Austrian Agency Dresses Man in Shark Costume to Protest ‘Burqa Ban,’ Scores Fine and Free Media Coverage

Protests are all the rage, but they rarely include anthropomorphic “furry” costumes. A recent incident in Austria was different.

Earlier this year, the country implemented a law called “Prohibition for the Covering of the Face,” colloquially known as the “burqa ban.”

If that sounds a bit weird, consider that Austrians came close to electing a far-right presidential candidate last year. The government later insisted on passing the ban even though it will only affect the estimated 0.03% percent of Austrian Muslim women who choose to cover their faces in public, or a grand total approximately 150 citizens.

Lots of Austrians were not too happy about it, and Vienna-based agency Warda Network decided to make a very public point about how ridiculous this law is … by dressing some dude up as a shark.

Here’s an image from the agency’s own Facebook page.

Why a shark? Turns out this was both a social statement and a stunt to help promote client McShark, which operates a chain of electronics retail stores.

A Warda spokesperson calls it “a simple but effective strategy to expose the absurdity of the new law while at the same time us[ing] the gained attention” to score media coverage for McShark.

At the opening of the new McShark Store an employee was dressed up as a shark to dance on the street and animate pedestrians to enter the store,” the rep said.

Someone called the cops, and three officers quickly arrived to tell the man to remove his shark mask. He refused to do so and was subsequently fined.

According to Al-Jazeera, the Vienna police later issued a statement on Twitter indicating that they are tasked with enforcing the law that one James Anderson did indeed violate.

“Generally, it is allowed to wear disguises or covering for artistic, cultural or traditional events, as well as for professional practice,” the statement read. “This particular case is currently being examined within the framework of administrative penal proceedings.”

Creative director Jakob Kattner later told the Washington Post that the agency would not appeal the fine, acknowledging that Shark Man had violated the law and adding, “He was dressed as a stuffed animal and not as a terrorist.”

It’s not clear whether Anderson, who lives in Dublin, is a Warda employee … or whether the agency called police to ensure the success of its own stunt.

We also find it kind of amusing that reports about the incident can’t seem to decide whether Warda is a PR firm or a creative shop. It’s pretty clear what they’re good at, though.

[All pics via Warda Network]

OKRP Acquires Digital Agency Juice Interactive

O’Keefe Reinhard & Paul acquired Juice Interactive, a digital agency that counts MillerCoors, Mead Johnson Nutrition and SAP Hybris among its clients.

Founded by partners JoAnn Leonard and Tim Rawls (pictured) in 2004, Juice Interactive provides clients with a range of services including digital and social strategy,  integrated marketing campaign development, branded content developing, user experience design and commerce solutions.

The acquisition follows a search by OKRP to find a digital agency that would help it offer clients integrated creative solutions. It also comes on the heels of OKRP expanding its design capabilities by hiring Marian Williams as creative director last month.

“We’ve been looking for the right digital agency partner who can bring innovation and technology solutions to enhance our creative ideas in service of ever-changing client needs,” OKRP president Nick Paul said in a statement. “Having worked with Juice on several client engagements, we know they are the perfect cultural and business fit for our agency. Like us, they have big brand experience and can deliver creative solutions that transform business.”

Juice Interactive will relocate its employees into OKRP’s Chicago headquarters.

“We believe every digital experience should invoke an emotional reaction from the audience. The creative, the message and the time and method in how it’s delivered are vital in connecting with consumers,” Rawls said in a statement. “By partnering with OKRP, we’re able to be part of the conversation early on, and bring insights from digital that help deliver brand messaging into high touch interactions.”

HackerAgency Loses AT&T, Lays Off 50% of Staff, and Leaves the IPG Network

Today IPG confirmed that it had divested itself from HackerAgency, which is now no longer part of the Interpublic network after 18 years.

The news first ran on Adweek.

According to one party who spoke to us, the decision came because the Seattle-based direct marketing company’s “core competency is not aligned” with IPG’s goals. It also follows the gradual loss of HackerAgency’s largest client, AT&T, over the course of several months.

CEO Spyro Kourtis provided the following statement:

“[I’m] confirming that while Hacker Group has had a great partnership with IPG and FCB over the years, we’re excited to bring the power of our re-established independence to our clients, driving business results through modern, innovative marketing solutions. Clients are increasingly demanding agile agency resources and talent that focus on performance and are willing to put skin in the game. We believe being an independent is the best way to do this, unburdened by the complexities of a holding company network.”

Regarding AT&T, he acknowledge that the changing relationship, partly caused by the DirecTV acquisition, damaged the agency:

“We’re proud of the partnership we have shared [with AT&T] and wish our clients the best of success. Having to say goodbye to friends and colleagues is never easy. We remain optimistic for the road ahead as we strike out independently and allow our data-driven heritage and CRM specialization to shine.”

Multiple current and former agency employees tell a slightly different story.

According to 5 different sources, the agency laid off around 50 percent of its staff in Seattle last week, including North American president Julie Rezick, formerly of Wunderman. One source says recent events came about due to a “failure to modernize.”

HackerAgency will now operate as an independent company. The three international FCB offices that merged with what was then called Hacker Group to form HackerAgency in 2014, however, will remain within the IPG network.

Agencies Helping Agencies

Why doesn’t Wieden + Kennedy/Portland spawn more startup agencies—something that Goodby Silverstein & Partners in San Francisco has successfully done for years? As someone who knows the Portland market, lack of client opportunities is the most obvious answer. FYI, there are just two big fish in the Portland market—Intel and Nike. Adidas America is also […]

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Behind Every Southwest Seat Is A Person With A Story

When dealing with airlines, customers too often feel like numbers, not people. Southwest and their time trusted partner, Austin agency GSD&M, take that idea and turn it on its head in this commercial, where the customers are the stars of the show. The spot also makes an incredible point—we connect with people’s stories, and by […]

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Sunny D Brings on Terri & Sandy for an AOR Relaunch

Remember back in the halcyon days of 2015, when everything was still Hope and Change and Grenadier won headlines for recasting the classic ’90s ads for Sunny D with some aging extras?

Those were different times.

Now, the not-really-juice brand owned by Harvest Hill has picked New York’s Terri & Sandy (no more Solution, remember) as its new agency of record after a review in another attempt to reach that young, beverage-drenched consumer.

T&S will launch the brand’s first communications platform since 2015, with the ultimate goal of reaching both the Gen Z kids and their parents.

How did they win?

“I had the pleasure of working with Terri Meyer and Sandy Greenberg on iconic brands during my time at Kraft,” said John LeBoutillier, President and Chief Executive Officer of Harvest Hill. “Their strong strategic capabilities paired with big, transformative ideas, led us to have great success together. We are excited to team up with them to reinvent SunnyD.”

“We plan to embrace what’s in the brand’s DNA—a big personality and a unique, delicious taste—to ignite new excitement,” added Terri Meyer.

Indie shop Media Storm, which has long worked with Sunny D, will again handle buying and planning duties.

For some reason, we really want to see early 30 Rock-era Tracy Morgan star in these ads and say random, kind of disturbing things. Who’s with us??

WPP Is Really Not Happy with Bain Capital’s Bid Price for Asatsu-DK

Earlier this week, Bain Capital Private Equity filed a tender with the Tokyo Stock Exchange to acquire the common shares of Japan’s third largest agency by market share, Asatsu-DK, for around $1.35 billion.

It soon became apparent the deal might see a few bumps in the road.

While the offer represents a 15-25 percent “premium over recent trading level,” according to Bain Capital, Bloomberg reported that holding company WPP, Asatsu-DK’s top shareholder, was “quick to object” to the offer as too low. The second-highest shareholder in the agency at around 17.3 percent, London-based Silchester International Investors LLP, also objected to the offer.

In a very bitchy press release that went live yesterday, Silchester claimed the “current offer price substantially undervalues” the agency and that it is “not convinced” that Asatsu-DK’s board members “have made significant or sufficient endeavours to find other buyers.”

“ADK’s Board seems to be unhappy with its shareholders and has looked for an owner they would prefer,” the release continues. “This is round the wrong way — when a Board loses the confidence of its shareholders, it is the Board that should resign.”

It goes on to claim that “ADK rushed through a sale of WPP shares” at a time when the holding company’s “valuation is depressed” and that “The sale was done without prior consultation and without shareholder approval.”

According to the press release, there is a “significant risk of litigation if ADK and WPP cannot successfully dissolve their 20 year partnership.”

Silchester also encourages any other prospective buyers of the agency to come forward, adding that it will “consider any higher offer…on its merits.”

Expect more back-and-forth to come.

AKQA’s New Minimalist Gothenburg Office Is the Most Scandinavian Thing Since IKEA

American agency offices often aspire to be paragons of modern design, given that they allegedly house groups of creative people paid to do creative work with painstaking attention to detail.

But in our experience, they’re more often chaotic and disorganized and maybe a little on the dusty side, kinda like the inside of your brain.

Things in Europe are a little different. For example, we recently came across a post on AKQA’s new office in Gothenburg, Sweden, by design firm Amos+Amos. And it’s pretty impressive! Here’s the entrance.

There’s also a chair-free “work space” and a blurry meeting room that is a little more fancier than the one in Vitro’s Austin office (sorry dudes).

Then there are the “breakout spaces.” So many places to break out.

This thing was built in an “old shipbuilding warehouse” right by the town docks. Managing director Ron Peterson said, “We’ve created a space in form and function that’s conducive to our core founding values of innovation, service, quality, and thought. Ultimately, it’s about ensuring every input encourages collaboration to foster progress on behalf of the audiences we jointly serve with clients.”

How very 1950s. We’d be afraid to get our greasy fingerprints on the furniture.

On the American front, has anyone seen Havas New York since the August purge?Please report back.

via Office Lovin

Make This Life Free And Beautiful With A Vacation to Jackson Hole

“We have lost our way. Machinery that gives abundance has left us in want.” -Charlie Chaplin Minneapolis agency, Colle McVoy, tapped one of film history’s most famous speeches (from Charlie Chaplin’s 1940 film The Great Dictator) to help win the hearts and minds of the Jackson Hole Travel and Tourism Board. But will the commercial […]

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R/GA Parts With Some More Staff in New York and London

R/GA had to lay off employees in both its New York headquarters and its London office, according to several parties who have reached out to us today and earlier this week.

This is not the first time this year that the agency has parted with a group of staffers, and we’re told that, as before, it is part of the cyclical churn enveloping all of the agency world as clients increasingly demand project-based work. According to an R/GA insider, the latest layoffs—like those that happened over the summer—did not stem from the loss of any specific piece of business. And a number of those who lost their jobs this week may end up doing the same sort of work again next quarter.

A quick glance at R/GA’s jobs site reveals that the network is indeed hiring in New York, London, San Francisco, Boston, etc.

That said, the agency has been involved in several reviews won by other shops lately, including Mini, Airbnb and Carnival Cruise Lines. We have heard, however, that all work on the latter account did not go to Anomaly, which had an interest in getting news of the win out ahead of the client’s official release.

The precise number of layoffs at R/GA this week is unclear, though one party tells us it was in the “low two digits” and another places the number around 40 in New York.

An agency spokesperson declined to comment directly for this post.

Huge Is Hiring in Chicago After Winning McDonald’s Global UX Design Account

Happy RIP Hugh Hefner Day to all our friends in Chicago. In case you missed it, Huge is in the fast food business!

At some point in recent weeks, the IPG network won McDonald’s latest agency review, picking up global digital user experience work. The best part about this story for “traditional” agency folks lamenting the viability of their professions (or the lack thereof) is that this is the second time in less than two months that Accenture Interactive has lost a McDonald’s pitch.

According to our sources, Huge beat out the mega-firm’s design division Fjord in the last leg of the review, almost exactly four weeks after Publicis.Sapient won a “digital innovation” (read: IT) review.

The IPG shop’s Windy City office will—for the time being, at least—share an address with FCB: 875 North Michigan Avenue.

We’re not quite sure where the job listings are, but we figure you Chicago agency folks can ask around. And who doesn’t want to “get paid for giving a shit” about burgers and fries and apple pies?

[Image via]

Define Drivers: Keys To A New Caddy; A Bespoke Chocolate Egg; Dinner at La Banane

Cadillac Canada has partnered with renowned Toronto chocolate maker Brandon Olsen on a direct mail campaign that puts a decadent twist on the standard test drive invitation. Working with its lead agency Red Lion, the automaker tucked away keys to new Cadillac CT6s inside the hugely popular “Ziggy Stardust Disco Egg” from Olsen’s trendy Toronto […]

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From Shiner Bock To A Good Story

Austin, Texas and outlaws go together like Waylon and Willie. Also, like South By and crowds. Or BBQ and mouths. But I digress… Let’s look at some new beer commercials… The old-timey quality of these spots is different enough to be interesting. What I really like is the copy. Back in the ’70s there were […]

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The Avalon Ballroom Is Argonaut’s Launchpad To New Space

“Hipsters, tripsters, real cool chicks, sir, everyone’s doin’ that rag…” -Robert Hunter Fifty years ago in San Francisco, LSD-fueled rock-and-roll parties raged deep into the night at The Longshoreman’s Hall, The Avalon Ballroom, and The Fillmore. A new culture was born from this artistic Renaisance—a culture which continues to feed people’s spirits and bank accounts […]

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Minnesota Wild Fans Claim Their Ice

Minnesota is different. For once, many of the people have Canadian-like accents and they ALL love hockey. When your state is endowed with 10,000 lakes and eight months of winter, it makes sense. Like this new commercial from ICF Olson makes sense. The Minneapolis agency partnered with NHL team, the Minnesota Wild, to create a […]

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Cossette to Close Chicago Office

Back in July, we learned that McDonald’s had launched a review and is seeking to consolidate its local U.S. accounts. At the time, AdAge attributed the move at least in part to the fast food chain moving more resources to We Are Unlimited, the dedicated agency Omnicom launched to service the client last November.

It would seem that at least one office is already a casualty of the decision as Cossette appears to be closing up shop in Chicago.

Sources told Chicago Business Journal that the Toronto-based agency will close its Chicago office, which houses around two dozen employees, at the end of September. Alyssa Huggins serves as managing director for the office, which also brought on Adam Friedman as head of strategy at the beginning of the year.

Cossette opened the office in 2014, after winning a review for the McDonald’s Owner/Operators of Chicagoland and Northwest Indiana. The cooperative represented nearly 500 McDonald’s locations in the midwest. At the time, the appointment ended a relationship with Leo Burnett extending back to the eighties.

Chicago Business Journal’s sources claim Cossette’s board of directors made the decision to close the Chicago office after learning of McDonald’s plans to consolidate its local advertising accounts. Cossette Chicago’s remaining accounts will be transferred to the agency’s Toronto headquarters, according to the publication.

Government Accountability Office Supports McCann’s Protest of Its Dismissal from the U.S. Army Review

McCann has won what could be a significant victory in its legal back-and-forth with the government over the very lucrative U.S. Army contract.

Earlier this week, the Government Accountability Office issued an official judgment on McCann’s complaint about its earlier elimination from the review for an account that could concern up to $4 billion in spending over a decade.* By marking the bid protest “sustained,” the GAO effectively ruled in favor of McCann, which argued that it was unfairly eliminated due to technicalities.

This is the second piece of good news for McCann in less than a month. In August, the Army extended its contract with the agency for a third time, adding 12 months to the relationship six months after McCann was officially disqualified.

The initial decision to eliminate McCann appears to have stemmed from different readings of documents by the Army’s marketing and PR division and its Contracting Officer. The primary complaint noted by the Officer purportedly concerned the agency’s inability to confirm its status as a certified contractor, despite the fact that it has been the Army’s agency of record for more than a decade.

Now, the matter will presumably return to contracting court as the status of the larger review remains in limbo.

We have reached out to spokespeople for both McCann and the U.S. Army but have yet to receive a reply from either.

*As noted by one very friendly tipster, a clients’ spending totals are not the same as an agency’s fee totals. We know this! But as you are also aware, spending estimates are the only publicly available numbers for any given account. If you would like to share exactly what portion of that money will go to whichever agency ends up handling the business, please feel free to do so.

Opening The Doors To Contemporary African Art

Big news from Cape Town. Art and architecture lovers will be able to explore Zeitz Museum of Contemporary African Art, which opens to the public for the first time this weekend. The museum’s pro bono advertising agency, M&C Saatchi Abel developed the new logo and brand identity to reflect the iconic status and symbolic importance […]

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Havas New York Acquires Digital Agency The 88

Today in digital agency acquisitions, Havas New York is expanding its digital capabilities with the acquisition of the New York digital agency The 88.

The 88 has grown from a team of three to around 50 employees. It has worked with clients including Coca-Cola, adidas, L’Oreal, Mars, Bacardi and Bloomingdale’s and personalities such as A$AP RockyAlexander WangCasey NeistatJeremy Scott and Phillip Lim.

The agency will be rebranded Annex 88 as part of Havas’ Annex cultural network and The 88 founder and chief creative officer Harry Bernstein (pictured, left) will serve as a chief creative officer of Havas New York.

Bernstein founded The 88 in February of 2010, following a year with Rockstar Games’ marketing department. Prior to that he spent five years as a creative director with Berlin Cameron, working with clients including Coca-Cola, vitaminwater, Lincoln, Ford, Heineken and Belvedere. He began his career as an art director with Ogilvy & Mather New York, where he worked with clients including IBM, Sprite and Kodak.

“My vision has always been to change advertising forever, even before advertising realized it needed to be changed,” Bernstein said in a statement. “But at this pivotal moment when the modern CMO is beginning to question traditional means, there’s no better time than now to join forces with Havas. I’m excited to combine my understanding of contemporary culture and innovation with Havas’ capabilities to help our clients break the traditions of their categories as the CCO of Havas New York.”

“Havas New York is a creative agency breaking tradition to build brands of the future, which is why it is imperative to have someone like Harry at the creative helm,” Havas New York CEO Laura Maness said in a statement. “As a partner to the modern CMO, we offer a valuable mix of capabilities that aren’t what you’d expect to find in a creative agency, such as experience design, cognitive, data and technology. With Harry leading the way, we’re poised to create the most relevant, unconventional model while rapidly scaling our growth platforms in New York.”

“I love advertising, but the entire vocabulary of our business has changed. We have an opportunity to be at the forefront of this change and offer clients modern capabilities that drive real results. Harry is the perfect person to help Havas New York stay ahead of the game by disrupting the status quo,”added Havas Creative U.S. chairman and chief creative officer Jason Peterson. “As a thought leader and true innovator, his storytelling embraces the modern language of advertising and will take our offering to the next level.”

Brooklyn’s The BAM Connection Launches New Video Unit Led by Jamie Lamm of Fearless Music

So, you guys might have heard a few things about the world of video production and post-production in recent months.

Much of it, of course, has been controversial. But on the positive side, quite a few agencies are launching their own video divisions without having to use shady names or dubious bidding practices to stay ahead.

The latest shop to do that is The BAM Connection, the Brooklyn-based agency launched just over three years ago by former Grey executives Rob Baiocco and Maureen Maldari. Its dedicated practice, which will be “focused on all aspects of concepting and producing video,” is called BAM Video, and its led by Jamie Lamm, owner of New York-based production company Fearless Music.

Since its founding in 2004, Fearless has run a 30-minute showcase for indie and other rock bands that airs on Saturday nights at 12:30 on local Fox affiliate WNYW and in syndication across quite a few other markets.

So how will this new offering differentiate the shop?

“BAM Video is not just about how to make a one-off video, but how that video can help build the brand,” said CCO and co-founder Baiocco. “We come at it from more of an ‘agency’ perspective, thinking about how the video works with all elements of a multi-channel, multi-format campaign. We will also use data to help inform our videos, so they start from a smarter place before a frame is shot.”

Beyond your standard ads, the new division looks to create some of that hot video #content for websites, sales films, trade shows, et cetera. BAM Video has already worked with several clients including General Tools, Akorn Consumer Health and The Office of the Special Narcotics Prosecutor for the City of NY, for which it made the following video earlier this summer.

“Pre-production can now develop simultaneously with the concept,” said Lamm regarding his new role. “This is an amazing opportunity to combine emerging video techniques with ruthlessly efficient budgeting. Video is where it’s at. Every brand needs it, and everything gets better with it.”

Now you have to see the sizzle reel, don’t you?

See, BAM doesn’t need to pivot—they’re already there. And they’ve made an infographic about why this needed to happen, in case you didn’t know.