Pitch Rolls the 3D CG Dice for Local Casino

Pitch Gets Tactless for Citrix Sharefile

Pitch created the first ever video ads for Citrix Sharefile in its new campaign for the secure file sharing and transfer service, with a series of spots featuring some rather unprofessional behavior.

In “Dr. Looselips,” which runs in both 15 and 30-second iterations, this comes in the form of a doctor who addresses his patients by their ailments. This is much to the chagrin of patients waiting to be seen for foot fungus and constipation, who reluctantly reply when the doctor calls them out of the waiting room. Other 15-second spots follow a similar formula with “The Tactless Attorney” and a businessman with a pen that doesn’t exactly inspire confidence. The takeaway comes in the form of the question, “You wouldn’t do business like this, why share file like this?” followed by a call to “make a professional impression” with the service. While unlikely to elicit any belly laughs, the attempts at humor are welcome for such a dry category, however their connection to the service’s benefits are illustrated better in some ads than others.

Credits:

AGENCY: PITCH
Chief Creative Officer: Xanthe Wells
President: Rachel Spiegelman
CFO/COO: Pej Sabet
Chief Strategy Officer: Sara Bamossy
Associate Creative Director: Brian Farkas
Associate Creative Director: Tylynne McCauley
Management Supervisor: Tyler Lesch
Jr. Strategist: Lexi Whelan

CLIENT:
Catherine Harrell – Director of Marketing
John Benson – Associate Creative Director
Hudson Haines – Creative Lead

PRODUCTION:
Production Company: Myriad Media
Director: Fabian Marquez
Producer: Shawn Lamons
Director of Photography: Kent Willard

Editor: Daniel Cook
Sound Design: Daniel Cook
Music: Daniel Cook
Colorist: Marshall Alderman

Camera Operator: Holt Menzies
Camera Operator: Rob Russell
Assistant Camera: Jon Pfundstein
Assistant Camera: Kyle Messina
Script Supervisor: Spike Hoban
Gaffer: Matt Hedt
Electrician: Ish Abdelkhalek
Key Grip: Walker Anderson
Grip: Tony Holderfield
Audio Technician: Brooks Lester
DIT/ 2nd AC: Sam Kim
PA: Chandler Cearley
PA: Kristen Riveria
Make up/Stylist: Amy Hendrix
Set Design: Sarah Costello (PropTarts, Inc.)
Set Design PA: Krystle Bugarin
Location Scout: Carlene Cearley

The King Returns in Pitch’s Latest for Burger King

The King is back.

Burger King’s plastic-faced creep of a monarch is making his return to broadcast today in a new 15-second spot created by Pitch. The spot, entitled “Smile” is a relatively simple affair, promoting the ten chicken nuggets for $1.49 deal that “will put a smile on anybody’s face.” With the delivery of that line, the camera pans up to show the King smiling while dipping his nuggets.

The ad makes Burger King the latest fast food player to resurrect a nostalgic character, following McDonald’s new Hamburglar and KFC rebooting Colonel Sanders, portrayed by Darrell Hammond in W+K’s first campaign for the brand. The King made a costly appearance last month in the ring with Floyd Mayweather, a questionable decision on the brand’s part (to say the least) given Mayweather’s history of domestic violence, but this is his first appearance on broadcast since the character stopped appearing in ads in February of 2011. Given the trend of fast food brands reviving old characters, we’ll be surprised if the King doesn’t pop up at least a few more times this year.

“The King has been breaking status quo for decades and has earned his space in pop culture,” Burger King chief marketing officer Eric Hirschhorn told AdFreak. “He conveys the confident and bold spirit of the Burger King brand, which you can see comes to life in everything we do.”

No word yet on a Sneak King sequel.

Credits:

Client: Burger King
Agency: Pitch, Inc.
Chief Creative Officer: Xanthe Wells
Exec Design Director/Creative Director: Helena Skonieczny
ACD/Copywriter: Heather Parke
ACD/Art Director:  Kimberly Linn
Account Director: Audrey Jersin
Account Executive: Christina Gocoglu
Director of Broadcast: Julie Salik
Production Coordinator:  Ivana Banh
CFO/COO: Pej Sabat
Chief Strategy Officer: Sara Bamossy
Jr. Strategist: Lexi Whalen
President: Rachel Spiegelman
Editorial Company: Bicep Productions
Editor: Nate Connella
Asst. Editor: Gary Burns
Editorial Producer: Esther Gonzalez
Animation & VFX:  Terry Politis
Color:  Bob Festa, Company 3
Audio Post Company: Bicep Productions
Engineer: Luis Rosario
Production Company: Woodshop
Director: Trevor Shepard
Executive Producer:  Sam Swisher
Producer: Ursula Camack
Director of Photography:  Tom Lazaravich
Music:  Motive Music Sound
Composer:  Jeremy Adelman
Producer:  Samanta Balassa

Pitch, Weingart Center Urge Investing in the Homeless

In what feels like a more redemptive version of Shark Tank, we have this pro-bono campaign from Pitch, the West Coast shop you know perhaps for its longstanding relationship with Burger King, Pepsi, Asics and more.

In its newest campaign, the agency gets philanthropic and turns its focus to more socially-conscious issues, namely homelessness and a downtown Los Angeles organization called the Weingart Center.

This short may look like a board meeting/presentation, but it turns into a pitch that transforms potential investors from cold to hot when their salesman of sorts suggests job placement for the homeless instead of just donating a buck or two. It’s apparently not fiction.

In a statement, Pitch President Rachel Spiegelman writes:

“The men and women who work at the Weingart Center are miracle workers. They help people truly in need re-enter society with hope and a plan. When you donate you give your money away, when you invest you get a return. That’s the core idea behind our campaign and behind the Weingart program. We’re honored to be working with them on this incredible cause.”

The campaign also includes a redesign of the Weingart site and a Twitter march with the hashtag #investinLA.

AGENCY: PITCH
CEO: Jon Banks
President: Rachel Spiegelman
Chief Creative Officer: Xanthe Wells
ACD/Art Director: Brian Farkas
ACD/Copywriter: Tylynne McCauley
Executive Producer: Julie Salik
Producer: Nancy Sanders
Production Coordinator: Nick Phillips
Strategist: Lexi Whelan, Kristin Kiefer
Art Directors: Bryan Evans (Logo), Max Pollak (Social), David Dubois (Storyboards)
Copywriter: Will Patterson (Social)
Associate Design Director: Gary Shum (Logo)
Production Company: Check Your Head Films
Director: Ricardo Mehedff
Executive Producer: Josh Goldstein
Line Producer: Aviv Russ
Director of Photography: Lowell Meyer
EDITORIAL: BICEP PRODUCTIONS
Editor: Nathaniel Connella
Motion Graphic Designer: Terry Politis
Post Producer: Esther Gonzalez
Mixer: Nick Phillips
WEINGART
President & CEO: Kevin Murray
Director of Development: Kristina Farkas
Marketing Director: Felicia Dupuch

We Hear: Infiniti Pitch Down to Two

Infiniti_logo

We hear from a tipster today that the number of parties involved in the summer-long Infiniti pitch is down to two.

While no official statements have been released, rumor has it that CP+B and GS&P are the last shops standing.

One thing is certain: this has been an epic pitch. The review began way back in December 2013, and in May the company’s own director of marketing told AdAge that agencies chasing the account (which has been with TBWA for more than a decade) would “have their work cut out for them”. Another dream client, then.

In June, the pitch officially involved seven agencies, and July saw that number drop down to four: Anomaly, BBH, CP+B and GS&P. Our source claims that the first two shops are no longer in the running, that one of them voluntarily dropped out of the review, and that WPP still isn’t happy about the fact that it did not make the first list of finalists. That would mean that Omnicom could still retain its longtime client — and that it’s now competing against MDC rather than WPP or Publicis.

No matter who wins the pitch, the account will remain with TBWA until the end of the year.

New Career Opportunities Daily: The best jobs in media.

Chris Webber Dons B-Ball Uni Once Again for BK March Madness Campaign

Culver City, CA-based Pitch has just launched an NCAA March Madness campaign for tournament sponsor Burger King, the agency’s first since taking over for Mother NY on BK general market duties in January (Pitch has been in charge of youth/family ad duties since 2010).

For the campaign, entitled “Watch Like A King,” Burger King and Pitch have teamed up with iconic Fab Five member, former NBA star and current NBA TV/TNT analyst Chris Webber, who stars in the Final Four 2 for $5 “Watch Like A King” spot. The 30 second spot sees a fan tell the guy in front of him in a Chris Webber jersey, “Seriously dude, we’re trying to watch the…” at which point Webber turns around and the man lets out a comical scream. Webber then asks him about his two sandwiches for five bucks from Burger King, and they work out a mutually beneficial agreement. The new spot, which unfortunately does not involve Webber attempting to call a timeout, will debut on March 16th. Webber will also be in attendance at the NCAA Men’s Final Four in Dallas cheering on participants of the Burger King-sponsored Kings of the Court 3-on-3 Tournament.

Meanwhile, from today through April 7th, fans can follow @BurgerKing on Twitter and tweet why they deserve to “Watch Like A King” and/or post a NCAA-themed photo with the hashtag #WatchLikeAKing for a chance to win a prize, including “$100 Burger King Crown Cards, mobile phone projectors, flat screen TVs, tickets to the NCAA Final Four and much more.”

“We know March Madness is about the fans, games and of course the student-athletes, so we’re celebrating by partnering with the NCAA to provide the fan base with a viewing experience fit for a king,” says Eric Hirschhorn, chief marketing officer, North America, Burger King Worldwide.

In addition to television and social media, Pitch’s “Watch Like  A King” campaign will also feature experiential elements, details of which have yet to be released (but according to the credits you can expect “Throne Installation” and “Crown Headbands,” so that should give you some idea). Stick around for those credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Advertising: Appealing to a Sense of Value for Car Care

Advertising campaigns from a number of companies are signaling the return of the character or mascot while others are encouraging consumers to be smart by being value-conscious.

    



Lock up the Tech Guy… and Other Ways Not to Scare off Your Clients

Tech GuyI have been writing on a freelance basis and have gotten to sit in on some rather interesting meetings with clients. I am no stranger to client meetings – I have successfully pitched multi-million dollar campaigns to clients, but nothing prepared me for what I saw this week when I sat in on a pitch meeting.

The meeting was between a small Internet development company and a business coach. Being the web company’s writing consultant, they thought I could lend some credibility to the subject of blogging, so I went, hoping that I could add some value to what was sure to be a mind-blowing session. Instead, the meeting was overtaken by the SEO expert, who was as loud as he was pushy. Horrified, I watched the client’s head practically spin as the SEO guy argued that what the client wanted was absolutely wrong.

Admittedly, I am a stickler for etiquette, but I also feel that there is a fine line between assertive and rude. So, as a public service, here a list of how to hold a pitch meeting without scaring away your client.

  • Keep the pressure and drama to a minimum. Let’s remember that the clients are always right, even if you don’t agree. Why? They’re paying you.
  • Keep the geek-speak to a minimum. Yes, this means to keep the tech guy as far away from the clients as possible, unless the clients are into that sort of thing. The clients don’t really need to know the technicalities of what you do and why, unless they specifically ask. They’re experts at what they do, which is why they pay you to do what you do.
  • Keep it friendly. You can’t go wrong with a meeting over coffee or lunch. The clients’ defenses will be down and everyone involved will be in a good mood.
  • Do your homework before the client arrives. Sure, it’s cute to ask what the clients have implemented in the past and why it didn’t work, but don’t you think they will see through that and wonder why you’re not better prepared? Respect your clients’ time.
  • Learn to think like a CEO. You’re asking the clients to make one hell of an investment, so learn to speak their language. Sell your work using a business case rather than a creative argument.
  • Admit when you don’t know all the answers. Clients are more likely to hire the agencies that say, “We have the people that will help you figure out the solutions,” rather than those who say, “Here’s what wrong with you. Let’s fix it.”

Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via twitter, LinkedIn, or her blog.


We Don’t Need No Stinkin’ Awards

awards

It’s that time of year again – Cannes is coming. Does the lure of hardware, sunshine, and glamour call you like a siren song? Are you dying to add a trophy to your office or brag to clients that you were nominated the umpteenth time for an award? If so, perhaps you’re in the wrong business.

Don’t get me wrong – I love awards. I have a box in my basement, full of old trophies and ribbons from high school standing as a monument to a time in my life when I lived for my work (at the time, my work was drill team, but you get the idea). There is nothing I like more than being singled out for being the best. Now that I’m a lot older and, hopefully, a little wiser, I’ve finally gained some perspective and would like to bring you back to reality, even if for just a moment:

  1. Is the client happy? We must never forget that this business is always about “them” and never about “us.” What good does it do your client if the critics like your creative, but the client is not seeing much of a return on his/her investment? Clever is good. Profitable is better.
  2. Are you doing good work on all of your campaigns, or on just one spot? It’s so easy to focus on only one commercial or campaign and pull out all the stops. Are all of the clients in your portfolio receiving the same consideration? If not, then it’s time to stop playing favorites and get back to work.
  3. When pitching clients, how often do awards come up? Be honest. Do you spend more time talking about yourself than about what you can do for the client?
  4. Define good work. I’ll bet if you ask 20 different ad professionals what good work is, you’ll get 20 different answers. Yet, we let a panel of, say, 10, determine what the best work is? No thanks.
  5. Awards don’t always equal good work. I believe that for every award-winning agency, there are at least 10 non-winning ones that are doing as good, if not better, work. I had the great fortune to work for a small shop that routinely churned out great work. We never won awards for it, though. Why? We never entered. We knew that we turned out kick-ass work that got results for our clients, and that was all we needed to know.

Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via twitter, LinkedIn, or her blog.