Somersby Cider Builds Its Own Genius Bar Inside a Fake Apple Store

Since every third ad has to be an Apple parody now, Carlsberg makes fun of Apple Store product launches in this TV spot for Somersby Cider from agency Fold7. Some of the computer jargon here works surprisingly well for drinking, but there's no forgiving the apple puns. While we're on the subject, "Less apps, more apples" doesn't make sense as a tagline since they're comparing different products. Apples and oranges.

Scam Ads Are Nothing New. Perhaps The Old Ways Of Judging Aren’t Working.

Every advertising awards show season brings with it a crop of scam ads that get entered into shows and win. This year (and it’s still early in the year,) a campaign created by JWT India for Ford got nailed for being fake. The creatives supposedly responsible for the ads were terminated.

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Ad Age has been on the story all week.

Not only has the Ford scandal been a ding to JWT India’s reputation, it’s also now leaving the agency without senior creative and account leadership, since these executives –and possibly others under the Blue Hive group at the shop that runs the carmaker’s business– must now be replaced.

Few issues raise the hackles of agency folks like awards shows. Invariably, the bigger (and more international) the show, the higher the stakes are. Because awards shows equal more money, power and stature in our business. It’s the primary metric by which creatives are judged, and unless that changes, scam ads will always exist.

Also, the circle of judges for big shows stays remarkably tight. They all know each other (or of each other) and protect their own. The panels skew overwhelmingly male, so ads that win disproportionately represent male “frat boy” humor. Perhaps it’s time to open up shows like The One Show so that all of its members (a few hundred) can vote on the awards. Or agencies who choose to enter a category can’t have one of its own people judge that category or show. How about a “People’s Choice” show where the public votes? I think creative people would be shocked and horrified to see what would win a show like that.

All of this reminded me that a few years ago, I judged an ADDY show in a small market. After the judging was finished, we got an email from the director of the show saying the Best Of Show we chose didn’t actually run. So we chose another spot, in time for the awards night. It’s quite possible that, for all the derision they get, local ADDYs have more integrity than the CLIOS or Cannes Lions.

The post Scam Ads Are Nothing New. Perhaps The Old Ways Of Judging Aren’t Working. appeared first on AdPulp.

F.C.C. Has Yen for Broadway’s Wireless Spectrum

The Federal Communications Commission is considering plans to force the users of cordless microphones to move to a less desirable spot on the nation’s airwaves.

Protect Yourself from Industry Hype – Search Is What People Use When They Intend To Buy

This is the hype machine and the the hype machine is deafening.

Chugga, Chugga, Chugga the hype machine goes. That’s the sound of spinning yarns into memes and trends. Social media is the new this. Content is the new that. And so on.

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Which is why I find this cold glass of water (or is it sand in the gear box?) from serial entrepreneur Kaila Colbin refreshing.

In the provocatively titled “Can We Please Stop Hyping Social As The Marketing Messiah?” Nathan Safran replaces assumptions with data. During the 2012 holiday season, for example, 34% of retail website visits came from search. 40% were direct. 2% — yes, a mere two percent — were from social.

Another study Safran cites has 15% of respondents always or often turning to social for shopping or product research, while 97% say they always or often turn to search. Search is obviously not the only possible marketing channel out there, but at least if your dogma is that “search is best,” you’ve got some stats supporting you.

I’m not a search marketer. And this post isn’t about search, it’s about our ability to reason and read between the lines. For instance, digital spending reports continue to baffle me. Up and up the spending goes; yet, so-called display ads are the worst of the worst ROI generators.

Can we trust our most trusted media sources today? Hell, can we trust our own media literacy?

Companies are about to spend $17 billion dollars on display ads this year, but only one tenth of one percent of the people who see these display ads will notice, or act. The information fails to justify. Either companies are throwing money down the hype-made drain for no good reason, or display ads work much better than reported.

The post Protect Yourself from Industry Hype – Search Is What People Use When They Intend To Buy appeared first on AdPulp.

Passion Pit – Cry Like a Ghost

Le duo de réalisateurs Daniels nous invite à découvrir le clip illustrant le morceau « Cry Like a Ghost » du groupe Passion Pit, issu de l’album Gossamer. Très réussie, cette création montre en chorégraphies et transitions visuelles du plus bel effet la triple histoire d’amour d’une femme désespérée. Plus dans la suite.

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As Ad Rates Sink, More Websites Explore Ad-Free Business


The founders of the website The Good Men Project predicted early on that their lean operation would turn a profit from ad sales once it started attracting about a million unique visitors per month. And as traffic neared that mark late last year, the company indeed turned in its first profitable quarter. So why did it just start offering an ad-free version?

“It became clear that banner ads are annoying to people and they just aren’t that profitable,” said Lisa Hickey, CEO of Good Men Media. “The CPMs slowly go down,” she said, using industry shorthand for the price advertisers pay for every thousand views on a site. “The number of ads we have to put on the site to break even goes up. It’s a balancing act that doesn’t get us to where we need to go.”

This is web publishing in 2013, when declining ad rates and the sense that each buck is harder to get than the last is leading increasing numbers of publishers to strip out the ads and ask readers to pony up. Even The New York Times has at least contemplated the idea of an ad-free version, asking readers about it in a recent survey about potential new products. Its sibling The Boston Globe already operates two websites, the free Boston.com, which is packed with all kinds of traditional ads, and the subscriber-only BostonGlobe.com, with far fewer, and much less intrusive, ads.

Continue reading at AdAge.com

Noooooooooooooooooooo!

Ads for indie film festivals are often quite brilliant. The movies are usually distinctive, so the advertising can be as well. Who can forget Geoffrey Rush as a potato peeler? Or John Malkovich getting all crabby at a cab driver's reaction to his latest film award. The Leo Burnett spot below for Portugal's IndieLisboa fits right into that great tradition. Screw Hollywood. Say yes to an indie movie instead.

CREDITS
Client: IndieLisboa
Product: 10th International Independent Film Festival
Advertising Agency: Leo Burnett Lisbon
Executive Creative Director: Luciana Cani
Copywriter: Steve Colmar / Pedro Pinho
Art Director: Thiago Cruz / Leonardo Pinheiro
Illustration: Bruna Guerreiro / Silvia Rodrigues / Sara Louise Tucker / Mariana, a miserável / Fabio Santos / Douglas Cardoso
Account Director: Tiago Reis
Social Media: Vasco Mendonça / Joana Duarte
Production Director – Agency: Cristina Almeida
Production Company: Stopline
Executive Producer: Francisco Saalfeld
Financial Controller: Nuno Fonte
Line Producer: Inês Marques
Director: Pedro Varela
Creative Assistant Director: Nuno Noivo
Cinematography: Ricardo Prates
Post-production Supervisor: Ricardo Montez
Post-production Company: Illusion
Audio Post-production: Dizplay
Sound designer: João Rola
Voice Over: Marcantónio del Carlo
Original Soundtrack: Xavier Capellas
Additional Footage: VMI/Corbis

5 Ways Brands Can Use Animated Gifs

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GIFs have been around for 25 years, but they’re exploding in popularity in a web that caters to visuals and content curators. As once stated in a New York Times article, “GIFs function as glorified emoticons” with the ability to punctuate a moment.

The ad:tech blog has summarized a special GIF-format report from 360i that explores why GIFs are enjoying a renaissance, how to create successful GIFs and five ways brands can use them to their advantage.

Check out the full details here.

The Palmetto Bank: Smart phone

You’re welcome to come in but you won’t have to with our mobile banking app.

Our client tasked us with coming up with an interesting way to promote their new mobile banking app at all of their locations.

Advertising Agency: Jackson, Greenville, SC, USA
Creative Director / Art Director: Mike Weston
Copywriter: Erin Ridgeway
Photographer: stock
Published: August 2012

Durex XL: Long distance sex

Advertising Agency: HAVASWW Athens, Greece
Creative Director: Alexis Gerassis
Art Director: Eleni Kremida
Photographer: Math Studio
Published: March 2013

Tyler Gray Photography: The Creative Grind

To promote one of our favourite photographers, Tyler Gray, as the go-to photographer for advertising creatives, we sent them premium bags of coffee, photographed by him. Each bag was tailored to the individual that would receive it. The messaging was clear-cut and no-nonsense—this was a gift from a photographer who truly understands the advertising creatives’ daily grind.

Advertising Agency: Red Lion, Toronto, Canada
Creative Director: Brett Channer
Art Director: Anand Iyer
Copywriter: Dave Pigeon
Photographer: Tyler Gray
Published: March 2013

World Briefing | Middle East: Mahmoud Abbas Pardons Palestinian Journalist

President Mahmoud Abbas of the Palestinian Authority pardoned Mamdouh Hamamreh, who officers said portrayed Mr. Abbas as a traitor on Facebook.

Sidaction: Keep fighting against Aids

Advertising Agency: Leo Burnett, Paris, France
VP Creative Director: Xavier Beauregard
Art Director: Thomas Czarnecki
Copywriter: Christophe Corsand
TV Producer: Elisabeth Boitte / Wam
Published: March 2013

Coloria fabric dye: Blue

AdvertisingAgency: Herezie Paris, France
Creative Director: Andrea Stillacci
Copywriter: Edouard Dorbais
Art Director: Remi Arnaud
Photographer / Retoucher: Serial Cut
Head of planning: Luc Wise
Print producer: Capucine Lhermitte
Art buyer: Johanna Warlus

Coloria fabric dye: Yellow

AdvertisingAgency: Herezie Paris, France
Creative Director: Andrea Stillacci
Copywriter: Edouard Dorbais
Art Director: Remi Arnaud
Photographer / Retoucher: Serial Cut
Head of planning: Luc Wise
Print producer: Capucine Lhermitte
Art buyer: Johanna Warlus

Four Contenders Flock to Detroit To Pitch Cadillac Advertising Account


Three of the biggest ad holding firms are vying to handle Cadillac’s creative account.

Agency execs from a trio of companies — Interpublic Group of Cos., Omnicom Group and Publicis Groupe — flocked to Motor City yesterday to be briefed by General Motors marketing leadership about the Cadillac pitch. All told, spending is estimated at around $250 million.

It’s a closed process, there is no consultant overseeing it and it will be a fast-moving review, executives familiar with the matter say. Final presentations are expected to take place in May. The key decision makers at Cadillac will include VP-Global Bob Ferguson, Director of Advertising Craig Bierley and VP-Marketing Don Butler.

Continue reading at AdAge.com

Colorado Lottery: Franklin

Advertising Agency: Cactus, Denver, USA
Creative Director: Norm Shearer
Art Director: Sarah Riddle
Copywriter: Elliot Nordstrom
Illustrator: Kent Barton
Producer: Jamie Sharp
Account Director: Lori Boccato
Account Supervisor: Tara Turner
Published: March 2013

Colorado Lottery: Jackson

Advertising Agency: Cactus, Denver, USA
Creative Director: Norm Shearer
Art Director: Sarah Riddle
Copywriter: Elliot Nordstrom
Illustrator: Kent Barton
Producer: Jamie Sharp
Account Director: Lori Boccato
Account Supervisor: Tara Turner
Published: March 2013

Colorado Lottery: Grant

Advertising Agency: Cactus, Denver, USA
Creative Director: Norm Shearer
Art Director: Sarah Riddle
Copywriter: Elliot Nordstrom
Illustrator: Kent Barton
Producer: Jamie Sharp
Account Director: Lori Boccato
Account Supervisor: Tara Turner
Published: March 2013

Native Advertising is Broken: Six Steps to Fix It

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Writing for HubSpot, I’ve explored what’s wrong with current iterations of native advertising and what we can do to fix it. Native advertising, of course, all the rage these days. Companies like BuzzFeed and ShareThrough have based their business models on the notion that in-stream, organic-like content will save the day and finally allow everyone to retire those tired and underperforming banner ads to a nice tropical island far, far away.

In its current form, however, native advertising is destined to fail just like the banner ad failed. Why? Because most native advertising placements — just like most banner ad placements — are not structured with inbound marketing strategies that treat native advertising content creation as a starting point. Rather, the content is treated as the end point. In essence, most native advertising today is basically a branding play.

More…