Hasta La Creative!

TBWA Media Arts Lab has launched a star-studded campaign for Conservation International, entitled “Nature is Speaking,” which employs celebrities as elements of nature delivering the message that environmental reform is an immediate concern.

Star voices include Julia Roberts as Mother Nature, Harrison Ford as The Ocean, Kevin Spacey as The Rainforest, Edward Norton as The Soil, Penelope Cruz as Water and Robert Redford as The Redwood. The campaign debuted at SXSW Eco and rolled out yesterday on YouTube, with the Mother Nature film highlighted on www.conservation.org. That nearly two-minute video functions as the campaign’s center point and introduction. Roberts, as Mother Nature, casts aside the notion that nature is something separate from people to be used. “I don’t really need people, but people need me,” Roberts intones over footage of natural marvels (bonus points for time-lapse footage of oyster mushrooms growing). She goes on to point out how the fate of humans is linked to nature. “When I thrive, you thrive,” she says. “When I falter, you falter — or worse.” She concludes, “One way or another, your actions will determine your fate. Not mine…I am prepared to evolve, are you?” It’s a powerful message, hammering home the immediacy of the issue with emotion.

It also functions as something of a rebranding for the environmental movement. As Dr. M. Sanjayan, Conservation International’s executive vice president and senior scientist points out in a press release, “The environmental movement has missed the mark when talking about nature because it tends to present nature as something that is separate from people. By making it clear that people need nature to survive, we are turning the conversation around and making the movement relevant to entirely new audiences.”

As the campaign continues, Conservation Internation will highlight a different film each week on www.conservation.org, with an accompanying post on its Human Nature blog. Next week will focus on The Ocean (voiced by Vice Chairman of Conservation International Harrison Ford), followed by The Rainforest (voiced by Spacey) and The Soil (Norton). We’ve included Ford and Spacey’s contributions after the jump. The campaign also includes a social extension, with HP promising to donate one dollar to Conservation International, up to one million, for every use of the #NatureIsSpeaking hashtag. (more…)

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AMV BBDO has a new series of ads for Snickers’ ongoing “You’re Not You When You’re Hungry” campaign, resurrecting Rowan Atkinson‘s Mr. Bean character.

In the longest of the three broadcast spots, Atkinson’s character finds himself jumping over rooftops with a group of ninjas, in a parody of kung fu movies like Crouching Tiger, Hidden Dragon. Only, while his colleagues glide gracefully from rooftop to rooftop, Mr. Bean has a bit more trouble and eventually finds himself crashing through the roof to an angry group of warriors below. At this point, one of his fellow ninjas tosses him a Snickers, saying “…you can’t concentrate when you’re hungry, eat a Snickers” and he’s back to his old self.

The character is a perfect fit for the popular “You’re Not You When You’re Hungry” approach, and the spots are all pretty entertaining. In the remaining pair (featured after the jump), Atkinson’s character practices nunchucks and kata, with less than stellar results. Atkinson’s character is such a good fit — he’s certainly one of the best celebrities featured in the ongoing campaign — that you almost wonder why he hasn’t been featured before. (more…)

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Sources familiar with the matter have said that Yahoo has reached out to agencies for the creation of a new consumer brand campaign, AdAge reports. Yahoo declined to comment to that publication.

The search is being conducted without a consultant, with Yahoo reaching out to a number of agencies and inviting some to pitch ideas later this month. While there is no word on which agencies are involved, Yahoo has worked with Ogilvy and Goodby Silverstein & Partners, its agency of record from 2009-2011, in the past. According to AdAge‘s sources, the company, formerly a large TV spender, is considering all media for the new campaign. (more…)

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Droga5 has a new campaign for Strongbow Cider that takes a tongue-in-cheek approach not unlike the agency’s work for fellow Heineken-owned brand Newcastle.

In a new spot for Strongbow, released in the heart of cider season, the brand pokes fun at a longtime alcohol advertising cliche, the slow-motion horse. As Adweek points out, this trope has been around since a 1982 ad for Budweiser Light (the brand’s first) employing a slow-motion Clydesdale. In the new Strongbow ad, however, the horse moves in slow motion while a couple walks down the beach at normal speed, continually stopping to wait for the horse to re-enter the frame. The spot emphasizes that Strongbow is best over ice, with a line of logic that “Apples are good, Strongbow Hard Cider is better, but Strongbow over ice is the best.” Enjoying it with your own slow-motion horse, however, is “the bestest.” The joke really works best in the 30-second format, as it feels a bit stretched at 60 seconds, but it’s a good dig at category cliches that hopefully means the end of brands attempting to use the slow-motion horse seriously. (more…)

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We’ve received several tips over the past week or so about San Francisco agency DOJO.

First, we heard that former GS&P account lead Marty Wenzell, who joined DOJO  in July 2012 and most recently held the president/MD title, was out. Then we heard that the agency — founded in 2009 by veterans of SF shop Fancy — would cease to exist at the end of this month.

Way back in January, we did confirm that Chris Masse, the DOJO art director turned creative director, had departed.

We didn’t hear much more from the shop until last week, when we got our first tips about Wenzell. We reached out to the agency’s contact email but received no response — and yesterday the listed phone number stopped working.

(more…)

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Portland, Oregon-based agency Pollinate today announced the appointment of Simeon Roane as executive creative director tasked with leading innovation, creative and design.

Roane most recently served as group creative director at Razorfish, where he led work on the Netflix account and was also selected onto the judging panel for the 2014 American Advertising Awards. Prior to Razorfish, Roane spent around a year as a freelance writer/creative director, working with brands such as Microsoft, AT&T, Embassy Suites, Dollar Tree and Kia Motors. That followed an almost six year stint as executive vice president, executive creative director at Publicis New York, where he worked with brands including Coca-Cola, BMW, Heineken, T-Mobile, Nestlé, Lens Crafters and TGI Friday’s. Roane first joined Publicis all the way back in 2003 as a group creative director, following four years as an associate creative director at 180 Amsterdam. (more…)

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Y&R has a new campaign encouraging New Yorkers to become organ donors on behalf of the New York Organ Donor Network.

In an animated 90-second spot, parts of buildings begin to fall off as the city is portrayed in dire health. A group collects the pieces, however, and assembles them into a heart which powers the city back up, as the Statue of Liberty breathes a sigh of relief, followed by the tagline “Keep New York Alive” and a message urging New Yorkers to become organ donors. The campaign is needed because as a state New York is well behind the curve in terms of registered organ donors.

“Next-to-last place—we are ranked 49th in terms of the percentage of state residents registered as organ donors—is not good enough for New York,”Glen Jacobs, executive creative director at Y&R, told Adweek. “We need to move the needle, so organ donors can save lives. Period.”

For the spot, Y&R teamed up with Laurent Witz, the director behind Oscar-winning animated short Mr. Hublot. Witz and company employed lifelike 3D animation to deliver the message in a way that can grab people’s attention. While it’s not immediately apparent why the city is falling apart, the message is clear by the end of the 90 seconds, and the initial mystery serves to draw in the viewer.

Still, Jacobs says that Y&R’s work for the cause is far from over. “If this campaign helps raise awareness for the cause, that’s great,” he told Adweek. “But we have a long way to go. So, our aim is to keep finding bigger and better ways to get the message out.” (more…)

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Both women and the word “erection” have been conspicuously absent from Viagra’s advertising — until BBDO’s most recent ad for Pfizer’s erectile dysfunction medication, that is.

A new spot features a woman with a British accent giving men an idea of what erectile dysfunction is like from the partner’s point of view. “It’s just you and your honey, the setting is perfect,” she begins, with beach scenery in the background. “You know what, plenty of guys have this issue, not just getting an erection but keeping it,” she goes on, sounding a bit like a partner reassuring a man having troubled in the bedroom. She goes on to offer Viagra as the solution (and says “erection” again), while touting it as something you only take when you need it. “If ED is stopping what you started, ask your doctor about Viagra,” she concludes, before the list of health risks is accompanied by a barrage of ridiculous phallic imagery, including flag poles, a ship’s mast off in the distance, a long pier extending into the ocean, etc.

It’s definitely a change in approach for Viagra, whose advertising previously avoided discussing erectile dysfunction directly (and explicitly the word “erection”). Perhaps the new approach is a sign that people are ready for more direct discussions about the issue, rather than the insinuations of past ads. Still, despite the new direction, the spot still comes across as somewhat awkward in tone and the phallic imagery at its conclusion seems a bit overkill. Then again, this isn’t a category that has seen any non-awkward advertising, so maybe we should just be thankful that there aren’t his and her bathtubs.

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Tribal Worldwide has a new campaign discouraging teen cough syrup abuse on behalf of the Consumer Healthcare Products Association and the Partnership for Drug-Free Kids.

Rather than take a typical scare-tactic approach, Tribal Worldwide instead decided to make a fun game. The game, entitled “DXM Labworks” lets players get a robot all messed up on DXM (the psychoactive ingredient, dextromethorphan, in some cough syrups) and see what the effects are like (spoiler alert: the robot pukes a lot). Billing the app as “your chance to see the effects of abusing DXM without trying it yourself,” the idea is that teens will try out the game and see an unglamorous portrayal of the effects of the drug.

“It’s not a sexy drug –- there’s loss of motor control, slurred speech and, of course, the uncontrollable puking,” Kinney Edwards, executive creative director at Tribal, explained to Mashable. “Social disapproval really matters to teens, and they can see first-hand how embarrassing and not cool this is.”

The campaign is mostly aimed at “on the fence” teens, those who are considering experimenting with the drug and perhaps researching its effects online. By presenting them with a game that simulates the effects of the drug, Tribal hopes the teens will make the judgement that DXM’s negative effects are not something they want to experience. The agency decided that teens easily dismiss PSAs but that they might be more receptive to a fun, mobile game. And what’s not fun about a robot puking?

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Toronto agency Cossette has a new Canadian campaign for Cheerios celebrating togetherness.

The campaign is built around a 15-second broadcast spot, exploring the phenomenon of stray Cheerios attracting each other in the bowl. Cossette likens the phenomenon to “our need to connect,” ending with the lines “We all love to connect. That’s the Cheerios effect.” The emotional approach is extended online, via a series of heartstring-tugging videos telling the stories of connected individuals, such as cousins who are more like sisters, a married couple and a woman and her dog. We’ve included a couple of these, along with credits, after the jump. (more…)

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