Corona Extra: Luna Corona

On June 14th and 15th in NYC, the moon became the iconic slice of lime on our bottle. We worked with top universities and astrologists to find the perfect location and time to capture the attention of people who’ve seen it all: New Yorkers. We call this event Luna Corona. It was covered by media across the globe. And one billboard traveled round the world.

Advertising Agency: Cramer-Krasselt, Chicago, USA
Agency Account Director: Renee Chez
Account Service: Kaya Much, Brittany Saito, Katie Kellows
Management Supervisor: Paul Elam
Agency: Cramer-Krasselt , Chicago
Chief Creative Officer: Marshall Ross
Group Creative Directors: Derek Sherman, Jimmy Olson
Executive Creative Director: Derek Green
Associate Creative Director: Rick Standley
Copywriters: Derek Sherman, Kris Kennedy
Art Directors: Jimmy Olson, Rick Standley
Brandon Knowlden
Executive Producers: Scott McBurnie, Cheryl Lindquist
Art Buyer: Melissa Grein
Photography Studio: District 7 Media
Photographer: Andrew Geraci
Editing Company: Whitehouse Post
Editor: Dan Zabinski
Music: Nylon Studios, New York

BOOKtiga 2013, Festival of used books: Used Outdoor

Topic of the festival 2013: “The book reveals what the reality hides”, was the inspiration for the poster whose graphics and application symbolize “the bent ear” on a book, behind which a new worlds hide. By placing the poster in the top-right corner of the advertising surface, the poster actually takes over the function of all the posters on the surface, using them to make one huge ad of the festival. Furthermore, the bent ear symbolizes the secondhand nature of the books, creating a link with the character of the festival. A saving was also achieved in leasing the advertising space: on the entire advertising surface only one poster has been glued in the right corner, and instead of the whole, only one part of the billboard was leased. In this way, the festival transmitted the importance of using secondhand: already used billboards were taken to increase the desired effect of communication, thereby achieving savings.

Advertising Agency: Sonda, Vižinada, Croatia
Creative Director: Sonda (Jelena Šimunovi?, Sean Poropat, Anselmo Tumpi?)

60 Pula Film Festival: Wish box

Advertising Agency: Sonda, Vižinada, Croatia
Creative Director: Jelena Šimunovi? (Sonda), Sean Poropat (Sonda), Anselmo Tumpi? (Sonda)
Designer: Tina Erman (Sonda), Zvjezdana Vuki? (Sonda), Aleksandar Živanov (Sonda), Davorka Tumpi?
Photographer: Domagoj Kuni?
Interactive application: Mirko Trkulja
Wish-Box construction: Višen Slamar and Sonda
Web: Euroart and Sonda
Filming: Zoran Mikletic?, Goran Škofic?, Dina Ronc?evic?
Film production: Zoran Mikletic?

Museum of Childhood: Japanese, Genius, Balloons, Imagination, Mind

The Museum of Childhood is so much more than just old toys. It lets people properly understand how amazing it is to be a child.
Our campaign shows children’s amazing capacity for invention and learning. We commissioned conceptual illustrators. We wrote lines, they brought them to life. And vice versa. A unique collaborative process to deliver something very different.
The posters ran in and around the area of the museum itself. Post campaign, the museum has seen a double-digit percentage increase in traffic. Plus the prestigious V&A museum is now selling the posters, which can only help spread the word.

Advertising Agency: AMVBBDO, London, United Kingdom
Executive Creative Director: Paul Brazier
Copywriter: Mark Fairbanks
Art Director: Thiago de Moraes
Art Buyer: Kirstie JohnstoneE
Illustrators: Lesley Barnes
LouLou & Tummie
Till Haffenbrack

This Dog Food Campaign Urges You to Walk Your Dog

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So DDB Brussels cam up with an interesting idea for Pedigree that both promotes the brand as well as encourages people to take their dog for a 30 minute walk each day. The brand placed bus shelter posters all around Belgium. The boards acted as signposts guiding dogs and their owners on several predetermined paths, 7 in all, throughout the city.

The posters also encourages people to share their dog walking experiences on the Pedigree Facebook page for a chance to win a free Pedigree sample pack.

Soirée Graphique: Visual Cultures

Advertising Agency: KOMET, Switzerland
Creative Director: Thom Pfister
Copywriters: Antonia Bekiaris
Art Director: Roland Zenger, Joël Weber
Graphic Design: Klaus Stille
Advisory Service: Gabriela Fust, Soirée graphique

#StealBanksyNY Site Promotes Theft, Artistic Freedom, Awkward Hashtags

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Stealbanksyny.com does not exactly have a ring to it, but the new site created by two NYC digital ad folks – Derek Evan Harms & Damjan Pita of Razorfish and AKQA, respectively by day – is an interesting bit of content to check out as Banksy’s unofficial October art tour comes to an end. Users can find a map of New York that shows where FREE Banksy art is all over the city. Each FREE bubble links to an image of the art. People have already stolen some of the work, whether it be traffic cones, car doors, or wall art. On the site, in big block letters reads the rallying cry, “Better Ours Than Theirs.” Underneath that in a bright orange rectangle is, “Get it before the MOMA gets it!” And then, of course, is the famous Picasso quotation that has been mimicked by everyone from Quentin Tarantino to Steve Jobs: “Good artists copy, great artists steal.” At least there’s no ambivalence.

Banksy has encouraged people to shake things up instead of simply following the rules. And stealing – or borrowing with no plans of returning – his street art is the perfect way to honor the man’s words. Besides, MOMA already has enough art.

New Career Opportunities Daily: The best jobs in media.

Salvation Army Places Street Signs on Homeless Homes Calling Attention to Plight of the Homless

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With help from Toronto agency Cossette, The Salvation Army is making sure Canadians know that no one should have to live on the streets.

The agency has launched an outdoor campaign that encourages consumers to make donations that will be used to help the homeless. The agency placed typical neighborhood home address signs in a variety of public places where people normally eat, talk, read, relax, wait for the bus, or just hang out.

The home address signs draw attention to the fact that these same places are also locations where homeless people sleep. A headline beneath the street number reads: “No one should have to call this home.” And below this headline people are encouraged to “Give hope to the homeless” by texting a donation to The Salvation Army.

Of the work, Cosette Co-CCO Matt Litzinger said, “The problem with homelessness is that it’s often easy to ignore. We wanted to jolt the public by putting messages in places – and in a manner – that would surprise them,. Then we continue to turn that communications experience on its head by telling our audience that these same locations are also places that street people call home.”

Houston Texans Will Turn into Giant Robot, Destroy You (Just Kidding! They’re Terrible!)

From production company The Famous Group comes the above pre-kickoff 3D opener meant to pump up the Houston Texans crowd and help them momentarily forget that they’re currently on a five-game losing streak. Bear in mind that they’re only seven games in right now. Yep.

Despite what the Transformers-esque Megabull would have you think, the Seattle Seahawks actually defeated the Texans during this Sept. 29th game by a score of 23-20. In case you missed it, Texans QB Matt Schaub called an audible late in the 4th quarter that demanded his offense lift him onto their shoulders to create a massive stack of football players somewhat resembling Megabull. The Seahawks defense countered by turning into a large bird of prey with the help of billionaire owner Paul Allen‘s record-breaking 50-yard wide hang glider.

As the Megabull tried in vain to jump-punch the Megahawk, the Megahawk swooped in circles around the Reliant Stadium rafters. After Megabull succumbed to fatigue, Megahawk snatched the football from the right horn of Megabull (also Schaub’s right arm), took it to the end zone, and ate it. As football fans know, this is the robot equivalent of a game-winning field goal, securing victory of the Seahawks. As Megahawk flew home to regurgitate pieces of the football for its young to feed on, the Houston crowed turned their ire  Matt Schaub, and the “Fuck Megabull” chant was heard far and wide throughout Texas that day. ‘Twas truly a harrowing moment for the game of football.

On top of this elaborate tale from the gridiron, The Famous Group would like to note that this video was created in cooperation with New Zealand animation shop, Flux Animation, and that this video was specially made for the debut of Reliant Stadium’s new 14,549 sq. foot Mitsubishi Diamond Vision screen, the world’s largest in-stadium HD video screen.

New Career Opportunities Daily: The best jobs in media.

Cossette Puts Together Provocative Outdoor Campaign for Salvation Army Canada

The Salvation Army of Canada (unlike some politicians here in the states) believes that “No one should have to call the streets home.” That’s the phrase Toronto agency Cossette inscribed on home address signs and left in a variety of public locations (like bus stops and park benches) people frequent throughout the day that are also used as places to sleep by the homeless.

“The problem with homelessness is that it’s often easy to ignore. We wanted to jolt the public by putting messages in places – and in a manner – that would surprise them,” explains Cossette co-chief creative officer Matt Litzinger, adding “we continue to turn that communications experience on its head by telling our audience that these same locations are also places that street people call home.”

Cossette and Salvation Army of Canada also gave people the opportunity to make a five dollar donation via text, with a number included on the home address signs. Using unusual locations and the sense of the out of place to help call attention to homelessness is a smart tactic. Immediately giving them an opportunity to do something about it (before they forget) is the icing on the cake.

The video for the campaign keeps it simple, choosing to let the outdoor campaign tell its own story, with only a textual explanation and background music accompanying the shots of the home address signs at different locations. Since the outdoor campaign is the real message, this is all that’s necessary, adding anything else would just detract from the message.

 

New Career Opportunities Daily: The best jobs in media.

Draftfcb Gives Oreos a ‘Dublin Twist’

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Following on the heels of the massively successful centennial “Daily Twist” campaign, Draftcb has teamed up with media agency PHD,  which won JC Decaux’s “Fame – The Agency Edition” competition and secured €150,000 of media space, for an outdoor campaign dubbed “Dublin Twist.”

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“Dublin Twist” celebrates unique landmarks and events around Dublin, by depicting them in the medium of Oreo. The fifteen “twists” include Oreo depictions of the maze at Iveagh Gardens, the Bram Stoker festival, the Hugh Lane Gallery, the Abbey Theatre, the Dublin Writers Museum, and others. Draftfcb London’s ECD David Harris describes the aim of the campaign: “Through the iconic images of OREOs, this campaign invites people to get together and discover the less well known, more unconventional parts of Dublin,” he said. The sixteenth and final “twist” on Dublin institutions will be based on a winning suggestion from one of of TheJournal.ie’s readers.

In addition to the aforementioned installations, the campaign will also transform Dublin public transportation. In addition to public bus wraps, a wrapped train called the Oreo Express will dispense Oreo samples at Dublin’s Pearse Station. That is going to make some kids very, very happy. On October 28th, the brand will support runners of the Dublin Marathon with a good luck message and goody bag contribution. The campaign runs through November 4th and also includes print, experiential and social media aspects.

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The “Dublin Twist” campaign is a fun and playful extension of the idea from a successful (also fun and playful) campaign. It’s really a can’t miss. What’s not to like about minimalist interpretations of a city’s lesser-known landmarks and events, depicted using only Oreo cookies? Let’s hope Oreo continues this “twist” trend further, as it has worked excellently for the brand and offers a seemingly endless array of possible variations. Credits and more images after the jump continued…

New Career Opportunities Daily: The best jobs in media.

160 Girls Project: No Where

Advertising Agency: BBDO, Toronto, Canada
Creative Director: Peter Ignazi, Carlos Moreno
Art Director: Alice Blastorah, Craig Brandon
Copywriter: Shiran Teitelbaum, Johnny Pavacic
Designer: Mike Nugent
Digital Art Director: Danny Bang

Uplift Sculptures

L’artiste Mia Pearlman a réalisé ce magnifique ensemble sculptural appelé «Uplift». Ce travail de commande est presenté à Boston, à l’extérieur et à l’intérieur des locaux de Liberty Mutual Insurance. Des oeuvres d’une grande beauté à découvrir dans une vidéo dans la suite de l’article.

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Fiat 500: Theater in a 500

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor

MegaStar Cineplex: Bug’s Life

Advertising Agency: Ogilvy & Mather Vietnam, Ho Chi Minh City, Vietnam
Executive Creative Director: Todd McCracken
Art Directors: BJ Galinato, Nhat Linh Pham, Dang Thuong Do
Copywriter: Mike Ramsy
Photographer: Dang Thuong Do
Producer: Xuan Nguyen
Account: Alfred Leitao

MegaStar Cineplex: King Kong

Advertising Agency: Ogilvy & Mather Vietnam, Ho Chi Minh City, Vietnam
Executive Creative Director: Todd McCracken
Art Directors: BJ Galinato, Bao Chau Ngo
Copywriter: Todd McCracken
Photographer: BJ Galinato
Producer: Xuan Nguyen
Account: Alfred Leitao

MegaStar Cineplex: Cloudy with a Chance of Meatballs

Advertising Agency: Ogilvy & Mather Vietnam, Ho Chi Minh City, Vietnam
Executive Creative Director: Todd McCracken
Art Directors: BJ Galinato, Bao Chau Ngo
Copywriter: Mike Ramsy
Photographer: BJ Galinato
Producer: Xuan Nguyen
Account: Alfred Leitao

BitTorrent gera discussão sobre futuro da Internet com outdoors misteriosos

Vários outdoors misteriosos ocuparam importantes ruas de Nova York, Los Angeles e Vale do Silício nas últimas semanas.

Sem sinal de marca alguma, frases como Your data should belong to the NSA, The Internet should be regulated e Artists need to play by the rules resultaram em grande movimentação nas redes e na mídia, com especulações de quem era o responsável por tudo aquilo, afinal.

Sem assinatura, alguns chutaram que era obra da própria NSA.

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O mistério terminou ontem, quando o BitTorrent assumiu a campanha publicamente. Como parte da ação, as mensagens expostas foram adaptadas como se fossem pelas próprias pessoas que passaram por ali e não concordaram com aquilo.

Agora, as frases que tomam as ruas dão o poder do conteúdo e o futuro da internet nas mãos dos artistas e do povo.

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“Parecia que este era o momento certo para falarmos com as pessoas sobre o que acreditamos, e o que está acontecendo no mundo.” – Matt Mason, VP BitTorrent

Para o BitTorrent, ss outdoors foram uma oportunidade para destacar uma conversa que vem crescendo e interessando cada vez mais gente, além de buscar mudar algumas percepções sobre sua imagem, filosofia e objetivos como empresa – ainda bastante ligada à pirataria. A ação integra-se perfeitamente aos últimos projetos lançados, como seu novo produto de distribuição de conteúdo, Bundle, e a parceria com a Madonna pelo Art For Freedom.

Além de toda a repercursão, a campanha gerou o mais importante: uma discussão como chance de educar as pessoas sobre o futuro da Internet, e como o BitTorrent pode ajudar nisso.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Is Your Dog or Cat Out Chasing Tail? Try These Pet Condoms.

Got a pet on the prowl? Afraid Sparky's a sex addict? Then Animal Instinct Pet Condoms are for you. Too bad they're also fictional. Outdoor and online, the San Francisco SPCA is trolling people with the ridiculous concept of animal condoms to draw attention to the serious issue of pet overpopulation. When you try to dig deeper on the site to learn how to talk to your pet about protection, the site reminds you that the only real way to fix the problem is to spay and neuter. The fact is, of the 6 to 8 million pets that land in shelters each year, barely half are adopted. The rest get euthanized. So before the situation gets even more out of hand, go ahead and lop off Fido's joy berries. It's a lot easier than putting a rain jacket on his junk every time you go to the doggy park.


    

Mystery Billboard Teaser Campaign Taunts NSA

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Two mysterious billboards have appeared in New York. One, located on West Broadway near Canal Street, reads, “Your data should belong to the NSA” and the other, located at 27th and Broadway, reads, “The Internet should be regulated.”

A Clear Channel spokesperson, David Grabert, confirmed to Animal New York the work is part of a teaser campaign saying,”For now, I am respecting the creative campaign and reserving comment on who the advertiser is.”

One of the boards is also in San Francisco located on 101 North. The LA Times believes it could be blogger-turned-venture capitalist Michael Arrington who is behind the campaign citing his desire to shame companies aiding NSA efforts.

It seems details as to who’s behind the campaign will be revealed next week.

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(Photo: Aymann Ismail/ANIMALNewYork)

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(Photo: Jeff Owens)