Braincast 84 – Película vs. Digital

A captação de fotografia e cinema passou e ainda passa por uma fase de transição. Películas sendo substituídas por formatos digitais, com avanço rápido da tecnologia, e que muda a imagem que está na nossa tela. O debate é polêmico, mas sem dúvidas representa a reinvenção de uma mídia e democratização da arte.

No Braincast 85, Carlos Merigo, Saulo Mileti, Guga Mafra e Leo Giannetti batem um papo sobre o impacto dessas mudanças. Realmente dá para perceber a diferença? Quais são as vantagens para os produtores de conteúdo? O filme morreu?

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iStock by GettyImages

Esse episódio do Braincast é um oferecimento de iStock

A iStock é uma das maiores comunidades criativas de crowdsourcing do mundo, com quase 100% do seu conteúdo gerado pelos usuários. São de 125 mil artistas de diversos países. A iStock reúne mais de 12 milhões de arquivos e, é hoje uma fonte fácil e acessível de arquivos royalty-free, com milhões de fotos, ilustrações, vídeos, áudios e animações em Flash.

– Em todo o mundo, 6 milhões de pessoas assinam algum serviço de internet móvel. Todos os dias são enviadas 250 milhões de fotos no Facebook e 40 milhões no Instagram. A iStock tem um acervo só de imagens feitas por celular.

– Você sabia que existem muitos colaboradores da iStock que têm em seus portfólios imagens escaneadas e até mesmo materiais impressos? Aos aficionados pela Leica, Kiev ou Hasselblad, a iStock preparou algumas dicas para escanear filmes. Confira, é só acessar o Manual de Treinamento do Banco de Fotografias da iStock e ver o passo 5.

Desafio Criativo: Todo mundo que participar ganha 10 créditos! Basta mandar sua arte junto com o seu username na iStock para o e-mail: istockphoto@brainstorm9.com.br

A imagem precisa ter 1920 x 1080 pixels, e usar até 4 fotos dessa lightbox da iStockphoto.

Mais informações: Instruções | Regulamento

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Faça o download ou dê o play abaixo:

> 0h02m45 Comentando os Comentários?
> 0h19m26 Pauta principal
> 1h09m05 Qual é a Boa? – qualeaboadobraincast.tumblr.com

Críticas, elogios, sugestões para braincast@brainstorm9.com.br ou no facebook.com/brainstorm9.
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Brainstorm9Post originalmente publicado no Brainstorm #9
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Prand T-Shirt: AH 2013

Advertising Agency: We Make Art, Lyon, France

BitTorrent Seeks to Dispel Piracy Myth With Outdoor Campaign


Torrenting is oft-seen as a dirty word — synonymous with piracy, the dark underbelly of the Internet, and all things the law-abiding citizenry should avoid. P2P client BitTorrent seeks to change that perception with a new ad campaign. Today, the company revealed that it was behind the mysterious billboards that popped up around New York City, L.A. and San Francisco last week — part of an ad campaign to broaden its audience and prove that it’s a useful service for moving information and data whose role should be celebrated, not reviled.

The billboards (see all above) initially featured sentences like “The Internet should be regulated,” and “Your data should belong to the NSA.” Today, they have been “altered” with graffiti-style edits that now say the Internet should be “people-powered,” and that your data actually belongs to you.

Continue reading at AdAge.com

Hidden Railing Street Art

Un mélange de la technique anamorphose et du street-art, c’est l’excellente idée du duo d’artistes allemands « Zebrating ». Des créations étonnantes et visuellement très réussies qui permettent de colorer la ville. L’ensemble du projet Hidden Railing est à découvrir en images dans la suite de l’article.

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Tool, BBDO Bring a Fresh POV to Australian Tourism

Remote Control Tourist, the new interactive digital/video Tourism Victoria project from Clemenger BBDO , Exit Films, and Tool director Jason Zada, is kind of like The Sims without the gibberish language. You can control people from your computer, suggest they eat a certain food, walk a certain direction, enter a certain door. If you don’t want to suggest activities via social media, you can just watch the live streams. Voyeurism at its finest, or at least, voyeurism at its least creepiest.

The project is meant to promote Australian tourism by showing off the sights and sounds of Melbourne, and the live stream, which runs October 9-13 for about eight hours per day, adds a compelling dimension to tourism advertising. One man and one woman will travel around the city with head-mounted cameras, tailoring their movements to the social media suggestions. Hear’s to hoping people use the opportunity to be classy and find out more about a beautiful city, and not, you know, be dumb and inappropriate on the Internet, like most of the time. The broadcast officially kicked off, well, about now.

New Career Opportunities Daily: The best jobs in media.

Burt’s Bees Hawking Its Wares on the Corner of Instagram and Vine

Burt’s Bees and its agency Baldwin & are having fun with Instagram and Vine (as it should be).

The company is using stop-motion animation to create uber-abbreviated versions of classic novels. In Little Women, for example, one Civil War-era lip balm woman says to another, “We really are quite little.” “And each of us women,” her sister replies.

According to Marketing Daily, these new Vines are being staged by Jethro Ames, in San Francisco. Ames needs about four hours to shoot each six-second spot, after which it must go live or be discarded. No post work is possible.

Burt’s is also rolling out an Instagram campaign, featuring the company’s reclusive founder, Burt Shavitz in backwoods Maine.

The post Burt’s Bees Hawking Its Wares on the Corner of Instagram and Vine appeared first on AdPulp.

BBDO Americas Head Troy Ruhanen Takes on New Omnicom Group Post


Troy Ruhanen, of BBDO’s seniormost executives, has been recruited by Omnicom Group CEO John Wren to take on a role at the holding company level.

Mr. Ruhanen — an Australian native who joined BBDO’s flagship New York in 2004 from Leo Burnett and quickly ascended to oversee the agency’s biggest region — has exited as chairman-CEO of the Americas. He’s now executive VP of Omnicom Group, with the responsibility for driving cross-agency collaboration and innovation for Omnicom’s largest clients. That list includes the likes of AT&T, Pepsi, McDonald’s, Volkswagen, Mars and Apple.

“Troy is a rising leader within Omnicom and has a proven track record of effectively managing some of BBDO’s largest clients,” said Omnicom’s president-CEO John Wren in a statement. “He is a tireless collaborator, builder of bridges between agencies and offices and is experienced in all facets of developing and implementing award-winning marketing campaigns. His global experience in multiple categories including consumer packaged goods, auto, telcom, beverage and technology is perfect for the role of strengthening our relationships with our biggest clients by providing them with better and more integrated services.”

Continue reading at AdAge.com

Eminem’s ‘Survival’ Music Video Is a Four-and-a-Half Minute Ad for Call of Duty: Ghosts

As we've mentioned before, Activision and Interscope brought together two of its juggernaut franchises—Call of Duty and Eminem—for a cross-marketing push promoting the game's new Ghosts title and the rapper's upcoming album MMLP2 (short for Marshall Mathers LP 2). Today, the music video rolled out for Eminem's song "Survival," which is on the Call of Duty: Ghosts soundtrack. The video, which is a collaboration with Activision agency 72andSunny, is basically a four-and-a-half minute commercial for the game, with footage from it sprinkled throughout. (Ant Farm supplied the gameplay footage for the spot.) Eminem worked with Activision in 2009 on Modern Warfare 2 and in 2010 on Black Ops. For much more on the partnership, check out Sam Thielman's earlier story, linked above. For the video, see below (warning: explicit lyrics).


    

Dooc Dentists: Before – After

Advertising Agency: Le Balene, Milan, Italy
Creative Director: Lele Panzeri

Another Exec Out as Christian Juhl Departs Razorfish


Christian Juhl, president of Razorfish West, has left the Publicis Groupe shop to join independent digital agency Essence as CEO of North America.

Mr. Juhl was one of Razorfish’s three regional U.S. presidents and spent more than a decade at the shop. Earlier in his career he held senior roles at GE Capital. He was an Ad Age Media Maven in 2011.

His departure follows that of recent global CEO Bob Lord and Chairman Clark Kokich, both of whom left the Publicis Groupe agency in the past few months. Upon Mr. Lord’s departure, Razorfish promoted Pete Stein from president to global CEO and Shannon Denton from president into the long-vacant role of North American CEO.

Continue reading at AdAge.com

Os carecas mais famosos da ficção

O designer Fernando Perottoni relembra nessa série de ilustrações alguns dos carecas mais famosos do cinema, TV, quadrinhos e até da política.

Tem Mr. White, o mais novo integrante da galeria de inesquecíveis, Yoda, Homer Simpson, Gorbachev, entre outros. Confira abaixo e veja se reconhece todos.

Alguém não está na lista e deveria entrar?

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Chickens Sing Human League’s ‘Don’t You Want Me’ to Sell Chicken

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None of you under the age of, say, 35, will understand the freakishly odd appeal of the Human League’s 1981 hit “Don’t You Want Me.” It was the number one song on the Billboard 100 in July 1982 for three weeks when a place called “Brothers 4” in Falmouth Heights on Cape Cod was the place to be seen. OK, the place to be seen if you were a college kid toiling in the Cape Cod restaurant scene and you choice of nighttime activity was slightly limited.

Anyway, California-based Foster Farms, with help from Goodby, Silverstein & Partners, has trotted out the synth pop classic for a new commercial promoting their 100 percent all natural frozen chicken. And what better way to do that than to enlist a chorus of chickens to sing “Don’t You Want Me.”

Hey, even if you weren’t around in 1982, you’ve got to admit chickens singing anything is kind of funny.

The chickens also sing Sister Christian’s “Night Ranger” and Toto’s “Africa.”

The original:

Government Shutdown Could Delay Expected E-Cig TV Ban Again


The government shutdown could delay a Food and Drug Administration ruling that is expected to curb TV advertisements of e-cigarettes.

The FDA had announced its plan to issue a decision in October on whether and how to regulate the booming e-cig industry. And an FDA spokesman said staff at the agency’s Center for Tobacco Products remain at their posts because it is funded by tobacco industry fees and not subject to annual budget appropriations. But the shutdown, now in its seventh day, has furloughed 45% of the agency’s employees, including some working on tobacco issues in the office of FDA Commissioner Margaret Hamburg, the spokesman said.

A virtual seminar on tobacco regulation has already been postponed until funding is restored, according to the FDA website.

Continue reading at AdAge.com

Kate Upton and Snoop Dogg’s New Hot Pockets Video Arrives Fully Baked

Two premium meats—Kate Upton and Snoop Dogg—team up for this wildly ludicrous new music video for Hot Pockets, which humorously remixes Biz Markie's 1989 hit single "Just a Friend (You Got What I Need)" as "You Got What I Eat."

Lines like "I need your hot buttery crust" and "It's my premium meats that make your lips sing a song" are mixed in with lots of marijuana references and psychedelic imagery to produce a crispy finished product that's both fake and flavorful—just like Hot Pockets.

"I love working with the Hot Pockets sandwiches team," Snoop says in a statement. "They let me do what I do and bring the funk out with their message, you know? We needed to top [previous video] 'Pocket Like It's Hot,' and this video is so dope. It's funnier, and we got the flyest girl in it with me."

"I love the premium meats and the buttery seasoned crusts of the new Hot Pockets sandwiches," adds Upton. "I'm excited to hear which side the fans pick in this IRRESISTIBLY HOT™ battle!"

She's referring to a public vote being held at hotpockets.com pitting #TeamCrust against #TeamMeat in a battle to the death over which Pocket part is preferable.

Full lyrics below.

FULL LYRICS:
One, two, three to the heat
Stop counting sheep,
And move your feet to the beat
I bet you're wonderin'
"Who are you?"
The baker who made new
HOT POCKETS come true
Now let me give you an introduction
To the Master Baker of this production
You know he bakes here
You know he bakes there
He be baking all day
I bake everywhere
Wanna bake with me?
Then come on in
We light up taste buds
From beginning to end
My buttery seasoning so hip
It drips
Tastes so good
Gotta lick your lips
Smell my savory garlic
but don't disturb
The garden where I grow
flavor-fantastic-al herbs
…his flavor-fantastical herbs.

YOU… YOU Got What I Eeeeaaattt!
You say you're just a baker
But you're my HOT POCKETS maker

Oh baby, YOU… YOU Got
What I Eeeeaaattt!
You got the hot buttery crust
I need your hot buttery crust

Hold up, hold up
My friend's gotta beef with you
Take a step back baker
The Butcher's coming through
I see you like the crust
well I like it too
But without my premium meats
You got nothing to chew
See I'm the Master Butcher
And I bow down to zero
Online they call me
The 8-Bit hero
I fly cross the land
So my flocks are protected
Try to come for my beef
And ya gonna get rejected
Cuz if you step to me
Ya gonna get stuck
As your head takes a buck
From pepperoni nun-chucks
He's got premium meats,
The cream of the crop
Welcome to my B.I.G.G.
Butcher's shop…..ya heaarrdd

YOU… YOU Got What I Eeeeaaattt!
You make the Steak and Cheese
That brings me to my knees

Oh baby, YOU… YOU Got What I Eeeeaaattt!
The flavor is so sweet
You know how to spice that meat

Now I know the Butcher
Likes to take credit for the show
But there's a reason that my bakery
Is rollin' in the dough
Listen little baby
Don't fall for the cuts
It's the buttery crust
That makes you want it so much

Don't listen to him, girl
He's been baking too long
It's my premium meats,
that make your lips sing a song
When that sauce heats up
The pepperonis do the rest
It's exactly why my new
HOT POCKETS are the best

No no no… YOU, both Got What I Eeeeaaattt!
I love your buttery crust
But I love that meat just as much

Oh YOU… both Got What I Eeeeaaattt!
You got all my hot treats
You both make me complete


    

Lassie ‘Cries Wolf’ to Help Man Get Expert Gold Beer

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Oh what men (and advertising copywriters) will do to get a beer. Tapping the fairly tail-ish “cry wolf” scenario coupled with the old-timey trustworthiness of Lassie, New Zealand-based Colenso BBDO have crafted a witty commercial that cuts to a man’s truism; he would rather be having a beer with friends than, well, do just about anything else. And, he’ll do just about anything to get that beer with friends. Just watch any non-Clydesdale Budweiser Super Bowl commercial.

Carat retains £27m Santander UK media business

Santander UK has kept its £27 million media planning and buying account with Carat, after winning a final shoot out against MediaCom.

New Creative Leaders for U.S. Hispanic Shops Alma and Wing


For U.S. Hispanic agencies, the search for a top creative often extends to the entire Spanish-speaking world, with Argentina and Mexico the main hunting grounds.

Alvar Sunol, who will join Miami-based Alma as SVP-executive creative director from Bassat Ogilvy in Madrid, may be the only Spaniard leading the creative department at a U.S. Hispanic agency.

Mr. Sunol has also worked in Mexico, as deputy chairman and executive creative director of JWT Mexico for three years, before returning to Spain six years ago as executive creative director of Bassat Ogilvy Madrid. This will be his first job in the U.S., although he lived in Wisconsin as a high school student and returned to the U.S. to go to college in Massachusetts.

Continue reading at AdAge.com

Mystery Billboard Teaser Campaign Taunts NSA [UPDATED]

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Two mysterious billboards have appeared in New York. One, located on West Broadway near Canal Street, reads, “Your data should belong to the NSA” and the other, located at 27th and Broadway, reads, “The Internet should be regulated.”

A Clear Channel spokesperson, David Grabert, confirmed to Animal New York the work is part of a teaser campaign saying,”For now, I am respecting the creative campaign and reserving comment on who the advertiser is.”

One of the boards is also in San Francisco located on 101 North. The LA Times believes it could be blogger-turned-venture capitalist Michael Arrington who is behind the campaign citing his desire to shame companies aiding NSA efforts.

It seems details as to who’s behind the campaign will be revealed next week.

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(Photo: Aymann Ismail/ANIMALNewYork)

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(Photo: Jeff Owens)

UPDATE: BitTorrent has claimed responsibility for the campaign.

Mystery Billboard Teaser Campaign Taunts NSA

nsa-billboard-tribeca.jpg

Two mysterious billboards have appeared in New York. One, located on West Broadway near Canal Street, reads, “Your data should belong to the NSA” and the other, located at 27th and Broadway, reads, “The Internet should be regulated.”

A Clear Channel spokesperson, David Grabert, confirmed to Animal New York the work is part of a teaser campaign saying,”For now, I am respecting the creative campaign and reserving comment on who the advertiser is.”

One of the boards is also in San Francisco located on 101 North. The LA Times believes it could be blogger-turned-venture capitalist Michael Arrington who is behind the campaign citing his desire to shame companies aiding NSA efforts.

It seems details as to who’s behind the campaign will be revealed next week.

nsa-billboard-tribeca.jpg

(Photo: Aymann Ismail/ANIMALNewYork)

internet-regulated-billboard.jpg

(Photo: Jeff Owens)

Company Mails Free Vibrators to Federal Employees During Shutdown

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Oh the wit and whim of some marketers. Acknowledging the fact a substantial number of people may have more time on their hands having been affected by the government shutdown, online retailer Vibrators.com is mailing out 200 free vibrators each day to anyone who uses the discount code “shutdown.”

So, yes. this isn’t exclusive to federal employees but the promotion is certainly aimed at them. The company promises to deliver 200 free dildos daily until the shutdown ends. The offer is limited to 200 per day so as not to overrun production…which, of course, you know it would if the count were higher.