand’s Super Bowl campaigns for the first time in several years. (David Miami made the broadcast ad while VaynerMedia handled a digital-only spot featuring the famous Clydesdales.)

AdAge first reported in December that the brand would be reaching out to all of its U.S. agencies for Super Bowl concepts.

Today, a client representative said that Budweiser would use its entire agency team, which consists of David, VaynerMedia, Mosaic and Anomaly, to develop all content and creative campaigns moving forward.

“The US Budweiser team has moved away from the traditional AOR model and instead works with a number of agencies to produce content,” he said. “That currently includes David, Vayner, Mosaic and Anomaly. No one agency is tasked as the primary creative agency.”

Our sources claim the move has led to a revenue loss for Anomaly. The agency, however, says that is not the case because—as also noted in the AdAge piece—it recently replaced VaynerMedia as Budweiser’s global digital and social media AOR. In a seemingly contradictory quote referencing the new U.S. work, Gary Vaynerchuk told AdAge in December that he was excited to “have a bigger seat at the table in 2018.”

It is not clear at this time exactly which markets the global remit covers.

“As someone who has led the Budweiser partnership for 8 years at Anomaly I will speak straight from the gut,” said Anomaly founding partner and joint global CEO Jason DeLand. “Anomaly is and continues to be the lead agency on Budweiser around the world. As global Budweiser grows so does Anomaly’s remit. We will do more with Budweiser in 2018 than we ever have!”

DeLand continued: “I can confidently say no other agency cares more, has worked harder or has learned more in working with ABI. We are proud of our long term relationship and our commitment is to ensure the partnership continues to grow for a long time to come.”

Anomaly’s relationship with another large client, Beats, also changed recently. In January, co-CEO Carl Johnson told Adweek, “A few months ago we decided to take a breather from executing work with Beats, after an intense and successful year creating powerful work together.” Sources confirmed that Apple has chosen to take more of that work in-house, at least for the time being.

We Hear: BBDO Will Try to Repair Wells Fargo’s Reputation in Wake of Account Fraud Scandal

In case you missed it, banking brand Wells Fargo has taken something of a beating in the arena of public opinion due to a scandal involving millions of fake savings and checking accounts created by employees in response to alleged performance pressures.

Earlier this month, the Federal Reserve also punished the company by effectively restricting its ability to grow until it makes changes to its board of directors.

And just this week, Senator Elizabeth Warren chided the company’s relatively new CEO Tim Sloan for admitting that the company had “charged nearly 600,000 customers for auto insurance they didn’t need,” “improperly charged 110,000 customers fees to extend their mortgage rate locks,” and “bungled its reimbursements to the auto loan and mortgage rate lock customers.”

This was all after the fake account issue had seemingly been resolved.

Now, we hear that the company is turning to a familiar party for help: its ad agency of record, BBDO San Francisco.

According to our sources, the shop plans to launch a new campaign with “a multi-million dollar budget” that is specifically designed to improve the bank’s reputation after more than a years’ worth of bad headlines.

Since winning the account in early 2014 (it had been with DDB for nearly 20 years), BBDO has indeed produced some surprising efforts. Its first campaign, for example, starred a real-life lesbian couple learning sign language before a touching last-minute reveal about their plans to adopt a deaf girl also played by a real-life deaf girl.

Regarding this post, a BBDO spokesperson referred us back to the client for comment. Wells Fargo representatives wrote, “We typically launch a new brand campaign every year in the Spring.  Currently, we are working through the details of our 2018 plans.”

So it’s unclear exactly how the agency will attempt to address the issues that its client has faced over the past year-plus. How would you do it?

Schafer Condon Carter Wins Fresh Thyme Farmers Market Review

Fresh Thyme Farmers Market, an Illinois-based specialty retailer once described as “a Whole Foods-Trader Joe’s hybrid,” picked nearby indie Schafer Condon Carter after a review. The agency will handle creative, PR, influencer marketing, social media and planning/buying.

The chain focuses on natural, organic and fresh food at less-than-premium prices, and it has grown since launching in 2014 to include 66 locations across 10 states.

“We knew we were ready to bring on a partner who could help us achieve the brand’s great potential, and SCC demonstrated not only a deep understanding of our brand and the consumer we serve, but also the creativity, broad integrated capabilities and passion that we were looking for,” said Fresh Thyme CMO Mark Doiron.

The chain has been in expansion mode in recent months thanks, in large part, to an investment from supermarket brand Meijer, though its plans seem to have slowed a bit since January.

In recent months, it has also named several food and retail industry veterans to its C-suite including chief financial officer Carol Okamoto, chief merchandising officer Mark Doiron and chief operations officer Dean Little.

So far, Fresh Thyme does not appear to have launched any major campaigns, growing via word of mouth and a presence in new markets. It’s not clear how much the company plans to spend on forthcoming marketing efforts.

San Francisco Giants Names 215 McCann as Agency of Record

As the first pitchers and catchers start to report to spring training the San Francisco Giants have named 215 McCann as the team’s new agency of record, following a review.

“We met with several agencies, and we connected with 215 McCann immediately,” Giants executive vice president of business operations Mario Alioto said in a statement. “We had a strong chemistry from the start and 215 McCann seemed to really understand our brand and our organization goals. The quality of their work — both strategy and creative — was equally impressive. Having worked together for a few months now, we are thrilled with our decision.”

“The Giants are widely regarded as pioneers and leaders in professional sports and throughout the community,” added 215 McCann chief creative officer Scott Duchon. “We look forward to celebrating this team that represents Bay Area values of innovation, diversity and inclusion.”

215 McCann will be tasked with launching a new campaign celebrating the MLB team’s 60th anniversary in San Francisco.

The Giants franchise pre-dates such conventions as the four-ball walk (1889) and the modern distance of the pitching mound to home plate (1893). Founded as the New York Gothams in 1883 and renamed the Giants three years later, the team stayed in New York until the 1958 season when it moved to Seals Stadium, which had been the longtime home of the Pacific Coast League’s San Francisco Seals, before spending nearly four decades in Candlestick Park. The Giants settled in their current home, AT&T Park, in 2000.

It shouldn’t be hard for 215 McCann to find events to celebrate as the Giants have had their share of recent success, winning three World Series titles since 2010, most recently on the strength of a historic World Series pitching performance by Madison Bumgarner in 2014.

Team WPP Takes Home Office Depot Gold

Team WPP won creative and media duties for Office Depot, following a review which did not include incumbent Zimmerman Advertising.

Adweek identified Y&R and Mediacom as among the agencies who won the assignment but noted that a source identified it as part of a larger WPP pitch in line with the kind of dedicated units the holding company has formed for clients such as Ford, Target and Bose.

Office Depot moved its creative and media accounts to Zimmerman without a review about a year ago. The chain had worked with IPG agencies McCann New York and UM since 2014. Zimmerman formerly handled the brand’s creative account, beginning in 2011. Last summer Zimmerman launched a campaign for Office Depot reviving the 1974 Bachman-Turner Overdrive song “Takin’ Care of Business” as the brand’s theme song.

Office Depot spent over $62 million on measured media in 2016 and $47 million in the first nine months of last year, according to Kantar Media. That’s down significantly from the over $100 million the chain is estimated to have spent yearly when McCann won the account in 2014.

MullenLowe Breaks Up With Hyatt After 2 Years

Is your agency in the market for another hospitality client?

This morning Adweek reported that MullenLowe has ended its relationship with Hyatt after approximately two years due to “creative and financial differences.”

It’s the most recent in a series of changes at the hotel company, which announced approximately three weeks ago that it would be eliminating the global CMO and global head of capital strategy, franchising and select service positions on its executive board in favor of a single chief commercial officer who will oversee various operations including global marketing.

According to at least three sources familiar with the business, Hyatt has launched a global creative review seeking one agency to promote all 12 of its brands.

We unfortunately don’t have much information about the RFP so far in terms of competitors or specifics, but it does appear to be creative only, unlike the 2016 review that saw the client consolidate global creative with MullenLowe and assign its PR and social media business to other shops.

Kantar Media has Hyatt spending $35 million in 2016 and more than $20 million last year, and we hear almost all of that paid media was in the U.S. market. But the client has not launched any major campaigns since last February, and others tell us the number may be closer to $10 million.

All of the involved parties declined to comment on the record. Good luck.

Adobe Selects Wavemaker as U.S. Media Agency of Record

Adobe appointed GroupM media, content and technology agency Wavemaker as its U.S. media agency of record, following a review launched in October. 

Wavemaker (which is the product of last year’s MEC/Maxus merger) will be tasked with handling media buying and planning in the U.S. across Adobe’s Clouds: Creative, Experience and Document products. Adobe spent around $55 million on measured media domestically in 2016 and $27 million in the first half of 2017, according to Kantar Media.Wavemaker already handled media buying and planning for Adobe in Europe out of its Switzerland office.

“We are excited to leverage Wavemaker’s innovation and expertise, especially their leadership in using Adobe Experience Cloud. It’s going to be a fantastic partnership in support of Adobe’s US marketing efforts,” Adobe head of U.S. media strategy and planning Steve Weeks said in a statement.

“We are thrilled to grow our partnership with Adobe here in the US. They have been at the forefront of our industry’s transformation and we are excited to bring our data-led, consumer journey approach to growing their business,” added Wavemaker U.S. CEO Amanda Richman.

Adobe’s creative account was not part of the review and remains with GS&P.