99 Lifelike Animals Installation

Inspiré par un voyage qu’il a effectué en Australie, l’artiste Cai Guo-Qiang a imaginé une installation appelée Heritage, permettant de réunir autour d’une piscine maquillée en étang 99 répliques d’animaux venant des 4 coins du monde. Une œuvre magnifique, présentée à la Queensland Art Gallery of Modern Art à Brisbane.

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Across The Ravaged Land

Nick Brandt est un photographe qu’on ne présente plus : il a réalisé de nombreuses expositions ayant pour thème la disparition des animaux en Afrique de l’Ouest. Sa dernière série intitulée Across a Ravaged Land est encore une fois une réussite et une féroce dénonciation. Des images saisissantes et sublimes à découvrir.

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Portrait of Baboon Standing
Buffalo with Reflection
Buffalos Head to Head
Elephant Footprints on Lake Bed
Elephant with One Tusk in Profile
Elephant with Baby Nuzzled into Leg
Elephant with Sleeping Baby
The Two Elephants
Giraffes Crossing Lake Bed
Calcified Bat II
Calcified Fish Eagle
Calcified Swallow
Lion Roar
Lioness Against Dark Foliage
Lioness Holding Cub in Mouth
Lioness on Mound, Serengeti
Lion with Wildebeest
Lion in Shaft of Light
Lion Circle
Snake on Lake Bed
Kudu Trophy Head
Lion Head Trophy
Buffalo Trophy Head
Lion on Burned Ground

Receipts Paper Lion

Le designer Kyle Bean a été engagé par le groupe Intercontinental Hotels pour réaliser une sculpture représentant un lion dans un matériau assez particulier. Ce dernier a en effet créé une structure de 60 cm à base de factures de clients de l’hôtel. Un travail dont le détail est impressionnant à découvrir en images.

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The Lion City

Dans la lignée de The City of Samba, voici une nouvelle vidéo de Keith Loutit avec ce nouveau court-métrage en time-lapse et technique tilt-shift sur la ville de Singapour. Avec une musique signée « Sepia Productions », le rendu est époustouflant, jouant avec talent sur les différents plans et la profondeur.

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The Lion City

Lion chased / Fauve qui peut!

lionrun2000 lionrun2012
THE ORIGINAL?
Borsen Daily Business Newspaper – 2001
Source : Cannes Archive Online,
Agency : Umwelt (Denmark)
LESS ORIGINAL
FIDH World Movement for Human Rights  – 2012
Source : CB Newsletter
Agency : Agence Limite (France)

Get closer… to the original idea / Une coïncidence plutôt louche

louche2005a louche2009SanDiegoZoo
THE ORIGINAL?
Buenos Aires Zoo “Animals very close” – 2005
Source : Cannes Archive Online, AdForum
Agency : Del Campo Nazca Saatchi & Saatchi (Argentina)
LESS ORIGINAL :
San Diego Zoo “get closer” – 2009
Source : street photo
Agency : Unknown? (USA)
A y regarder de plus près il semble bien que ce soit exactement la même chose…
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We Don’t Need No Stinkin’ Awards

awards

It’s that time of year again – Cannes is coming. Does the lure of hardware, sunshine, and glamour call you like a siren song? Are you dying to add a trophy to your office or brag to clients that you were nominated the umpteenth time for an award? If so, perhaps you’re in the wrong business.

Don’t get me wrong – I love awards. I have a box in my basement, full of old trophies and ribbons from high school standing as a monument to a time in my life when I lived for my work (at the time, my work was drill team, but you get the idea). There is nothing I like more than being singled out for being the best. Now that I’m a lot older and, hopefully, a little wiser, I’ve finally gained some perspective and would like to bring you back to reality, even if for just a moment:

  1. Is the client happy? We must never forget that this business is always about “them” and never about “us.” What good does it do your client if the critics like your creative, but the client is not seeing much of a return on his/her investment? Clever is good. Profitable is better.
  2. Are you doing good work on all of your campaigns, or on just one spot? It’s so easy to focus on only one commercial or campaign and pull out all the stops. Are all of the clients in your portfolio receiving the same consideration? If not, then it’s time to stop playing favorites and get back to work.
  3. When pitching clients, how often do awards come up? Be honest. Do you spend more time talking about yourself than about what you can do for the client?
  4. Define good work. I’ll bet if you ask 20 different ad professionals what good work is, you’ll get 20 different answers. Yet, we let a panel of, say, 10, determine what the best work is? No thanks.
  5. Awards don’t always equal good work. I believe that for every award-winning agency, there are at least 10 non-winning ones that are doing as good, if not better, work. I had the great fortune to work for a small shop that routinely churned out great work. We never won awards for it, though. Why? We never entered. We knew that we turned out kick-ass work that got results for our clients, and that was all we needed to know.

Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via twitter, LinkedIn, or her blog.