100 Colors Installation

L’artiste française basée à Tokyo, Emmanuelle Moreaux présente son oeuvre « 100 Colors » dans le cadre du Shinjuku Creators Festa 2013 organisé à Tokyo. Son installation, faite de papier traditionnel japonais, module un espace aux couleurs acidulées. Une oeuvre magnifique à découvrir en images.

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AntiCast 69 – Expresso Réquiem

Olá, antidesigners e brainstormers!
Neste programa, Ivan Mizanzuk, Marcos Beccari e Rafael Ancara ressuscitam o formato do AntiCast Expresso, como forma de comemoração dos 100 programas já lançados. Seguimos o formato “clássico” do Expresso: recados, leitura de comentários e eleição de Troll da Semana, tudo acompanhado de uma trilha sonora de alto gabarito, com o bônus comemorativo de participação de alguns ouvintes. Descubra nesse programa: Street Fighter é melhor que Mortal Kombat? O Sub-Zero é melhor que o Scorpion? E quanto ao Ken x Ryu? O mundo está para acabar? O Beccari é realmente tão chato? Como se proteger de índios canibais? Você nunca ouvirá um AntiCast tão relevante (e aleatório).

>>0h01min15seg – História cotidiana aleatória
>>0h03min35seg – Recados
>>0h13min00seg – Leitura de comentários e participações dos ouvintes
>>1h22min22seg – Resultado promoção do livro da Luciana
>>1h23min23seg – Nova promoção

Links
Braincast 49 – O Poder do Discurso (participação do Beccari)
Cabine Celular – Oscar 2013, quem leva? (participação do Ivan)
ClicheCast 05 – Sou designer e não sei o que faço, Parte 1 (participação do Beccari, Ivan e Ancara)
Antilog do Bruno: Briefing 04 – Mudança de escopo
Prefiro Baudrillard #06 – Cinquenta meio-tons de puro bom gosto
E-mail da Luciana Martha (para quem quiser pedir uma cópia do seu livro):

Assine o Feed do AntiCast que é feed.anticast.com.br

SoundCloud
https://soundcloud.com/anticastdesign

iTunes
Ouça o AntiCast no iTunes aqui ou então manualmente:
Assine no seu iTunes da seguinte forma: Vá no Itunes, na guia Avançado > Assinar Podcast e insira o nosso feed feed.anticast.com.br

Redes Sociais e Contatos
Nos acompanhe no twitter @anticastdesign, na nossa fanpage no Facebook e no Youtube (/anticastdesign) ou nos envie um email no contato@anticast.com.br. Siga também o nosso irmão @filosofiadesign.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Aplicativo da cerveja Itaipava no Facebook permite construir o Brasil 100%


Entre tantas marcas tentando fazer pegar seus próprios memes, a cerveja Itaipava lançou um aplicativo no Facebook que replica o conceito do comercial de TV.

Com o app você pode criar o seu Brasil 100%, definindo a quantidade desejada entre as opções pré-selecionadas que formariam um país ideal na sua opinião.

Obviamente, o aplicativo só inclui opções seguras, que interessam para o posicionamento da marca, como mulher, homem, cerveja, futebol, praia, sertanejo, rock e balada. Aguardo pelos remixes dos usuários incluindo elementos politicamente incorretos.

A criação é da Y&R.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Economía Post-Pitagórica

Moviéndonos desde la fría dura lógica a la lógica difusa no lineal

by
David Orrell

From Adbusters #85: Thought Control in Economics


Daniel Canogar – Enredos 3, 2008

This article is available in:

Pitágoras nació alrededor del 570 a.C. Pasó su juventud viajando a Egipto, Siria y Babilonia donde se empapó de las enseñanzas místicas del este. Alrededor de los 40, estableció su propio culto cuasi religioso en Crotona, en el sur de Italia. Sus enseñanzas atrajeron a cientos de seguidores, algunos de ellos sufrieron severas privaciones – incluyendo un voto de silencio de cinco años – para pertenecer a su círculo más cercano, conocidos como los mathematikoi.

La filosofía de este culto estaba basada en la razón y el número. Para los pitagóricos, el número era todo. Cada número tenía un significado especial, casi mágico. La mónada, la unidad, representaba la unidad original del universo creado, y estaba asociado con la divina inteligencia. La díada, el dos, representaba la división de esta unidad en la dualidad. (Los números pares, que contuviesen el número dos, eran vistos, por tanto, como la representación de la debilidad y la mutabilidad.) El tres representaba todas las cosas con un principio, un desarrollo y un final. El cuatro representaba la consecución – como las cuatro estaciones.

El número perfecto era la década, el diez. La suma de uno, dos, tres y cuatro representaba la totalidad de fuerzas que constituyen el universo. En referencia a la década, los pitagóricos hicieron una lista de diez principios opuestos, que dividía los fenómenos en dos clases:

bueno – malo

limitado – ilimitado

impar – par

derecha – izquierda

masculino – femenino

en descanso – en movimiento

recto – curvo

luz – oscuridad

cuadrado – oblongo

Al alinearse con las cualidades de la primera columna, los pitagóricas creían que podrían lograr la pureza y acercarse a los dioses.

Las razones por las que eligieron diez pares han desconcertado a los académicos desde Aristóteles, pero algo se puede intuir. En la filosofía de Pitágoras, por ejemplo, el universo estaba formado por dos componentes: lo limitado, que significaba orden, y lo ilimitado, que representaba caos y pluralidad. Lo primero estaba asociado con la mónada y los números impares, los segundos con la díada y los números pares. El biógrafo de Pitágoras, Jámblico, escribe: “A la mano derecha él la llamaba el principio del número impar, y es divina, pero la mano izquierda es el símbolo del número para y de lo que es disoluto.” La mano derecha está controlada por el lado derecho del cerebro, que nosotros asociamos al razonamiento lineal, lógico, el tipo de razonamiento perseguido por los pitagóricos. Esta preferencia por la mano derecha ha persistido a través del lenguaje – la palabra “siniestra” viene del Latín sinestra, izquierda.

¿Qué tiene que ver todo este misticismo antiguo con la dura fría lógica de la economía neoclásica – que ve a la humanidad como un mero agregado de actores racionales y egoístas? El modelo económico ha sido durante mucho tiempo Newtoniano, relacionado con la física mecánica, que está, finalmente, basado explícitamente en el pensamiento Pitagórico. Así pues, esta lista de pares son los filamentos complementarios del ADN de la economía. Considerando que la economía neoclásica:

  • está basada en la idea de escasez y enfatiza en los recursos limitados como el petróleo a expensas de los recursos ilimitados como el viento;
  • desecha la incertidumbre y la dualidad (simbolizadas por los pitagóricos como la paridad);
  • está basada en la primacía del individuo (uno) frente a la sociedad (pluralidad);
  • valora la lógica de la mano derecha, ignorando las emociones y el pensamiento de la mano izquierda;
  • está basado en el ejemplo masculino que infravalora cosas como los niños;
  • ve la economía como un sistema estático, en reposo por la acción de la invisible mano del capitalismo;
  • usa una aproximación simplista, lineal (recta) a un modelo complejo, no lineal (curvo) de fenómenos;
  • intenta hacer brillar la luz de la razón y la observación sobre la economía, desechando la indeterminación (oscuridad) de los sistemas humanos;
  • reduce un sistema complejo y a menudo fuertemente orientado a lo social y político a la simple simetría (cuadrado) de las matemáticas.

Los economistas neoclásicos son pitagóricos. Siguen pensando que el número lo es todo. Y siguen intentando encontrar el bien y alcanzar la Utopía al alinearse con la primera columna de esta antigua lista.

Desde los 60, un número de nuevas ciencias han emergido del desafío directo del paradigma pitagórico. Lógica difusa, fractales, teoría de redes y dinámicas no lineales que tratan con sistemas indeterminados, curvas, plurales y cambiantes. Feministas y ecologistas han señalado los defectos de sistema neoclásico. Al incorporar estas voces y desarrollos como economistas, nos acercaremos a una economía que no solo es post-autista, sino también post-pitagórica.

David Orrell es un matemático y un autor cuyo trabajo han aparecido en “New Scientist”, “The Financial Times”, “BBC Radio” y “CBC TV”. Es el autor de “Apollo’s Arrow: The Science of Prediction and the Future of Everything and The Other Side of the Coin: The Emerging Vision of Economics and Our Place in the World”.

Translated by the Translator Brigadestranslatorbrigades@gmail.com

Arte del 1%

¿Quienes son los mecenas del arte contemporáneo hoy?

by
Andrea Fraser

From Adbusters #100: Are We Happy Yet?

¿Quienes son los mecenas del arte contemporáneo hoy? La lista en ARTnews de los 200 Mayores Coleccionistas es un lugar obvio por el que comenzar. Cercano a la parte de arriba de la lista por orden alfabético se encuentra Roman Abramovich, que según estimaciones de Forbes está valorado en $13.4 billones de dólares.

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Ha admitido haber pagado billones de dólares en sobornos para controlar los activos de petróleo y aluminio rusos. 

Bernard Arnault, que ha sido listado por Forbes como el cuarto hombre más rico del mundo, con 41 billones de dólares, controla el grupo de bienes de lujo LVMH el cual, a pesar de la crisis de la deuda, obtuvo una subida de un 13% en las ventas en la primera mitad del 2011. El gestor de “hedge funds” John Arnold, que empezó en Enron – donde recibió un bonus de 8 millones de dólares justo antes de que quebrara – dio recientemente 150.000 dólares a una organización que buscaba limitar las pensiones públicas. Eli Broad, miembro del consejo de administración de MoMA, MoCA y LACMA vale 5.8 billones de dólares y fue miembro de la junta directiva y principal accionista de la notoria AIG. Steven A. Cohen, cuyo valor se estima en 8 billones de dólares, es el fundador de SAC Capital Advisors, que está siendo investigada por tráfico de información privilegiada. Dimitris Daskalopoulos, miembro del consejo de administración del Guggenheim y también presidente de la Hellenic Federation of Enterprises, pidió que se hiciera una “inciativa privada moderna” para salvar a la economía Griega de un “estado de patrocinio” “abotargado y parasitario”. Otro miembro del consejo de administración David Ganek, cerró recientemente su “hedge fund” Global Level de 4 billones de dólares después de una redada del FBI.

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Soccer Ball, 2003
TAKASHI MURAKAMI

Noam Gottesman y su anterior compañero Pierre Lagrange (también en la lista ARTnews) ganaron 400 millones de libras cada uno vendiendo su hedge fund GLG en 2007, lo que les hizo “figurar entre los mayores ganadores de la crisis crediticia”, según el Sunday Times. El director del “hedge fund” Kenneth C. Griffin apoyó a Obama en 2008 pero dio recientemente 500,000 dólares a un comité de acción política creado por el que fuera consejero de Bush, Karl Rove, que fue visto también en una reunión de la derechista y populista Koch Network. Los 100 millones de dólares en compensación para Hill en 2009 llevó a que Citigroup vendiera su sección Philbro, de la que él era el mayor inversor (trader) después de recibir presiones de los reguladores para que redujese su salario y teniendo en cuenta que Citigroup recibió $45 billones de dólares en fondos de rescate federales de los EE.UU (posteriormente movió la compañía a un paraíso fiscal). Damien Hirst, estimado por el Sunday Times en 215 millones de libras, es uno de los pocos artistas que han hecho listas de ricos junto con sus patrocinadores. Peter Kraus reunió 25 millones de dólares sólo por tres meses de trabajo cuando su paquete de despedida lo obtuvo de la venta de Merrill Lynch al Banco de America con la ayuda de fondos del gobierno de EE.UU. Los ingresos de Henry Kravis, presidente de MoMA y compañero en el neoconservador Hudson Institute, defendió recientemente el “capitalismo anglosajón” contra “la política social capitalista europea” en Forbes.com. Daniel S. Loeb, un miembro del consejo de administración de MoCA y fundador del hedge fund Third Point estimado en 7.8 billones de dólares, envió una carta a los inversores atacando a Obama por “insistir en que la única solución a los problemas de la nación… reside en la redistribución de la riqueza.” Dimitri Mayrommatis, el gestor de activos griego “asentado en Suiza”, pagó 18 millones de libras por un Picasso en Christie’s el 21 de Junio de 2011, mientras los griegos se manifestaban indignados contra las medidas de austeridad. Por supuesto también está Charles Saatchi, quien ayudó a que Margaret Thatcher fuera elegida.

Untitled, $912,000

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Untitled, 1990
ROBERT GOBER

El presidente de la empresa MoMA, Jerry Speyer eludió el pago de una inversión inmobiliaria en 2010, perdiendo 500 millones de dólares para el Fondo de Pensiones del Estado de California y hasta 2 billones de dólares en deuda que había sido asegurada por agencias federales de los EE.UU. Reinhold Würth, valorado en $5.7 billones de dólares, ha sido multado por evasión fiscal en Alemania y compara el pagar impuestos con la tortura. Recientemente adquirió Virgin of Mercy (La virgen de la Misericordia) de Hans Holbein el Joven, pagando el precio más alto por una obra de arte en Alemania y superando el Städelsche Kunstinstitut en Frankfurt/Main, donde la pintura ha estado expuesta desde el año 2003.

En medio de una crisis económica, el mundo del arte está experimentando un boom de crecimiento en el mercado que ha estado mayormente ligado al crecimiento de los High Net Worth Individuals (HNWI) (individuos con un patrimonio neto elevado) y Ultra-HNWI (personas con más de 1 millón de dólares o 30 millones respectivamente), especialmente de la industria financiera. Un informe reciente realizado por Art+Auction llegó a celebrar indicadores de que estos grupos se estaban recuperando de su caída en 2008  en la pre-crisis. Sin embargo, hasta hace poco, ha habido pocas discusiones acerca del vínculo obvio existente entre la expansión global del mundo del arte y la creciente disparidad de los ingresos de las personas. Basta echar un vistazo al índice GINI, una medida de la desigualdad salarial, que muestra que los países con los boom en el arte más significativos de las dos últimas décadas también han experimentado el mayor crecimiento en desigualdad: EE.UU, Gran Bretaña, China e India. Las últimas investigaciones en economía han establecido una conexión directa entre la exorbitante subida de los precios del arte y la desigualdad salarial, mostrando que “una subida del uno por ciento en la cotización de los ingresos totales que recibe el 0,1%, desencadena un incremento en los precios del arte en un 14%”. Ahora es dolorosamente obvio que lo que ha sido extraordinariamente bueno para el mundo del arte en las últimas décadas ha sido desastroso para el resto del mundo.

En los EE.UU es difícil imaginar cualquier organización artística o prácticas que escapen a las estructuras económicas y a las políticas que han producido esta desigualdad. El modelo privado sin ánimo de lucro –en el que se encuentran casi todos los museos en EE.UU así como las organizaciones de arte alternativas- depende de donantes adinerados y sus orígenes están anclados en la misma ideología que condujo a la presente crisis económica: que las iniciativas privadas son más adecuadas para satisfacer las necesidades sociales  que el sector público y que las riquezas son mejor administradas por los ricos. Aun fuera de las instituciones, los artistas comprometidos en prácticas basadas en la comunidad local y en prácticas sociales cuyo objetivo es proporcionar beneficio público en tiempos de austeridad, quizás sólo estén llevando a cabo lo que George H.W Bush pedía cuando imaginaba a voluntarios y a organizaciones comunitarias extenderse como “miles de puntos de luz” tras recortar el gasto público.

Artistas progresistas, críticos y curadores se enfrentan a una crisis existencial: ¿cómo podemos seguir justificando nuestra implicación en esta economía del arte? Como mínimo, si nuestra única elección es participar o abandonar por completo el campo artístico, podemos parar de racionalizar esa participación en nombre de prácticas artísticas críticas o políticas o – “añadiéndole insultos a la herida”- de justicia social. Cualquier alegato que afirme que representamos una fuerza social progresista mientras que nuestras actividades están subvencionadas directamente y se benefician de los motores de la desigualdad, sólo pueden contribuir a la justificación de esa desigualdad. La única “alternativa” verdadera hoy es reconocer nuestra participación en esta economía y confrontarla de manera abierta, directa e inmediata en todas nuestras instituciones, incluyendo museos, galerías y publicaciones. 

Larmes tears, $1,300,000

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The most expensive photograph in the world
Larmes tears, 1932
MAN RAY

A pesar de la abundancia de la retórica política radical en el mundo del arte, reinan la censura y la auto-censura cuando se trata de confrontar nuestras condiciones económicas, excepto en arenas marginalizadas (a menudo auto-marginalizadas) en donde no hay nada que perder -y poco que ganar- cuando se trata de hablarle al poder sobre la verdad. 

Efectivamente, la hipocresía de las reivindicaciones progresistas en el arte quizás contribuya a la sospecha de que la política progresista es sólo una artimaña de las élites educadas para preservar sus privilegios. En nuestro caso, esto quizás sea cierto. De forma creciente, parece que la política en el mundo del arte es una política de la envidia y de la culpabilidad, o del interés personal generalizado en nombre de una privilegiada y limitada forma de autonomía y que la “crítica” artística casi siempre sirve no para revelar sino para distanciar estas condiciones económicas y nuestra inversión en ellas. Como tal, es una política que funciona para defender de las contradicciones que si no, pueden hacer que nuestra continua participación en el campo del arte y el acceso a sus considerables recompensas -que a muchos de nosotros nos ha colocado cómodamente entre el 10%, si no en el 1% o hasta en el 0.1%- sea insoportable.

Una amplia reorientación del discurso artístico podría ayudar a precipitar una muy esperada escisión del sub-campo de galerías, casas de subastas y ferias de arte que están dominadas por el mercado. Si una huída del mercado del arte significa que los museos públicos se contraen y los coleccionistas ultra-adinerados crean sus propias instituciones controladas de forma privada, que así sea. Dejemos que esas instituciones privadas sean las cámaras del tesoro, que sean espectáculos de parques temáticos y freak shows económicos; muchos de ellos ya lo son. Que el mundo del arte dominado por el mercado se convierta en el negocio de bienes de lujo que ya es, siendo lo que por él circula tan lejano al arte verdadero como los yates, los jets y los relojes. Ya es hora de que comencemos a evaluar si logran satisfacer o fracasan en satisfacer las reivindicaciones políticas o críticas a nivel de sus condiciones económicas o sociales. Debemos insistir en que lo que las obras de arte crean a nivel económico determina lo que significan socialmente y también artísticamente.

Si nosotros, como curadores, críticos e historiadores del arte y artistas retiramos nuestro capital cultural de estos mercados, tenemos el potencial de crear un nuevo campo artístico en donde puedan desarrollarse formas radicales de autonomía: no como “alternativas” secesionistas que existen sólo en las declaraciones grandiosas y en el pensamiento mágico de artistas y teóricos, pero como estructuras plenamente institucionalizadas que con la “adecuada  magia social de las instituciones” serán capaces de producir, reproducir y recompensar valores no-comerciales.

Andrea Fraser es una artista y profesora en el departamento de arte en la Universidad de California- Los
Angeles. Esta es una versión revisada de un ensayo publicado originalmente en Texte zur Kunst, número.83, Septiembre de 2011.

Translated by the Translator Brigadestranslatorbrigades@gmail.com

Economía ocupada

Breve historia del primer siglo empresarial.

by
Carl Safina

From Adbusters #100: Are We Happy Yet?


CHRISTOPH GIELEN

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Esta mañana estaba arrancando una hiedra venenosa; parecía que me enfrentaba a la descorazonadora perspectiva de arrancar más de cien plantas, pero descubrí que, si hundía el dedo enguantado hasta la raíz y tiraba con cuidado, podía llegar hasta otras raíces y tallos que había en mi jardín abandonado, para luego quitar de golpe partes enteras con bastante facilidad. Sin tirar de una sola de las plantas, al arrancar la raíz salían todas las que estaban a la vista y muchas otras que no había visto con la maleza. Cuando era adolescente me moría por viajar a Estados Unidos para ver “cómo viven otros”. Ahora la verdad es que ya se puede ver cómo viven con independencia de dónde se esté, ya que la misma publicidad, las mismas cadenas y la misma televisión, radio y conglomerados de empresas de los medios impresos han en su mayor parte sustituido a los EE.UU. por los mismos centros comerciales de carretera, de costa a costa. A todo el mundo le estalla la cabeza con las mismas canciones y los jóvenes “se sienten identificados con” el mismo puñado de logos de empresas y de personajes que salen en los medios. Las “noticias”empresariales informan de cómo a personas reales que interpretan a personajes de ficción les va su reproducción y rehabilitación. Mientras limpiaba mi jardín estadounidense de plagas tóxicas, la cabeza se me fue a la imagen de las cadenas de tiendas dispuestas a lo largo de la autopista; cada centro comercial un manojo de hojas, conectados por una cable invisible de raíz. Me imaginé que iba conduciendo a través del país en una gran autopista interestatal arrancando cadenas de tiendas a mi paso, ayudando a liberar una tierra que se ahoga en una sucesión de uniformidad.

Las sociedades mercantiles modernas (corporations) eran básicamente ilegales cuando se fundaron los Estados Unidos (a los colonos ya les había llegado con las sociedades británicas). En el nuevo país, se podían formar, reunir capital público y repartir los beneficios con los accionistas sólo para actividades específicas que beneficiasen al público, como construir carreteras o canales; las licencias empresariales eran temporales y las sociedades tenían prohibido intentar influir en las elecciones, en la legislación, en las políticas públicas o en la vida civil. Imagínenselo.

Pero desde un principio, los hombres de mentalidad empresarial ansiaban el poder, llevando a Thomas Jefferson a escribir en 1816, “Espero que… acabemos ya en su nacimiento con la aristocracia de nuestras sociedades adineradas, que ya se atreven a retar al gobierno a una prueba de fuerza y desafían las leyes del país”.

Durante el siglo inmediatamente sucesivo a la Revolución Estadounidense, los legisladores mantuvieron el control del proceso de aprobación de las escrituras de constitución de las sociedades, pero básicamente lo perdieron a medida que una serie de decisiones judiciales establecieron los “derechos” y la “personalidad” de las mismas. Esas leyes han sido catastróficas para la democracia, con implicaciones planetarias.

A la globalización empresarial se le ha denominado “el rediseño más esencial de las disposiciones sociales, económicas y políticas que ha tenido lugar desde la Revolución Industrial”. Las sociedades han puesto fin a cualquier poder real económico o político de los gobiernos. De los cien países más ricos y sociedades listados conjuntamente, más de la mitad son sociedades. ExxonMobil es más rica que 180 países: y sólo hay unos 195 países. Sin las responsabilidades o los gastos de una nación, las sociedades pueden innovar y producir con una rapidez y a una escala sin precedentes, pero también pueden llevar a cabo actos de enorme destrucción medioambiental y declarar beneficios.

Su comportamiento se debe a su gran libertad de acción y a su responsabilidad limitada por el daño causado. Lo que es más, los accionistas “son titulares” y se benefician de la sociedad, pero su “responsabilidad limitada” implica que los accionistas no pueden perder más dinero del invertido; no se les responsabiliza de nada de lo que la empresa hace. Si así fuera, sabrían de qué empresas “son titulares” y por qué, y puede que exigieran responsabilidad empresarial e invirtieran con más cuidado. Pero como no lo son, no lo hacen.

Lo que es más, si una sociedad puede beneficiarse más arruinando a una comunidad, la ley dice que debe hacerlo. Puede que el caso más famoso de la legislación en materia de sociedades lo decidiera el Tribunal Supremo de Michigan en 1919, cuando los hermanos Dodge (sí, esos hermanos Dodge) demandaron a Henry Ford. Ford quería que los beneficios revirtieran en la empresa y los empleados. “Mi ambición es dar empleo todavía a más hombres”, el New York Times citó a Ford diciendo, “extender los beneficios de este sistema industrial al mayor número posible de personas, para ayudarlas a crearse una vida y una casa. Para hacerlo, estamos reinvirtiendo la mayor parte de nuestros beneficios en el negocio”. Los jueces plantearon una breve pregunta: ¿Para qué sirve una sociedad? Se respondieron a sí mismos diciendo que eran “en primera instancia para el beneficio de los accionistas”, no para el beneficio de los empleados o de la comunidad. Los gestores de las sociedades -con independencia de sus escrúpulos personales o de su deseo de “hacer el bien”- están obligados a anteponer siempre los beneficios.

>>>>>>>>>>>>>>

El imperativo de maximización de los beneficios crea una presión continua para tirar los residuos en la propiedad común y trasladar los costes resultantes al público a través de subsidios, limpieza de la contaminación a costa del contribuyente y actuaciones semejantes. En donde tirar los residuos es ilegal, a las sociedades se les puede multar por violaciones. Estas multas a menudo pasan a ser “el precio de hacer negocios”, cuando los accionistas saben que a las sociedad nunca se las manda a la cárcel y que algunas son “demasiado grandes (para que se les permita) caer”. Y siempre que los controles gubernamentales se vuelvan molestos, los deseos empresariales también acaban con ellos, apoyando y colocando a funcionarios escogidos por las cooperativas y luego forzando la eliminación de “barreras” reguladoras (las antes conocidas como: “protecciones públicas”).

Sin embargo, podemos imaginarnos cómo un gobierno con una mentalidad más orientada hacia el público habría lidiado con las sociedades propensas a los riesgos. En la Segunda Guerra Mundial, el gobierno estadounidense se hizo con el control de algunas empresas alemanas en los Estados Unidos. Evidentemente, no tendría sentido tener plantas químicas alemanas en suelo estadounidense mientras nos sumíamos en una guerra con Alemania. No se destruyeron las empresas, sólo las controló el gobierno durante un tiempo; algunas todavía existen. Cuando los fabricantes de automóviles se metieron en graves problemas y se declararon en bancarrota en 2009, el gobierno federal intervino para controlar la gestión durante una temporada. No es que se llevaran a cabo medidas punitivas, pero podemos hacernos una idea de las medidas con las que las sociedades que actúan como malos ciudadanos tendrán que convivir durante un tiempo, pongamos por caso, con sus activos congelados -tal vez sin comercio- mientras el gobierno del pueblo se dedica a darles una capacitación insignificante a los directivos.

En la vida real tal y como la conocemos, el imperativo de maximización de beneficios implica que una empresa que intente actuar de forma responsable incurre en una desventaja competitiva. Las implicaciones son por lo general un aluvión de catástrofes, porque básicamente todo el dinero del mundo está por tanto bajo presión para actuar de manera irresponsable. Cualquier otro impulso debe resistir a esa corriente.

El principio de fe fundamental de las sociedades, su objeto de adoración, su grial y su sustento: el crecimiento. Un crecimiento impulsado sin cesar por nuevos recursos acabados de desenterrar y mano de obra barata, un crecimiento alimentado por un número en aumento de consumidores con un peso también en aumento. El crecimiento se ha producido a lo largo de la historia como resultado del progreso tecnológico y de una población creciente, y se volvió una de las aspiraciones de las políticas gubernamentales sobre todo después de la Segunda Guerra Mundial.

Pero el planeta Tierra no puede crecer. No a un ritmo superior al que acumula encanto, en cualquier caso. Si la economía “crece” mientras se agotan recursos como el agua, los bosques y los caladeros, no es crecimiento: sólo es hacer más burbujas. Sin embargo, puesto que nuestro sistema económico muestra un amor incondicional por el crecimiento, no cunde la alarma por algunas burbujas, pero cuenten con esto: cuanto más grande sea esta, peor será la explosión.

El primer siglo empresarial, el siglo XX, fue un periodo de crecimiento explosivo. A pesar de que hasta 150 millones de seres humanos murieron en enfrentamientos bélicos entre 1900 y Y2K, la población mundial se cuadruplicó. El uso de la energía aumentó en dieciséis veces. La pesca -que alcanzó su punto máximo a finales de los ochenta- aumentó en treinta veces. La enorme cantidad de cosas que se usan anualmente circulan con tal número de ceros que resulta pasmosa: 275?000?000 toneladas de carne, 370?000?000 toneladas de productos de papel, etcétera. Lo que es increíble, de todos los materiales de la Tierra que las manos de los seres humanos han transformado alguna vez, la mitad al completo de esa transformación de materiales ha tenido lugar a partir de la Segunda Guerra Mundial.

“Es imposible que la economía mundial salga de la pobreza y del deterioro medioambiental mediante el crecimiento”, escribe el economista Herman Daly, preocupado por los recursos, porque la economía es un “subsistema del ecosistema terrestre, que es finito, no va a más y tiene un abastecimiento material limitado”.

¿Y los economistas creen que la solución a los problemas que tenemos es más crecimiento? Hemos estado equivocados por completo. Sin embargo, más desarrollo: esa sí es una propuesta diferente. “Crecimiento” quiere decir aumentar de tamaño añadiendo; “desarrollo” quiere decir desarrollar potenciales, mejorar.

Dado que el mundo ya está bastante explotado, ahora el crecimiento pone en peligro el desarrollo. En un mundo que hubiera superado el crecimiento, mediríamos cosas como la comunidad y la satisfacción, sustituiríamos esta dinámica desenfrenada de la pescadilla que se muerde la cola de lo material, con la vida, la libertad y la búsqueda de la felicidad que se derivan del desarrollo, no del crecimiento. No los confundamos.

Cuando las condiciones oceánicas son difíciles, algunas medusas “de-crecen”. No sólo pierden grasa o adelgazan; sino que sí que pierden células y simplifican algunas de sus estructuras. Cuando las condiciones mejoran, vuelven a crecer. Dado que añaden células nuevas y les vuelven a crecer estructuras (no sólo vuelven a engordar), lo que en verdad sucede es que rejuvenecen: son más jóvenes de lo que eran. En el extremo opuesto, Edward Abbey observó hace ya mucho tiempo que el crecimiento por el crecimiento continuo es la estrategia del cáncer. Sabiendo lo que sabemos hoy en día, parece que el mundo no puede producir lo suficiente para salir de la pobreza a base de crecer, pero podríamos, sin lugar a dudas, salir de ella a base de reducir.

Carl Safina ha recibido la beca MacArthur y ha sido invitado en el programa de televisión de la PBS “Saving the Ocean” (“Salvar el océano”). Este ensayo figuró por primera vez en el libro “The View From Lazy Point

Translated by the Translator Brigadestranslatorbrigades@gmail.com

Oreo comemora aniversário de 100 anos

Fundada em 6 de março de 1912, a Oreo completa hoje 100 anos. A Kraft lançou uma campanha para comemorar a data, e que mostrar como o biscoito/bolacha resgata a criança dentro de cada um.

Criada pela Draftfcb de Nova York, a iniciativa vai incluir filmes para TV – o primeiro estreou hoje – além de uma série de anúncios impressos que retratam fatos acontecidos no último século.

Você pode ver todos depois do jump, e o comercial abaixo:

















Brainstorm9Post originalmente publicado no Brainstorm #9
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La lucha contra el capitalismo

En Primavera debemos redescubrir formas de cuidado insurrecionarias.

by
Nicole Demby

From Adbusters #100: Are We Happy Yet?


DAVID DEGNER

This article is available in:

Mientras #OWS engloba una multiplicidad de tácticas, opiniones y grados de radicalismo político, es claro y evidente que el alma de Occupy es anticapitalista, y el deseo de un sistema diferente es un deseo de un movimiento de protesta cuyo alcance en nuestras vidas es más holístico. Ya se han hecho trabajos estimulantes para organizarse en diferentes comunidades y uno puede imaginarse la emergencia de una red dispersa, no sólo de asambleas generales pero también de comunas y cooperativas.

Cargamos con el viejo pesimismo teórico, diciéndonos que cualquier forma desarrollada y continuada de organización comunitaria sólo puede existir como un bolsillo autónomo que no supone ninguna amenaza al capitalismo. Pero apoyar formas autónomas y comunitarias de cuidado no es desmarcarse de las formas de acción directas y activas. Los aspectos positivos y negativos de la lucha contra el capitalismo deben trabajar conjuntamente los unos con los otros para reforzarse mutuamente. Las comunas, cooperativas y otras estructuras de apoyo social proporcionan una red de seguridad material que facilita la acción radical, permitiendo a las personas desprenderse del trabajo y de las deudas contraídas con la seguridad de que sus necesidades materiales van a estar cubiertas cuando así lo hagan.

Además, tales formas de organización pueden dar comienzo al proceso increíblemente difícil de crear confianza entre personas con pasados y experiencias radicalmente distintos, procurando apoyo para quienes lo necesitan, especialmente aquellos que han sufrido el colapso económico. Estas formas de organización enervarán al status-quo sustrayendo el tiempo y la energía de los participantes de sus roles como trabajadores asalariados y consumidores. Claro que #OWS ya ha empezado a hacer esto; muchos de nosotros que no disfrutamos del lujo de tener empleos altamente flexibles (es decir precarios) o quienes no se han dedicado todavía a la ocupación a tiempo completo (y ahora duermen en iglesias, sinagogas y viviendas privadas ofrecidas generosamente- y organizándose durante el día) ya dedicamos nuestras horas en la oficina leyendo clandestinamente los emails de los grupos de trabajo o artículos relacionados con occupy. Nuestro objetivo es conseguir un modo de vida menos esquizofrénico en el cual el efecto totalizador de Occupy en nuestros pensamientos se refleje en el grado en el que predomine en nuestras acciones, un modo de vida en el que nuestra política esté en concordancia con la manera en la que nos sustentamos. Para aquellos que están en contra del capitalismo esto significará evaluar nuestra audacia y examinar nuestra propia percepción del futuro. Tal y como observó Daniel Marcus: “No puede haber movimiento de comunas si la protesta es meramente una actividad extracurricular de los asalariados: los trabajadores tendrán que elegir si están con las comunas o con los jefes o administradores.”

La necesidad de nuevas estructuras de cuidado es tanto emocional como material. Muchos de nosotros estamos empezando a darnos cuenta de la amplitud de nuestra propia insatisfacción. Pasamos tiempo con amigos y amantes pero estos encuentros son contrapuntos transitorios a la anomia inducida por una cultura del individualismo. Trabajamos hacia el éxito, pero lo que constituye el éxito parece cada vez más vacío. Quizás sea anticuado hablar de “alienación”, quizás sea naïf afirmar qué formas de trabajo o qué actividades puedan comenzar a vencerla; quizás sea utópico creer en que podríamos crear una sociedad en la que una vida mejor sea posible. Ya vemos la posibilidad de estas cosas en el futuro cercano de este movimiento y ya estamos empezando a construir la infraestructura necesaria.

El afecto no sólo es un efecto, sino una herramienta decisiva de la revolución. Así como la catársis de la resistencia que experimentamos en otoño reforzó el espíritu de comunidad y nos alentó a ir más lejos, habrá plasmaciones holísticas de Occupy, más comunitarias, auto-suficientes que afianzarán y reforzarán aún más al movimiento. Somos más fuertes cuando nuestra resistencia se inspira en nuestra indignación pero cuando también aprovecha nuestras fuerzas vitales, extendiéndose a la base material y psicológica de nuestras vidas.

En primavera debemos redescubrir que hay tipos militantes de comunidad y formas de cuidado insurrecionarias.

Nicole Demby es escritora y crítica y vive en Brooklyn. Es miembro del Arts & Labor group (Grupo de Trabajo de Arte y Trabajo de Occupy Wall Street).

Translated by the Translator Brigadestranslatorbrigades@gmail.com

The Shadow Industry

Everybody finds something.

by
Peter Carey

From Adbusters #100: Are We Happy Yet?

ANDREAS GURSKY

1.
My friend S. went to live in America ten years ago and I still have the letter he wrote me when he first arrived, wherein he describes the shadow factories that were springing up on the west coast and the effects they were having on that society.

"You see people in dark glasses wandering around the supermarket at 2 a.m. There are great boxes all along the aisles, some as expensive as fifty dollars but most of them are only five. There’s always Muzak. It gives me the shits more than the shadows. The people don’t look at one another. They come to browse through the boxes of shadows although the packets give no indication of what’s inside. It really depresses me to think of people going out at two in the morning because they need to try their luck with a shadow. Last week I was in the supermarket near Topanga and I saw an old man tear the end off a shadow box. He was arrested almost immediately."

A strange letter ten years ago but it accurately describes scenes that have since become common in this country. Yesterday I drove in from the airport past shadow factory after shadow factory, large faceless buildings gleaming in the sun, their secrets guarded by ex-policemen with Alsatian dogs.

The shadow factories have huge chimneys that reach far into the sky, chimneys which billow forth smoke of different, brilliant colors. It is said by some of my more cynical friends that the smoke has nothing to do with any manufacturing process and is merely a trick, fake evidence that technological miracles are being performed within the factories. The popular belief is that the smoke sometimes contains the most powerful shadows of all, those that are too large and powerful to be packaged. It is a common sight to see old women standing for hours outside the factories, staring into the smoke.

There are a few who say the smoke is dangerous because of carcinogenic chemicals used in the manufacture of shadows. Others argue that the shadow is a natural product and by its very nature chemically pure. They point to the advantages of the smoke: the beautifully colored patterns in the clouds which serve as a reminder of the happiness to be obtained from a fully realized shadow. There may be some merit in this last argument, for on cloudy days the skies above our city are a wondrous sight, full of blues and vermilions and brilliant greens which pick out strange patterns and shapes in the clouds.

Others say the clouds now contain the dreadful beauty of the apocalypse.

2.
The shadows are packaged in large, lavish boxes which are printed with abstract designs in many colors. The Bureau of Statistics reveals that the average householder spends 25 percent of his income on these expensive goods and that this percentage increases as the income decreases.

There are those who say that the shadows are bad for people, promising an impossible happiness that can never be realized and thus detracting from the very real beauties of nature and life. But there are others who argue that the shadows have always been with us in one form or another and that the packaged shadow is necessary for mental health in an advanced technological society. There is, however, research to indicate that the high suicide rate in advanced countries is connected with the popularity of shadow sales and that there is a direct statistical correlation between shadow sales and suicide rates. This has been explained by those who hold that the shadows are merely mirrors to the soul and that the man who stares into a shadow box sees only himself, and what beauty he finds there is his own beauty and what despair he experiences is born of the poverty of his spirit.

3.
I visited my mother at Christmas. She lives alone with her dogs in a poor part of town. Knowing her weakness for shadows I brought her several of the more expensive varieties which she retired to examine in the privacy of the shadow room.

She stayed in the room for such a long time that I became worried and knocked on the door. She came out almost immediately. When I saw her face I knew the shadows had not been good ones.

"I’m sorry," I said, but she kissed me quickly and began to tell me about a neighbor who had won the lottery.

I myself know, only too well, the disappointments of shadow boxes for I also have a weakness in that direction. For me it is something of a guilty secret, something that would not be approved of by my clever friends.

I saw J. in the street. She teaches at the university.

"Ah-hah," she said knowingly, tapping the bulky parcel I had hidden under my coat. I know she will make capital of this discovery, a little piece of gossip to use at the dinner parties she is so fond of. Yet I suspect that she too has a weakness for shadows. She confessed as much to me some years ago during that strange misunderstanding she still likes to call "Our Affair." It was she who hinted at the feeling of emptiness, that awful despair that comes when one has failed to grasp the shadow.

4.
My own father left home because of something he had seen in a box of shadows. It wasn’t an expensive box, either, quite the opposite – a little surprise my mother had bought with the money left over from her housekeeping. He opened it after dinner one Friday night and he was gone before I came down for breakfast on the Saturday. He left a note which my mother only showed me very recently. My father was not good with words and had trouble communicating what he had seen: "Words Cannot Express It What I Feel Because of The Things I Saw In The Box Of Shadows You Bought Me."

5.
My own feelings about the shadows are ambivalent, to say the least. For here I have manufactured one more: elusive, unsatisfactory, hinting at greater beauties and more profound mysteries that exist somewhere before the beginning and somewhere after the end.

Peter Carey is an Australian born novelist and two-time winner of the prestigious Booker Prize. Peter worked in advertising to pay the bills until successfully publishing his first piece in his early thirties. He is currently the Executive Director of the creative writing program at Hunter College. The above story was originally titled Report on the Shadow Industry.

We Are Insurgent

The Rebel Clown Army Manifesto.

by
Rebel Clown Army

From Adbusters #100: Are We Happy Yet?

KAREN ELIOT

We are insurgent because we have risen up from nowhere and are everywhere. Because ideas can be ignored but not suppressed and an insurrection of the imagination is irresistible. Because whenever we fall over we rise up again and again and again, knowing that nothing is lost for history, that nothing is final. Because history doesn’t move in straight lines but surges like water, sometimes swirling, sometimes dripping, flowing, flooding–always unknowable, unexpected, uncertain. Because the key to insurgency is brilliant improvisation, not perfect blueprints.

We are rebels because we love life and happiness more than ‘revolution.’ Because no revolution is ever complete and rebellions continues forever. Because we will dismantle the ghost-machine of abstraction with means that are indistinguishable from ends. Because we don’t want to change ‘the’ world, but ‘our’ world. Because we will always desert and disobey those who abuse and accumulate power. Because rebels transform everything–the way they live, create, love, eat, laugh, play, learn, trade, listen, think and most of all the way they rebel.

We are an army because we live on a planet in permanent war–a war of money against life, of profit against dignity, of progress against the future. Because a war that gorges itself on death and blood and shits money and toxins, deserves an obscene body of deviant soldiers. Because only an army can declare absurd war on absurd war. Because combat requires solidarity, discipline and commitment. Because alone clowns are pathetic figures, but in groups and gaggles, brigades and battalions, they are extremely dangerous. We are an army because we are angry and where bombs fail we might succeed with mocking laughter. And laughter needs an echo.

We are approximate and ambivalent, in the most powerful of all places, the place in-between order and chaos.

Adapted from the Clandestine Insurgent Rebel Clown Army manifesto.

Horizontalism

Voices of popular power.

by
Marina Sitrin

From Adbusters #100: Are We Happy Yet?

JUAN PLAZA

We began learning together. It was a sort of waking up to a collective knowledge, rooted in a self-awareness of what was taking place in each of us. First we began asking questions of ourselves and each other, and from there we began to resolve things together. Every day we keep discovering and constructing while we walk. It’s like each day there’s a horizon that opens before us, and this horizon doesn’t have any recipe or program. We have discovered that strength is different when we are side by side, when there is no one telling you what you have to do, and when we’re the ones who decide who we are.

My personal perspective has to do with the idea of freedom, this idea of discovering that we have collective knowledge that brings us together, gives us strength, starts the process of discovery. This is beyond revolutionary theories, theories that we all know and have heard so often, theories that are all too often converted into tools of oppression and submission. Constructing freedom is a learning process that can only happen in practice. For me, horizontalism, autonomy, freedom, creativity, and happiness are all concepts that go together, and they’re all things that have to both be practiced, and learned in practice.

I think back to previous activist experiences, and remember a powerful feeling of submission. This includes even my own behavior, which was often excessively rigid. It was difficult for me to enjoy myself, and enjoyment is something sane that strengthens you. Under capitalism, we were giving up the possibility of enjoying ourselves and being happy. We need to constantly break with this idea. We have life, and the life we have should be lived today. We shouldn’t wait to take power, so that we can begin to enjoy ourselves in the future. We should take it now. We begin by believing in what’s possible and then we push aside all of those things that don’t allow us to create this possibility.

— Neka, a member of an unemployed workers’ movement

I see in the movement that there’s a reaction with a certain naivety. We are forgetting the state while we construct a territorial autonomous power. I think the idea to not take state power is right, but in some ways it’s an incomplete analysis. The state exists, it’s there, and it won’t leave even if you ignore it. It’ll come to look for you however much you wish that it didn’t exist. I believe that the assemblies and the movements are beginning to notice that something important is being forgotten. A year and a half ago we began to think of a strategy for constructing an alternative autonomous power, forgetting the state, but now we see it isn’t that simple. You have to seek a way to build autonomy while remaining cognizant of the state’s existence. There is no alternative. That’s a problem that directly affects us, and one that has to be kept in mind. I believe that no one has the remotest idea of how to do this, at least not that I know of.

It seems to me there is a very strong rejection to the idea that we are going to live on the margin of the state, on the margin of its theories and laws, and that we can live in this way, based only on our willingness and good heartedness. Change in cultural subjectivity and in the hearts of each one if us is fundamental, but for me it isn’t enough. We also have to invent new types of rules and institutions. This is another way of saying we need explicit political agreements with clear rules, which are distinctly ours, and that don’t depend only on goodwill. One of the ideas is to preserve the good we’re creating and, at the same time, to not be so vulnerable to the outside. I sometimes see an enormous vulnerability to many external pressures, and I realize that even the most insignificant and weak of them could destroy us. We must protect this, our construction.

— Ezequiel, a participant in a neighborhood assembly

Marina Sitrin is a lawyer, author and sociologist with a keen interest in personal revolutionary narratives. She is the editor of Horizontalism: Voices of Popular Power in Argentina, from which these accounts are taken.

Occupied Economy

A brief history of the first corporate century.

by
Carl Safina

From Adbusters #100: Are We Happy Yet?

Occupied Economy

CHRISTOPH GIELEN

This morning I was pulling poison ivy. It looked like I was up against the withering prospect of pulling more than a hundred individual plants. But I found that if I dug my gloved finger to the root and gently tugged, I could trace it through other roots and stems in my neglected garden, then fairly easily zip out whole tracts of the stuff. Without pulling a single individual plant, tugging up the root dislodged all the ones I could see and a lot that I hadn’t seen in the tangle of vegetation. When I was a teen I yearned to travel America to see “how other people live.” Now, basically, you can see how they live from wherever you happen to be. The same advertising, the same chain stores, and the same TV, radio and print conglomerates have largely replaced America with the same repeating road-stop strip mall, from sea to shining sea. Everyone’s head throbs with the same songs, and young people “relate to” the same handful of company logos and media characters. Corporate “news” reports on how the actual people who play fictional characters are faring in their reproduction and rehab. As I was freeing my American garden from toxic infestations, my mind drifted to the image of the chain stores along a highway, each strip mall a sprig of leaves, connected by an unseen cable of root. I imagined that I was driving cross-country on a big interstate highway, pulling up chain stores as I went along, helping free up a land strangling in a rash of sameness.

Modern corporations were essentially illegal at the founding of the United States (the colonists had had enough of British corporations). In the new country, corporations could form, raise public capital, and share profits with stockholders only for specified activities that benefited the public, such as constructing roads or canals. Corporate licenses were temporary. Corporations were forbidden from attempting to influence elections, lawmaking, public policy, or civil life. Imagine.

But from the beginning, corporate-minded men chafed for power, prompting Thomas Jefferson to write in 1816, “I hope we shall … crush in its birth the aristocracy of our moneyed corporations, which dare already to challenge our government to a trial of strength and bid defiance to the laws of our country.”

For the first century after the American Revolution, legislators maintained control of the corporate chartering process. Then they essentially lost it as a series of court decisions established corporate “rights” and corporate “personhood.” These laws have been catastrophic for democracy, with planetary implications.

Corporate globalization has been called “the most fundamental redesign of social, economic, and political arrangements since the Industrial Revolution.” Corporations have swept real economic and political power away from governments. Of the hundred wealthiest countries and corporations listed together, more than half are corporations. ExxonMobil is richer than 180 countries – and there are only about 195 countries. Without the responsibilities or costs of nationhood, corporations can innovate and produce at unprecedented speed and scale. Yet they can also undertake acts of enormous environmental destruction and report a profit.

The behavior of corporations arises from their wide freedom of action and their limited liability for harms caused. Further, shareholders “own” and profit by the corporation, but “limited liability” means shareholders can lose no more than the money invested; they aren’t held responsible for anything the corporation does. If they were, stockholders might know what companies they “own” and why. They might demand corporate responsibility. They might invest more carefully. But because they’re not, they don’t.

Further, if a corporation can make a larger profit by wrecking a community, the law says it must. Perhaps the most famous case in corporate law was decided in the Supreme Court of Michigan in 1919 when Henry Ford got sued by the Dodge brothers (yes, those Dodge brothers). Ford wanted to plow profits back into the company and its employees. “My ambition is to employ still more men,” the New York Times quoted Ford as saying, “to spread the benefits of this industrial system to the greatest possible number, to help them build up their lives and homes. To do this we are putting the greatest share of our profits back in the business.” The judges posed a short question: What is a corporation for? The judges answered themselves by saying corporations are “primarily for the profit of the stockholders.” Not for the benefit of employees or community. Corporate managers – regardless of personal scruples or desire to “do good” – are forced to always put profits first.

>>>>>>>>>>>>>>

The profit-maximization imperative creates continuous pressure to dump waste in the public commons and to shift the resulting costs to the public through subsidies, tax-funded pollution cleanups, and such. Where dumping waste is illegal, corporations may be fined for violations. Such fines often become “a cost of doing business,” while shareholders know that corporations never get sent to jail, and that some are “too big (to be allowed) to fail.” To the extent that governmental regulations get annoying, corporate appetites engulf those too, backing and basically installing cooperative elected officials, then coercing the removal of regulatory “barriers” (formerly: “public protections”).

However, we can envision how a more public-minded government might deal with risk-prone corporations. In Wold War II, the US government seized control of certain German companies inside the United States. Obviously, it wouldn’t do to have German chemical plants on American soil while we were engulfed in war with Germany. The companies were not destroyed, just controlled by the government for a while; some still exist. When U.S. automakers got into serious trouble and went into bankruptcy in 2009, the federal government stepped in to control management for a while. These weren’t punitive moves exactly, but one can imagine ways in which corporations acting as bad citizens might have to do some time with, say, their stocks frozen – no trading, maybe – while a government of the people does a little potty training with the executives.

In real life as we know it, the profit-maximization imperative means that any company seeking to act responsibly incurs a competitive disadvantage. The implications are generally a cascade of catastrophes because essentially all the money in the world is thus under pressure to act irresponsibly. Any other impulse must buck that tide.

The corporations’ central tenet of faith, their object of worship, their grail and their gruel: growth. Growth fueled by continually unearthing new resources and cheaper labor. Growth fed by raising and fattening new consumers. Growth had historically resulted from technical progress and growing population. It became a central pursuit of government policy mainly after World War II.

But Planet Earth cannot grow. Not any faster than it accumulates stardust, anyway. If the economy “grows” while resources like water, forest, and fish are being depleted, it’s not growth: it’s just blowing more bubbles. Yet because our economic system shows unconditional love for growth, it doesn’t ring alarm bells over bubbles. But count on this: the bigger the bubble, the worse the burst.

The first corporate century, the 20th, was a period of explosive growth. Despite as many as 150 million human beings killed in warfare between 1900 and Y2K, the world population quadrupled. Energy use increased sixteen-fold. The fish catch – which peaked in the late 1980s – increased thirty-fold. The sheer amount of stuff used annually flies in flocks of zeros that defy comprehension: 275,000,000 tons of meat, 370,000,000 tons of paper product, et cetera. Incredibly, of all the earthly materials that human hands have ever transformed, fully half of that material transformation has occurred since World War II.

“It is impossible for the world economy to grow its way out of poverty and environmental degradation,” writes the resource-minded economist Herman Daly, because the economy is a “subsystem of the earth ecosystem, which is finite, non-growing and materially closed.”

And economists think the solution to our problems is more growth? We’ve been terribly misled. But more development – that’s a different proposition. “Grow” means to increase in size by adding. "Develop" means to realize potentials, to make better.

Because the world is pretty much fully tapped, growth now threatens development. In a postgrowth world, we’d measure things like community and satisfaction. We’d replace the feverish tail chase of the material with life, liberty, and the pursuit of happiness. Those come from development, not from growth. Let’s not confuse the two.

During challenging ocean conditions, certain sea jellies “de-grow.” They don’t just lose fat or slim down; they actually lose cells and simplify structures. When times are good, they regrow. Because they are adding new cells and regrowing structures (not just replumping), they are actually rejuvenated – younger than they were. On the other end of the scale, Edward Abbey long ago observed that growth for the sake of continuous growth is the strategy of cancer. Knowing what we now know, it appears that the world can’t produce enough to grow our way out of poverty. But we could certainly shrink our way out.

Carl Safina is a MacArthur fellow and host of the PBS television show Saving the Ocean. This essay originally appeared in his book The View From Lazy Point.

The Fight Against Capitalism

In the spring we must rediscover insurrectionary forms of care.

by
Nicole Demby

From Adbusters #100: Are We Happy Yet?

In the spring we must rediscover insurrectionary forms of care

DAVID DEGNER

While #OWS still encompasses within it a multiplicity of tactics, opinions, and degrees of political radicalism, the evidence is all too clear that the soul of Occupy is anticapitalist, and the desire for a different system is a desire for a protest movement whose grasp on our lives is more holistic. There has already been inspiring work done to organize in different communities, and one can envision the emergence of a dispersed network not only of general assemblies but of communes and cooperatives as well.

The old pessimism of theory beats at our backs, telling us that any developed and sustained form of communal organization can only exist as an autonomous pocket whose threat to capitalism is nil. Yet sustaining autonomous, communal forms of care is not a shift away from direct, active forms of resistance. The positive and the negative aspects of the fight against capitalism must work in conjunction with one another to mutually reinforce each other. Communes, cooperatives and other structures of social support provide a material safety net that facilitates more radical action, enabling people to strike from work and from debt obligations with the assurance that their material needs will be met when they do. Moreover, such forms of organization can begin the incredibly difficult process of building trust between those with radically different backgrounds and experiences, providing support for whoever needs it, especially those who have borne the brunt of the economic collapse.

These forms of organization will enervate the status quo by drawing participants’ time and energy away from their roles as wage laborers, salaried workers, and consumers. Of course, #OWS has already begun to do this; many of us without the luxury of highly flexible (read precarious) employment, or who haven’t already committed ourselves as full-time occupiers (and are now sleeping in churches, synagogues and generously offered private homes – and organizing during the day) already spend our office hours surreptitiously reading working group emails or occupy-related articles. Yet we aim to achieve a less schizophrenic mode of existence in which the totalizing effect of Occupy on our thoughts is reflected in the degree to which it predominates our actions, one in which our politics accords with the way in which we support ourselves. For those against capitalism this will mean testing our own boldness and examining our own perceived futures. As Daniel Marcus observed: “There can be no movement of communes if protest is merely an extracurricular activity of wage-earners: workers will have to choose whether they stand with the communes or with the bosses and administrators.”

The need for new structures of care is emotional as well as material. Many of us are beginning to realize the extent of our own dissatisfaction. We spend time with friends and lovers, but these encounters are transitory counterpoints to the anomie induced by a culture of individualism. We work towards success, but what constitutes success seems increasingly empty. Perhaps it’s unfashionable to speak of “alienation,” naïve to make claims about what forms of work or activities might begin to overcome it, utopian to believe that we could create a society in which a better life is possible. And yet we already see the possibility of these things in the near future of this movement and are already beginning to build the necessary infrastructure.

Affect isn’t just an effect, but a decisive tool of revolution. Just as the catharsis of resistance we experienced in the fall bolstered community and emboldened us to go further, more communal, self-sustaining and holistic instantiations of Occupy will further entrench and strengthen the movement. We are strongest when our resistance draws on our outrage but also harnesses our vital forces, extending to the very material and psychological basis of our lives.

In the spring we must rediscover together that there are militant kinds of community and insurrectionary forms of care.

Nicole Demby is a writer and critic living in Brooklyn. She is a member of the Arts & Labor group of Occupy Wall Street.

1% Art

Who are the patrons of contemporary art today?

by
Andrea Fraser

From Adbusters #100: Are We Happy Yet?

Who are the patrons of contemporary art today? The ARTnews 200 Top Collectors list is an obvious place to start. Near the top of the alphabetical list is Roman Abramovich, estimated by Forbes to be worth $13.4 billion.

He has admitted to paying billions in bribes for control of Russian oil and aluminum assets. Bernard Arnault, listed by Forbes as the fourth richest man in the world with $41 billion, controls the luxury goods conglomerate LVMH, which, despite the debt crisis, reported a sales growth of 13 percent in the first half of 2011. Hedge fund manager John Arnold, who got his start at Enron–where he received an $8 million bonus just before it collapsed–recently gave $150,000 to an organization seeking to limit public pensions. MoMA, MoCA and LACMA trustee Eli Broad is worth $5.8 billion and was a board member and major shareholder of the now notorious AIG. Steven A. Cohen, estimated to be worth $8 billion, is the founder of SAC Capital Advisors, which is under investigation for insider trading. Guggenheim trustee Dimitris Daskalopoulos, who is also chairman of the Hellenic Federation of Enterprises, recently called for a “modern private initiative” to save the failing Greek economy from a “bloated and parasitic” “patronage-ridden state.” Another Guggenheim trustee, David Ganek, recently shut down his $4 billion Level Global hedge fund after an FBI raid.

Soccer Ball, $399.95

$399.95

$$$$$$$$$$$$$$$

Soccer Ball, 2003
TAKASHI MURAKAMI

Noam Gottesman and former partner Pierre Lagrange (also on the ARTnews list) earned £400 million each on the sale of their hedge fund GLG in 2007, making them “among the world’s biggest winners from the credit crunch,” according to the Sunday Times. Hedge fund manager Kenneth C. Griffin supported Obama in 2008 but recently gave $500,000 to a political action committee created by former Bush adviser Karl Rove and was also seen at a meeting of the right-wing-populist Koch Network. Andrew Hill’s $100 million in compensation in 2009 led Citigroup to sell its Philbro division, where he was the top trader, after pressures from regulators to curtail his pay on the heels of Citigroup’s receipt of $45 billion in US federal bailout funds (he subsequently moved the company offshore). Damien Hirst, estimated by the Sunday Times to be worth £215 million, is one of a handful of artists who have now made rich-lists alongside their patrons. Peter Kraus collected $25 million for just three months’ work when his exit package was triggered by Merrill Lynch’s sale to Bank of America with the help of US federal funds. Henry Kravis’s income in 2007 was reported to be $1.3 million a day. His wife, economist Marie-Josée Kravis, who is MoMA’s president and a fellow at the neoconservative Hudson Institute, recently defended “Anglo-Saxon capitalism” against “Europe’s ‘social capitalist politics’” in Forbes.com. Daniel S. Loeb, a MoCA trustee and founder of the $7.8 billion hedge fund Third Point, sent a letter to investors attacking Obama for “insisting that the only solution to the nation’s problems … lies in the redistribution of wealth.” Dimitri Mavrommatis, the “Swiss-based” Greek asset manager, paid £18 million for a Picasso at Christie’s on June 21, 2011, while Greeks were rioting against austerity measures. And of course, there is Charles Saatchi, who helped elect Margaret Thatcher. The firm of MoMA chairman Jerry Speyer defaulted on a major real estate investment in 2010, losing $500 million for the California State Pension Fund and up to $2 billion in debt secured by US federal agencies. Reinhold Würth, worth $5.7 billion, has been fined for tax evasion in Germany and compared taxation to torture. He recently acquired Virgin of Mercy by Hans Holbein the Younger, paying the highest price ever for an artwork in Germany and outbidding the Städelsche Kunstinstitut in Frankfurt/Main, where the painting had been on display since 2003.

Untitled, $912,000

$912,000

$$$$$$$$$$$$$$$

Untitled, 1990
ROBERT GOBER

In the midst of an economic crisis, the art world is experiencing an ongoing market boom which has been widely linked to the rise of High Net Worth Individuals (HNWI) and Ultra-HNWIs (people worth over $1 million or $30 million respectively), particularly from the financial industry. A recent report by Art+Auction even celebrated indicators that these groups were rebounding from their 2008 dip to precrisis wealth. Until recently, however, there has been very little discussion of the obvious link between the art world’s global expansion and rising income disparity. A quick look the Gini index, a measure of income inequality, shows that the countries with the most significant art booms of the past two decades have also experienced the steepest rise in inequality: the United States, Britain, China and India. Further, recent economic research has established a direct connection between skyrocketing art prices and income inequality, showing that “a one percentage point increase in the share of total income earned by the top 0.1% triggers an increase in art prices of about 14 percent.” It is now painfully obvious that what has been extraordinarily good for the art world over the past decades has been disastrous for the rest of the world.

In the United States it is difficult to imagine any arts organization or practice that can escape the economic structures and policies that have produced this inequality. The private nonprofit model–which almost all US museums as well as alternative art organizations exist within–is dependent on wealthy donors and has its origins in the same ideology that led to the current global economic crisis: that private initiatives are better suited to fulfill social needs than the public sector and that wealth is best administered by the wealthy. Even outside of institutions, artists engaged in community-based and social practices that aim to provide public benefit in a time of austerity simply may be enacting what George H. W. Bush called for when he envisioned volunteers and community organizations spreading like “a thousand points of lights’ in the wake of his rollback in public spending.

Progressive artists, critics and curators face an existential crisis: how can we continue to justify our involvement in this art economy? At minimum, if our only choice is to participate or to abandon the art field entirely, we can stop rationalizing that participation in the name of critical or political art practices or–adding insult to injury–social justice. Any claim that we represent a progressive social force while our activities are directly subsidized by, and benefit from, the engines of inequality can only contribute to the justification of that inequality. The only true “alternative” today is to recognize our participation in this economy and confront it in an open, direct and immediate way in all of our institutions, including museums and galleries and publications. Despite the radical political rhetoric that abounds in the art world, censorship and self-censorship reign when it comes to confronting our economic conditions, except in marginalized (often self-marginalized) arenas where there is nothing to lose–and little to gain–in speaking truth to power.

Larmes tears, $1,300,000

$1,300,000

$$$$$$$$$$$$$$$

The most expensive photograph in the world
Larmes tears, 1932
MAN RAY

Indeed the duplicity of progressive claims in art may contribute to the suspicion that progressive politics is just a ruse of educated elites to preserve their privilege. In our case, this may be true. Increasingly it seems that politics in the art world is largely a politics of envy and guilt, or of self-interest generalized in the name of a narrowly conceived and privileged form of autonomy, and that artistic “critique” most often serves not to reveal but to distance these economic conditions and our investment in them. As such, it is a politics that functions to defend against contradictions that might otherwise make our continued participation in the art field, and access to its considerable rewards–which have ensconced many of us comfortably among the 10 percent, if not the 1 percent or even the 0.1 percent–unbearable.

A broad-based shift in art discourse may help precipitate a long overdue splitting off of the market-dominated subfield of galleries, auction houses, and art fairs. If a turn away from the art market means that public museums contract and ultra-wealthy collectors create their own privately controlled institutions, so be it. Let these private institutions be the treasure vaults, theme-park spectacles and economic freak shows that many already are. Let the market-dominated art world become the luxury goods business it already basically is, with what circulates there having as little to do with true art as yachts, jets, and watches. It is time we began evaluating whether artworks fulfill, or fail to fulfill, political or critical claims at the level of their social and economic conditions. We must insist that what art works are economically determines what they mean socially and also artistically.

If we, as curators, critics, art historians and artists, withdraw our cultural capital from these markets, we have the potential to create a new art field where radical forms of autonomy can develop: not as secessionist “alternatives’ that exist only in the grandiose enactments and magical thinking of artists and theorists, but as fully institutionalized structures, which, with the “properly social magic of institutions,’ will be able to produce, reproduce and reward noncommercial values.

Andrea Fraser is an artist and professor in the art department at the University of California–Los Angeles. This is a revised version of an essay originally published in Texte zur Kunst, Issue no. 83, September 2011.

Post-Crash Fascism

Planning for the apocalypse.

by
Christian Parenti

From Adbusters #100: Are We Happy Yet?

STEVEN MEISEL / VOGUE ITALIA

Climate change is happening faster than initially predicted, and its impacts are already upon us in the form of more extreme weather events, desertification, ocean acidification, melting glaciers and incrementally rising sea levels.

The scientists who construct the computer models that analyze climate data believe that even if we stop dumping greenhouse gases into the atmosphere, CO2 levels are already so high that we are locked into a significant increase in global temperatures. Disruptive climate change is a certainty even if we make the economic shift away from fossil fuels.

Incipient climate change is already starting to express itself in the realm of politics.

Climate change arrives in a world primed for crisis. The current and impending dislocations of climate change intersect with the already-existing crises of poverty and violence. I call this collision of political, economic and environmental disasters the catastrophic convergence. By catastrophic convergence, I do not merely mean that several disasters happen simultaneously, one atop another. Rather, I argue that problems compound and amplify each other, one expressing itself through another.

Societies, like people, deal with new challenges in ways that are conditioned by the traumas of their past. Thus, damaged societies, like damaged people, often respond to new crises in ways that are irrational, shortsighted, and self-destructive. In the case of climate change, the prior traumas that set the stage for bad adaptation, the destructive social response, are Cold War–era militarism and the economic pathologies of neoliberal capitalism. Over the last 40 years, both of these forces have distorted the state’s relationship to society – removing and undermining the state’s collectivist, regulatory and redistributive functions, while overdeveloping its repressive and military capacities. This, I argue, inhibits society’s ability to avoid violent dislocations as climate change kicks in.

Planning for apocalypse

A slew of government reports have discussed the social and military problems posed by climate change. In 2008. Congress mandated that the upcoming 2010 Quadrennial Defense Review – the policy document laying out the guiding principles of US military strategy and doctrine – consider the national-security impacts of climate change. The first of these investigations to make news, a 2004 Pentagon-commissioned study called “An Abrupt Climate Change Scenario and Its Implications for United States National Security,” was authored by Peter Schwartz, a CIA consultant and former head of planning at Royal Dutch/Shell, and Doug Randall of the California-based Global Business Network.The report was made at the behest of octogenarian military theorist cum imperial soothsayer Andrew Marshall. Known to his followers as Yoda, after the wrinkled, dwarflike puppet of Star Wars fame, Marshall got his start at the RAND Corporation in 1949 as a specialist on nuclear Armageddon and its alleged survivability. He moved from RAND to the Pentagon during Richard Nixon’s presidency and served every president since. (It is interesting to note the presence of atomic-era Cold Warrior physicists among both the climate-change denialists and the military adaptationists. In his book How to Cool the Planet, Jeff Goodell remarks on the same set’s infatuation with the high-tech solutions promised by geoengineering, in particular Lawrence Livermore Laboratory’s Lowell Wood, a tie-dye wearing disciple of Edward Teller.)

Schwartz and Randall’s report correctly treats global warming as a potentially nonlinear process. And they forecast a new Dark Ages:

Nations without the resources to do so may build virtual fortresses around their countries, preserving resources for themselves … As famine, disease, and weather-related disasters strike due to the abrupt climate change, many countries’ needs will exceed their carrying capacity. This will create a sense of desperation, which is likely to lead to offensive aggression in order to reclaim balance … Europe will be struggling internally, large numbers of refugees washing up on its shores and Asia in serious crisis over food and water. Disruption and conflict will be endemic features of life. Once again, warfare would define human life.

In 2007, there came more reports on climate and security. One, from the Pentagon-connected think tank CNA Corporation, convened an advisory board of high-ranking former military officers to examine the issues – among them General Gordon Sullivan, former chief of staff, US Army; Admiral Donald Pilling, former vice chief of naval operations; Admiral Joseph Prueher, former commander in chief of the US Pacific Command; and General Anthony Zinni, retired US Marine Corps and former commander in chief of US Central Command. That report envisioned permanent counterinsurgency on a global scale. Here is one salient excerpt:

Climate change acts as a threat multiplier for instability … Unlike most conventional security threats that involve a single entity acting in specific ways at different points in time, climate change has the potential to result in multiple chronic conditions, occurring globally within the same time frame. Economic and environmental conditions in these already fragile areas will further erode as food production declines, diseases increase, clean water becomes increasingly scarce, and populations migrate in search of resources. Weakened and failing governments, with an already thin margin for survival, foster the conditions for internal conflict, extremism, and movement toward increased authoritarianism and radical ideologies. The US may be drawn more frequently into these situations to help to provide relief, rescue, and logistics, or to stabilize conditions before conflicts arise.

Another section notes:

When a government can no longer deliver services to its people, ensure domestic order, and protect the nation’s borders from invasion, conditions are ripe for turmoil, extremism and terrorism to fill the vacuum … the greatest concern will be movement of asylum seekers and refugees who due to ecological devastation become settlers.

In closing the report notes, “Abrupt climate changes could make future adaptation extremely difficult, even for the most developed countries.”

Another report from 2007, the most scientifically literate of the lot, titled The Age of Consequences: The Foreign Policy National Security Implications of Global Climate Change, was produced by the Center for Strategic and International Studies and the Center for a New American Security. Its prominent authors included Kurt Campbell, former deputy assistant secretary of defense; Leon Fuerth, former national security advisor to Vice President Al Gore; John Podesta, former chief of staff for President Bill Clinton; and James Woolsey, former director of the Central Intelligence Agency.

Age of Consequences laid out three plausible scenarios for climate change, each pertaining to different global average-temperature changes. The authors relied on the Fourth Assessment Report of the Intergovernmental Panel on Climate Change but noted, “Recent observations indicate that projections from climate models have been too conservative; the effects of climate change are unfolding faster and more dramatically than expected.” The report conceives of future problems not in terms of interstate resource wars but as state collapse caused by “disease, uncontrolled migration, and crop failure, that … overwhelm the traditional instruments of national security (the military in particular) and other elements of state power and authority.” Green ex-spook James Woolsey authored the report’s final section laying out the worst-case scenario. He writes:

In a world that sees two meter sea level rise, with continued flooding ahead, it will take extraordinary effort for the United States, or indeed any country, to look beyond its own salvation. All of the ways in which human beings have dealt with natural disasters in the past … could come together in one conflagration: rage at government’s inability to deal with the abrupt and unpredictable crises; religious fervor, perhaps even a dramatic rise in millennial end-of-days cults; hostility and violence toward migrants and minority groups, at a time of demographic change and increased global migration; and intra- and interstate conflict over resources, particularly food and fresh water. Altruism and generosity would likely be blunted.

the west versus the rest

Other developed states have conducted similar studies, most of them classified. The Australian Defence Force (ADF) produced a report on climate conflict in 2007, a summary of which was leaked two years later: “Environmental stress, caused by both climate change and a range of other factors, will act as a threat multiplier in fragile states around the world, increasing the chances of state failure. This is likely to increase demands for the ADF to be deployed on additional stabilization, post-conflict reconstruction and disaster relief operations in the future.”

The European powers are also planning for the security threats of a world transformed by climate change. The European Council released a climate-security report in 2008, noting that “a temperature rise of up to 2°C above preindustrial levels will be difficult to avoid … Investment in mitigation to avoid such scenarios, as well as ways to adapt to the unavoidable should go hand in hand with addressing the international security threats created by climate change; both should be viewed as part of preventive security policy.”

In familiar language the report noted, “climate change threatens to overburden states and regions which are already fragile and conflict prone,” which leads to “political and security risks that directly affect European interests.” It also notes the likelihood of conflict over resources due to reduction of arable land and water shortages; economic damage to coastal cities and critical infrastructure, particularly Third World megacities; environmentally induced migration; religious and political radicalization; and tension over energy supply.

Western military planners, if not political leaders, recognize the dangers in the convergence of political disorder and climate change. Instead of worrying about conventional wars over food and water, they see an emerging geography of climatologically driven civil war, refugee flows, pogroms and social breakdown. In response, they envision a project of open-ended counterinsurgency on a global scale.

the eco-fascist threat

The watchwords of the climate discussion are mitigation and adaptation – that is, we must mitigate the causes of climate change while adapting to its effects.

Adaptation means preparing to live with the effects of climatic changes, some of which are already underway and some of which are inevitable – in the pipeline. Adaptation is both a technical and a political challenge.

Technical adaptation means transforming our relationship to nature as nature transforms: learning to live with the damage we have wrought by building seawalls around vulnerable coastal cities, giving land back to mangroves and everglades so they can act to break tidal surges during giant storms, opening wildlife migration corridors so species can move north as the climate warms, and developing sustainable forms of agriculture that can function on an industrial scale even as weather patterns gyrate wildly.

Political adaptation, on the other hand, means transforming humanity’s relationship to itself, transforming social relations among people. Successful political adaptation to climate change will mean developing new ways of containing, avoiding, and deescalating the violence that climate change fuels. That will require economic redistribution and development. It will also require a new diplomacy of peace building.

However, another type of political adaptation is already underway, one that might be called the politics of the armed lifeboat: responding to climate change by arming, excluding, forgetting, repressing, policing, and killing. One can imagine a green authoritarianism emerging in rich countries, while the climate crisis pushes the Third World into chaos. Already, as climate change fuels violence in the form of crime, repression, civil unrest, war and even state collapse in the Global South, the North is responding with a new authoritarianism. The Pentagon and its European allies are actively planning a militarized adaptation, which emphasizes the long-term, open-ended containment of failed or failing states – counterinsurgency forever.

This sort of “climate fascism,” a politics based on exclusion, segregation, and repression, is horrific and bound to fail. There must be another path. The struggling states of the Global South cannot collapse without eventually taking wealthy economies down with them. If climate change is allowed to destroy whole economies and nations, no amount of walls, guns, barbed wire, armed aerial drones, or permanently deployed mercenaries will be able to save one half of the planet from the other.

Christian Parenti is a visiting scholar at the Center for Place Culture and Politics at the CUNY Graduate Center and was just appointed professor at the School for International Training, Graduate Institute. This essay is drawn from his new book Tropic of Chaos: Climate Change and the New Geography of Violence.

Breaking the Chains of Modernity

Reimagining old ways of life and death.

by
Dustin Craun

From Adbusters #100: Are We Happy Yet?

Breaking the Chains of Modernity

XAVIER LE ROY

The philosophical and spiritual problems of our age are so great that what our time calls for are new manifestos of knowledge and being. We need a kind of spiritual change that exceeds the political. Unfortunately most of us in the Westernized world spend more time trying to escape from ourselves (sex, shopping, addiction, fashion, entertainment, success), than we ever spend reflecting on the state of our existence, our heart or our soul. We are people driven by our desires: desires which destroy our hearts and any ability to have a connection to the greater spiritual realities that are all around us. As the Qur’an says, “God does not change the condition of a people, until they change their own condition.”

In the classic decolonial manifesto, Discourse on Colonialism, Aimé Césaire described Western life as a poison infecting the planet. Césaire wrote that to understand our existence, “First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism.” For Césaire, “a gangrene has set in … a center of infection has begun to spread …” The poison Cesaire warned of is a philosophical and spiritual poison that infects each of us today.

In the American Indian scholar Vine Deloria Jr’s final book, The World We Used to Live In, he writes: “The secularity of the society in which we live must share considerable blame in the erosion of spiritual powers of all traditions, since our society has become a parody of social interaction lacking even an aspect of civility. Believing in nothing, we have preempted the role of the higher spiritual forces by acknowledging no greater good than what we can feel and touch.” The de-sacralization of the self and our lifeworlds is leaving our spiritual hearts dead.

To save ourselves, to avert catastrophe, we need to make what Walter Mignolo calls an “epistemic geopolitical move.” That demands a form of critique that is deeply engaged in what is known in Arabic as muhasabah, or self-examination, on three levels: examination of the self and one’s spiritual state; an examination of the dominant hierarchies that we all interact with such as gender, race, class, sexuality, and religious domination; and finally an examination of one’s local knowledge and the place from which critique is emanating. In recentering on the sacred in this process of self-examination, we can learn from Chicana feminists and the emerging idea of “decolonial love.”

Laura Pérez, UC Berkeley Professor of Ethnic Studies, connects “decolonial love” to the Mayan principle of In’Laketch: tu eres mi otro yo (you are my other me). Pérez explains that “not only are we interwoven, we are one. I am you and you are me. To harm another is thus to literally harm one’s own being. This is a basic spiritual law in numerous traditions.” This shift in the geopolitics of knowledge involves a turn away from Descartes and Western modernity’s centering of human consciousness in the mind, to a recentering of consciousness in the spiritual heart (qalb). This idea of a heart centered knowledge is central to many spiritual traditions including Christianity, Buddhism and Islam, and is echoed by Subcommandate Marcos and the Zapatista adage to center politics below and to the left, where the heart is in Aztec and Mayan cosmology.

Similar to Gloria Anzaldua’s concept La Facultad, a form of inner knowledge, is the Islamic concept of Al Basira, the eye of the heart, which is the center of spiritual perception if properly developed. As the great Mystic philosopher Al-Ghazali put it in his masterwork of the inner sciences of Islam, Ihya’ ulum al-din, “Creation refers to the external, and character to the internal, form. Now, the human is composed of a body which perceives with ocular vision (basar) and a spirit (ruh) and a soul (nafs) which perceive with inner sight (basira). Each of these things has an aspect and a form which is either ugly or beautiful. Furthermore, the soul which perceives with inner sight (basira) is of greater worth than the body which sees with ocular vision.” In seeing with the eye of our heart we can begin to differentiate between form and meaning, as the outward forms of things are not always their internal and spiritual reality.

The vision of our hearts has become blinded by the poison of base materialism. In the verse poetry of the early female Sufi saint, Rabi’a al-Adawiyya: “O children of Nothing! Truth can’t come in through your eyes, Nor can speech go out through your mouth to find [God], Hearing leads the speaker down the road to anxiety, And if you follow your hands and feet you will arrive at confusion. The real work is in the Heart: Wake up your Heart! Because when the Heart is completely awake, Then it needs no Friend.”

To break from the chains of modernity, we must learn both from philosophers of decoloniality and the spiritual sciences. Ultimately, we must walk down the path of love, to see each other in the divine light we were born into. As the great mystic philosopher Ibn Arabi said, “I believe in the religion of love, whatever direction its caravans may take, for love is my religion and my faith.”

Dustin Craun is a writer, educator and community organizer who lives in Berkeley, California. This essay is excerpted from his forthcoming book titled Decolonizing the Heart in an Upside Down World.

Insurreição Espiritual

O máximo da culture da improvisação.

by
Adbusters

From Adbusters #100: Are We Happy Yet?

Spiritual Insurrection: The ultimate culture jam
Emilio Morenatti/AP Images

This article is available in:

Nós acordamos um dia com a obscura percepção de que a humanidade está sendo tragada para um buraco negro de catástrofes ecológica, financeira e espiritual…que a nossa democracia está sitiada por uma corporacracia…que todo dia duzentas espécies de plantas, insetos, animais e mamíferos são extintos…que uma enchente de anúncios está guiando nossa civilização como sonâmbulos ao limiar da insanidade…e que, ao menos que lutemos da forma mais visceral e criativa possível, tudo estará perdido.

E o que marca nossa luta em 2012 é que não estamos brigando para salvar um futuro distante. Não estamos tentando prevenir algum acontecimento terrível que ainda está por vir. Isso não é sobre nossos netos que ainda vão nascer. Em vez disso, muitos de nós acham que já passamos pelo momento da virada; o ponto de inflexão já aconteceu e estamos lutando pelo nosso presente. Estamos vivendo naquele trágico momento de silêncio assustador em que o dano fatal já aconteceu, podemos ver as fissuras aumentando, mas o edifício ainda está de pé e os negócios continuam como sempre…mas por quanto tempo mais?

Nossos dias podem ficar mais escuros por essa percepção sombria, mas há motivo para estar profundamente otimista porque “onde há perigo também cresce o poder da salvação”. Nunca antes a possibilidade de tantalizar uma Primavera Global, uma insurgência do povo pela democracia em todo o mundo, pareceu tão próxima. Talvez pela primeira vez na história humana estejamos no limite de uma revolução em todas as partes e ao mesmo tempo contra os fraudadores financeiros, os lacaios corporativos e a ideologia do consumismo que trouxe a Terra para a beira do colapso.

Nessa era da indignação total e transcendente, olhamos uns para os outros, e não para os mestres acima, para descobrir o que será necessário para transmitir o máximo da cultura da improvisação: insurreição espiritual.

para o selvagem,
Improvisadores da Cultura HQ

Traduzido por Carlos Alberto Jr.

Political Therapy

The art of mass disassociation.

by
Franco Berardi Bifo

From Adbusters #100: Are We Happy Yet?

Political Therapy: The art of mass disassociation

Nick Whalen

What if society can no longer resist the destructive effects of unbounded capitalism? What if society can no longer resist the devastating power of financial accumulation?

We have to disentangle autonomy from resistance. And if we want to do that, we have to disentangle desire from energy. The prevailing focus of modern capitalism has been energy: the ability to produce, to compete, to dominate. A sort of energolatria, a cult of energy, has dominated the cultural sense of the West from Faust to the Futurists. The ever growing availability of energy has been its dogma. Now we know that energy isn’t boundless. In the social psyche of the West, energy is fading. I think we should reframe the concept and practice of autonomy from this point of view. The social body is unable to reaffirm its rights against the wild assertiveness of capital because the pursuit of rights can never be dissociated from the exercise of force.

When workers were strong in the 1960s and 1970s, they did not restrict themselves to asking for their rights, to peaceful demonstrations of their will. They acted in solidarity, refusing to work, redistributing wealth, sharing things, services, and spaces. Capitalists, on their side, do not merely ask or demonstrate, they do not simply declare their wish: they enact it. They make things happen; they invest, disinvest, displace; they destroy and they build. Only force makes autonomy possible in the relation between capital and society. But what is force? What is force nowadays?

The identification of desire with energy has produced the identification of force with violence that turned out so badly for the Italian movement in the 1970s and 1980s. We have to distinguish energy and desire. Energy is falling, but desire has to be saved. Similarly, we have to distinguish force from violence. Fighting power with violence is suicidal or useless nowadays. How can we think of activists going against professional organizations of killers in the mold of Blackwater, Haliburton, secret services, mafias?

Only suicide has proved to be efficient in the struggle against power. And actually suicide has become decisive in contemporary history. The dark side of the multitude meets here the loneliness of death. Activist culture should avoid the danger of becoming a culture of resentment. Acknowledging the irreversibility of the catastrophic trends that capitalism has inscribed in the history of society does not mean renouncing it. On the contrary, we have today a new cultural task: to live the inevitable with a relaxed soul. To call forth a big wave of withdrawal, of massive dissociation, of desertion from the scene of the economy, of nonparticipation in the fake show of politics. The crucial focus of social transformation is creative singularity. The existence of singularities is not to be conceived as a personal way to salvation, they may become a contagious force.

When we think of the ecological catastrophe, of geopolitical threats, of economic collapse provoked by the financial politics of neoliberalism, it’s hard to dispel the feeling that irreversible trends are already at work within the world machine. Political will seems paralyzed in the face of the economic power of the criminal class.

The age of modem social civilization seems on the brink of dissolution, and it’s hard to imagine how society will be able to react. Modern civilization was based on the convergence and integration of the capitalist exploitation of labor and the political regulation of social conflict. The regulator state, the heir of the Enlightenment and socialism, has been the guarantor of human rights and the negotiator of social equilibrium. When, at the end of a ferocious class struggle between labor and capital – and within the capitalist class itself – the financial class has seized power by destroying legal regulation and transforming social composition, the entire edifice of modern civilization has begun to crumble.

I anticipate that scattered insurrections will take place in the coming years, but we should not expect much from them. They’ll be unable to touch the real centers of power because of the militarization of metropolitan space, and they will not be able to gain much in terms of material wealth or political power. Just as the long wave of counterglobalization’s moral protests could not destroy neoliberal power, so the insurrections will not find a solution, not unless a new consciousness and sensibility surfaces and spreads, changing everyday life and creating Non-Temporary Autonomous Zones rooted in the culture and consciousness of the global network.

The proliferation of singularities (the withdrawal and building of Non-Temporary Autonomous Zones) will be a peaceful process, but the conformist majority will react violently, and this is already happening. The conformist majority is frightened by the fleeing away of intelligent energy and simultaneously is attacking the expression of intelligent activity. The situation can be described as a fight between the mass ignorance produced by media totalitarianism and the shared intelligence of the general intellect.

We cannot predict what the outcome of this process will be. Our task is to extend and protect the field of autonomy and to avoid as much as possible any violent contact with the field of aggressive mass ignorance. This strategy of nonconfrontational withdrawal will not always succeed. Sometimes confrontation will be made inevitable by racism and fascism. It’s impossible to predict what should be done in the case of unwanted conflict. A nonviolent response is obviously the best choice, but it will not always be possible. The identification of well-being with private property is so deeply rooted that a barbarization of the human environment cannot be completely ruled out. But the task of the general intellect is exactly this: fleeing from paranoia, creating zones of human resistance, experimenting with autonomous forms of production using high-tech low-energy methods – while avoiding confrontation with the criminal class and the conformist population.

Politics and therapy will be one and the same activity in the coming years. People will feel hopeless and depressed and panicky because they are unable to deal with the post-growth economy, and because they will miss their dissolving modern identity. Our cultural task will be attending to those people and taking care of their insanity, showing them the way to a happy adaptation. Our task will be the creation of social zones of human resistance that act like zones of therapeutic contagion. The development of autonomy is not totalizing or intended to destroy and abolish the past. Like psychoanalytic therapy it should be considered an unending process.

Franco Bifo Berardi is a revolutionary Italian philosopher and activist. This essay originally appeared in his newly translated book, After the Future.

Spiritual Insurrection

The ultimate culture jam.

by
Adbusters

From Adbusters #100: Are We Happy Yet?

Spiritual Insurrection: The ultimate culture jam
Emilio Morenatti/AP Images

This article is available in:

We awoke one morning to the dark realization that humanity is being dragged into a black hole of ecological, financial and spiritual catastrophe … that our democracy has been seized by a corporatocracy … that every day two hundred species of plant, insect, bird and mammal become forever extinct … that a deluge of advertising is sleepwalking our civilization to the brink of insanity … and that unless we fight back in the most visceral and creative way possible all will be lost.

And yet, what sets our struggle apart in 2012 is that we are not fighting to save a distant future. We are not trying to prevent some terrible event that is still to come. This is not about our unborn grandchildren. Instead, many of us sense that the threshold has already been crossed; the tipping point has already happened and what we are fighting for is our present. We are living in that tragic moment of eerie stillness where the fatal damage has been done, widening cracks can be seen, yet the edifice still stands and business as usual continues … but for how much longer?

Our days may be shadowed by this dark realization, but there is reason to be deeply optimistic for “where danger is, grows the saving power also.” Never before has the tantalizing possibility of a Global Spring, a worldwide people’s insurgency for democracy, seemed as close. For perhaps the first time in human history, we just might be on the edge of an everywhere-at-once revolution against the financial fraudsters, corporate lackeys and the ideology of consumerism that has brought the Earth to the precipice of collapse.

In this, the era of the total and transcendent indignato swarm, we look to each other, not to the masters above, to find out what it will take to pull off the ultimate culture jam: spiritual insurrection.

for the wild,
Culture Jammers HQ