Draftfcb Chicago Lets Pets Speak for The Shelter Pet Project

We thought we’d round out Monday on a cute note.

Draftfcb Chicago created a new pro-bono campaign for The Shelter Pet Project that lets the animals speak for themselves. Working in partnership with The Ad Council, The Humane Society of the United States, and Maddie’s Fund, Draftfcb’s integrated campaign features TV, outdoor and web PSAs promoting pet adoption. The campaign showcases the adorable and amazing personalities of real dogs and cats adopted from shelters, who practically reach through the screen and invite viewers to play with them. Draftfcb plans to take things a step further later this week with the launch of a new online experience on The Shelter Pet Project’s website allowing visitors “to virtually meet and play with the pets from the PSAs.” You can view the PSA for the friendly feline Stetson above, while dog lovers can meet the energetic Arnie below. Still not enough aww to round out your Monday? Stick around for another feline/canine pair and credits after the jump.

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“Street Fighter 2” como argumento para vender seguro de carro

O comercial é bobo, mas quem resiste a qualquer referência de “Street Fighter 2”?

A empresa de seguros Anadolu Sigorta, da Turquia, traz um homem dizendo a uma repórter que não precisa assegurar seu carro. Quando, do nada, Ryu aparece como na inesquecível fase bônus do clássico game de luta da Capcom. Fim.

E você fica com a mensagem: Faça seguro do seu carro, pois nunca se sabe quando um personagem pixelado pode aparecer e destruir seu patrimônio com socos e chutes.

Não esqueça de ativar as legendas, em inglês.

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The Legographer

Voici ce projet de Andrew Whyte qui trouve une nouvelle façon d’intégrer LEGO dans le monde avec sa série « Legographer ». La collection comporte une figure de LEGO placé dans toutes sortes de paysages et paramètres inattendus autour de la ville. Une exploration ludique du monde du point de vue du sol.

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Mila Kunis Puts Her Love of Bourbon to Work as the New Face of Jim Beam

The new face of Jim Beam, the iconic bourbon brand, might not be quite what you expect. While a rough-around-the-edges cowboy or country rock star might seem to fit the bill—Jim Beam has used Kid Rock at times in the past—its newest spokesperson is the petite and beautiful Mila Kunis.

The 30-year-old actress, who says she is a big fan of bourbon in general, is featured in two new 30-second Beam ads, as well as five other videos ranging in length from 15 seconds to more than three minutes.

The first commercial features a series of quasi-historical events (the transition to the '60s is a little visually jarring), and in the second, Kunis is seen branding her own barrel of bourbon. She narrates, and smolders, in both. "Make history" is the tagline of the new global campaign.

The supporting videos are pretty fun. Save for "Mila Kunis & Hibernation," which feels a little bit too much like a production of a scene in Indiana Jones, the other shorts are funny and quirky and a little less serious than the two main spots. And if you find yourself feeling the need to whisper "Shut up, Meg," it's because Kunis—no stranger to voiceover work—has been the voice of Meg Griffin on Family Guy for the past 14 years.

Nice move on Jim Beam's part in an attempt to appeal to millennials. The campaign is by FutureWorks, a new entity comprised of three regional Beam creative agencies—StrawberryFrog in New York, The Works in Sydney, Australia, and Jung von Matt, Hamburg, Germany.


    



Sleek Utilitarian Custom Motorbikes – French BMX Rider Customizes His Dream Bike with Triumph T120 (GALLERY)

(TrendHunter.com) When you know your bikes and have the money to do with them what you think works, then custom motorbikes are definitely the way to go. That’s what French BMX rider Christophe Tonton did, and…

Grey Takes Over Papa John’s Biz

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Well, the official word trickled into the inbox a bit late on this, but nonetheless, in case you haven’t heard, Grey has taken over as national AOR for Papa John’s (will this affect his Peyton Manning bonding sessions? Only time will tell). From what we’ve been told, Grey beat out Arnold, BBDO and Doner for the pizza chain’s biz , which calls for a refresh of TV creative as well as integration of digital advertising and social media. Approximately 20 agencies in all participated in the initial RFP process, which kicked off last November. Grey takes over on Papa John’s biz for Ft. Lauderdale-based, Omnicom-owned Zimmerman, which chose not to defend.

In a statement, Papa John’s CMO Bob Kraut says, ” Everyone was impressed with the Grey team and their in-depth understanding of our brand and the QSR pizza category. Grey provided keen insights and strategy, which, combined with excellent creative, will help take the Papa John’s brand to the next level. We’re looking forward to working closely with them and welcome them to the Papa John’s team.”

Papa John’s spending is valued at $120 million.

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MWC 2014: Zuckerberg says social networks could be web’s version of 911

Facebook founder Mark Zuckerberg claims social networking is a service everyone should have access to and argues it should be the web equivalent of dialling the emergency services.

An Important Lesson for 14-Year-Old Mark Zuckerberg


Over the weekend I noticed a link to a nearly 16-year-old New York Times article appearing over and over in my Twitter feed. The piece, written by Saul Hansell and published June 9, 1998, is titled “America Online to Buy Internet Chat Service for $287 Million.” In fact, the piece gained so much Twitter momentum that it turned up in the top 10 on The Latest, “an automatic list of the latest and greatest links from Twitter,” by Saturday afternoon. (Background on The Latest here, courtesy of my colleagues at Creativity). Then I found a whole discussion about it on Hacker News, with more than 100 comments, also on Saturday.

Hansell reported back in 1998 that ICQ, the instant-messaging service that AOL had just bought, was an attractive acquisition target “because it appeals to a much younger and more technologically sophisticated audience than the mainstream America Online brand.” And also because of high engagement: “ICQ users spend an average of 75 minutes a day on the service, compared with fewer than 10 minutes a day for highly touted search and directory services such as Yahoo and Lycos,” Hansell paraphrased AOL’s then-president Robert Pittman as saying.

Sound familiar? Of course it does. Fast-forward 16 years to Facebook’s deal to buy WhatsApp, for similar reasons. (I did the math: Facebook founder-CEO Mark Zuckerberg was 14 years old when AOL bought ICQ. Was he paying attention at the time?)

Continue reading at AdAge.com

Moscow Havas Digital Crew Creates URL Lengthener to Promote Russian Bookstore

A group of Russian Havas Digital creatives have created an intriguing new digital campaign for Russian bookstore, Respublica.

The self-branded “humble project” is a site called “URLiterature,” which promotes reading with a URL lengthener. Yes, you read that correctly, a URL lengthener. Created to promote reading and combat the assault on language resulting from acronyms and social media-promoting short messages, URLiterature uses a URL lengthener to add text from a selected book to the link you want to send. Simply paste “your boring URL,” choose your book and share, pleasing literature professors everywhere. Check out the video above for a better look at the project, and head on over to the site to give it a try for yourself. Credits after the jump. continued…

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Abstract Mix of Chemistry and Photography

Le photographe américain Nicholas Alan Cope, dont nous avons déjà parlé sur Fubiz, a choisi de s’intéresser à notre perception de l’abstraction avec sa série « Aether ». Il mélange chimie et photographie, eau et peinture, pour faire apparaître des motifs esthétiques en jouant avec les différents liquides.

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Nicholas Alan Cope’s portfolio.

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Cuervo Imagines What Its Website Would Have Looked Like in 1795, 1880, 1945 and 1974

How does the world's oldest tequila maker introduce a brand-spanking-new website? By keeping one foot firmly in the past.

McCann New York has launched a new site for Jose Cuervo that's actually five sites in one. In addition to its new site for 2014, the brand also imagines what the brand website would have looked like in 1795, 1880, 1945 and 1974.

"Fully actualizing the concept in an authentic way required researching the language and design tropes of each chosen year, and then presenting what we needed to say about Cuervo through those stylistic realities," the agency says.

It's a fun idea, and 1945 and 1974 are both particularly groovy. The only downside, in fact, is that the 2014 version feels visually staid by comparison.

Screen shots and credits below.

1795 website:

1880 website:

1945 website:

1974 website:

2014 website:

CREDITS
Client: Cuervo, Proximo Spirits
Client: Elwyn Gladstone
Agency: McCann, New York

Chief Creative Officers: Tom Murphy, Sean Bryan
Group Creative Director: Mat Bisher
Design Director: Brad Blondes
Senior Art Director: Elinor Beltrone
Copywriter: Sarah Lloyd
Designer: Ledi Lalaj

Production
Chief Production Officer: Nathy Aviram
Executive Integrated Producer: Catherine Eve Patterson
Senior Integrated Producers: Geoff Guinta, Jill Toloza
Associate Producer: Lauren Bauder

Production Company: Transistor Studios
Executive Creative Director: Aaron Baumle
Executive Producer: Damon Meena
Head of Production: Jesse Kurnit
Creative Director: Jamie Rockaway
Art Director: Geoff Keough
Developer: Brian Hersey
Designers: Ryan Weibust, Diana Park, Mauricio Leon, Edgardo Moreno, Tesia Jurkiewicz, Chris Murray and Carolyn Frisch


    



With Sochi Over, NBC Gears Up to Sell the 2016 Rio Olympics


The Sochi Olympics have only just ended but NBC Universal is already gearing up to sell ads in its coverage of the 2016 Summer Olympics in Rio.

NBC Universal has plenty of recent success to boast about as it approaches advertisers: Online streaming for the Olympics hit new records, viewership in peripheral parts of the day has been strong and the games put the fledgling NBCSN on the map. There’s also been a halo effect on the rest of NBC’s schedule, providing a massive lead-in to Jimmy Fallon’s debut as the new host of “The Tonight Show;” and boosting the “Today” show ahead of ABC’s “Good Morning America” for the first time in two years.

But when it comes to prime-time, where about 80% of ad dollars are allocated, there’s less to discuss, as Sochi fell short of some of the ratings guarantees it promised advertisers and the audience is aging up.

Continue reading at AdAge.com

New Lowe Campbell Ewald Campaign Marks Beginning of the End for ‘Got Milk?’

Lowe Campbell Ewald marks the end of an era today, with their campaign for Milk Processor Education Program (MilkPEP) offering up a new tagline that shifts away from the iconic “Got Milk?” line that seems like it’s been around forever.

Although the “Got Milk?” tagline will still be used in some markets, such as California (where the processors are reportedly still with Goodby), the campaign is largely fazing out the popular tagline in favor of “Milk Life” — which may or may not be inspired by “Thug Life.” Lowe Campbell Ewald’s multi-million dollar integrated campaign focuses on milk’s health benefits (fitting the new tagline), most notably as a strong source of protein.

“Got Milk has very high awareness,” Sal Taibi, president at Lowe Cambell Ewald, New York told AdAge, “But we have a new strategy. We have a new message and we just felt we needed a new approach.”

At the heart of the “Milk Life” campaign is the new anthem spot featured above, which “spotlights everyday moments of accomplishment, achievement and enjoyment, showing milk with the latest in graphic and animation technology to bring to life how families who include milk’s protein at breakfast make the most of their day.” The obviously high-budget visuals are impressive enough, and the spot is fairly well put-together, but I’ve got to say I really miss the milk mustaches. In addition to the 30 second anthem spot, the campaign also includes “print, TV and digital advertising, consumer and retail promotions, public relations and social media” — presumably also devoid of milk mustaches. The “Milk Life” campaign also marks the first work to come out of Lowe Campbell Ewald’s recently opened New York office. Stick around for credits after the jump, and let us know what you think of the new direction in the comments section. continued…

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PSA Tells the Popular Kids in High School: ‘It Doesn’t Get Better’

Hey, it's filmmaker Jason Headley! You might remember him from such short films as "It's Not About the Nail," and now he's lampooning the "It Gets Better" project with this mock PSA from people who peaked in high school.

"It Doesn't Get Better" has its moments—the IROC-Z guy and the brunette have great delivery—but it showed up kinda late to the party and isn't quite clever enough to compensate for that. Also, the whole nerdy teen/yacht owner thing almost never happens in reality.

If life in the workforce has taught me anything, it's that most high school nerds end up working for rich, thick-headed dudebros with MBAs.


    



Siemens iQ800 Dish Washer: Flexibles, Teapot

If your teapot doesn’t bend. Siemens iQ800 dish washers with flexible shelves.

Advertising Agency: Medina/Turgul DDB, Istanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gokhan Erol
Art Director: Eren Kocaker
Copywriter: Ercin Sadikoglu
Illustrator: Haluk Demirel

Siemens iQ800 Dish Washer: Flexibles, Stewpot

If your stewpot doesn’t bend. Siemens iQ800 dish washers with flexible shelves.

Advertising Agency: Medina/Turgul Ddb, Istanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gokhan Erol
Art Director: Eren Kocaker
Copywriter: Ercin Sadikoglu
Illustrator: Haluk Demirel

LG Creates World’s Slimmest Ad No One Will Ever See

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This might be an ingenious media placement. If all you deem important is the media writing about it and don’t mind that no one can actually see it. WTF are we talking about?

M&C Saatchi thought it would be brilliant to tout LG’s new 4 millimeter curved OLED TV by placing a 4 millimeter wide ad on the spine of Nordic Hi-Fi magazine Sound & Vision.

Of this brilliance, LG Nordic Marketing Manager Leo Dratwa says, “The media placement in Sound & Vision is not only ingenious in its simplicity; it also works as a small product demonstration of the TV. Sometimes ideas are just too good to say no to”

Well, Leo, sometimes you should say no.

The Balancing Barn House

MVRDV a créé une maison à la fois, de vacances, de détente et enthousiasmante pour ses habitants avec une nouvelle façon de vivre à la campagne. La façade en métal de la grange reflète son environnement naturel et les changements de saisons. Cette création permet une totale connectivité avec la nature.

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Some Clarification on DDB LA’s Status, If You Will

ddb_logo1In case you missed Adweek‘s item yesterday on the state of SoCal agencies, the trade right off the bat mentioned that DDB’s Los Angeles office relocated 30 employees to the San Francisco branch last December as a result of the Wells Fargo loss. Well, not so fast. According to sources familiar with the matter, the number (30) is a bit high (more like 18-20, we hear) and as of now, there hasn’t been any staff relocation to SF as of yet as DDB is still figuring out its game plan for its Southern Cali branch. From what we’ve been told by sources, Wells Fargo was basically DDB LA’s sole client, so how this affects the agency is yet to be determined, though some on the Spy line allege that a closing could take place in the next few months–far from confirmed at this point, though.

In case you need a refresher, financial institution Wells Fargo decided to look for a new lead creative agency last fall after partnering with DDB for 20 years. At the beginning of this year, Wells Fargo sent a note stating that it expects to come to a decision by the end of this month, which likely means this week. We’ll keep you posted if and when we hear more, but as of now, DDB LA will be working with Wells Fargo through May from what sources tell us.

New Career Opportunities Daily: The best jobs in media.

Agency Improves Whittling Skills, Carves Faces of New Hires Into a Totem Pole

Philly-based ad agency Red Tettemer O'Connell + Partners is back to carving likeness of its new employees, but it's graduated from crayons to wooden totem poles.

The details of the faces are pretty rough in both mediums, but the new material is clearly more forgiving—if less endearingly weird. Still, particularly lucky hires get adorable paper-doll versions of themselves. It could be an apt bit of foreshadowing, as a career in the industry might leave them feeling flattened, or square anyways. Either approach, however, makes for a more fun welcome-to-the-office present than the usual nothing, and a far more entertaining gift to the world than a run-of-the-mill press release.

One downside (or perhaps it's an upside): One of the new hires can lay claim to literally being the low man on the totem pole.

As far as offbeat staff announcements go, though, RTO+P has some pretty stiff competition in Barton F. Graf 9000's airplane-banner method.