And Now, Your Midday Time-Killer: ‘Movie Meets Movie’

Our old pal Chris Baker, the former BBDO New York copywriter, Google Creative Lab alum and current BuzzFeed CD, is back with yet another fun side project dubbed “Movie Meets Movie.”  The man who’s helped create a variety of interesting, amusing efforts over the years including “Unbaby Me” and  “M Night School” is now enticing the film geek in all of us to head to the MMM site, read and take part in creating the ideal movie equation.

As Baker and his partner on the project, Jeanelle Mak, explain, “The X meets Y formula, as it turns out, is a succinct, and almost more interesting way to quickly know what a movie is about, and when you come up with a perfect equation, one that embodies the movie and shows off your movie knowledge, you should get credit for it. That’s why we’re here.” There are plenty of submissions already posted on the site, and you can add your own “deconstruction” by simply owning a Facebook account. Who’s to say this won’t distract us the rest of the day as it seems to be constantly updating.

New Career Opportunities Daily: The best jobs in media.

Bob Marley Passover Lights Up Hebrew Text

 

Rabbis around the world just collectively shuddered, but the conservative kids who struggle to sit through a Passover seder have something unique to look forward to. The Haggadah, the prayer book that tells the story of Passover, has just been remixed by Nathan Phillips, a senior writer at SS+K. You may be familiar with a Lena Dunham ad he wrote and directed for Barack Obama‘s reelection campaign last fall. Now, with the help of Art Director and shiksa Jessica StewartPhillips has unleashed a cool, creative affront to Jewish grandmothers: Bob Marley Passover.

Yes, Bob Marley Passover…as in, Bob Marley Passover. So brazen, it just might work. You can see the project site and download the haggadah here. Don’t forget to #BobMarleyPassover, which is further evidence that hashtagging has gotten way out of hand. But the haggadah itself is legitimate, if not light-hearted and full of a sense of humor bound to clash with almost anyone over 30.

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And Now, There’s This for Junior Strategists

We’ll spare you the prelude, so let’s just say the guy on the left is StrawberryFrog Amsterdam strategic planners Ben Culpin and Ashly Stewart, who have decided to help out the junior strategists of the world with a new service. Here’s their mission statement:

“It’s our hope that this project will become a resource to help inspire and grow the junior community the same way a good mentor would. We aim to talk with a variety of insiders in strategic roles, from client side to agency side, from communications to product design. We will also aim to highlight informants, those who inform and inspire our strategic thinking from outside of the industry.”

Contributors include the likes of Eddie Revis, Simon Neate-Stidson and Lauren Holden Kilbane. Ok kids, it’s your turn.

New Career Opportunities Daily: The best jobs in media.

Justin Timberlake All Night Long? Justin Timberlake All Night Long!

Well, ad guys and gals, after seven long years we finally have a new album from the 21st century equivalent of late ’90s-era Justin Timberlake, Justin Timberlake.

On Tuesday, JT dropped his third full-length solo album, The 20/20 Experience. While it won’t live up the expectations of those who wanted another FutureSex/LoveSounds, 20/20 is still a very enjoyable listen front to back. For those of you who just want to put on some entertaining jams to dance around to with your friends and/or significant other(s), 20/20 will not fail you. You will smile, you will have fun, and if you’re lucky, you might even feel alive again.

To celebrate the triumphant return of His Timberlake-ness, creative team Amy Matheu and Nick Larson of CP+B Miami have created JT All Night Long, a first-of-its-kind digital experience that allows you to listen to JT’s voice on loop while staring into his soulful eyes via a compilation of music video clips. Do you like your JT vindictive and in the midst of revenge sex? Then watching him record himself while getting his lip bit off from the “Cry Me a River” video may be your thing. What about swaggy zoot suit JT? Well, look no further than his buttoned-up self in “Suit and Tie.” Are you kind of a creep who’s into teenagers? Well then, enjoy some clips from old ‘N Sync videos and stay away from me, you fucking weirdo.

In any case, if you want Justin Timberlake all night long, this is the closest you’ll probably come barring an incredibly elaborate and well-planned kidnapping. For your own sake, I’d suggest this.

New Career Opportunities Daily: The best jobs in media.

360i Minds Behind Oreo Super Bowl Tweet Promote Web Singalong

Singalongs can be messy affairs, like when that guy with the bad voice thinks he can hit soprano notes, or any Journey song comes on at a bar. A tweetalong, however, might be the perfect digital response to help us control our  unprofessional musical urges. Creatives from 360i and the Brooklyn band Rumors teamed up to create a website that might help promote “Slow Down,” a single off of the band’s album XOXO.

The site, essentially a digital singalong, compiles tweets from around the world that hashtag specific words in the song. As the song plays, different tweets pop up alongside the lyrics. And if you want to take a moment to read different tweets, scrolling over the hashtag automatically pauses the song. To continue the song, simply move the mouse again.

This isn’t the first time 360i took an innovative approach to ahead-of-the-curve content. During the Super Bowl blackout, the same Dentsu-owned firm’s creatives slid out some topical content for Oreo (more on it here). Brands have to use Twitter to stay relevant in our culture, but how they go about doing that has been hit-or-miss thus far (with more misses than hits). The success of Rumors will ultimately come down to the quality of music, but this blip on the social radar screen could earn them at least a fan or two.

FYI, Matt Wurst, director of digital communities at 360i, will be keynoting Mediabistro’s April Social Media Marketing Boot Camp. Go here for more info.

Credits:
Senior copywriter: Nick Panayotopoulos
Senior art director: Roberto Max Salas
Creative Technologist: Tore Holmberg from Your Majesty.

New Career Opportunities Daily: The best jobs in media.

RT+P Continues Mocking Gym Tools with Online Game for Planet Fitness

And now, your time-killer for the morning. Nine months after winning the Planet Fitness biz, Philly-based Red Tettemer + Partners continues in its ongoing “Gymtimidation” campaign for the chain via a Facebook extension/game called “Clunk-a-Lunk,” which now lets you virtually hand the worst of gym rats a little beatdown and win a one-year free membership in the process.

If you care to meet the latest round of testosterone-fueled cliches (who still can’t top this guy that Mullen came up with a few years ago), look no further than the trailer above or clips like “Abroham” and “Earthquake” below and after the jump. Yep, during our infrequent trips to our gym, we see that these folks sadly exist.

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New Career Opportunities Daily: The best jobs in media.

We’ll Do it Live…SXSWi Style: Come Join Us for a Google+ Hangout Chat at 4EST

As we mentioned yesterday via Twitter, we’re doing a Google+ Hangout chat that’s essentially a post-game analysis of SXSWi. Instead of my usual chatter, we’ll pick the brains of the likes of Craig Elimeliah, VP, director of technology at RAPP, and creative technology director, Alexander Rea, who’s worked with the likes of Vitro and Anomaly, to get their thoughts from this year’s event. Watch as it unfolds below.

New Career Opportunities Daily: The best jobs in media.

Jaguar, RSA Release ‘Desire’ Trailer Starring Damian Lewis

So it would seem that the weird Lana Del Rey music video produced by Jaguar was merely a tease foreshadowing bigger things to comes. In fact, Del Ray’s four-minute warble-fest “Burning Desire” is actually the soundtrack to a new short-film that heavily integrates the Jaguar F-Type, Desire.

Starring Golden Globe-winning actor Damian Lewis (Homeland) and Shannyn Sossamon (who’s been kind of quiet since starring in such films as 40 Days and 40 Nights and Wristcutters: A Love Story), Desire is the result of a collaboration with Jaguar, Ridley Scott Associates and agency Brooklyn Brothers (the guys behind the Alec Baldwin/John Krasinski New Era spots). The short film has no official release date beyond “spring,” and a press release describes it as “a story of betrayal, retribution, passion and greed.”

In a statement, Lewis says of his involvement, “Working with the director Adam Smith from Ridley Scott Associates, it promises to be an adventure. Jaguar cars have played some iconic roles in film for many years and I’m looking forward to being the first to drive the F-TYPE in film.”

Of course, this isn’t the first time we’ve seen a car company give its marketing a turn for the cinematic. In fact, it’s been over a decade since BMW Films’s Clive Owen-starring series The Hire gained critical acclaim for its groundbreaking approach to car advertising. In 2013, will the same sort of execution move F-Types? I suppose we’ll find out soon.

New Career Opportunities Daily: The best jobs in media.

Possible Promotes McVey to Global Creative Role, Launches New Site

It’s been a few months since we last heard from Possible Worldwide, but it appears that the WPP-owned digital agency has been busy as of late. Not only has Possible launched a new corporate site, but it’s promoted the man who led its development, Jonathan McVey, who now moves up the ranks to global creative officer. McVey, who most recently served as chief creative officer in charge of corporate and U.S. operations, will now (obviously) oversee creative strategy across Possible’s 26 global offices.

Prior to serving as CCO at Possible for the last year, McVey spent well over a decade on the creative side at ZAAZ, which of course was folded into the former a year ago. During his time at Possible, McVey has also overseen the launch of the agency’s CoLab social network.

New Career Opportunities Daily: The best jobs in media.

Jagermeister Celebrates the Bro-Code with ‘Brother in Your Corner’

Let me begin by stating the obvious: If you find yourself downing more than 3 Jager-bombs in one sitting, odds are your bro doesn’t have your back. Your bro is not a good bro, and you should consider bro-ing out with a new bro who won’t let such a terrible thing happen to you. Sorry, bro.

Now that’s out of the way, let’s take a look at the latest campaign for Jagermeister and LA-based indie shop Mistress titled “A Brother in Your Corner.” The concept of celebrating male companionship in alcohol ads is nothing new, especially in the beer category where things like “Man Law” are done time and time again. Instead of playing the concept for comedic effect, however, Jagermeister has decided to showcase legendary boxing trainer Freddie Roach, whose long resume includes times spent in the corner of boxing champs like Oscar de la Hoya, Manny Pacquiao, and Julio Caesar Chavez. As the video illustrates, Roach has gained a reputation within the boxing community for taking extra special care of his fighters, both within the ring and outside of it. This devotion to his athletes, Roach says, was instilled in him by his own trainer, Eddie Futch, who himself gained fame for training legends like Joe Fraizer, Ken Norton, and Larry Holmes.

The campaign’s tone and focus seems targeted to an older, likely middle-aged bro, one who has actually heard of these fighters and knows anything about professional boxing as none of the fighters associated with Roach our Futch are named in the spot. Also, it’s hard to find many people under that age of 30 who know much about boxing, as MMA continues its climb upwards as boxing fades into irrelevance. The campaign also features a digital extension in which those young males who prove they live by the “Jager Code” compete for a chance to win a trip to Las Vegas for a private training session with Roach as well as tickets to an upcoming boxing match. For more info visit the Jager Code website and Jagermeister’s Facebook page. Credits after the jump.
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New Career Opportunities Daily: The best jobs in media.

Bjorn Borg Attempts to Create the Ultimate Nightlife Photography Exhibition

Nightlife Photography: Is there anything that brings back the memories of sneaking into a clubs underage and looking like a complete idiot more than this? In fact, if you should scrape the archives of sites like Last Night’s Party and The Cobra Snake, you’ll find photos of me looking bewildered and terrified at parties hosted by much cooler people than I. Ah, childhood.

Now, designer underwear brand Bjorn Borg is attempting to catch consumers’ young, wild days with Unforgettable Night, a new online exhibition of nightlife photography happening around the world. Leading the celeb talent is Vogue event photog Pablo Frisk (above), whose last name doubles on as a state of mind. On the site, his photos are formatted as a hyper-linked magazine layout, with the pull quote “Female sexiness—it gives me such a rush” giving readers a glimpse inside of Frisk’s profound perspective on life.

Also featured is Berlin-based photographer Sven Marquardt, who looks absolutely fucking terrifying, doesn’t he? Marquardt and Frisk are the first two of six photographers who will be featured on the site. Interested designer underwear-donning consumers can get their own photos on the site using the hashtag #unforgettablenight on Instagram.

New Career Opportunities Daily: The best jobs in media.

Saatchi Aims to Curb Cyber-Bullying With Browser Plug-In

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BBR Saatchi&Saatchi met with 15 teenagers from the StartupSeeds organization — a program for nurturing technology — oriented youth, in order to try and find a solution to a national (Israel) and worldwide problem — cyber-bullying. Boycotts, harassments and offensive messages have caused many children emotional damage which in many cases has pushed them to end their lives tragically.

Out of dozens of ideas, the agency chose to focus on the cyber bully just before they write an offensive message on platforms like Facebook, blogs and forum. The agency created a Chrome browser plug-in that detects offensive words, and replaces them with positive ones.

Hmm. Getting an actual bully to install an actual plug-in that actually stops a bully from bullying is, well, a bit of wishful thinking. Just saying.

Why ‘Programmatic Premium’ Media Buying Doesn’t Work Today

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There’s been a lot of discussion lately about “programmatic premium”- using machines to fully automate the purchase of premium advertising inventory. It seems like every conference lately has someone from Kellogg’s on a panel saying programmatic premium is GR-R-REAT with very impressive statistics to support their claims.

The Ad Exchanges, DSPs, DMPs, SSPs, and various other TLAs (three letter acronyms) you see on Terry Kawaja’s Display Lumascape have certainly been successful at automating the buying and selling of remnant inventory. But remnant inventory represents only a small slice of advertising spending. According to Mike Leo, CEO of Operative, only 18% of digital media advertising budget is spent through exchanges.

Advertising technology stack vendors are now hungrily eyeing the other 82% of the pie that is currently being spent on premium advertising inventory through guaranteed contracts. Their story is their technology will work just as well for premium inventory as it has proven to be for remnant inventory. However, in practice, they face three very significant challenges.

First and foremost, today’s exchange-based technologies are not well-suited for buying guaranteed inventory.  Exchange-based technology was built to optimize bids on an impression by impression basis in real-time. The lifecycle of the process is literally 30 milliseconds and does not involve humans. It’s just a simple transaction between two computers based on pre-programmed bidding algorithms.

In contrast, buying guaranteed inventory today is a messy 42-step process spanning weeks involving humans from multiple organizations, RFPs, dinners, ballgames, proposals, contracts, negotiations, reviews, signatures, and such.  The big problem/opportunity with buying guaranteed inventory is not in optimizing bids, but rather in optimizing the workflow.  Optimizing workflow within the agency and among trading partners requires a very different set of technologies than an algorithm for optimizing bid prices on a transaction.

To avoid all this messy workflow, some ad tech vendors ignore it and try to force-fit premium inventory into exchanges. They want to move the inventory into the game they are already good at playing.

That leads to the second problem: premium publishers don’t want to put their inventory in exchanges because it drives down the value of their inventory. Publishers joke that RTB really stands for “race to the bottom.” According to Walter Jacobs, EVP of Sales at Turner Digital “We don’t participate in any real time bidding or private exchanges at this point. It’s a very funny thing, because to the untrained eye, we might seem like an unsophisticated old media company that is scared to embrace technology. The opposite couldn’t be much closer to the truth. […] We believe the downside of RTB and private exchanges is that it fragments audiences.”

Ad tech vendors need to respect the needs of the premium publisher. Publishers are certainly keen to streamline their workflow, lower their transaction costs, and to make it easier to buy from them. However, they will never do that in an environment that commoditizes their inventory and creates channel conflict with their ad sales teams.

A third problem that is rarely mentioned, but perhaps trumps them all is the dirty secret that advertising agencies are making a ton of money on the old way of buying guaranteed inventory. Starting around 1990, agencies have moved from media commission models to hourly (or “cost plus”) pricing models. According to the 4A’s Labor Billing Survey Report, 91% of proposals today are priced based on hourly rates (despite scoring lowest among alternatives on the Grossman Grid). In other words, the more time they spend on a job the more they get paid for the job.

A typical digital media plan costs an agency $40,000+ in labor to create and execute. These costs plus a profit margin are the revenue for the agency. As such, agencies are reluctant to adopt technologies solely on the basis of efficiency because it will cut their revenue. As an engineer, it kills me there’s a disincentive to be more efficient. But that’s the cruel reality of the situation. Any new technology has to have value beyond just efficiency to give the agency a really good reason to break rank and to go through the painful process of establishing a new compensation model that preserves their revenue.

There’s a billion dollar opportunity for automation in premium inventory. Ad tech stack vendors have proven that automation works in remnant inventory. Now it’s time to raise the bar and evolve the automation to support the more sophisticated needs of the buyers and sellers in premium advertising inventory.

This guest post was witten by Joe Pych, Founder and CEO of NextMark, a software services company that enable marketers to reach their market more effectively and efficiently

InstaCamp Brings Campfire, Christmas Carols to Your Digital Device

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Sometimes the simplest campaigns are the best campaigns. We’d venture to say that’s the case with InstaCamp. Created by Denver-based LRXD for Kampgrounds of America, InstaCamp brings the visual pleasure and virtual warmth of a campfire along with relaxing Christmas music to your digital device.

Fire it up in the office. Fire it up at home. Fire it up while you’re stuck at the airport on your way home for the holidays. Wherever you fire it up, it’s pretty much guaranteed to calm your nerves at least for a little while.

A agência Komodo é mesmo uma invenção do IAB. Mas com um triste fundo de verdade.

Como muita gente já desconfiava, a agência Komodo é mesmo uma campanha viral do IAB Brasil. A invenção de uma história que tem um fundo de verdade, e expõe a descrença no meio por parte de muitas empresas e marcas no Brasil.

Mesmo atingindo 84 milhões de usuários no país, que é o segundo do mundo que mais fica conectado e utiliza redes sociais, o investimento publicitário na internet ainda é ínfimo se comparado com as mídias “tradicionais”.

O B9 apoia essa campanha e, sabendo que o mercado está recheado do pensamento komodo, promovemos com orgulho a iniciativa do IAB para valorizar a indústria da propaganda digital. O que importa é que a discussão foi instalada. Se muitas pessoas acharam absurda a proposta de uma agência 100% offline, saibam que esse tipo de convicção não fica só na ficção.

Agora, pessoal da conspiração “post pago”, achei que vocês já conhecessem nossa política clara e transparente sobre isso. Temos até uma categoria específica. Não precisamos emitir PI para apoiar o mercado do qual fazemos parte e é de nosso pleno interesse.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Komodo: Uma agência que despreza a propaganda online

Quando você achava que essa discussão já era coisa do passado, vem alguém e bota o dedo bonito na ferida.

Além de anúncios em veículos especializados, uma tal nova agência chamada Komodo nos enviou uma mala direta. Seria apenas mais um entre tantos gastos de papel à toa, exceto por um detalhe: A agência se diz 100% offline.

“Propaganda online não funciona”

Além da frase acima, a peça traz a filosofia da Komodo – que tem o Sérgio Lopes como CEO – e diversos argumentos contra publicidade online e a “turminha do digital”.

“Rede social, viral, aplicativo e todas essas geringonças modernosas têm muita tecnologia, mas nenhuma eficácia.”

Não sei da seriedade e veracidade dessa empresa, que atende orgulhosa no telefone (11) 2533 6108. De qualquer maneira, pode ter certeza que só está tornando público aquilo que muitos clientes e profissionais da publicidade realmente pensam, mas não tem coragem de passar vergonha por aí.

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Even the sweater remains the same!/ Une démo indémodable

Click here to view the embedded video.

Click here to view the embedded video.

THE ORIGINAL?
Clearly Contacts / online retailer of glasses – 2011
Source : Giant Ant
Agency : Giant Ant Vancouver (Canada)
LESS ORIGINAL
Mister Spex / online retailer of glasses – 2012
Source : YouTube
Agency : Unknown ? (Germany)

Hot Guys Ask Women to Pick Favorite Flower

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Click to…Enlarge

Amsterdam-based Kingsday is employing some beekcake to appeal to women in a campaign that aims to get the ladies chatting about their favorite flower. Created for the Flower Council of Holland, the campaign takes women (or anyone who wants to) inside a virtual greenhouse where five jacked, shirtless men help find them find their favorite flower.

Visitors are presented with flower multiple flower choices until selections are narrowed down to a favorite.


Creative Circus Grad Creates High School Fun

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Help out an ad school grad. Rick Morrison is a recent graduate of Creative Circus. He and his friends have created a site highlighting the class. We’ll Rick tell the story.

“We wanted to pay homage to our class–the biggest in school history–as well as show off everyone’s individuality. So we created Creative Circus High School 2012, a fun, semi-ridiculous website for posterity and to introduce our class to all of you in the real world. Click the heads to hear our catch phrases and the names below for personal sites.”

Check it out.


Zaraguza Digital revela bastidores da agência “ao vivo” no Facebook

Outro dia mostramos por aqui a página da Johnnie Walker no Facebook, que muda a foto de capa conforme o usuário dá um refresh. Uma outra ideia, bem parecida, é a da Zaraguza Digital, da Eslovênia. A diferença está nas imagens que aparecem na foto de capa, produzidas em tempo real na própria agência, ou como eles mesmos definiram, é uma integração do escritório offline com a página do Facebook online.

Esta página possibilita que os criativos da Zaraguza possam interagir de maneira diferenciada com os clientes e fãs, que além de acompanhar tudo o que rola na agência, também podem participar sugerindo mensagens.

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