It sounds like an elevator pitch for a reality TV show.
Matt Bonner, the 6-10, 240-pound center/forward for the NBA’s San Antonio Spurs, swapped jobs with Travis York, president of GY&K Marketing in Manchester, N.H., on Tuesday.
The “Exec Exchange” was dreamed up by Luke Bonner, Matt’s younger brother and a former pro basketball player overseas, who started as a 27-year old intern at the shop before working his way up the ranks.
(TrendHunter.com) Entitled Ecce Animal, this piece will not only be memorable because it is an intricate skull, but also because it is made entirely out of cocaine.
Artist Diddo is known for creating out of the box…
When Matthew Anderson changed his LinkedIn profile last week to read “Chief Marketing Officer-Roku,” his inbox was immediately flooded with pitches from ad agencies eager for the consumer electronics company’s business.
“It’s amazing, within 24 hours of changing your title, the number of agencies that can talk to you,” Mr. Anderson said with a laugh.
It’s also odd so many agencies would so aggressive pitch a company that spent just $10 million on marketing in 2012. But as Mr. Anderson’s hire as Roku’s first CMO illustrates, the company and its marketing are poised to grow significantly over the next several years.
After spending the last four years at Saatchi & Saatchi X and serving as VP/executive creative director out of the agency’s Chicago office since last summer, Joanna Arscott is moving on. From what we’ve been told, the creative exec is leaving for “personal reasons.” Arscott initially joined the shopper marketing-focused Saatchi & Saatchi X as a GCD, leading creative on P&G business for Walmart both in North America and internationally before being named VP/ECD for Chicago. Prior to Saatchi & Saatchi X, the London native spent three years as VP/ECD at Momentum Atlanta. During her career, Arscott worked in her native UK at the likes of Saatchi London, Ogilvy and 141 Worldwide.
From what we’ve been told, she will continue with Saatchi X through September. The agency tells us, “She has been a huge contributor and we wish her well.”
Frank Bohbot sublime les endroits qu’il capture. Avec une attention particulière pour les couleurs et les lignes architecturales des piscines qu’il photographie, il en fait des situations uniques dotées d’une charge émotionnelle particulière. Un travail superbe à découvrir en images dans la suite de l’article.
Stimorol Sensations, a South African gum that appears to be the same thing as Trident Layers, claims to be the most indulgent gum in the universe. In its latest spot by Ogilvy Cape Town, an office drone pops the layered gum, slips away into an indulgent fantasy of synchronized swimmers and fruit waterfalls that cop a feel, and, of course, walks across water to play a saxophone duet with a parrot. The whole thing was put together using an indulgent set that included 30 tons of pink goo. Check out the behind-the-scenes video for shots of the set and a delightfully unenlightening interview with the quirky director, Trevor Clarence. Credits below.
CREDITS Client: Stimorol Sensations Agency: Ogilvy & Mather, Cape Town, South Africa Executive Creative Director: Chris Gotz Associate Creative Director: Tommy Le Roux Creative Group Head: Prabashan Panther Agency Producer: Anthea Beylis Art Directors: Reijer van der Vlugt, Matthew Pullen Copywriters: Justin Osburn, Dean Paradise Production Company: Your Girlfriend Director: Trevor Clarence Executive Producer: Linda Bogle Postproduction: Black Ginger Sound Design: We Love Jam Voiceover Artist: Adam Behr
Em parceria com a Escolinha do Figo, a Ford em Portugal resolveu assegurar o futuro do futebol com À Procura de Campeões, iniciativa que vai premiar o ganhador com um estágio no Inter de Milão. Para divulgar esta busca por novos craques da bola, a Wunderman criou uma ação que chamou a atenção de adultos e, principalmente, de crianças.
Patrocinadora oficial da UEFA Champions League, a montadora colocou uma taça em uma das ruas mais movimentadas de Lisboa, desafiando quem passava por lá a levantá-la. É claro que a brincadeira contava com um elemento surpresa… (este texto não contém spoilers).
A ideia é bacana, e lembra bastante A Espada Era a Lei, livro de TH White que virou animação da Disney em 1963. Na história, quem conseguisse levantar a espada presa à uma pedra se tornaria o rei da Inglaterra. No caso da Ford, a procura é por um rei do futebol português, já que o país vai receber a final da Champions League no próximo ano.
Innocean and Hyundai try to cash in on the Vine craze with their latest campaign for Hyundai’s Genesis R-Spec, releasing several spots in the social video format for those with short attention spans.
Unfortunately for both, the quick videos do little to capture that attention in the first place. Their predictable shorts mostly fall flat, seemingly put together on the spot with a creative process that couldn’t have lasted much longer than the Vines themselves. Examples include a jockey in the backseat, a flight attendant in the backseat, an astronaut in the back seat… I think you get the picture. The one Vine that even hints at being clever is when a medical professional with a box labeled “Human Organ For Transplant” says, “Not the deli, the hospital! Drive!” While Innocean’s idea of using the Vine’s 6-second platform to show how fast the Genesis R-Spec is makes a lot of sense, the execution just isn’t there. Perhaps others will follow their lead, hopefully utilizing the platform more effectively.
As everyone piles into native advertising, hoping that making ads resemble editorial will better engage consumers, critics argue that the risk of misleading is only going to grow. So what are marketers’ and media companies’ obligations as far as the government is concerned? Here’s what the Federal Trade Commission’s approach to search marketing and those Coca-Cola cups on “American Idol” means for your native advertising, according to attorney Brian Heidelberger.
We've all been there. Heartbroken, bearded and alone. This is place that some might call "the dumps," an unbearable place full of darkness, loneliness and misery. It's all because you've been without "the one" for far too long. (It reminds me very much of the time my dog ran away when I was 5. I still wonder where Kujo is. Or that time my 7th grade girlfriend left me because I got braces.) And even though Blake Shelton takes you fishing to cheer you up, it's not working. You still miss 'em. I guess the only thing left to do is belt out arguably the most passionate lyrics ever laid to vinyl: "Reunited," by Peaches and Herb.
Before you know it, the sun will shine again, the animals will begin to chirp again, and Christina Aguilera's angelic voice will rise behind you—seconds before she pulls a Jesus and walks on water to join you and Blake. If that's not magical enough for you, there's more. Moments later, Poseidon, ah hem, the great Cee Lo Green, emerges with three lovely mermaids to round out the hook. "Reunited and it feels so good!"
At this point, you may have a hard time believing what you've just witnessed, but what the hell. The band is finally back together! Or is it? This all can't be real, right? Guess, we'll have to tune into NBC's The Voice on Sept. 23 to see if dreams really do come true.
(TrendHunter.com) Lady Gaga and Kate Moss have done it before, and now so can other fashion enthusiasts this fall season. Luxury fashion brand Yves Saint Laurent recently announced its Fall 2013 lineup, boasting one…
Nos últimos anos, as impressoras 3D se desenvolveram rapidamente e cresceram em popularidade. Porém, poucos de fato possuem uma. A plataforma 3D Hubs visa solucionar esse problema ao conectar localmente pessoas com um projeto no papel àqueles que possuem e gostariam de alugar sua impressora 3D.
“Com preços mais baixos e novas qualidades, impressoras 3D serão cada vez mais comuns, potencializando uma nova geração de empreendedores com as mãos na massa”. – CEO Bram de Zwart
Através do site, designers podem compartilhar o design de seu projeto e então escolher entre as impressoras disponíveis próximas a ele, em um mapa interativo. O dono da impressora 3D escolhido pode adicionar suas ideias ao design e finalizá-lo antes de imprimir. No último passo, fica a cargo das duas partes combinarem de se encontrar para a entrega do produto e, quem sabe, uma futura parceria.
Pensando localmente e em gamificar o serviço, as cidades da Europa precisa listar pelo menos 10 impressoras 3D para serem “destravadas”, enquanto as de outros continentes precisam de 20. Em seguida, o Mayor da comunidade local é apontado para organizar eventos e manter ideias e contatos aquecidos.
Devido ao custo superior da impressora, o Brasil ainda parece devagar neste ramo. Mas a esperança é justamente que o 3D Hubs possa ajudar a internacionalizar e encorajar parcerias entre pessoas com impressoras e interessadas em criar.
Assim como aconteceu com a música na era digital, a indústria de manufatura começou a se trasformar em peer-to-peer. O 3D Hubs se coloca à frente desta tendência, permitindo que qualquer um com uma impressora 3D faça produtos costumizados para a sua comunidade local.
Déjà connu pour son magnifique projet Monolith Skate, l’artiste Reynald Drouhin revient avec une série de photographies de paysages retravaillés. Utilisant cette même forme monolithique pour déformer et travailler les clichés originaux, ces créations très réussies sont à découvrir dans la suite en images.
Trinity Mirror has offloaded its Trinity Mirror Digital Property division, home to SmartNewHomes.co.uk, Email4Property.co.uk, HomesOverseas.co.uk and Zoomf.com to Zoopla for £3.3 million.
A parceria entre Google e Nestlé anunciou esta semana que a nova versão do sistema Android (4.4) será batizada de Android KitKat, em homanagem ao icônico chocolate – uma ótima ação de marketing que vai elevar o nome das duas marcas ao paraíso do branding bem feito.
Ok. Mais genial que isso foi a campanha que o KitKat fez, com uma espécie de paródia onde apresentam o chocolate como se fosse um produto tecnológico, aos moldes do lançamento de um novo iPhone, por ex.
Em um site impecável, eles apresentam todas as informações técnicas do KitKat, explicando detalhes sobre o design e a estrtutra de construção do produto. Uma piada de muito bom gosto com requintes de genialidade 🙂
There’s a very fine line between stupid funny and annoying, a line that Old Spice is willing to tightrope for miles and miles. Their “Unnecessary Freshness” campaign, created by W+K Portland, will hit screens starting Thursday night for the season opener. As you might expect, there will be plenty of shenanigans that don’t make sense. But, at least that’s the point.
Three new spots starring Denver Broncos wide receiver Wes Welker might make you shake your head, laugh, or both (there’s also a fourth spot featuring New England Patriots linebacker Jerod Mayo, possibly a pity commercial since Welker darted for Denver). However, since each ad is less than 20 seconds, it’s easy to stomach the goofy jokes and images of lizards eating Welker’s legs. If commenters take to the site to rip W+K, Welker, football, me, AgencySpy itself, or a number of other things that exist, and therefore, should be ridiculed incessantly, they can hopefully agree that the running time is a plus. And, if you believe that a majority of people in America are stupid and these spots are stupid funny, then maybe W+K is onto something brilliant. Maybe.
Credits and some more unnecessary freshness after the jump.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.