'Hurry Down the Chimney' Gets a Whole New Meaning With Kmart's Pregnant Dance Squad

Last holiday season, Kmart clearly had a ball (or two) with its advertising. This year, it’s all about bellies.

In a nice upgrade from the retailer’s spot featuring guys playing their beer guts like kettle drums, we now have a dance squad made up of belly-proud moms-to-be.  It’s the latest in agency FCB’s #ShowYourJoe campaign for Joe Boxer, and this time we find five ladies rockin’ some comfy pajamas and shakin’ it for two to the tune of holiday classic “Santa Baby.” 

It’s a surprisingly perfect juxtaposition of female empowerment and one of Christmas’ sexier songs. The track is faster than the famously slinky Eartha Kitt version, which keeps the spot from going to truly weird places.

CREDITS

Client: Kmart
CMO, Kmart Apparel: Diane Vaccaro
VP, Creative: Mark Andeer
Marketing Director, Kmart Apparel: Sarah Fromson
Advertising Manager: Laurie Bourquin
Advertising Manager: Amy Mitchell

Agency: FCB
Chief Creative Officer: Todd Tilford
Executive Creative Director: Dan Fietsam
SVP Creative Director: Michael Shirley
Creative Directors: Josh Hurley and Andy Kohman
Art Director: Johnross Post
Art Director: Conor Clarke
Copywriter: Matt Everts
Copywriter: Alf Zapata
Executive Producer: Chris Bing
Producer: Lara Hurnevich
Director:  Christian Weber
Production Company: Wondros
Editor:  Steve Immer



FCB West Gets Interactive for Dragon Age: Inquisition

FCB West created a campaign promoting the release of Electronic Art’s Dragon Age Inquisition, centered around broadcast and online trailers.

The trailers feature dramatic gameplay footage designed to pique viewers interest in the game, which was released this Thursday. In the 80-second broadcast spot, “The Breach,” for example, an epic battle ends with a dragon blowing fire at the screen, which turns into the title and release date, accompanied by the tagline “Lead them or fall.”

But FCB West’s campaign doesn’t end with the trailers, as the agency created a whole interactive experience which “both challenges and rewards fans with bonus content like no other advertising campaign to date.” The agency created “Quest for the Red Lyrium Reapers,” an interactive experience at DragonAge.com which challenges players with finding hidden content within the game’s campaign videos, and offers a unique incentive: an in-game weapons pack. It’s an interesting approach to get fans engaged with FCB’s campaign, and one that makes the content relevant past the release date. Stick around for the online trailer (along with credits) after the jump. (more…)

New Career Opportunities Daily: The best jobs in media.

FCB's Giant Eco-Civic Project Would Create a South African Flag Visible From Space

FCB South Africa is running an idea up the flagpole. A really big idea. In fact, the idea is ginormous. And its main component is a South African flag so large, it will be visible from space, 30 miles above the Earth.

The Giant Flag project was put in motion last month by Guy Lieberman, the agency’s head of green and social new business development. The initiative is ultimately designed to foster national pride, improve the lives of people in need and make a lasting impact on South Africa’s economy and environment.

“Yes, it is big. And it is wild,” Lieberman tells AdFreak. “It’s both an unreasonable project—in the good sense of the term—as well as a practical one.”

So, how big and wild are we talking?

The proposed flag will measure 66 hectares—that’s nearly 165 acres, about the size of 66 soccer fields. Its red, green, blue and gold sections will consist of millions of cacti and succulent plants that can thrive in the semi-arid Karoo region, offsetting some 90,000 tons of carbon emissions annually. Solar panels designed to power the equivalent of 4,000 homes will make up the flag’s triangular black patch. (They will also “harvest” rainwater to feed the flag’s living components.) The white areas will be access roads.

The project will provide more than 700 jobs in Camdeboo Municipality, where the unemployment runs over 40 percent, and support tourism, hospitality and various enterprises over the long haul. Moreover, Lieberman says, it will serve as a symbol of hope, cooperation and sustainable growth for South Africa and beyond.

But … where did the whole giant-flag idea come from?

Lieberman drew his inspiration from the 2010 FIFA World Cup in South Africa, noting “the nation’s huge emotional response to our flag.” After the World Cup, FCB launched the much-praised “Keep Flying” campaign to encourage the nation to maintain its momentum. “The CEO of FCB South Africa [John Dixon, since succeeded by Brett Morris] called me into his office,” Lieberman recalls, “and said that while the [“Keep Flying”] campaign was amazing, it was fleeting and we needed to look for a legacy project on the flag, something that could live on. And so the Giant Flag idea was born.”

Of course, a 66-hectare flag can’t be built on the cheap. What’s the price tag, and who’s footing the bill?

Crowdfunding and corporate efforts are under way. All told, it will cost about $20 million, with $2 million being the threshold to begin the massive germination project, followed by clearing the land, fencing off the site, building roads and constructing the solar field. “There has been half a million dollars sunk to date,” says Lieberman, “and a variety of commitments, soft to definitive, of around $6.5 million.”

Individuals can donate $10 to sponsor a plant, $100 for a section of road and $250 for a solar panel. What’s more, South Africa’s Department of Environmental Affairs is lending its support, and corporate sponsors such as Google and Toyota “have come on board because they see the value this will have on the nation, as well as on their brand,” Lieberman says. “It also speaks to their commitment to game-changing initiatives, and in this sense the Giant Flag is not tied to any one nation—it is global.” (Google is providing a monthly $10,000 AdWords grant to promote the project, as well as cloud services for the Giant Flag app.)

In a way, the initiative represents the confluence and expansion of two industry trends—agencies launching intellectual property efforts and creating installations designed to have a broader social impact. Many such projects have succeeded (including FCB’s own fascinating billboards in Peru), but they have been far less ambitious, and staged on a more manageable scale.

So, how does Lieberman respond to critics who say the Giant Flag is a grand idea, and great PR for FCB, that will probably never fly, owing to its cost, complexity and all manner of potential pitfalls?

“I understand why they would say that,” he says. “It’s unlike anything that has come before—there is no easy framework for them to grasp on to. How could they possibly see it happening? But that’s OK. The Giant Flag will happen. … There are too many people who can already feel it in the landscape.”



FCB Chicago Follows Up ‘Jingle Balls’ with ‘Jingle Bellies’ for Kmart, Joe Boxer

Last year, FCB Chicago (then Draftfcb Chicago) caused a stir with its “Show Your Joe” spot for Kmart and Joe Boxer. The spot, which showed boxer-clad men jiggling their unmentionables to the tune of “Jingle Bells” went viral while stirring up controversy among the easily offended and earning the unofficial title “Jingle Balls.”

This year, FCB Chicago is back with a new holiday musical, moving on to a new body part but sticking with same song. “Jingle Bellies” features men clad in open suit tops and pajama bottoms exposing their bellies, as you might imagine, and performing a percussive rendition of “Jingle Bells.” The 60-second spot ends with a surprise tip of the hat to last year’s spot, and the same “Get More Christmas” tagline. Fans of last year’s spot should enjoy it well enough, although without the same level of controversy it’s unlikely to generate the same viral success as “Show Your Joe” and those irked by that attempt will continue to not be amused. The ad, which like last year’s spot was directed by Christian Weber, makes its broadcast debut tonight.

New Career Opportunities Daily: The best jobs in media.

Area 23 Creates ‘The State of Diabetes’ for The diaTribe Foundation

Area 23, part of FCB Health, teamed up with diabetes advocacy organization The diaTribe Foundation for a campaign called “The State of Diabetes” launching today, on World Diabetes Day.

The campaign is based around the insight that if the 343 million people living with type 2 diabetes around the world were recognized as a sovereign state by the United Nations it would be the world’s third largest country. So Area 23 and The diaTribe Foundation launched an initiative petitioning the United Nations to recognize type 2 diabetes as a sovereign nation. While it’s fair to assume that no one involved actually expects that one to pan out, The diaTribe Foundation hopes the initiative will “spark conversations about furthering education and awareness efforts, and even inspire access to healthier food across the globe.”

“In emerging nations—where processed and fast foods are too often more accessible than healthier options—‘lifestyle choices’ may not really be choices,” explains Kelly Close, founder of The diaTribe Foundation. “Education on an individual basis is only one piece of the puzzle. We need to put type 2 diabetes awareness on the agenda, at the national and international levels.”

Area 23 also worked with artist Henry Hargreaves and director Tim Hawkey for a PSA video promoting the initiative. The video sees Hargreaves construct a world map made out of the kind of unhealthy foods that can contribute to the development of type 2 diabetes and asks “What kind of world are we creating?” before directing viewers to the campaign microsite, where they can choose to sign a petition addressed to the UN. Print ads for the campaign are designed to drive traffic to the microsite as well, while social media efforts will also support the campaign. (more…)

New Career Opportunities Daily: The best jobs in media.

Seduced by an Idea? Go All the Way and Register the Domain Name, Says Verisign

It’s official: Internet domain-name company Verisign has launched one crazy (and at times creepy) campaign.

Which of the four videos from FCB Chicago is the most self-consciously bizarre? You’ve got the giant yellow smiley-fish tormenting a late-night bus rider; a cabbage in a convertible chasing a dude in an alley; a leggy frosted cake that dumps her date for a dance-floor suitor; and an oversized flirty bee in a bar with, um, pollination on hizzz mind.

The wacky work, themed “Make your idea official” and using the #InternetOfficial hashtag, touts Verisign’s .com and .net registration service. (What else, after all, could an anthropomorphized disco dancin’ dessert treat be advertising?)

The costumed creations—revealed in each clip as business mascots (the bee, for example, represents the fictitious “HoneyMayo” condiment brand)—represent great ideas that entrepreneurs can have at any time, and each vignette dramatizes “that ‘eureka’ moment that comes with an idea,” says the company. “So rather than flirting with, dancing around, or ignoring their idea, people should act and secure their domain name today.”

The ads successfully make that point, albeit in an absurdist and roundabout way. A few online commenters have winced at the abundant weirdness, and whined about some brief cartoonish violence. I found the mild edginess compelling and in keeping with Verisign’s message. Great ideas really can knock you around a bit before you get them under control and make them pay off.

CREDITS
Client: Verisign
Agency: FCB Chicago
Todd Tilford, Chief Creative Officer
Teddy Brown, Group Creative Director
Tyler Hattery, Creative Director
Alison Hammer, Associate Creative Director
Chris Bing, Director of Broadcast Production
Lara Hurnevich, Producer
Hollie Platte, Management Director



KFC Covers All Your Demographics in FCB Spot

This latest FCB Chicago spot for KFC can’t solve the diversity problem at ad agencies, but it can easily solve the challenge of casting diverse actors in ads: pick one member from each major demographic and place them around a kitchen table even larger than The Barbarian Group’s legendary desk…

In case you missed the point, it’s that age, race and other factors the U.S. Census considers important don’t matter much when it comes to fried chicken.

(more…)

New Career Opportunities Daily: The best jobs in media.

FCB Presents 2015 Pan Am Games Invasion

FCB Toronto recently launched a campaign for the 2015 Pan Am Games on behalf of The Ontario Tourism Marketing Partnership Corporation, centered around a 60-second broadcast spot called “Invade.”

Appropriately enough, the ad imagines Toronto invaded by hordes of athletes, who take to the city to the tune of a cover of the Delphonics “Ready or Not.” It starts innocently enough, with a lone gymnast on a rooftop. But soon a swarm of kayakers is rowing toward the city, followed by equestrian riders storming through neighborhoods, soccer players running through woods and various other groups of athletes. The spot concludes with the message “41 countries, 51 sports,” followed by the tagline “Epic is on.” The spot fits the tagline pretty perfectly, encapsulating the scope of the event in a well-shot, jam-packed 60-seconds that gets more and  more frantic leading up to its conclusion.  (more…)

New Career Opportunities Daily: The best jobs in media.

FCB Gets Weird, Retro for Kmart

FCB Chicago has a new spot for Kmart that’s…unusual.

Modeled after an 80?s karaoke music video (as viewed and/or created by someone on hallucinogens), the spot aims to promote the brand’s “pay in store” option for online purchases. Because this is Kmart, it’s done in the strangest fashion possible.

There’s no effective way to prepare the viewer for this experience — let’s just say you can expect synths, retro filters, lyrics explaining the payment process, iPad faces and assorted randomness with a sort of Kate Bush/1984 flavor. Coming on the heels of “Shop Like A Boss” and the ubiquitous “Ship My Pants“, we can’t call it surprising.

That said, it definitely exceeded our expectations.

New Career Opportunities Daily: The best jobs in media.

Kmart Rolls Out Christmas Commercial That Insists: 'This Is Not a Christmas Commercial'

It’s beginning to look a lot like Christmas. Isn’t it?

Less than a week after Labor Day, Kmart has launched a cheeky holiday spot from FCB Chicago touting its layaway program. The spokeswoman says, “This is not a Christmas commercial. However, let’s say you have an event in late December that you need a lot of gifts for. Like, maybe your entire family is having a birthday on the same day. Now’s the time to go to Kmart and put those gifts on layaway.”

Meanwhile, a jolly fat man rides through the aisles on a reindeer-drawn sleigh (presumably he’s not the appliance-department manager). And those fireplace logs crackling on the screens of the store’s TV display look suspiciously “yule” to me.

It seems to be an attempt at disarming the same people who were angry at Kmart last year for airing a Christmas spot in September. Not doing so, after all, was not an option.

“We know it’s early, and that is exactly when smart shoppers start thinking about using layaway for the holidays,” says Jai Holtz, vp and general manager for financial services at Kmart parent Sears Holdings. “We are expanding no-money-down layaway nationwide to help members and customers who want to make small payments over time leading up the holidays.”

Though a Christmas ad in early September is obnoxious, it’s probably a smart move, since 40 percent of Americans do their holiday shopping before Halloween, according to the National Retail Federation.

Guess I should get to Kmart today and put plenty of junk—er, presents—on layaway. Joe Boxers for all, and to all a goodnight!

Oh, and before I forget … Happy New Year!



FCB Chicago Helps Grandma ‘Shop Like A Boss’ for Kmart

FCB Chicago keeps things weird for Kmart in their latest spot for the brand, “Shop Like A Boss,” although it’s nowhere near as strange as the brand’s Christmas campaign.

The spot opens on a grandma-type, billed as “Shop Your Way Member Julia Ruiz,” sitting at her computer. After clicking a button, she throws on her hoodie, shades and bling as the soundtrack shifts from serene birds chirping to a hip-hop beat. Soon she’s joined by the two other members of her entourage, and the rest of the spot (the full-length version runs around 95 seconds) is basically a music video. Ruiz and her crew roll up to Kmart, dance around, and pick up her order.

It’s a pretty simple idea, but it’s not without its moments. In the full-length version some of the humor lies just in how the idea is drawn out to such great length, and also how well this Ruiz character plays the part. The spot is meant to promote Kmart’s “shop online, pay in-store” feature, which is touted by a voiceover at the spot’s conclusion. While some viewers may not draw the connection from “Shop Like A Boss” to the service, the spot is at least (quite) memorable and ties the idea to the brand. We’ll add credits if/when we receive them.

New Career Opportunities Daily: The best jobs in media.

FCB and Meow Mix Hit the Dance Floor

Just in time for the after-lunch break(down) here on the East Coast, FCB Chicago and a few musical felines show all you aspiring EDM superstars how to drop the big beats.

Warning: epileptic viewers may need to watch this one in short bursts to avoid over-stimulation.

In case you missed it, that was an epic remix of the brand’s classic wordless jingle (which is almost as old as we are).

Now, would you like to hear some users singing the song to their own cats?

Remember, it’s all for a good cause.

(more…)

New Career Opportunities Daily: The best jobs in media.

Producer Matthew Anderson Joins FCB Garfinkel

Matthew Anderson, longtime producer at various agencies, will now serve as director of content creation at New York’s FCB Garfinkel.

Anderson, who has spent nearly two decades in the ad industry, served as director of brand production at JWT for almost five years before accepting the new job; you’ll find his name in the credits of many of the shop’s most memorable recent campaigns. He began his agency career with a ten-year stint in production at Y&R and more recently performed related roles at CP+B, Hill Holiday and NumberSix.

Anderson has created work in every major format for clients ranging from Rolex, Burger King, Puma and Nestle to Vespa, Kleenex and Wilkinson Sword Quattro Titanium Body.

He will report directly to agency CEO/namesake Lee Garfinkel.

In the release, Garfinkel writes that Anderson “has a track record of fostering a culture that puts ideas and problem-solving – no matter the challenge – first and foremost”, calling him “just the kind of passionate production partner we need.”

New Career Opportunities Daily: The best jobs in media.

FCB West, MJZ Tell Levi’s Fans to Get Personal (But Not Boring)

The latest spot for Levi’s, created by FCB West/The House Worldwide and MJZ, imagines a personal relationship between each pair of denim pants and its owner.

Every pair tells a story, see…and all the jeans ask of you, consumer, is that you keep things interesting.

The pants-as-lifestyle-accessory theme marks a shift from the Wieden+Kennedy “Go Forth” campaign, which turned existential with the help of one Charles Bukowski.

You may recall that Levi’s announced an agency change back in February, and we can expect more in the vein of this spot to come. Yesterday Fast Company called the effort “more inclusive, and more mainstream”, and FCB CCO Eric Springer emphasized the break from the W+K aesthetic, saying:

“The first step was to get the brand voice back and make everyone know it’s their brand once again…It’s not a comeback tour. It’s a forever tour.”

The company’s own CMO emphasized the social components that will (hopefully) involve lots of people documenting the shared journey of themselves and their jeans.

Three words, then: User. Generated. Content.

(more…)

New Career Opportunities Daily: The best jobs in media.

FCB Does the Creative Shuffle

FCB announced two big moves atop its North American ranks today: Chicago EVP/ECD Jon Flannery is moving up to Toronto and Dan Fietsam has been hired to take his place.

Flannery’s promotion comes in the wake of the success of a certain campaign you may have seen that involved the shipping of pants; the win earned him an ECD promotion just over a year ago. While the man called himself “a late bloomer” in a Chicago Business Journal interview about that campaign, he served as CD/VP during a nine-year run at Leo Burnett and spent seven years at Element79.

Flannery replaces CCO Robin Heisey, who left FCB Toronto for parts unknown several weeks ago after 14 years at the agency. He will officially take over on August 11th, working “in tandem” with FCB Canada President Paul Mead.

(more…)

New Career Opportunities Daily: The best jobs in media.

FCB SF Teases ‘Battlefield Hardline’

FCB San Francisco teamed up with Imaginary Forces and directors Miguel Lee and Charles Khoury for the above teaser for EA’s Battlefield Hardline, which is slated for an October 21st release.

The team takes a minimalist approach to the teaser, eschewing voiceover in favor of close ups of the game’s weaponry while also teasing a clash between law enforcement and criminals. True to the teaser format, the spot reveals little, leaving viewers wanting more. To pull off the trailer, Khoury and Lee directed separate shoots on the same stage. While Lee’s crew “was responsible for filming all of the actors, vehicles, weapons, gear and paraphernalia in a sleek, action-packed fashion,” Khoury and his team “shot at high speeds to capture all of the slow-motion explosions and actual weapon fire including a submachine gun, pump shotgun and assault rifle.” While the teaser reveals little about the Battlefield Hardline‘s plot or gameplay, weapon-loving fans of first-person shooters should eat this right up. Credits after the jump. (more…)

New Career Opportunities Daily: The best jobs in media.

Levi's Is Looking to Keep Things Light With Fun-Focused New Ad Campaign

Levi’s is trying on a simple, straightforward message in its first big push since reuniting with longtime agency FCB (and also hiring The House Worldwide) in February.

Unveiling a global campaign tagged “Live in Levi’s,” the iconic brand is using print ads and posters to show twentysomethings strolling around, cavorting and generally enjoying life while clad in Levi’s denim. Copy lines include “A classic since right now,” “Fall head over heels” and “Look good on your way to what’s next.”

“It’s intended to be both inclusive and inspiring,” CMO Jennifer Sey explains on Levi’s Unzippe” blog. “It’s a celebration. It’s not cynical. Or dour. Or overly serious—as many fashion and style-oriented brands can be. It’s fun. People have fun in jeans. It should be fun.”

Digital and social elements are also in the mix, along with TV and cinema ads launching next month from director Fredrik Bond, who lensed the memorable Cannes Lion-winning “Simon the Ogre” mini-epic for Thomson Holidays.

Recent efforts from previous agency Wieden + Kennedy, themed “Go Forth,” weren’t cynical, exactly, nor dour nor overly serious, though some observers believe they worked too hard too be cool, plugging into the zeitgeist while sacrificing Levi’s unique heritage. I kind of agree. There were some memorable moments, but, overall, “Go Forth” seemed to be flying by the seat of its pants, chasing random hipness.

The back-to-basics approach of “Live in Levi’s” strives for a more comfortable brand fit. It’s well-shot by photographer Jason Nocito and nicely understated, though it risks blending in with all the other fashion ads that show happy/moody young people who like wearing clothes.

To be fair, that’s a very preliminary impression. Print is, after all, just the first leg of a multifaceted campaign.



Infiniti Courts Seven Agencies in Global Account Pitch

Infiniti Motor Co. will meet (or has already met) with seven agencies before selecting finalists to pitch for its global creative account, Adweek reports.

The meetings took place this week, and leave Infiniti “on track to complete its search by August,” according to Adweek. Infiniti’s initial request for proposal reported that the brand spends approximately $450 million annually. Among the agencies in the running are Publicis, FCB, Havas Worldwide (pitching with sister shop Arnold), Bartle Bogle Hegarty, M&C Saatchi and Crispin Porter + Bogusky, according to Adweek‘s sources. Interestingly, also pitching is Goodby, Silverstein & Partners, partnering with incumbent Omnicom agency TBWA. After the initial meetings, Infiniti will narrow the field to three or four agencies, a cut that “could come as soon as next week.” Infiniti’s RFP noted that “alternative approaches are paramount as Infiniti cannot outspend its competitors in broadcast,” and identified the U.S., China and Hong Kong as priority markets.

New Career Opportunities Daily: The best jobs in media.

CCO Karen Spiegel Leaves FCB

Today we confirmed that Karen Spiegel is now the former Global Chief Communications Officer at FCB (née draftFCB). She recently left the agency after replacing former EVP/GCCO Wally Peterson only nine months ago.

London-based Stephen Martincic, who has been SVP of communications for several years, is her replacement.

Spiegel is not moving to another agency: she’s launching her own consultancy.

She entered the agency world in 2001, beginning a 12-year stint with R/GA in which she achieved the title of SVP/Managing Director. Longtime readers may recall that Spiegel led former spy Matt Van Hoven on a tour of the shop’s Bauhaus-themed New York office and introduced him to its three-wheeled motorcycle way back in 2009.

No word on the details regarding Spiegel’s new venture; updates as we receive them.

New Career Opportunities Daily: The best jobs in media.

Two C-Level Changes at Havas

This morning we can confirm two departures at Havas Worldwide.

Kersten Mitton Rivas, Managing Director of Havas New York, will be leaving the agency today to take on a new role as President of Source Marketing. The agency, based in Norwalk, Connecticut, is part of the MDC Partners group and specializes in “right now marketing.

Rivas has been with Havas since 2006, when it was still called Euro RSCG; prior experience includes a stint as Account Director at FCB. Rivas’ industry accolades include the 2013 Advertising Working Mother of the Year Award sponsored by Advertising Women of New York and Working Mother magazine.

In other news, Chief Strategic Officer James Lou has also left the agency’s Chicago office. Lou joined Havas in 2011 after working on the strategy side at DDB and McCann, among others. No word on his post-departure plans.

New Career Opportunities Daily: The best jobs in media.