Nike Basketball – Goutte d’Or

Nike présente en collaboration avec le collectif Pigalle Paris et Amateur Basketball un spot magnifique mettant en avant l’état d’esprit et la qualité de l’équipe de la Goutte d’Or. Paul Geusebroek signe ici une réalisation soignée, autour d’images de la capitale. Plus dans la suite.



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Cyklop Street Art

Un artiste français connu sous le nom du CyKlop cherche à colorer Paris et différentes villes avec cette customisation de poteaux et autres éléments. Jouant énormément sur le symbole de l’oeil, ces cyklopes sont à découvrir au détour d’une rue. Plus dans la suite.



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Previously on Fubiz

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Robin Hood Tax Gains Traction

US and UK still the holdouts.

From Adbusters Blog

As Occupy gears up for the American Spring, our European counterparts will soon have one OWS victory to put in their cap. In France this past week, lawmakers put their backing behind a bill for a Robin Hood (Tobin) Tax. The tax, a fraction of a percent on all derivative, currency and securities transactions, will equate to billions of dollars for social programs (at a nominal cost to the markets) and will reign in the worst elements of speculative trading in Europe.

This marks the long beginning of the necessary radical shift in the economic paradigm of our age. Germany and the Eurozone states are already on board, leaving only the U.K. and the U.S. defending unbridled neo-conservative free market gains.

For all of us this side of the Atlantic, the obvious question is: why not a Tobin Tax here?

When the G8 meets in Chicago this May, lets make sure that Occupy is there to greet them with a demand for Robin Hood.

(Reuters) – France wants to target bonds and derivatives, as well as stocks, with a new tax on financial transactions which the conservative government hopes to introduce before an April presidential election, Finance Minister Francois Baroin said on Tuesday.

President Nicolas Sarkozy’s government is keen to push ahead with a “Tobin tax” even without its European Union partners …

Read the entire article: http://www.reuters.com/article/2012/01/10/us-france-tax-idUSTRE8091BC201…

Nike Bootroom Paris

Le magasin Nike Paris des Champs Elysées dévoile son nouvel espace “Boot Room” entièrement dédié au monde du football : un univers de 560m2 dédié aux amateurs de customisations et de sport. Plus de visuels de cette installation pensée avec Studio White, dans la suite de l’article.



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Previously on Fubiz

USA Today Dinner in Cannes: A Who’s Who of the US Ad Scene

newsImg_20090108145230I attended the USA Today dinner honoring all the US judges participating in the Cannes festival. As it is every year, the dinner was at famed restaurant, Le Moulin de Mougins just outside of Cannes.

At the event were many of our country’s leading advertising and marketing professionals, including the following: Bob Greenberg, Gerry Graph (jury), Michael Roth, David Lubars (head juror), Tom Bernadin, Ty Montegue, Howard Draft, Tom Bedecarre’ and dozens of others whose names and faces you’d recognize. Other jurors invited were Rich Silverstein, Nick Brien and David Droga. In addition, I was able to identify various marketing big wigs from Kraft, P&G and McDonalds.

You get the idea. If someone dropped the proverbial bomb on Le Moulin the US ad industry would be decimated. Which got me to thinking…

What if someone did, God forbid, drop a bomb on the place? After the dust cleared, would our much-maligned industry suffer even further or, as many cynics have suggested, would the elimination of so many big shots suddenly the decks for a faster, brighter and sharper version of…them?

I know this sounds morbid. Terribly so. But it’s what I thought about as I exited the restaurant into a parking lot full of waiting Mercedes sedans. The drivers were all lined up like West Point Cadets. Upon seeing a colleague exit and me they descended upon us. Seriously, folks, it was like Night of the Living Limo Drivers.

Conversely (and less morbidly), what would happen if Le Moulin somehow became transported to the proverbial desert island? None of us very good at actually making things, could we survive? If so, would we form a huge holding company, give each other untold shares, and go about bamboozling the indigenous people into hiring us?

Hey, I’m only kidding!

USA Today threw a lovely soiree and I felt privileged to have been there, let alone invited. One of the most fun things about coming to Cannes is the opportunity to meet so many VIPs of our industry, and not just from the creative ranks. At any given moment you might bump into your mentor, idol, future or former boss. Pretty scary. Pretty cool.

Steffan Postaer, Chairman and CCO of Euro RSCG Worldwide Chicago. He just completed a novel about God and Advertising and posts regularly on his blog, Gods of Advertising.


We Don’t Need No Stinkin’ Awards

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It’s that time of year again – Cannes is coming. Does the lure of hardware, sunshine, and glamour call you like a siren song? Are you dying to add a trophy to your office or brag to clients that you were nominated the umpteenth time for an award? If so, perhaps you’re in the wrong business.

Don’t get me wrong – I love awards. I have a box in my basement, full of old trophies and ribbons from high school standing as a monument to a time in my life when I lived for my work (at the time, my work was drill team, but you get the idea). There is nothing I like more than being singled out for being the best. Now that I’m a lot older and, hopefully, a little wiser, I’ve finally gained some perspective and would like to bring you back to reality, even if for just a moment:

  1. Is the client happy? We must never forget that this business is always about “them” and never about “us.” What good does it do your client if the critics like your creative, but the client is not seeing much of a return on his/her investment? Clever is good. Profitable is better.
  2. Are you doing good work on all of your campaigns, or on just one spot? It’s so easy to focus on only one commercial or campaign and pull out all the stops. Are all of the clients in your portfolio receiving the same consideration? If not, then it’s time to stop playing favorites and get back to work.
  3. When pitching clients, how often do awards come up? Be honest. Do you spend more time talking about yourself than about what you can do for the client?
  4. Define good work. I’ll bet if you ask 20 different ad professionals what good work is, you’ll get 20 different answers. Yet, we let a panel of, say, 10, determine what the best work is? No thanks.
  5. Awards don’t always equal good work. I believe that for every award-winning agency, there are at least 10 non-winning ones that are doing as good, if not better, work. I had the great fortune to work for a small shop that routinely churned out great work. We never won awards for it, though. Why? We never entered. We knew that we turned out kick-ass work that got results for our clients, and that was all we needed to know.

Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via twitter, LinkedIn, or her blog.


France Mobile Phone Ads Monitored

Mobile Phone Ads Banned

In a move to help address the health hazards that mobile phones bring, France is cracking the whip on mobile phone advertising, particularly to the kids. It is no secret that mobile phones emit radiation which can be a cause for cancer in kids. While this has been known for years now, France has taken the lead to address the issue to safeguard their youth from potential health risks.

Who knows if we may see the same trend followed by most companies from there?

French advertisements by contrast take a different view. Some put up in large cities including Lyon this week read: “Let’s keep them healthy, away from mobile phones!” Some Swedish research indicates that children are five times more likely to get brain cancer if they use mobiles, but other research efforts have found results inconclusive.

(Source) Telegraph

Eurostar: Hallucinating

a href=/media/print/eurostar_hallucinatingimg src=http://adsoftheworld.com/files/images/eurostarlondon.preview.jpg alt=Eurostar: Hallucinating title=Eurostar: Hallucinating class=image image-preview width=460 height=345 //apAdvertising Agency: leg., Francebr /
Creative Director / Copywriter: Gabriel Gaultierbr /
Art Director / Illustrator: Christophe Dru/p

Vivelle Dop: Ponytail

Vivelle Dop: Ponytail

Extreme hold.

Advertising Agency: Publicis Conseil, Paris
Creative Director: Olivier Altmann
Art Director: Quentin Schweitzer
Copywriter: Nicolas Callot
Photographer: Vincent Vittecoq
Account Executive: Isabelle Saillant
Retoucher: Marc Thomas
Published: June 2008

Foundation Abbé Pierre: Rock

Foundation Abbé Pierre: Rock

What if Rock could help the homeless?
During the Eurockéennes rock festival, sign the petition against housing problems.

Advertising Agency: BDDP & Fils, Paris, France
Creative Director: Guillaume Chifflot
Art Director: David Derouet
Copywriter: Emmanuel de Dieuleveult
Art Buyers: Marie Ferrara, Elise Kubler
Photographer: Roberto Badin
Retouching: Christophe Huet@Asile
Stylist: Carole Grégoris
Published: July 2008

A Nous magazine: Girl

A Nous magazine: Girl

Restaurants
Music
Cinema
Outings
What’s on
The urban magazine / Free
It’s up to us to tell you what’s going on around you.

The title plays on the double meaning of “A Nous” which is both the title of the magazine and “Up to you”

Advertising Agency: Australie, ,France
Creative Directors: Claire Ravut, Stéphane Renaudat
Art Director: Mathias Gaillard
Copywriter: Dan Assayag
Photographer: Romain Laurent
Other additional credits: Laurent Gesta, Stéphanie Lhermitte
Published: June 2008

A Nous magazine: Boy

A Nous magazine: Boy

Restaurants
Music
Cinema
Outings
What’s on
The urban magazine / Free
It’s up to us to tell you what’s going on around you.

The title plays on the double meaning of “A Nous” which is both the title of the magazine and “Up to you”

Advertising Agency: Australie, ,France
Creative Directors: Claire Ravut, Stéphane Renaudat
Art Director: Mathias Gaillard
Copywriter: Dan Assayag
Photographer: Romain Laurent
Other additional credits: Laurent Gesta, Stéphanie Lhermitte
Published: June 2008

BYO2: Body milk

BYO2: Body milk

Your body milk, is it really organic?
Where your beauty breathes.

Advertising Agency: La petite agence dans la prairie, Paris, France
Creative Directors: Alain Montel, Fred Gallier
Art Director: Alain Montel
Copywriter: Fred Gallier
Photographer: Antoine Kralik
Published: June 2008

BYO2: Shampoo

BYO2: Shampoo

Your shampoo, is it really organic?
Where your beauty breathes.

Advertising Agency: La petite agence dans la prairie, Paris, France
Creative Directors: Alain Montel, Fred Gallier
Art Director: Alain Montel
Copywriter: Fred Gallier
Photographer: Antoine Kralik
Published: June 2008

BYO2: Face cream

BYO2: Face cream

Your face cream, is it really organic?
Where your beauty breathes.

Advertising Agency: La petite agence dans la prairie, Paris, France
Creative Directors: Alain Montel, Fred Gallier
Art Director: Alain Montel
Copywriter: Fred Gallier
Photographer: Antoine Kralik
Published: June 2008

Wonderbra Swimwear: Clown fish

Wonderbra Swimwear: Clown fish

Advertising Agency: Publicis Conseil, France

Wonderbra Swimwear: Sea horse

Wonderbra Swimwear: Sea horse

Advertising Agency: Publicis Conseil, France

Wonderbra Swimwear: Sea turtle

Wonderbra Swimwear: Sea turtle

Advertising Agency: Publicis Conseil, France

Tiji TV: Balloon

Tiji TV: Balloon

Advertising Agency: DDB, Paris, France
Creative Directors: Alexandre Hervé, Sylvain Thirache
Copywriter: Matthieu Elkaim
Artistic Director: Pierrette Diaz
TV Prod: Sophie Mégrous, Forence Potthié Sperry
Advertiser’s Supervisors: Thomas Granger, Romain Lorthiois
AccountSupervisor: Emmanuelle Michel Mimran
Production: Wanda
Realisateur: Yoann Lemoine
Illustrator: Pierrette Diaz

Hansaplast Ear Plugs: Morgue

Hansaplast Ear Plugs: Morgue

You have never slept so deep.

Advertising Agency: TBWA\Paris, France
Executive Creative Director / Creative Director: Erik Vervroegen
Copywriter: Alban Galle
Art Director: Cyril Drouot
Photographer: Dimitri Daniloff
Account Supervisor: Laurence Dupas-Gelin