Media Portrayals of Women Are More Powerful Than the Word ‘Bossy’


This week Facebook COO Sheryl Sandberg, who famously advised women last year to “lean in,” has launched a campaign that’s become ubiquitous in social media. She wants people to stop applying the word “bossy” to little girls because it’s never applied to little boys.

I don’t know whether the “Ban Bossy” campaign, as it is called, will be effective in any way, but I do know that imagery, storytelling and portrayals of women in advertising and the popular culture are probably far more impactful on how society views women and girls.

In the 1970s, “The Mary Tyler Moore” show featured Mary Richards, a career woman over 30, unmarried and perfectly happy. In fact, her marital status had nothing to do with any theme or story line of the show, yet that aspect of the sitcom was considered revolutionary but only in retrospect.

Continue reading at AdAge.com

Is This Obscure European Sock Company the World’s Worst Advertiser?

There's dark humor, and then there's morbid humor. And then there are these French-made ads for Burlington socks, which likely don't qualify as any sort of humor whatsoever. 

The brand's newest ad opens on the deathbed of a weeping grandfather clinging to his last threads of life. When his initially sympathetic grandson notices the dying man is sporting some nice socks, he decides to mock Grandpa's suffering and then gleefully murder him.

"I've seen a lot of shock campaigns," writes veteran ad critic Marc van Gurp on his cause marketing site, Osocio. "But this French spot from sock brand Burlington exceeds all bounds of decency."

Sadly, the euthanasia ad isn't even the worst one created for the German brand by French agency Pain Surprises, which may or may not be creating these spots under a legitimate ad contract. (Burlington France's supposed Facebook and Twitter channels only mention the agency's work, which seems suspect, although several reports in the French press say it's a real brand campaign.)

Last October, they posted a spot that's one big joke about a mom appearing to perform sex acts on her young son. (Spoiler alert: She's not.) You can check out that uncomfortable oddity below. 

Then there's the ad from earlier last year that opens with a naked man saying, "Look at me, motherfuckers." There's more to it, but there's not really more to it.

Some will (logically) argue that we shouldn't give undue attention to ads that are this morally bankrupt. But sometimes it's good to scrape the bottom of the barrel to see what's festering down there and remind ourselves that American advertising's not quite as repugnant as it could be. Um, yay? 

Warning: Video contains NSFW language (and a naked guy).


    



SXSW: The New World’s Fair for Brands

The first thing I noticed when we stepped outside at the Austin airport was the smell of freshly cut grass. That may have been the most promising moment of SXSW Interactive.

SXSW’s website describes the Interactive portion of the festival as:

An incubator of cutting-edge technologies and digital creativity, the 2014 event features five days of compelling presentations and panels from the brightest minds in emerging technology, scores of exciting networking events hosted by industry leaders and an unbeatable lineup of special programs showcasing the best new websites, video games and startup ideas the community has to offer. From hands-on training to big-picture analysis of the future, SXSW Interactive has become the place to preview the technology of tomorrow today.

There wasn’t a ton of “the technology of tomorrow” this year. Many of the festival sessions covered the technology of last year.

In truth, this year’s event felt more like a World’s Fair of Brands. As someone from a creative agency, it was cool to see the big budget experiential displays that brands built. The pragmatic part of me wondered what KPIs those brands internally set for an event that was marketing to, well, a crowd of marketers.

Secret - SXSW

It seemed to be the consensus among attendees that there wasn’t a breakout startup star of the festival. That said, there were some inspired moments. Here are my top three:

TechCrunch’s Josh Constine interviewing Secret co-founder David Byttow.
If you missed this session, I’m truly sorry. Secret is one of several new anonymous apps that are rising in social. The SF tech community in particular has flocked to this 40+-day old app, making the secrets that appear there somewhat of a Silicon Valley parlor guessing game. But hearing Byttow speak to the human insights behind the app—the notion that at the end of the day we all want to be understood and by removing our identity we can more easily convey emotions—that is a beautiful basic human insight upon which to build a platform.

New York Times best seller Jonah Berger talking about what drives word-of-mouth.
Funny thing about this, I’d been trying to connect with Jonah in Philadelphia for a few months. He’s a Professor at Wharton, but has been in residence at Duke this semester. I had to travel to Austin to finally catch up with him. It was worth it. Jonah has identified a science behind why people share, something he calls six STEPPS, an acronym for Social currency, Triggers, Emotion, Public, Practical value, and Stories. Read his book.

Equipping and inspiring the next generation with Dean Kamen.
A master inventor, engineer and humanitarian, Dean Kamen is a genius living among us. He may be best known as the inventor of the Segway, but this guy has invented enough things that he’s toeing Ben Franklin territory. He’s also the guy who helped make Coca Cola’s Freestyle machines in exchange for distribution of his water and power generators to schools in Ghana. This guy isn’t just smart, he’s a better person than many of us. And that’s what a lot of his talk boiled down to. The world of ideas isn’t a zero sum game. Technology isn’t a zero sum game. We can help the world while we help ourselves.

It was an interesting SXSW, to be sure. I had fewer mind-bending hallway conversations due to the sheer volume of the event, and that was a bummer. But beyond the teeming venues, full sessions, long lines, and celebrity appearances, inspiration was around, if you listened for it.

Apart from the event itself, Austin is an attractive American city to visit in the temperate month of March. Here are three must visits:

Shady Grove: Austin-inspired menu with a gorgeous tree-lined patio and cowboy-esque interior. Yee-haw.

The Salt Lick Bar-B-Que: It’s a little bit of drive from downtown and worth every minute. These people are cooking meat in a pit the family built in 1967. With a recipe inspired by their great-grandmother named Bettie from Mississippi. I don’t think anything more needs to be said about this. Let’s go.

The LBJ Presidential Library: I’m a politics and history nerd. Next year, I am definitely making time for this!

The post SXSW: The New World’s Fair for Brands appeared first on AdPulp.

AdFest Highlights Asian Work You May See at Cannes


Asia’s regional ad festival AdFest this week showcased marketers from Japan — including Honda, Kirin Ichiban beer and Inakadate Village — who are likely to be worth watching as strong Asian contenders at the Cannes Lions International Festival of Creativity.

Dentsu Inc. was AdFest’s Network of the Year, due partly to the success of its “Sound of Honda” campaign documenting Ayrton Senna’s 1989 Formula 1 Japanese Grand Prix qualifying lap, which set a record for the world’s fastest lap at one minute and 38 seconds. Honda analyzed data for Mr. Senna’s accelerator use, gear position, engine rotation, speed and distance, and recreated the legendary Brazilian racing driver’s historic lap as part of an exhibition called Ayrton Senna 1989. Alongside a short film, the campaign includes 3D web content and a mobile app that synchronizes the sound of users’ own vehicles to that of Mr. Senna’s car on the record-setting lap.

The campaign weaves together disparate technologies from recreating engine sounds to displaying a 3D view of the lap and also manages to “stir emotions, which is something still relatively rare in a lot of digital work,” said Graham Kelly, regional executive creative director, Asia Pacific at Isobar. Mr. Kelly was president of the Interactive Lotus & Mobile Lotus jury, which awarded “Sound of Honda” its top prize, the Grande Interactive Lotus.

Continue reading at AdAge.com

JWT Italia Crafts ‘Hexagon Huracan’ for Lamborghini

JWT Italia worked with director Antony Hoffman and BRW FILMLAND Milano to create “Hexagon Huracan,” designed to unveil the new Lamborghini Huracan at the Geneva Auto Show in Switzerland.

The cinematic 3:55 video follows a James Bond-like spy as he is awakened by a bolt of thunder and receives a transmission “tasking him to reach a target amidst a hurricane that rages in Hollywood blockbuster fashion.” The agent braves the storm in a new, bright orange Lamborghini Huracan. From here out, the video is, understandably, heavy on the auto-porn, showing the new Huracan pulling off all kinds of impressive maneuvers. When the agent finally reaches his mark he says, “It’s good, I made it.  Just next time, wake me up a little earlier,” followed by the “Instinctive Technology” tagline and Lamborghini logo.

“Hexagon Huracan” has impressively slick production, with Hollywood-style action — although there’s unsurprisingly not much to the story. The Huracan, of course, looks great performing all the stunts necessary for the video, which should certainly turn a few heads among the car nerd crowd. Stick around for credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Stephen Hawking gives a voice to children of Syria in Save the Children TV spot

The voice of Professor Stephen Hawking tells TV viewers about the horror of war in Syria and how it affects the lives of Syrian children, in an ad for Save the Children.

Frontera Group London: Artist Wanted

GREAT ARTIST WANTED, NO PRESSURE.
We need an ambitious Designer with influential style, outstanding thinking,
brilliant mac design and full digital and social engagement.
Think you have the potential? Follow fronteralondon on Instagram and show us why using #thinkpotential

Advertising Agency: Frontera Group London, London, UK
Executive Creative Director: Frank Walters
Creative Directors: Andy James, Francesc Coves
Art Directors: Paul Cleary, Francesc Coves
Copywriter: Andy James
Illustrator: Martín Echeverría
Additional credits: Strategy: Alex Muller
Published: March 2014

Frontera Group London: Manager Wanted

GREAT MANAGER WANTED, NO PRESSURE.
We need an ambitious Account Manager with stamina, who can pick up a big project
and go the extra few yards to recognise exciting new opportunities.
Think you have the potential? Follow Frontera on LinkedIn and convince us why using #thinkpotential

Advertising Agency: Frontera Group, London, UK
Executive Creative Director: Frank Walters
Creative Directors: Andy James, Francesc Coves
Art Directors: Paul Cleary, Francesc Coves
Copywriter: Andy James
Illustrator: Martín Echeverría
Additional credits: Strategy: Alex Muller
Published: March 2014

Frontera Group London: Writer Wanted

GREAT WRITER WANTED, NO PRESSURE.
We need an ambitious Medical Copywriter with a passion for words and ideas,
who has the ability to think different and believes impossible is nothing.
Think you have the potential? Follow @frontera_london on twitter and tell us why using #thinkpotential

Advertising Agency: Frontera Group, London, UK
Executive Creative Director: Frank Walters
Creative Directors: Andy James, Francesc Coves
Art Directors: Paul Cleary, Francesc Coves
Copywriter: Andy James
Illustrator: Martín Echeverría
Additional credits: Strategy: Alex Muller
Published: March 2014

Kids’ Upfronts: New Apps, Award Shows and the Return of Tom and Jerry


TV networks in the ultracompetitive battle for kids seem to be trying just about anything they can think of heading into this year’s upfront pitches to advertisers, touting old characters like Bugs Bunny, new apps for on-demand viewing and added awards shows they hope will be watched live.

Nickelodeon got the jump on its own upfront event, scheduled for Thursday night in New York, by announcing a robust slate of new shows earlier today. It said it has green-lit a pair of preschooler offerings, including a “Dora the Explorer” spinoff; a trio of cartoons including “Bad Seeds,” about a bird and two jungle imps; and three live-action shows, including “Nicky, Ricky, Dicky & Daw,” about 10-year-old quadruplets.

The network is renewing familiar shows such as “SpongeBob SquarePants,” “Teenage Mutant Ninja Turtles” and “The Fairly OddParents.”

Continue reading at AdAge.com

35 Cozy Adult Onesies – From Adorable Animalistic Onesies to Cult Cartoon Onesies (TOPLIST)

(TrendHunter.com) Onesies are no longer reckoned as baby apparel, and adult onesies are totally acceptable too! These one-piece ensembles cover you from head to toe in cozy fabric—perfect to wear as pajamas or…

Phileas Fogg: Hillbillies

They’re not Crisps. They’re Phileas Fogg.

Advertising Agency: Publicis, London, UK
Art Director: Joelyn Finch
Copywriter: Steve Moss
Photographer: Alan Powdrill
Photographer’s Agent: Vue Represents
Styling: Lisa Dredge / Serious Boy
Published: August 2013

Phileas Fogg: Mexicans

They’re not Crisps. They’re Phileas Fogg.

Advertising Agency: Publicis, London, UK
Art Director: Joelyn Finch
Copywriter: Steve Moss
Photographer: Alan Powdrill
Photographer’s Agent: Vue Represents
Styling: Lisa Dredge / Serious Boy
Published: August 2013

Greenwashing? Marketers Actually Undersell Their Sustainability Work


Ikea did something quite remarkable last month. No, everyone’s favorite flatpack furniture maker didn’t produce a self-assembling bookcase. That would have been remarkable. What it did was introduce a TV commercial for the United Kingdom that didn’t mention products of an aspirational way of life. Instead the entire ad was devoted to sustainability.

Sustainability is becoming a big deal in business. By being environmentally and socially responsible some of the world’s biggest corporations believe they can better protect against coming regulation, market fluctuations, resource scarcity, ethical reputation issues and other variables that will hurt profits in the future.

Just last month General Mills announced it would stop using GMO crops in its Cheerios brand. Major apparel makers like Levi Strauss, Walmart, Nike and other major brands have committed to cleaning up their industry through the Sustainable Apparel Coalition. And Unilever has put sustainability at the heart of its future business planning.

Continue reading at AdAge.com

ArtsBeat: SXSW 2014: No Lady Gaga Show for Me

Getting a ticket to see the show would have required the kind of social-media shillling that I don’t think anyone’s friends or followers should be subjected to.

    



Yes, It’s That Time of Year for Another AgencySpy Party

cocktails1

Seeing as it’s a nice, comfy 25 degrees outside, complete with 40-50mph wind gusts, here in NYC today, what better time than to announce our annual AgencySpy spring formal. Ok, it’s not really a spring formal; we’re just hoping for damn spring already. Anyhow, as we’ve been doing each and every year for some time, we hear at the Spy are throwing a little biannual get-together, where the emphasis is simply on a little boozing, a little noshing and plenty of mingling.

This year, our shindig will take place on March 25 (*fingers crossed for even 50-degree temps) at Sidebar in NYC. Same bat time as always, 6:30-8:30. We can safely guarantee it’ll be quick and painless–even with a 30-second speech from yours truly–and, hey, you might even have some fun. If you care to come and knock on our door, feel free to register here (and yes, the event is free, too). We’ll be waiting for you.

New Career Opportunities Daily: The best jobs in media.

50 Outrageously Expensive Everyday Items – From Gold Bar Doorstops to $15,000 Wool Socks (TOPLIST)

(TrendHunter.com) A benefit of being wealthy is that it gives you the freedom to buy the most expensive everyday items that many people find essential.

Sometimes we get the urge to splurge and can’t help…

Can an Ad Campaign for Women’s Rights Succeed by Only Featuring Men?

Women earn 30 percent less than men for the same work. Some 64 percent of the world's illiterate people are women. Almost 800 women die every day from preventable complications during pregnancy and childbirth.

These are just some of the mind-boggling global injustices cited by UN Women on a new website, HeForShe.org, intended to motivate men to act against gender inequality and violence toward women. Created by Publicis Dallas, the campaign asks men to upload YouTube clips of themselves speaking out in support of women. For further inspiration, it includes a simple but powerful video of well-known men—including activist Archbishop Desmond Tutu, UN Secretary-General Ban Ki-moon, Matt Damon and Patrick Stewart—sharing their perspectives.

It's not a risk-free approach for UN Women, which had a global hit last year with its Google autocomplete campaign by Ogilvy Dubai. Some might think that focusing on men somehow implies their opinions are of greater value. But Publicis says the unusual strategy is the campaign's strength.

"He For She is a unique women's rights campaign in the simple fact that we don't approach the problem from a female perspective, and that's what makes it so powerful," Brad Roseberry, the agency's chief creative officer, said in a statement.

The cause is made all the more pressing by the fact that it's gone underaddressed for so long. (The ad industry, of course, has plenty to do in fixing its own deeply ingrained gender inequalities.) As the new campaign so clearly expresses, the power to solve it often remains concentrated in the hands of men.

Credits below.

CREDITS
Client: UN Women
Agency: Publicis Dallas
Executive Creative Director: Brad Roseberry
Creative Director: Natalie Lavery
Copywriter: Jacob Latchem
Art Directors: Alex Pierce, Joshua Tovar
Producers: Lori Wallace, Desiree Townsend
Web Developers: Alex Pierce, Eric Taylor, Dennis Covington, Jason Awbry
Designers: Alex Pierce, Joshua Tovar
Account Directors: Susan Scott, Whitney Sprague
Editing Company: Republic Edit
Editor: Andy McGee
Producer: Jacklyn Sandoval Roman


    



Pinterest poderá implementar anúncios ainda neste ano

Controlando mais de 20% das referências a sites de compras online, o Pinterest já é a rede social queridinha dos ecommerces, e pode em breve se tornar uma importante mídia para esse setor.

Com base em informações ‘vazadas’ pelo CitiGroup e em uma recente vaga de trabalho divulgada no site, especula-se que o Pinterest vá implementar um ou mais formatos de propaganda ainda neste ano. A intenção, segundo a descrição do cargo de engenheiro de front-end, é fazer com que o conteúdo patrocinado possa ser tão bom quanto o orgânico, gerado pela própria comunidade.

O Pinterest tem feito testes com ‘pinagens’ patrocinadas desde outubro, e a expansão da equipe responsável pelos formatos publicitários pode indicar que o lançamento de uma API para anúncios está próximo.

bii-social-commerce-sales-1

Share de vendas sociais em ecommerces (2013)

Brainstorm9Post originalmente publicado no Brainstorm #9
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Best-of Food Art on Fubiz

Pour ce mois de Mars, l’équipe de Fubiz vous a préparé un nouveau best-of coloré sur le thème du « Food Art ». Au menu : des sculptures, des pantones, des kits, du monochrome, du stylisme, des paysages, du tricotage et de la junk-food. Des créations gourmandes sont à découvrir dans la suite de l’article.

Monochrome Breakfast Series by Fabienne Plangger with Sebastian Hierner, Karin Stöckl and David Reiner.

Creative Food Sculptures by Dan Cretu.

Creativity with Food by Hong-Yi.

Fat & Furious Burger by Quentin et Thomas.

Food by Emily Blincoe.

Foodscapes Photography by Carl Warner.

Good Food for Goodforks by Marion Luttenberger.

Pantone Tarts by Emilie Guelpa.

Re-Imagining Fruits and Vegetables by Sarah Illenberger.

Taste Shapes According to the Nature by Felipe Barbosa and Rafael Medeiros.

Knitted Food by Ed Bing Lee.

Food Throttle Series by Dennis Adelmann.

Athletes Meals by Sarah Parker and Michael Bodiam.

Breakfast Project by Bamsesayaka.

Food Art by Sakir Gökçebag.

Pantone Food by David Schwen.

Fruit Figures by Scholz & Friends.

Outfits Made of Foods by Yeonju Sung.

Paper Craft Sculptures Of Food by Maria Laura Benavente.

You Are What You Eat by Mark Menjivar.

20 You Are What You Eat by Mark Menjivar
19 Paper Craft Sculptures Of Food by Maria Laura Benavente
18 Outfits Made of Foods by Yeonju Sung
17 Fruit Figures by Scholz & Friends
16 Pantone Food by David Schwen
15 Food Art Sakir Gokcebag
14 Breakfast Project by Bamsesayaka
13 Athletes Meals by Sarah Parker and Michael Bodiam
12 Food Throttle Series by Dennis Adelmann
11 Knitted Food by Ed Bing Lee
10 Taste Shapes According to the Nature by Felipe Barbosa and Rafael Medeiros
9 Re-Imagining Fruits and Vegetables by Sarah Illenberger
8 Pantone Tarts by Emilie Guelpa
7 Good Food for Goodforks by Marion Luttenberger
5 Food by Emily Blincoe
6 Foodscapes Photography by Carl Warner
4 Fat & Furious Burger by Quentin et Thomas
3 Creativity with Food by Hong-Yi
2 Creative Food Sculptures by Dan Cretu
1 Monochrome Breakfast Series by Fabienne Plangger with Sebastian Hierner Karin Stockl and David Reiner
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