Google Confirms Ad Products Chief Susan Wojcicki to Lead YouTube


YouTube is getting a new face and one that advertisers might like.

Longtime Google advertising executive Susan Wojcicki has been named senior VP of YouTube, Google has confirmed. The Information and Re/code had earlier reported that Ms. Wojcicki would take the lead at YouTube from CEO Salar Kamangar. The appointment is effective immediately.

“Salar and the whole YouTube team have built something amazing. YouTube is a billion person global community curating videos for every possibility. Anyone uploading their creative content can reach the whole world and even make money. Like Salar, Susan has a healthy disregard for the impossible and is excited about improving YouTube in ways that people will love,” Google CEO Larry Page said in a statement.

Continue reading at AdAge.com

The First Things First Manifesto

Cole Peters tells us why he is renewing the movement.

The following is a blog post titled, Why I am Renewing the First Things First Manifestoauthored and published by Cole Peters – Designer, writer, noise-maker.

In 1964, a designer named Ken Garland published what I consider to be one of the most important historical documents in design: the First Things First manifesto. Now, 50 years later, I’m taking the initiative to renew it — and to open it up to our community at large.

1964

In the original manifesto, Garland, along with 21 other signatories, declared:

We, the undersigned, are graphic designers, photographers and students who have been brought up in a world in which the techniques and apparatus of advertising have consistently been presented to us as the most lucrative, effective and desirable means of using our talents. … We think there are other things more worth using our skills and experience on.

The First Things First manifesto rebuked the prominent call of advertising, and instead urged those with creative talent to pursue more socially meaningful causes, from designing signage for streets and buildings, to educational materials. Most importantly, it urged those same people to develop a sharper, more critical and ethically sound mind towards the application of their skills, in a period of time when affluence and luxury were king. Backed by over 400 supporters, the manifesto stated that its goal was not to abolish ‘high pressure consumer advertising’ or ‘take the fun out of life’ — rather, it proposed ‘a reversal of priorities in favour of the more useful and more lasting forms of communication.’

2000

In 1999, Adbusters launched a renewal of the manifesto, entitled First Things First 2000. Subsequently published in Eye Magazine, Emigré, and many other publications around the world, the updated text was signed by a group of 33 designers, art directors and visual communicators who took what could be considered a more adversarial stance than was present in the original:

Many of us have grown increasingly uncomfortable with this view of design. Designers who devote their efforts primarily to advertising, marketing and brand development are supporting, and implicitly endorsing, a mental environment so saturated with commercial messages that it is changing the very way citizen-consumers speak, think, feel, respond and interact. To some extent we are all helping draft a reductive and immeasurably harmful code of public discourse.

It also expands the original manifesto’s breadth of concerns:

Unprecedented environmental, social and cultural crises demand our attention. Many cultural interventions, social marketing campaigns, books, magazines, exhibitions, educational tools, television programs, films, charitable causes and other information design projects urgently require our expertise and help. … Consumerism is running uncontested; it must be challenged by other perspectives expressed, in part, through the visual languages and resources of design.

What interests me about these manifestos — aside from their ethical grounding, to which I subscribe — is that many of their principles are as applicable today as they were at the time of their publication.

But yet, there’s also something missing: the web.

2014

This year marks the 50-year anniversary of the original First Things First publication. In the half-century that has passed since then, and especially in the past 15 years, technology has managed to turn industries (as well as societies) upside down, drastically altering the way we do our work, keep in touch, and go about our lives. The design industry of course is no exception — I probably don’t need to state how much the web has transformed the landscape of design.

What does this mean, then, for one of the most important documents in design’s history?

Renewal

I believe the time is right for the First Things First manifesto to be once again renewed; and, as with the previous iteration, I believe there are a few key changes and additions to be made.

The first thing that I feel needs to be added is the inclusion and consideration of the web. Given how much of our lives and work the web touches, I believe it is critical that its presence and myriad implications should inform the next draft of the manifesto — not least because, as revelations over the past 8 months have shown us, the web of today is not quite the web we’ve always thought it was. Privacy, security and free speech on the web have never been more threatened, and I believe it’s important to acknowledge how this affects our industry.

Secondly, I believe it is time for other professions to be included in the scope of the manifesto. The original text was signed by “graphic designers, photographers and students”, while the 2000 renewal reflected somewhat more broadly the views of “graphic designers, art directors and visual communicators”. The essential message of First Things First actually concerns a broad variety of creative professionals; I believe a modern renewal of the manifesto should thusly represent not only designers, but also developers, programmers and other creative technologists — in short, anyone using technology and creativity within the scope of a professional pursuit. If the web is to become a central concern of this renewed manifesto, so too should the people that continue to shape the web itself.

Lastly, I believe First Things First should mirror the spirit of how open and collaborative the web has made so much of our work — anyone should be able to become a signatory of the manifesto (rather than a select group of individuals as in previous iterations), and everyone should have the opportunity to contribute to the manifesto itself.

With these three key points in mind (and if it wasn’t clear already), I am at once both excited and terribly anxious to announce that I am currently working to formally renew the First Things First manifesto this year.

The Plan

First Things First 2014 will be going live on March 3, 2014. Thus far, I have registered a domain name and a Twitter handle for the initiative, and am currently working on what will become the initial rewrite of the manifesto.Thereafter, I will be working to implement the manifesto as a website, where anyone will be able to add themselves as a signatory (my plan is to enable this through a social login to keep things simple, but other options may be presented as well).

Finally, I will be open sourcing the website and manifesto on Git Hub, in order to open up the possibility of collaboration amongst its supporters. I haven’t completely worked out the limits and logistics of this yet, but I believe it will be a critical step in keeping things transparent, accountable and communally agreeable.

This is an important time for those of us who work in design, on the web and in technology; my ardent hope is that First Things First 2014 will become one small, meaningful part of where we go from here.

Cole Peters is a designer, writer and noise-maker.

Read more on Adbusters.org

Icons: O filme multirreferência de The Sunday Times

The Sunday Times é um dos principais jornais do Reino Unido, publicado aos domingos. Pronto, essa informação qualquer um podia ter somente lendo o nome da publicação, certo?

Mas esse vídeo aí acima soube vender o peixe de uma maneira muito mais interessante do que qualquer manchete em destaque na banca, ou qualquer chamada na home do site. Ele mistura algumas referências culturais que, com imagens icônicas, se tornaram facilmente reconhecíveis em todo o mundo. Música, cinema, TV e pintura se mostraram ainda mais ligados do que você sempre imaginou.

Daft Punk winning big at the Grammy’s, The final series of Mad Men, and Tarantino are all over the media right now. These people and their work have left an indelible mark and we’ll probably still be talking about them in ten, twenty maybe even a hundred years years time. The TV spot is a respectful nod to it all.

Com produção impecável, o making of é uma atração à parte. Algumas das imagens que dispensam qualquer apresentação ou legenda:

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Brainstorm9Post originalmente publicado no Brainstorm #9
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James Harden Returns for Foot Locker, This Time Confronting ‘The Brow’

What happens when two NBA athletes confront each other in an ad campaign dubbed “Approved” for Foot Locker? This. Now, BBDO NY continues its successful, appealing streak with the sports apparel retail chain by bringing in New Orleans Pelicans’ unibrowed star Anthony Davis to join forces with James Harden, the bearded star of the Houston Rockets. You might remember Harden from his previous roles in Foot Locker ads including one where he exposed his singing talents. In the first Harden-less spot, Davis cruelly crashes a youngster’s hoop dreams while meeting with Harden in the second one below. It keeps continue to be appealing so let us try to get a laugh, out of this, the horrible post-ice storm day.  The first one above is for Kids Foot Locker while the one below is for regular Foot Locker.

New Career Opportunities Daily: The best jobs in media.

‘American Idol’ Runner-Up Clay Aiken Announces Congressional Run


Clay Aiken, who was a runner-up on Fox’s “American Idol” in 2003, has announced he’s running for Congress in North Carolina’s second district.

The second district is heavily Republican and Mr. Aiken will be running as a Democrat. The seat is currently held by Republican Renee Ellmers. In one of the videos released by Mr. Aiken, he notes that Ms. Ellmers has been changed by Washington and has repeatedly succumbed to pressure from the national Republican party and voted against the interests of her district. Mr. Aiken also name drops George W. Bush, who’d appointed him to the Committee for People with Intellectual Disabilities, and voices strong support for local military families.

But before he challenges Ms. Ellmers, Mr. Aiken will have to best fellow Democrats Keith Crisco and Toni Morris, according to Newsobserver.com.

Continue reading at AdAge.com

Tóquio noturna feita de pontos de papel

As luzes de grandes cidades durante a noite são tema comum em representações artísticas. Para fugir dos mesmos visuais, Yukino Ohmura criou uma forma inovadora de representar os prédios e ruas de Tóquio e suas luzes neon.

A jovem artista usou centenas de pequenos pontos adesivos – daqueles comprados em papelaria com diversos tamanhos e cores – que, colocados de forma estratégica, formaram um retrato das luzes das cidades.

“Usando materiais comuns, pensei em tornar a arte mais acessível aos japoneses e também adicionar algo novo para um tema tão comum.” – Ohmura, via The Verge

Suas telas ganham fundo preto de tinta acrílica e levam em torno de 3 semanas para ficarem prontas.

Sua técnica deu tão certo que Ohmura criou uma série de paisagens noturnas retratando outras cidades grandes da mesma forma.

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Ao usar materiais como os pontos adesivos, que são bastante comuns no Japão e usados regularmente na escola, Ohmura expressa um contraste entre o conceito de glamour da visão noturna de uma cidade grande e sua forma mais acessível expressa por materiais baratos e do dia a dia.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Toronto Silent Film Festival Creates Awesome Interactive Instagram Campaign

What with all the silly social media campaigns and stunts that fill our inbox every day, it’s incredibly refreshing to see a project that demonstrates how to “hack” a well known platform in a smart, strategic way. And no, I don’t mean create a top-heavy Facebook app that crashes when you try to vote for some stupid brand idea.

From Toronto-based Cossette comes the “Instagram Time Machine,” part of a campaign for the Toronto Silent Film Festival. Now, if looking at Instagram your mobile phone vertically (or via desktop view), this makes no sense. “Why are there photos of just white spaces?” you may ask. But, if you turn your phone horizontally, voila! A virtual tour celebrating a century of silent film’s greatest star, Charlie Chaplin featuring videos, old movie posters, etc. Now THIS is a smart, innovative new way to use Instagram.

Now, as with any social “hack,” this has its limitations. There’s the aforementioned inability to make this work on a desktop (unless, i guess, you turn your monitor sideways). There’s also the issue of following this account, as it’s not going to be sending any new photos anytime soon due to its already completed structure. But, for five minutes, it’s a really ingenious thing to play with, even if you couldn’t care less about silent film. Good on Cossette, and if this thing gets more eyeballs, expect to see copycats creeping up next week. Search for “TSFF2014″ on Instagram to find the account, and view credits after the jump.

continued…

New Career Opportunities Daily: The best jobs in media.

Revenue Grows, but Profit Slides 12% at Time Warner

The media conglomerate hailed its stronger revenue in its cable and movie units, while saying higher costs weighed on earnings.

    



Carat Wins MasterCard’s $250 Million Global Media Business


MasterCard has selected Carat to be its new media agency across most of the globe, retaining incumbent UM only in Latin America.

The marketer spent $126.6 million on domestic measured media in 2012, the last full year of available spending data from Kantar Media. Globally, the company spends about $250 million, according to people familiar with the matter.

The latest review came down to a group of finalists that also included a team from WPP’s Group M and Omnicom’s PHD.

Continue reading at AdAge.com

’60s-Inspired Smartphone Docks – The Vaughan Dock 2.0 by Tronk Design has a Retro Vibe

(TrendHunter.com) The Vaughan Dock 2.0 brings a little retro charm to the contemporary design of the Apple iPhone. Taking on the aesthetic of a classic radio with sleek wood, fabric speakers and even a small clock,…

Sculptural Inkless Pens – The Pininfarina Cambiano Inkless Pen Features a Beautiful Design Aesthetic

(TrendHunter.com) Crafted from aluminum and wood, the Pininfarina Cambiano Inkless Pen is making waves for being just that: a permanent writing utensil that will never need a replacement ink cartridge. Handcrafted in…

Code and Theory NY Redesigns Finlandia Site

Code and Theory New York have redesigned the website for Finnish vodka brand Finlandia, giving it a sleek new look.

The new site features a unique and unusual visual design that lends itself well to the brand’s “To the life less ordinary” tagline. On the site “a singular access point icon has replaced the fixed navigation, the logo surfaces only when necessary, and product-specific sections like “Drinks” are more about cocktail inspiration than a recipe archive.” The site invites viewers to scroll down the page for a cinematic experience, ending with a 1:06 video (featured above) that correlates with the rest of the site. That all of it is rather strange (in a very Nordic kind of way) and doesn’t make a ton of sense, again, completely fits the “life less ordinary” attitude the brand is promoting. Intended reaction (I’m guessing): “I have no idea what’s going on, but it kind of makes me want some vodka.” Check out the site for yourself, and stick around for credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Dancers Photography by Ludovic Florent

« Poussière d’Etoiles » est une série réalisée par le photographe français Ludovic Florent. Il met à l’honneur des danseurs débordant de grâce en y ajoutant du sable. Les grains de sable accentuent l’effet de mouvement majestueux des chorégraphies. A découvrir en détails sur son portfolio et dans la suite de l’article.

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Here’s That Coke Ad, Now in Klingon, Dothraki and Pig Latin

If there's one good thing to come out of the recent lunatic-fringe freakout over Coca-Cola's multilingual Super Bowl ad, it's definitely this parody featuring languages that didn't quite make the original cut.

Comedy troupe Garlic Jackson, which previously (and brilliantly) mashed up "Blurred Lines" with The Cosby Show intro, have dropped a new audio track on the Coke spot, "America Is Beautiful." The parody's additions include the dulcet tones of Star Trek's Klingon and Game of Thrones' Dothraki. I'll let you hear the rest for yourself. 

Here's the original ad:


    



CBS Snags Eight Thursday Night NFL Games


CBS has secured the rights to an eight-game package of Thursday Night Football, the broadcaster said on Wednesday.

CBS will air eight early-season games in the 2014 season, games that will also be simulcast on the NFL Network. The NFL has the option to extend the agreement for an additional season.

The NFL Network will also run eight late-season Thursday night games in the run-up to next season’s playoffs.

Continue reading at AdAge.com

Book review: Speculative Everything. Design, Fiction, and Social Dreaming

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Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction continue

MD Wildman walks away from Yahoo amid European restructure

Yahoo’s UK managing director James Wildman is leaving the company after three years to pursue “new endeavours” ahead of a series of management changes across its European operations.

Rap do Amaury Jr. é campanha de Negresco

A chegada da concorrência fez a Nestlé se mexer e tirar a marca Negresco do limbo da comunicação. No mesmo mês em que Oreo voltou ao Brasil, inauguraram uma fanpage no Facebook – que já ultrapassou 550 mil fãs – e agora revelaram que o rap do Amaury Jr. trata-se, na verdade, de uma campanha viral.

Com letra escrita por Gabriel, o Pensador, a música “Desenrola” pede para que os brasileiros não compliquem a vida, em uma provocação bem sutil, mas facilmente identificável.

Em 24 horas, o vídeo original conquistou 60 mil visualizações no YouTube e virou motivo de piada nas redes sociais. Amaury Jr. chegou a dizer que o clipe era uma forma de protesto pessoal.

A criação é da Publicis Brasil, AG2 Publicis Modem e Publicis Dialog.

Negresco

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Diversity PSA Misses the Mark by Saying Two-Man Luge Is ‘a Little Gay’

Prepping for a two-man luge race looks like two dudes humping, says a new PSA from a Canadian equal rights group protesting Russia's anti-gay laws ahead of the 2014 Winter Olympics in Sochi.

The spot, created for the Canadian Institute of Diversity and Inclusion by agency Rethink Canada, shows a pair of spandex-clad sledders rocking back and forth before launching down the track, all to the tune of synth pop classic "Don't You Want Me" by The Human League.

"The games have always been a little gay," says the ad's copy. "Let's fight to keep them that way."

Russia's law prohibiting the promotion of homosexuality and a broader environment of LGBT discrimination has drawn widespread criticism, and on Tuesday, U.S. Olympic sponsor AT&T became the first large advertiser to join in the protests.

While many will chuckle at and share the "Luge" ad, the spot is not without its glaring flaws. 

The Olympics have always been a little gay because certain sports happen to include activities that could be interpreted as homoerotic? Doesn't that joke basically just reinforce juvenile stereotypes rather than challenging them?

If you're going to talk about how The Olympics have always been a little gay, why not focus on the pioneering homosexual athletes who've competed rather than saying that it's "gay" for two men to work closely together?

The message that homosexuality has always been a reality and should be openly accepted  is definitely one worth promoting, especially at a time when the Olympic host country is explicitly sanctioning homophobia. But resorting to frat-boy humor that would be dismissed as homophobic if it came from anyone except an LGBT advocacy group? That's not going to do anyone any favors.


    



This Strange ‘Water Porn’ Ad Promotes Debt Relief

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With “striking underwater visuals” this ad from Reason Partner and Untitled Films for Credit Canada has a simple message. Credit Canada is there to get you out from under. We love the analogy between drowning and facing financial difficulty. Because the two often feel the same.

Well, it’s nice to know Canadians are just as in debt as Americans.