Jay Leno Was Good for Ratings (and Ad Age)
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I don’t understand why NBC is so anxious to show Jay Leno the door. Late night is about the only thing working for the network.
I don’t understand why NBC is so anxious to show Jay Leno the door. Late night is about the only thing working for the network.
It begins in an emergency. An urgent point-of-view shot shows an unfamiliar face performing CPR on an unknown patient acting as our eyes. We hear the thumping chest compressions and the screams of a familiar voice.
Have the smokes, the Old Fashioneds and the soul-hardening stress of a life spent lying finally caught up with Don Draper? Don’s death has been foreshadowed any number of times, but this seems far too soon to remove the hard-living anti-hero at the center of “Mad Men.” There are two seasons to go.
The abrupt change in setting to Hawaii should be a clear indication that Don is still very much in this world, but the gorgeous, languorous 10-minute sequence that opens the show’s sixth season is still too dreamy to ground anything. Don’s beach read is Dante’s “Inferno,” but maybe that’s the wrong flavor of afterlife. Perhaps it’s “Paradiso” we are in. Contributing to the unreal feel is Don’s silence as a rather pleasurable business trip plays out around him. Neither pot, nor poi, nor poking pulls any words from Don’s lips. It is only a late-night encounter with a drunk, pre-nuptial serviceman, whose idea of bar chat is musing on what a 50-caliber machine gun can do to a water buffalo, that fully brings us into the reality of December 1967.
Oakley teamed up with Thinkmodo to create an innovative viral video campaign for Oakley’s new spokes person, pro golfer Bubba Watson.
Advertising Agency: Thinkmodo, New York, USA
Creative Directors / Directors / Producers: Michael Krivicka, James Percelay
Camera: Matthew Cady
Published: April 2013
Advertising Agency: TIWI, Italy
Published: April 2013
How can we resist the nightmare of global capitalism and the lifestyle it demands? How can we jam the dominant logic of consumerism, imperial war, an abused Third World, and an ember planet? While no doubt daunting, we offer a guide in three parts. Each third targets a different site where capital rears its Achilles heel, where creative forms of resistance take shape and reveal new ways to live.
Under the headings, PSYCHO, ECO and CORPO this list proceeds apace in the twilight of postindustrial capital. We don’t have time as a luxury anymore; in fact, we’re living the end times. So as you use, combine, or complement the following guidelines to counter the system, act now, act fast.
To carve a niche beyond the corporate horizon
Engaging in alternative lifestyles and systems of exchange denaturalizes our consumerist ways. What if we implemented local currencies, instituted collectives, imagined redistribution? For inspiration, consider the Heritage
Foundation’s joke of a list—the Index of Economic Freedom—which ranks the countries friendliest to global capital. The countries considered “repressed” allow us to look for points of resistance. Venezuela, occupying the bottom, is a good place to start emulating.
Power cuts two ways—it constrains and enables. This is why we can use the artifacts of consumer culture (MacBooks and mobile devices) as means to attack the system that begets them.
But tech stuff can be stashed at your local library too—not necessarily the Apple store. Technology is even putting pen to paper (what better way to write a manifesto?)
Where is your food coming from, what qualifies as food, and what sprouts nearby? Question the origin of food, and if you have a green thumb, grow your own.
According to the Strike Debt campaign: YOU ARE NOT A LOAN. Got mounting letters due to student, credit card, or hospital debt? Some activists say to chuck ‘em in the sewer! Enough people doing this will cause the system to crack. Its heartless logic will wither.
Read on: Part 1 and Part 2 of the AnticapitaLIST.
Read more on Adbusters.org
Advertising Ageny: Miami Ad School, New York, USA
Art Direction: Dejan Jovanovic
Copywriter: Helena Heras
Motion Design: Rafael Perez
Sound Design: Adam Primack
Voice Over: Richard Spiegel
3D Design: Manuel Mero
Special Effects: German Leal
Instructor: Ina Ernesti
“Shoes are boring wear sneakers.”
Advertising Agency: Anomaly, New York, USA
Chief Creative Officer: Mike Byrne
Executive Creative Director: Ian Toombs, Sheena Brady
Art Director: Roy Torres
Copywriter: Nick Terzis
Account Director: Jill Ong
Agency Producer: Sarah Manna
Photographers: Magdalena Wosinska, Dan Monick
Account manager: Lauren Bozarth