Karin Onsager-Birch Joins FCB West as CCO

369c1b7FCB has named Karin Onsager-Birch as chief creative officer of the agency’s San Francisco and Los Angeles offices, collectively known as FCB West, AdAge reports. She fills a role left vacant since the departure of Eric Springer last September. The appointment follows the selection of Eric Cosper as chief creative officer of FCB Garfinkel in New York a little over a week ago.

Onsager-Birch joins FCB from Blue Hive in London, where she worked on the WPP agency’s Ford account. She arrived at Blue Hive in May of 2012, serving initially as executive creative director before being named chief creative officer last year. Prior to that, she spent 11 years with Goodby, Silverstein & Partners, arriving in 2001 as a creative director and senior art director, before becoming an associate creative director in 2004. While with GS&P, Onsager-Birch worked on accounts including Chevrolet, Hyundai, Nintendo and Hewlett Packard.

When asked of the appointment, FCB West CEO Dominic Whittles told AdAge that Onsanger-Birch was chosen because her “leadership style is substantive and direct, she’s open minded and solution-oriented, she’s clear about her point of view and very forthright,” adding that her international experience “allows her to draw on a much larger source code of information.”

Former FCB CCO Springer Lands at Ignited

Back in September, sources confirmed that Eric Springer — former CCO at FCB/West best known for that 2011 VW Super Bowl spot — was no longer with the agency.

Now we know where he landed: at LA’s Ignited.

Springer will be the shop’s first CCO. In the past, the organization used ECDs to run its creative department, but the release claims that business growth and other changes facilitated the creation of a CCO role.

Ignited founder/CEO Eric Johnson writes that the hire points to “a new year and new direction for the agency,” and Springer himself says he’s “always looking for a new challenge…I am looking forward to helping drive the agency into this next chapter.”

Springer spent 15 years with the Deutsch organization before leaving to launch Culver City’s Pitch in 2012; FCB then hired him to run creative for its West Coast organization, and he spent just under two years in the role while creating work for clients like Levi’s and Taco Bell (for which he allegedly helped run the “Live Mas” campaign).

Ignited lists its current clients as “DTS, Fresh & Easy, Sanuk, U.S. Army, Activision and Pinkberry among others” like Clinique and NBC Universal. In other news, we assume that the agency’s “coolest employee” Jesse still lives, breathes, and even eats denim.

CCO Eric Springer Out at FCB/West

Springer-Headshot_lowrez-300x200 (1)Today we can confirm that Eric Springer is no longer serving as chief creative officer at FCB/West.

Springer, who like former Deutsch colleague David Povill gained attention thanks to his work on the VW Super Bowl spot from 2011, left that agency’s LA office to serve as CCO at Culver City shop Pitch back in January 2012. After spending approximately one year there, he was hired by FBC/West (then DraftFCB West) to fill the EVP/CCO role.

During the one year and nine months he spent at FCB, Springer produced work for clients like Taco Bell, Levi’s and Nabi, maker of child-friendly tablets.

We have no word on the reasons for his departure or his future plans; we only know that, in the words of an agency spokesperson, “a search for his successor is underway.”

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FCB West, MJZ Tell Levi’s Fans to Get Personal (But Not Boring)

The latest spot for Levi’s, created by FCB West/The House Worldwide and MJZ, imagines a personal relationship between each pair of denim pants and its owner.

Every pair tells a story, see…and all the jeans ask of you, consumer, is that you keep things interesting.

The pants-as-lifestyle-accessory theme marks a shift from the Wieden+Kennedy “Go Forth” campaign, which turned existential with the help of one Charles Bukowski.

You may recall that Levi’s announced an agency change back in February, and we can expect more in the vein of this spot to come. Yesterday Fast Company called the effort “more inclusive, and more mainstream”, and FCB CCO Eric Springer emphasized the break from the W+K aesthetic, saying:

“The first step was to get the brand voice back and make everyone know it’s their brand once again…It’s not a comeback tour. It’s a forever tour.”

The company’s own CMO emphasized the social components that will (hopefully) involve lots of people documenting the shared journey of themselves and their jeans.

Three words, then: User. Generated. Content.

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FCB, Canal+ Create ‘Wilhelm Scream’ Mockumentary

The newly Draft-less FCB worked with Canal+ to create a mockumentary on the famous “Wilhelm scream” entitled “The Woman Who Can’t Watch Movies.”

“The Wilhelm scream,” in case anyone needs a refresher, is the famous stock audio scream recorded by Sheb Wooley and named after the character Private Wilhelm in the 1953 western The Charge of the Feather River, although it was first used in the 1951 film Distant Drums. It saw a resurgence in popularity as a stock sound effect following its use in Star Wars and Indiana Jones. It is now so ubiquitous (it has been dubbed in over 200 films) that it has become something of an in-joke, used in recent years in films by Pixar, the Lord of the Rings triology, and countless other movies. (There are rumors that directors Steven Spielberg, George Lucas and Quentin Tarantino “maintain a bet as to who has used the “Wilhelm scream” more.”)

“The Woman Who Can’t Watch Movies” follows the (supposed) story of Sheb’s widow, Linda Dotson Wooley. Linda complains that she can’t watch movies anymore because she “just can’t bear to hear the sound of Sheb screaming out in pain over and over again.” After introducing Linda and her “condition” — a clever (although kind of sad) way to call attention to the sound effect’s ubiquity — the mockumentary introduces viewers to Canal+’s Scream Bank, “a catalog of donated screams for industry professionals to use in place of Sheb’s.” A few comically-off screams are then shown dubbed into a film, a great display of why the “Wilhelm Scream” has become such a well-worn cliche. The video is a teaser for Leave Wilhelm Alone, an upcoming documentary on the “Wilhelm scream.” Stick around for credits after the jump, and feel free to head on over to Canal+’s site and record a scream of your own. continued…

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Pitch Promotes Wells to CCO, Brings in Fellow Chiat LA Alum Clegg as GCD

xanthewells1

Fresh off of nabbing general market ad duties from Mother NY for Burger King earlier this month, Culver City, CA-based agency Pitch has made some moves within its creative department. Most notably, the agency has promoted Xanthe Wells, most recently executive creative director, to the role of chief creative officer. Wells (pictured above) joined Pitch as ECD in early 2013 after spending over seven years at TBWA\Chiat\Day L.A., where she worked with clients ranging from Kraft to Pepsi. The new CCO replaces Eric Springer, who left Pitch for the top creative gig at Draftfcb last year.

Along with the Wells promotion, Pitch has also welcomed aboard fellow Chiat LA alum Gage Clegg, who, along with his significant other, Becca Morton, parted ways with the latter agency last spring (but subsequently stayed on as GCD). Clegg joins up with Pitch as group creative director.

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Draftfcb LA Continues Full-Court Press for Nabi

Just two weeks ago, we were covering the first wave of Nabi spots from Draftfcb, a pair of 30-second ads that favorably compared kid-friendly Nabi tablets to Kindle devices a la Microsoft vs. Apple. Our Erik Oster found them to be informational and appealing. However, these two new spots, “Fear Not Question” and “Swagger,” drop the comparison technique for an unconvincing plea for Nabi to be a lifestyle brand.

“Fear No Question” presents the Nabi brand as classroom-friendly, going right after a parent’s sense of idealistic learning, so in turn, that parent will go right for his/her wallet. It’s a boring and safe play that may have worked out if Draftfcb hadn’t already launched the Kindle attacks that are much more memorable.

“Swagger” goes straight after the kids. Promoting Nabi headphones – think Beats for kids – the spot shows a little kid walking down a school hallway in slow-motion as he gives headnods to his friends and long stares to the girl he probably has a crush on. This is more Fubu than Fuhu. This is also just a bad commercial, corny and overdone, even for a children’s market. The tagline of “Everyone Needs a Theme Song” actually has a nice ring to it, but the visual execution is too silly. The clip almost plays like a mocking comedy skit of itself.

At 30 seconds, both ads are easy to watch and easy to forget. ”Swagger” and credits after the jump.

continued…

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Draftfcb LA Pushes Nabi in First Campaign as AOR for Fuhu

Draftcb has unveiled two new spots for the Nabi, its first campaign for Fuhu since becoming their agency of record in September.

Fuhu has done incredibly well for themselves with the Nabi, a soft-edged tablet designed for children, even being named “the fastest growing company in America” by Inc. There’s certainly no change in strategy from Draftcb for these two new spots. “Good Morning” and “Glow in the Dark” tout the Nabi’s kid-friendly features via comparison with the Kindle, which comes out looking sorely lacking in the kid-friendly department.

If you are going to buy your kids a tablet, I suppose it should be one that’s made for them, right? These spots do a good job extolling the Nabi as the perfect option for children. In “Good Morning” (featured above) that means talking about the Nabi’s “time controls” — in this case, a good morning song to wake up to. The Nabi does its thing before asking a silent Kindle what its good morning song is.

“Glow in the Dark,” meanwhile, highlights Nabi’s glow in the dark feature. No surprise there. Also not a surprise: the Kindle does not glow in the dark. Score: Nabi 2, Kindle 0. Plus, the Nabi just looks like something a kid would want to play with. So make that Nabi 3, Kindle 0.

We see plenty of these “direct comparison to our biggest competitor” ads with tech gadgets, but few seem to take the wind out of the competition the way these ads sucker punch the Kindle. At least for the Nabi’s target audience. If I were shopping around for a tablet for a child, this campaign would have me convinced that the Nabi is the way to go. Thankfully, I won’t find myself in that situation any time soon. Credits and “Glow in the Dark” after the jump.  continued…

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Here’s a Quick Update on the State of DFCB SoCal

Well, despite what tipsters and those we know have been saying ad nauseum over the last few days, we’ve been told by parties involved that “any suggestion” that Draftfcb’s West Coast SoCal operation is no longer working with Taco Bell “is wrong” (Seattle and SF offices are not in play here). After all, the agency did just bust out this ad campaign this week for the fast-food chain for better or worse. But anyhow, the Draft camp has updated its announce from two weeks ago regarding the revamping of its SoCal agency structure, offering the statement below:

“Last month we announced that Rahul Roy would be taking on expanded responsibilities as the managing director of our operations in southern California.  He is partnering with Eric Springer and Michael Bryce, former creative partners at Deutsch L.A. who joined the agency several months ago as chief creative officer and executive creative director respectively, to revamp our operations there.  While we will keep a small service office in Irvine, we are shifting the heart of our business to new offices in L.A. so that we can tap into a deeper talent pool for the benefit of clients like Taco Bell while attracting new business.

Our latest new hire is Sandip Vadher, who has joined the agency as SVP, group planning director; he succeeds Ken Muench. Sandip had most recently held the same role at Pitch. He has deep QSR experience, working with clients like Burger King and McDonald’s over the years.  His keen strategic thinking has also benefited clients and brands like Microsoft, Target, Coke Zero and Samsung.

While a number of our Orange County people are now assigned to work in L.A., the decision to retool our operations in southern California means that we also need to part ways with some talented people. They were informed of this decision Wednesday. We are doing all we can to provide a smooth transition to those who are affected; we deeply appreciate their contributions to our agency. In the long run, we believe these strategic shifts should fortify our business in Southern California.”

We’ve inquired about number of staff affected and headcount as a result of Draftfcb’s SoCal restructuring. We’ll keep you posted.

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Taco Bell is Excited About Cool Ranch Doritos Locos Tacos, Therefore You Must Be, Too

Hey, did you know that Taco Bell’s Doritos Locos tacos now come in a Cool Ranch variety? Of course you did, and you and your 20-something-year-old friends are probably celebrating in a parking lot or pool hall right now according to this spot from DraftFCB. “By golly, what a wonderful new offering,” you thought to yourself. “I should throw a Doritos bag containing a taco to my similarly aged friend across town. That is what I shall do.” And then you did.

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