Your grandpa was a svelte boss. You, by comparison, are a junk-gobbling slob, according to a slick new split-screen ad for Coca-Cola from agency David in Buenos Aires. The spot, part of a larger effort to position Coke as anti-obesity, is meant to compare granddad's modest approach to life with today's steady diet of too much everything: oversized sandwiches, lattes and pre-TV-dinner hot dogs. Don't cut out Coca-Cola, though. Sugar water is cool, so long as you're riding your bike to work and taking the stairs. Because no matter what, it's important to enjoy life, and sugar water—or maybe aspartame water—is clearly the key to happiness.
Well this escalated quickly. In Crispin Porter + Bogusky’s new ad for Jell-O pudding, a pleasant moment between a dad and his son abruptly turns into an emotionally traumatizing lecture on the soul-crushing drudgery of working life. It’s also pretty hilarious, largely thanks to the Bill Lumbergh-esque boss who has no respect for meticulous ninja craftsmanship. Via Fast Company.
So, San Pellegrino will let folks remotely control robots on the ground and in the air over Italy … but NOT for the purpose of Dalek-like mass destruction? Where's the fun in that? To help bring the sparkling water's "Three Minutes in Italy" promotion to life, Ogilvy & Mather in New York partnered with Deeplocal to create five robots that Facebook users can control romotely to take in the sights of Italy. Four ground-gliding units and one skybot perched on a 40-foot pole allow users to take virtual tours of Taormina, a picturesque village in Sicily. San Pellegrino's Facebook fans can sign up to drive the ground-bots for 180 seconds, viewing the town in real time. The robots are equipped with tablets displaying users' Facebook profile pics, and a translation program allows participants to talk with local residents. Brand ambassadors are on the ground to facilitate engagement, or thwart any attempts to use the robots for evil ends, whichever comes first. Actually, the bots don't look very threatening, especially equipped with umbrellas to protect their components from the sun. (After the jump, watch one robotic romeo chat up an unsuspecting passerby named Christin; That's amore!) The campaign runs through Aug. 17, with virtual tours from 9 a.m. to 3 p.m. Eastern. It's a novel approach, and it seems only fitting that as robots take more of our jobs, they get to replace us on vacation, too. Via PSFK.
Recently, British insurance comparison service Confused.com and Publicis in London launched ads featuring a new mascot, Brian the Robot, who seems to have a knack for creating uncomfortable situations. Specifically, in one of the spots, he appears to interrupt a couple in mid-blow job. The brand has since denied this interpretation, with the director of marketing telling British advertising site Campaign, "Admittedly, the woman is somewhat startled by Brian appearing in the car window, having been tying her shoelace." The shoelace argument doesn't quite match with Confused's own write-up about the ad, which describes the setting as "a romantic spot overlooking a city at sunset" where "we see Brian approach a lone parked car and tap on one of the closed windows, interrupting a couple looking slightly flustered." According to several YouTube commenters, a newer version of the ad now shows the couple kissing, likely due to dozens of complaints to Britain's Advertising Standards Authority that the original version was inappropriate for children. Check out more of Brian's odd interactions after the jump.
Call out the cat herders! A bunch of kitties stampede down the streets of Croydon, England, in Mother's new spot for MoneySuperMarket. "Bill here just saved £304 on his car insurance at MoneySuperMarket and now feels so good he thinks he can run with wolves,” the narrator explains, before noting almost apologetically, “There are no wolves in Croydon." So, the guy runs with the neighborhood cats instead. That's about it. The client tells The Drum it was seeking to maintain "a more British look and feel to the campaign," which certainly holds true for the visuals, though it makes the choice of music, the very American "Oh What a Beautiful Morning," from Oklahoma, feel out of place. The concept starts strong but doesn’t prove to be particularly memorable in its payoff, especially when there are so many feline-themed ads—and spots with swarming creatures of all sorts—it'd take nine lives just to watch them all. Credits after the jump.
Expedia's "Find Yours" campaign from 180LA, which has produced some pretty forward-thinking and powerful spots in the recent past, is now encouraging you to "Find Your Spontaneity" by entering to win one of the travel service's daily free trips. The ad for the app-based promotion is a bit of an odd hybrid, though, with the first part devoted to Expedia reps explaining their smartphone app to random passers-by and the rest of the spot focused on a supposedly random guy who agreed to hop on a flight to China that evening. Expedia was going for some of the magic Heineken found with its Departure Roulette stunt, but they tried a little too hard, and the resulting ad feels jarringly artificial. Between the beautifully crafted travel shots and the sheer luck of catching a willing guy with a suitcase walking through a park, everything here just feels more staged than empowering. ("How did he get a visa so fast?" wonders one skeptical YouTube commenter.) But hey, a few theatrics are allowable if it means not having to watch an entire ad about how to use a mobile app.
Hot Wheels has done a lot of cool advertising lately, but you have to love the wonderful simplicity and craft of this new poster from Ogilvy & Mather in Mumbai for the toy carmaker's Safari series. It was written and art directed by Pramod Chavan. Credits below.
TBWA\Paris places ads within ads in this new McDonald's campaign, with print and billboard elements playing key roles in a series of understated TV commercials.
Branding cues such as the McDonald's name, tagline and Golden Arches are de-emphasized. In fact, they're entirely absent from the print ads and billboards. The goal is to focus on the iconic, instantly recognizable menu items. We get intense close-ups of crispy fries peeking out of familiar red-and-gold packaging, a giant McNugget dunked in tangy sauce and sundaes drizzled with nuts and chocolate.
Director Xavier Mairesse weaves these visuals into a trio of simple but effective TV spots that need no dialog to deliver their message. In "Dentist," a patient repeatedly opens and closes his mouth as he watches McDonald's fries cycle through a billboard outside. "Yoga" shows a group of enthusiasts chanting "Ommmmmm" as they ogle a full-page McNugget newspaper spread. Women who show up for a job "Interview" smear their lipstick by hungrily licking their lips when they spy a McDonald's sundae in a colorful magazine ad. (Integrating the unbranded work into high-profile commercials—and generating media coverage for the overall campaign—should help make the print ads and billboards even more readily identifiable as ads from McDonald's.)
This brand-as-icon strategy is the same basic approach used in Translation's earlier, pleasingly trippy Big Mac campaign. TBWA's humor, however, is more restrained, allowing the work to quietly make its point about the effect McDonald's food can have on consumers, even when that food is present only in the form of ads.
That in itself is a tad trippy and slightly surreal, and it makes a strong though surely unintended statement about the ubiquity and cultural impact of McDonald's advertising. Consider how much of it we see in our lifetimes—all the TV spots, billboards and print ads, the countless online banners and Web videos. Heck, we might see multiple spots during one night of TV or a single sitcom.
Through sheer volume, the chain's existence in the paid-media realm is just as palpable and perhaps even more intense than its presence in the physical world. So, it's fitting that it would craft a campaign in which its own ads are the stars.
ESPN's "This Is SportsCenter" is among the handful of classic sports ad campaigns of all time. Launched in 1995 by Wieden + Kennedy in New York, the campaign—originally inspired by the mockumentary This Is Spinal Tap—hasn't changed much over the years. And why would it? You don't mess with a winning formula.
The premise of the ads, as we've noted before, is that ESPN's Bristol, Conn., offices are the center of the sports universe—a surreal yet mundane fantasy world where athletes and mascots live and work together with anchors and journalists. Where other marketers portray athletes as superhuman, "This Is SportsCenter" presents them as comically, relatably human. Eighteen years and more than 400 spots later, the campaign continues.
As part of the Adweek story linked above, W+K drew up a list of its 10 favorite SportsCenter ads. Now, ESPN has one-upped its agency—devoting a whole special to its 50 favorite SportsCenter spots of all time. The show, airing this Thursday at 8 p.m. ET and hosted by Jason Sudeikis, will feature anecdotes and stories about the top 50, and fans are encouraged to vote for their favorite spot over on Facebook. Sudeikis will announce the winning spot on the show. (More than 1 million votes have been cast so far.)
Check out the program on Thursday, and click the link below for a sneak peek at ESPN's official top 10 favorite "This Is SportsCenter" commercials.
Subaru stakes its claim as the car for people whose lives are just so damn cute in this pair of new spots from Carmichael Lynch.
"The Date" follows a young couple as they drive down country roads, first stopping at a diner for chocolate shakes and then at a produce stand, where the woman sticks an orange in her mouth for, I dunno, an impromptu impression of Marlon Brando from The Godfather, or something. It's such an awkward moment, I would've split and left her there. This guy's more of a gentleman, however, and drives her straight to the commercial's cutesy twist ending. Turns out they're strangers who just met when her truck ran out of gas and he drove her to the station to get some. I guess they really clicked on the ride. How sweet.
"Redressing Room" tells the tale of a toddler who keeps undressing in the backseat. "If I've gotta wear clothes, you've gotta wear clothes," says his perky mom. (If I had a dime for every time my boss at AdFreak has told me that!)
Look, there's nothing wrong with these spots; they're well directed by Lance Acord, and I'm sure they'll resonate for some. That said, I found them strangely insincere. They just feel too much like, well, Commercials with a capital C, right down to details like the hunky "Date" dude's windblown hair and scraggy bread and the "Redressing Room" mom's cutesy (yet disturbing) decision to keep extra kids' clothes in plastic drawers in the hatchback.
Stranded in this deflating post-modern-Rockwell vision of America, I'm the one who needs a lift.
If CBS' The Crazy Ones seems like a day at Leo Burnett in Chicago, there's a good reason for that. The agency's executive creative director, John Montgomery, works as a consultant and executive producer on the fall comedy—and, in fact, inspired the show, which marks the network series return of former Mork from Ork Robin Williams.
It's no accident, then, that the pilot has the fictional ad folks working on a campaign for McDonald's, one of Burnett's biggest clients. (They want pop star Kelly Clarkson to shill burgers. "I don't do jingles," she sniffs, but eventually belts out a meat-loving ditty.) The brand didn't pay for the prodigious placement, though Williams told 200-plus reporters at a Television Critics Association panel on Monday in Beverly Hills to "look under your chairs—there's a Happy Meal!"
Expect to see other real brands on the show, likely from Burnett's stable, that were willing to let the creative team poke some irreverent fun at them. Montgomery has been spending several days a week with the sitcom's writers, said executive producer David E. Kelley, giving them agency scoop that's "sometimes crazier than we could imagine." Kelley and Williams also visited Burnett's offices to soak up the agency flavor. Even the show's title comes from advertising—"Here's to the Crazy Ones" was the anthem spot from TBWA's "Think Different" campaign for Apple.
There's another ad connection with The Crazy Ones. James Wolk, who plays the shadowy Bob Benson on AMC's Mad Men, stars as the new show's office lothario and creative whiz. "I only do advertising and marketing shows," he joked during the panel. The workplace comedy, premiering Sept. 26, also features Sarah Michelle Gellar as Williams's pragmatic daughter who's trying to keep her screwball dad in line.
Here's a simple concept executed simply for Adidas. This beautifully shot, expertly cut short tells the story of the opening of the D Rose Jump Store in London. This unique store gave fans a chance to jump with the Chicago Bulls point guard to get a pair of Derrick Rose signature Adidas sneakers. Hundreds of fans descended and tried to make the 10-foot jump. Great moments, from Rose laughing at a girl who can't get enough air to helping a kid reach a pair, are offset by some pretty impressive jumps—including a dude who not only reaches the shoes but manages to kiss them on the shelf. Best pop-up store promotion in a while.
Not many brands have embraced the Anthony Weiner debacle as inspiration for ads. Spirit Airlines did it in its own traditional sleazy fashion. And now Mini has come out with a little auto erotica of its own—creating (as Weiner did) a fake Twitter identity, @CarlosDMotor, and tweeting out an image of a Mini in a bathroom, showing off a little grille. "Wanna get your hands on my stick?" says the tweet. Agency: Butler, Shine, Stern & Partners.
You plug Google's new $35 Chromecast dongle into the back of your TV set to wirelessly stream Internet video on a larger screen. "For Bigger Fun," this minute-long commercial by 72andSunny, shows all kinds of people doing just that. They watch mainly Hollywood fare (Charlie Chaplin, Austin Powers, etc.) or candid footage from their own lives. In a way, this is the YouTube generation coming full circle, as we can now broadcast ourselves onto our living-room screens and enjoy a stripped-down version of old-school TV stardom. The spot works hard to portray Chromecast as an enjoyable shared experience, though watching people watch TV isn't that exciting. The music, "Zorba the Greek," sets my teeth on edge. It reminds me of the bloody bouzouki that drones on and on and on and on in Monty Python's "Cheese Shop" sketch. Now there's some video worth streaming! Bottom line: Dongle's a funny word. Kind of.
A jokey-yet-serious campaign called Bribe the Senate, intended to get the U.S. Senate to at least discuss the idea of mandatory background checks on gun purchases, has hit a legal snag and its organizers are rethinking their approach—lest they end up in prison.
Four creatives at Goodby, Silverstein & Partners came up with the project (a personal one, not an agency endeavor), which was designed to raise money to offset donations from the gun lobby to six senators who could provide the swing votes to consider legislation on the topic. At midnight Thursday—100 days after the Senate voted to keep background checks from even being discussed—the campaign's website will count down to zero, at which point it was supposed to start collecting donations. Now, that won't happen.
"Honestly, we started this whole thing with the intent to fundraise for the bribes," says Simon Bruyn, one of the creatives. "But the lawyers were very adamant that this was go-to-jail illegal. Not just for us, but for anybody who donated. So we had to change our approach late in the game."
Instead, the site will simply direct tweets to the six senators and ask them to revisit their stance on the issue. Not so much as a bitcoin will change hands.
"We get it. Bribes are bad. You can't pay a politician to change their vote," says Emil Tiismann, another of the site's creators. "Next time we will form a proper political lobbying organization so that we can collect unlimited cash in order to have a meaningful political conversation with our elected officials where we strongly express our opinions."
Tiismann adds: "Please don't send us to jail for this. We'd hate to have to share a cell with a mentally ill killer who bought his murder weapon at a gun show without a background check."
Jacob Sempler and Andrew Livingston were the other two creatives who built the campaign. Check out its appeal video below.
Remember that time you thought babysitting for a few extra bucks was a great idea? What could be so hard about putting an 8-year-old to bed, right? Fast-forward a few hours, and Mikey's got his head caught in the stairs. Sarah's got a wad of gum in her hair. You're fashioning a makeshift diaper out of duck tape for the one whose name you forgot. Or worse, the house catches fire. Seriously, anything can happen. Have you seen The Sitter?
Lucky for you, the Red Cross has developed "Babysitting Basics Course," an online tutorial that teaches you how to handle—or better yet, avoid—babysitting blunders. Oh, and they teamed up with BBDO Atlanta and director Daniel Strange to produce the PSA below. The spot is a charming and adorable one-minute piece about the potential hazards of babysitting. And those cute little tykes are clearly more aware of them than their absent-mind teenage babysitter. So, to you would-be sitters out there: Before you decide to conquer you neighbor's living room, hear the warning of unlucky kids, go online and take the course.
Vending machines have been developing unique personalities for some time. We've had generous ones, sadistic ones, patriotic ones. Now, we've got an exceedingly empathetic one. Check out the video below from a South African airport, where coffee roaster Douwe Egberts rigged up its vending machine with facial-recognition software to dispense free cups of coffee to anyone who yawned. It's a nice stunt that turned those yawns to smiles. The fittingly named agency behind it: Joe Public. Via Foodbeast.
They say celebrity endorsements are a questionable investment, but as you can see below, they can be staggeringly successful—if the celebrity is Dikembe Mutombo and the target market is this particular baby. The Martin Agency will enjoy this. Wonder what the kid thinks of the "Hump Day" spot.
Emily Hodgson and Emilie Riis, staffers at London ad agency 18 Feet & Rising, have harnessed the awesome global power of the Internet for its ultimate purpose—pestering Nike. They've created Purple Unicorn Planet, a site that at first glance seems to sell various Nike training shoes. In fact, clicking on sneakers yields a message informing you that Nike doesn't make those shoes in women's sizes. The Emilies urge you to share a letter of protest with Nike (it begins, "Somewhere in Swoosh Central, there's been an oversight"). There's also a Twitter feed, @PunicornP, and hashtag, #PleaseJustDoIt, because everything has to have a Twitter feed and hashtag these days. Why not simply buy some other company's shoes? Or, if they're dead-set on wearing Nike Air Safaris, just saw off the toes? "The open-toe look isn't in this season," Hodgson tells AdFreak. Riis adds: "We saw a gap in the market and we want cooler trainers in girls' sizes. We are both huge Nike fans and love their men's designs, so that's why we are focusing on Nike." They swear the campaign isn't intended to generate buzz for themselves or their agency, but that's what's happened, so I guess it's all good. "We haven't heard from Nike. Yet," says Riis. The company might respond eventually, but I wouldn't hold my breath waiting for that shoe to drop.
Bucharest is many things. But one thing it is certainly not is Budapest. That's because Bucharest is the capital of Romania, and Budapest is the capital of neighboring Hungary. You could easily confuse them, of course, which is why Romanian candy bar ROM is out to end the confusion once and for all—with a new ad campaign from McCann Bucharest and MRM Romania.
As illustrated in the video below, it was all Michael Jackson's fault. In 1990, he started the trend by shouting "Hello, Budapest!" at his concert in Bucharest. In 1995, Iron Maiden did the same thing. They were followed by Morcheeba, Lenny Kravitz, Metallica, Ozzy Osbourne, Whitesnake and others. The problem reached comic proportions in 2012, when when 400 Athletic Bilbao fans missed the Europa League final after mistakenly flying to Budapest instead of Bucharest.
Bucharest didn't get mad, but now it wants to get even. Billboards have gone up in both cities, reminding everyone of which is which. A browser add-on adds the words "Not Budapest" next to every instance of "Bucharest." And fans on the ROM website are encouraged to share their Bucharest/Budapest stories and tag them #BucharestNotBudapest.
"It's a confusion that upsets us all, and if there is a brand that can take legitimate action towards this error, that brand is definitely ROM, because it's Romanian, authentic, daring and because it has BUCHAREST written on it," says client marketing manager Gabriela Munteanu. (You may remember ROM from the 2011 Cannes Lions festival, when it won two Grand Prix for a campaign that pretended to Americanize the candy bar, much to the horror of its fans.)
We will have an early indication of whether the Bucharest/Budapest campaign is working, as Iron Maiden returns to Bucharest on Wednesday as part of their current world tour.
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