Entrinsic Celebrates the Queen for Victoria Gin

Yesterday was Victoria Day in Canada, a May bank holiday up north, and Toronto-based agency Entrinsic has released a timely spot for Victoria gin, celebrating its namesake Queen Victoria.

The 30-second broadcast spot, “That’s The Spirit” was created by Entrinsic in collaboration with production company Revolver Films and director Christopher Wahl. It relates a series of unexpected but true facts about Queen Victoria: She ruled the British Empire at 18 while still living with her mom; she married her first cousin and had nine children; she was almost assassinated seven times. “If you were Queen Victoria,” the spot concludes, “you’d be ready for a drink, too.” The visual approach is straightforward, showing Queen Victoria gradually walking toward the camera and then sitting at a bar enjoying some gin. Entrinisic and Wahl also teamed up for the accompanying print campaign, which will roll out later in the year. Credits after the jump. continued…

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DDB California, Kingsford Want You to ‘Get Off Your Gas’

With barbecue season right around the corner, DDB California has a new campaign for Kingsford Charcoal, complete with the new tagline, “Get Off Your Gas.”

In the 30-second broadcast spot, “The Social Grill,” DDB California pokes fun at the cultural obsession with social media. As attendees of a fun-looking  backyard barbecue look on, a man’s next door neighbor uses his “Social Grill,” a gas grill with social media capabilities. The man, grilling alone, takes a selfie and uses the grill’s speech activation and other goofy features, while the barbecue attendees simply relax and grill up some tasty grub. In addition to the TV spot, the campaign also features online videos and digital skins on About.com as well as Kingsford-owned social channels. Stick around for credits after the jump. continued…

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McDonald’s New Mascot: Biggest Brand Fail Ever or Just Another Social Media Outcry From People With Way Too Much Time on Their Hands?

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It’s almost becoming standard practice to trash the crap out of a brand for making even the slightest change to its brand. In some cases the changes are big and in some cases they are small but it seems as though every change is followed by an onslaught of social media outcry from people with nothing better to do than craft a witty Tweet that is then featured in the news which then causes the whole thing to spiral out of control.

Sometimes the reaction is warranted. Most times, it’s just bitching. A long time ago in a galaxy far, far away, there used to be a time in which brands could do whatever the hell they wanted to when it came to their brand and there’d be little to no outcry, at least publicly.

Today, a brand’s CEO can’t take a shit in private without someone tweeting about it. The Gap was publicly chastised into changing back to its old logo when it attempted to create a new one in 2010. Olive Garden changed its logo earlier this year and no one liked that move either. And now, McDonald’s is out with a new character named Happy and no one is happy about it.

While Happy has been around since 2009 overseas, he’s making his debut in America this week. And he’s brought with him the usual collection of “epic fail” headlines and angry tweets.

While the new character is supposed to be about “bringing more fun and excitement to kids’ meals, including eating wholesome food choices like low-fat yogurt,” according to a statement, many are saying Happy’s teeth are too big or he scares children or “this makes me crave Burger King.”

We’re not going to join the parade of embedded tweets simply to give those tweeters an ego boost but we are going to say this; It’s a fucking brand mascot. Who gives a shit? Is it really worth getting your panties and jockstraps in a bunch? Do you really care what the hell McDonald’s does to lie through its teeth telling you its food is healthy?

Go take a walk. Leave your computer and phone behind. Enjoy nature. Kiss your girlfriend/boyfriend/mother/father/mistress and tell them you love them. And don’t hold it against us when we get on our high horse in the near future and rail against something as equally inane as McDonald’s introducing a brand mascot.

Burger King to America: ‘Why Just Have It Your Way?’

Earlier this year, the home of the Whopper slapped the advertising world with one of its own by parting ways with lead agency Mother. It was a public divorce attributed to the all-too-familiar “creative differences.”

Now something else is grilling: Burger King just announced that it has found a new home for its 40-year-slogan in the tagline cemetery. The new line is “Be your way,” because nothing could be more personal than ordering a No. 2 with a large carbonated beverage.

Witness the strategery in action after the jump.

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Team One, Lexus Launch ‘It Got Better’ with Jane Lynch

Team One and Lexus have launched a new series on Lexus’ broadband channel L/Studio, entitled “It Got Better.”

“It Got Better” is a six-episode docuseries telling “the inspiring personal stories of a diverse group of LGBT actors, athletes and musicians including Jason Collins, Jane Lynch, Tim Gunn, Tegan & Sara, George Takei and Laverne Cox.” A collaboration between Team One, executive producers Lisa Kudrow and Dan Bucatinsky, and the It Gets Better Project (executive producers Dan Savage and Brian Pines), the docuseries just launched with its first episode, featuring Jane Lynch, star of Glee and, more importantly, Party Down. Lynch tells her story of growing up identifying more with boys, discovering her sexuality and treating it as something she was afraid her peers would discover, to finally embracing and accepting it and finding a supporting community. It makes for compelling viewing, well worth the time if you have six minutes or so to spare (yes, this runs a bit long), and a promising start to the “It Got Better” series, which has the potential to do a lot of good for struggling teens. We look forward to upcoming installments (especially from George Takei).

Credits and video after the jump. continued…

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72andSunny Quotes Pop Culture for Samsung’s New, Curvy TV

72andSunny mined memorable moments in film, TV, and the Internet for their new campaign unveiling Samsung’s Curved UHD TV, called “The Curve Changes Everything.”

The new broadcast spot debuted last night during primetime programing including AMC’s Mad Men,  NBC’s Women of SNL, and the season finale of Fox’s execrable Family Guy, to name a few. The 60-second “The Curve Changes Everything,” mines such sources as Clueless, Jurassic ParkGravity and that screaming goat you saw on YouTube to stitch together “not only excitement for the curve and the experience, but how the curve impacts different family scenarios and living room environments.” 72andSunny worked with production company Caviar, director Rian Johnson (Looper, a couple of great episodes of Breaking Bad) and Oscar-winning cinematographer Claudio Miranda (Life of Pi, The Curious Case of Benjamin Button) to bring the spot to life.

“The Samsung Curved TV is just a beautiful object,” said Rian Johnson. “Beyond the quality of the picture, the industrial design of the TV – with its subtle curve – is really stunning when you see it up close in person. We were tasked with finding ways to show off the curve, but you really just need to point a camera at the TV and it pops off the screen. It was a pleasure to shoot.”

In addition to broadcast, the campaign also features print, digital and out of home (OOH) components. “The Curve Changes Everything” will continue to run on major networks, cable and online. Stick around for credits after the jump. continued…

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Walton Isaacson Slows Things Down for Cruzan Rum

Following on the heels of last year’s “Don’t Hurry” campaign, Walton Isaacson has created a series of follow-up ads for Cruzan Rum. Keeping that campaign’s tagline and focus on slowing down to live in the moment, this year’s iteration takes things off the metaphorical “Don’t Hurry” island to everyday life.

In the new series of ads, people are shown in common situations where hurrying really isn’t getting them anywhere, including speed dating (above) and speed chess. The digital campaign includes these two 30-second spots, as well as three 15-second pre-roll videos, and will be supported by social media, public relations and retail extensions.

“If you hurry through life, you could miss something big, and that’s what we really want people to take away from the campaign,” explained Brendan Lynch, senior director of rum & cordials at Beam Suntory. “We’re often so focused on what’s in front of us that we miss what’s going on around us. It’s important to slow down, take the time to enjoy the best things in life, like Cruzan Rum, one sip at a time – and our fans agree.”

Stick around for “Speed Chess,” a recipe for “Cruzan Life’s A Peach” and credits following the jump. Don’t forget to lightly slap your mint sprig. continued…

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Liberty Mutual Partners Up with Jack Morton

Hey, remember Liberty Mutual, the financial institution that put up its its statuesque guns and launched a full review last year after spending years with Boston’s Hill Holliday? Well, it’s apparently over as the LM has selected, with remit, Jack Morton Worldwide, which officially now serves as brand experience agency of record, will handle  domestic and international sponsorships as well as numerous grassroots and local sponsorships as well as other ” key factors in our brand awareness and business strategies,” according to a statement from Paul G. Alexander, Liberty Mutual Insurance chief communications officer.  Alexander adds, “We are delighted to form a partnership with Jack Morton to help direct our overall sponsorship strategy and activation initiatives to maximize these sponsorships for employees, agents and brokers, customers and the general public.”

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This Sweetly Playful Cornetto Cupidity Video Explores Lesbian Love

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When AdFreak’s Roo Ciambriello, who is our favorite new ad writer, said the new Cornetto Cupidity ad entitled 40 Love “is totally worth the watch” and is “a bit like a softer and sweeter Judd Apatow movie” and that there might be “Pabst Blue Ribbon in there somewhere,” we were hooked.

We grabbed a cup of coffee and tuned in for the ride. And a beautiful ride it was. We’ve discussed the Cornetto Cupidity series before, most recently here and in out Marketingland Creative of the Day column here, and this one did a fine job extending the notion love is, well, like eating a soothing bowl of ice cream.

Or something like that. After all, Cornetto isn’t doing this just for fun. They would, of course, like to sell some ice cream along the way otherwise they should just close up shop, move to Hollywood and start making movies.

This 8 minute video features English singer/songwriter/actress Lily Allen who falls (literally) for for a beautiful professional tennis payer who, at first, isn’t so keen on Allen. But after drinking in some of Allen’s coyly sweet playfulness, she’s hooked. And so are we.

It’s an endearing love story that has as much fun exploring young love as it does toying in internet memes. Watch. You’ll see what we mean. Whether or not any of this is selling ice remains to be seen. But the series, out for a year or two, certainly has captured the attention of the press and viewers.

By the way, Roo, we were drinking PBR in college long before the hipsters discovered it. Yet it was just as hip back then and tasted just as shitty as it does today. Nothing really ever changes.

FCB Zurich Creates ‘Emography’ for MTV Mobile

FCB Zurich combined emotions and typography in their “Emography” project for MTV Mobile, a new Facebook app that allows users to express their emotions via typographical selections, eliminating the need for emojis or abbreviated summations of emotions — at least in theory.

To accomplish this, FCB Zurich created a special font for each of the eight basic human emotions: curiosity, surprise, fear, sadness, contempt, rage, happiness, and disgust. Users select a recipient in the Facebook app, type their message, and select their chosen Emography, which is displayed as a video message. Some of the Emography choices are more successful than others at conveying their intended emotions. Emographies for sadness (The Crying Font) and rage (The Broken Glass Font), for example, make sense as visual displays of those emotions, and convey them well. The Confetti Font, however, used for surprise, doesn’t really fit that emotion particularly well. Others, such as the Emographies for contempt and curiosity, work better in theory than in practice. Additionally, FCB Zurich missed out on the opportunity to somehow convey laughter in typographical form and free users from the ubiquitous “LOL,” which is too bad. Still, it’s a pretty cool idea, and with the service, “MTV mobile demonstrates not just technical know-how as the first Swiss provider of a dedicated text message service, but also gives the young target group an effective tool with which to communicate all emotions.” Check out the video above to learn more about the app, and stick around for credits after the jump. continued…

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W+K New York Taps Strasburg in Latest for SportsCenter

W+K New York called on the services of Stephen Strasburg for the latest in their “This is SportsCenter” series and the Washington Nationals ace doesn’t disappoint.

In the 30-second spot, “Frozen Lunch,” SportsCenter host Bram Weinstein angrily searches the break room for his Lean Cuisine while Strasburg ices his arm. Weinstein decides that the best way to find the culprit is to send out an angry email and storms out, while the true whereabouts of his “glazed turkey tenderloins” are revealed. Strasburg and Weinstein’s interactions make for some pretty entertaining moments, including a funny throwaway line from Weinstein near the spot’s conclusion, and it’s nice to see Strasburg getting the spotlight from W+K and ESPN. When successful,”This is SportsCenter” spots can be a lot of fun, and this latest entry from W+K New York definitely qualifies as a success. Stick around for credits after the jump. continued…

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Leo Burnett Toronto ‘Say Yes to Yes’ for Coors Light

Leo Burnett Toronto has a new campaign for Coors Light, called “Say Yes to Yes,” which doesn’t put up much of a front about promoting “drinking responsibly.” Instead, they’re promoting the kind of drinking that leads to pantlessness, “going to bed not in your bed,” and “winning donkeys named Richard.” Coors Light can’t promise you all these things will happen, but they can promise “Saying yes to adventure” (in this case, “adventure” means “watery light beer”) will lead to better stories.

All these “not promises” are delivered from an unexpected, and pretty ridiculous source. Clearly, the target of the campaign is the barely above drinking age crowd, who can still be swayed into thinking Coors Light is the perfect thing a night of drunken debauchery. In addition to the 60-second version above, Coors Light will air a 30-second broadcast version, which will run until the end of the summer. Stick around for credits after the jump. continued…

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The Richards Group, MPC’s ‘Godzilla’ FIAT Spot Goes Viral

The Richards Group teamed up with production house MPC Creative for a new FIAT campaign featuring the King of Monsters, Godzilla.

The 45-second spot utilizes footage from the Warner Bros. Godzilla reboot (which couldn’t possibly be worse than the last attempt at rebooting the franchise) hitting theaters today, with CG of Godzilla crafted by MPC Film. In the spot, Godzilla eyes a FIAT, shoves it in his mouth and then spits it out, which prompts the “It’s a lot bigger than you think” tagline. The spot has proven a huge success, racking up over 5 million views since its debut less than 2 weeks ago. That’s not too surprising, as it’s a pretty fun tie-in that manages to balance promoting Godzilla and FIAT pretty well. Stay tuned for credits after the jump. continued…

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Grok Introduces AZO Bladder Control

Independent advertising agency Grok is launching a new campaign for AZO Bladder Control featuring a national television ad and digital, which will roll out May 19th.

The 15-second spot is relatively straightforward, utilizing light humor in the form of three women mapping out bathroom locations before leaving the house. While not exactly a joy to watch, it’s short and to the point,  playing off the idea that bladder control issues can cause anxiety over the need to run to the rest room. It also introduces the product as a “safe, drug free” method of bladder control and gels with the “Go Less. Worry Less.” tagline.

“We wanted the campaign to speak to women who face this issue and who are not ashamed to take control,” explained Jane Wadler, senior vice president of marketing at i-Health. Stick around for credits after the jump.

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Bi-Coastal Prodco Unveils Epic Doc for Gaming Brand, 2K

San Francisco/Brooklyn-based production company Story Developing has teamed up with host, Machinima, to unveil a new film for gaming publisher, 2K, that’s essentially a 60-minute advertisement disguised as a documentary. In what should appeal to both hardcore and casual gamers, emerging artists and the like, the film follows the story of a handful of college students who are vying for internships at 2K, the Novato, CA-based brand that’s known for titles like the NBA 2K series and Borderlands. 

Anyhow, this ideal-for-lunchtime doc not only follows our 2K hopefuls, but also features a host of interviews with industry folks, 2K execs and the students themselves who offer their thoughts on the evolution of gaming and the impact it’s had among other tidbits. The folks at Story Developing claim this film just might be a prime example of “a brand blurring the lines between creativity and advertising.” Well, perhaps, but at the least it might just inspire some budding artists looking to make some inroads into the gaming world. By the way, kudos on kicking things off with a little old-school Super Mario action. The trailer’s above, but if you have the time, you can check out the full-length doc dubbed The Art of the Game after the jump.

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BSSP Launches New Gel Liner Pen for Benefit

Sausalito, California-based agency BSSP teamed up with production company Biscuit in a new campaign launching Benefit Cosmetic’s new “They’re Real! Push-up Gel Liner Pen.”

In the 60-second spot, a diamond thief is caught by police. While in the back of the car on her way to the station she maneuvers her hands inside her cuffs, thinks about reaching for a bobby pin in her bag (which the cops have conveniently left right next to her), and instead reaches for her gel liner so she can look fab in her mugshot. There’s no indication of whether she’ll be able to take her cosmetics with her into her cell.

“The Benefit make-up brand has an edge. Its personality is a little bit feisty, so for its first-ever broadcast campaign we thought we could have fun and tell a story that connects with the Benefit consumer in a playful way,” explained Steve Mapp, creative director at BSSP.

“This spot has the feel of a cinema trailer – a true testament to the influence of director Noam Murro and a fantastic idea by BSSP,” said Hannah Malot, creative director of Benefit. “We think it will have enormous appeal around the world and will be shared and liked by our global audience through social media and word of mouth. The product is a true innovation in the marketplace.”

The spot “inspired Benefit to create a series of in-store displays, postcards and print ads that feature the jewel thief in handcuffs, applying the gel liner,” which will be available this summer. Stick around for partial credits after the jump. continued…

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Miller Lite, Guy Fieri Form Unholy Alliance

This one has been around for  a while, but we just couldn’t resist.

Agencies GMR (who handled talent selection, negotiation and management) and Integer (execution across retail) teamed up to bring together human keg stand Guy Fieri and watery swill Miller Lite to form an unholy alliance of annoying proportions. God have mercy on us all.

Fieri — who Anthony Bourdain once described as the product that would result “if Ed Hardy f*cked a juggalo” — is hosting a series of Miller Lite branded content on his site, Grill With Guy. One would assume that the toxic levels of hair gel Fieri applies would render himself extremely flammable, but Fieri just shares some summer grilling recipes, such as the beef and beer cheese nachos featured in the video, which we’ve left til after the jump.

Surprisingly, not all of the recipes call for Miller Lite, like the “Asian Style Grilled Salmon” (surprise: Fieri knows what mirin is), which instead ends with the instruction “Enjoy with a cold Miller Lite.” (Obviously you should never trust a recipe that ends this way.)

While it’s alarming to think that anyone who takes cooking advice from a man with a racing stripe on his refrigerator would be allowed near an open flame, it’s at least somewhat of a relief that they will have a watered-down lite beer on hand to extinguish the blaze should things get out of hand. Miller Lite and Fieri plan to keep their relationship going after the summer, with “flavorful ideas for football season” (whatever those might be).

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CP+B Changes A.1.’s Relationship Status with Steak

As we mentioned in Stir yesterday morning, Kraft has decided to drop the “steak” from A.1.’s title, now calling it A.1. Original Sauce. Now we have an online spot from CP+B to go along with the name change, explaining the nature of A.1.’s evolving relationship with steak.

In CP+B’s “New Friend Requests,” the Boulder-based agency imagines A.1. rethinking its commitment to steak via Facebook. We see posts of the two together, one of which contains the line “It’s just you and me forever.” But then A.1. gets new friend requests, first from pork, then from myriad other foods. This leads to the sauce changing its relationship status with steak to “It’s complicated,” citing a need to “see other foods.” Initially steak doesn’t take too kindly to this, but eventually steak and A.1. reconcile, with the spot ending with the tagline, “For almost everything. Almost.” The idea is about equal parts clever and goofy, but CP+B mostly make it work, although the spot could have benefited from a shortened run time (it clocks in at 2 minutes). Both the name change and the “For almost everything. Almost.” campaign stem from insights into diehard A1 users, who use the sauce on everything from chicken, pork, and fish to vegetables.

The “For almost everything. Almost.” campaign will also include TV spots, which debut Monday, the first from the brand in five years, in addition to digital, social, radio, out of home and in-store activations. Stick around for credits after the jump. continued…

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Sony, Mutt Industries Celebrate Successful Launch of MLB 14: The Show

A couple of weeks ago we brought you news of “Baseball is Better,” Mutt Industries’ campaign for MLB 14: The Show, the latest iteration of Sony’s long-running baseball simulation series. Now, Sony and Mutt Industries seem to have a reason to celebrate, as MLB 14: The Show’s first week sales were the highest in franchise history. As you may remember, Mutt Industries recruited Danny McBride (best known for playing Kenny Powers on Eastbound and Down) for the anthem ad launching the game.

In the weeks following the launch of the campaign, Mutt Industries has continued to roll out content at campaign site www.baseballisbetter.com, including the recent, slightly misogynist “Miguel Cabrera Gets Faster with Quick Counts.” As the season progresses, Mutt Industries and Sony will release over 100 unique videos via YouTube, Tumblr, Facebook, Twitter and Instagram, featuring various MLB stars. So far, in addition to Miguel Cabrera, Andrew McCutchen, Brandon Phillips, Jason Heyward, CC Sabathia, David Ortiz, and Brett Lawrie have all joined in on the action to show how “Baseball Is Better.” You can check out Cabrera’s recent spot above, and stick around for a refresher of the Danny McBride anthem ad after the jump. continued…

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Let’s Vicariously Enjoy One Lad’s Wild Night in the City Courtesy of Heineken, W+K

W+K Amsterdam is back with yet another sprawling, upbeat, frenetic spot for Heineken, which is part of the brew brand’s global campaign highlighting a man living it up in his cityscape. The latest spot, aptly dubbed “The City,” features a little Elvis swing as our hero goes on the hunt for a mysterious gal with the help of a host of lost business cards. Along the way, he experiences everything that makes his city so vibrant. The look, sound and feel is basically the template of what we’ve come to expect from Heineken ads in recent years, but that’s not necessarily a bad thing. Regarding the campaign concept, which revolves around encouraging men to explore their cities, Heineken global senior brand director Gianluca Di Tondo tells Marketing“Men of the world want to make the most out of their time in the city, because they know life only gives them one shot. So they really live their city by seeking out new experiences and adventures and they have an underlying fear of missing out on the best ones.” At the very least, it makes our desk job writing about such experiences rather lame. Credits after the jump.

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