Advertising Agency: DDB, New York, USA
Chief Creative Officer: Matt Eastwood
Executive Creative Director: Menno Kluin
Group Creative Director: Andrew McKechnie
Head of Design: Juan Carlos Pagan
Associate Creative Directors: Sam Shepherd, Frank Cartagena
Senior Designer: Brian Gartside
Designer: Aaron Stephenson
Director / Editor: Kyle McMorrow
Producer: Nina Horowitz
Head of Integrated Production: Ralph Navarro
Head of Production: Ed Zazzera
Chemist: Dr Theresa Dankovich
Biochemical Engineer: Corinne Clinch
Printer: Jamie Mahoney / Bowe House Press
Binding and 3D: Peter Ksiezopolski, xweet
3D Printing: Morpheus Prototypes
After an 8 year lapse, Kirstie Allie is back with Jenny Craig in a new LXRD-created commercial in which, well, she begs Jenny Craig to come back to the weight loss program so she can lose 20…no, 30…pounds. Will she succeed?
Who Is Hosting This, a hosting site rating site with its own viral marketing desires, is out with an infographic entitled 5 Reasons Your Awesome Content Isn’t Going Viral.
The infographic takes a look at what makes content shareworthy and sites what can detract from that such as lack of emotional appeal, bad timing, poor design, poor distribution and more.
Back in February I published a column titled “What If Twitter Got a Lot More Useful?”, based on Twitter U.K.’s partnership with telecom giant O2, which uses Twitter as a customer-service platform. I suggested that Twitter needs to build more relationships and services like that, to demonstrate that it can be much more than just a pit stop on the way to other media destinations, and thereby appeal to a broader audience of potential Twitter users.
Given the drubbing Twitter’s stock has taken lately thanks to its admission that its growth has been slowing, today’s announcement of #AmazonCart — “Add it Now. Buy it Later. Shop from within Twitter” — is very welcome news. It adds another layer of functionality to Twitter, but does so by using an existing signature element, the hashtag, that Twitter users are already comfortable with. Watch this quick video for the simple explanation of how it works.
Simon Dumenco is the “Media Guy” columnist for Advertising Age. You can follow him on Twitter @simondumenco.
The words we use are important. Words convey meaning.
Right now, I am looking for the words to convey how much I love this ass-kicking, fact-kicking session from Gary Vaynerchuk, head of Vayner Media.
In the video, a person asks Vaynerchuk how to meet “relevant people” at South By Southwest. Gary Vee rightly does the questioner and the larger world a great service by breaking down what’s wrong with the thinking that misinformed the question.
“When I hear people categorize others human beings as ‘relevant’ it makes want to vomit on myself,” he says.
Vaynerchuk is a humanist and it takes a humanist with brass balls to endow brands (and the company’s behind them) with the necessary degrees of humanity that will make them palatable to the real life people we sometimes refer to as consumers.
In a new article about sales on Medium, Vaynerchuk notes, “I pay attention to what people do and look for patterns. I think of conversion in an emotional more than an analytical way.”
In other words, sales and business is personal. At all levels, business is an exchange between people. It can be an equitable exchange or something less. When it’s something less, may today’s digitally-empowered consumers have mercy on your brand’s soul.
Vaynerchuk sees sales (and the taking care of customers that enables it) as art. A sale is something he creates and he believes in masterpieces. To get there, he uses leading questions “to reverse-engineer your needs and provide the insight that I could deliver on.”
At the heart of Gary Vee’s offering, and the reason for his charm and success, we do not find the social media tactic de jour. His message is about the fundamentals and the need for applying them in life and in business. Be a good person/business. Offer to help. And continually serve and grow your relationships.
As someone whose Facebook feed is roughly 70 percent pictures of people's kids, I feel comfortable saying they get boring after a while. Luckily, digital artist John Wilhelm is around to shake things up.
He made a whole series of manipulated photos in which his three daughters go about their everyday routines—like presenting flowers to huge bison, gnawing down trees, working as coal-smudged engine drivers and battling cephalopods in the bathtub. Some of the images look more natural than others, but they all have a weird storybook quality to them that's a welcome relief from the Instagram/Pinterest-induced sameness I've been seeing.
Check out this interview with Wilhelm at Bored Panda. Asked about the inspirations for his photos, he replies: "I guess I watched just a little too much TV and played too many video games when I was a kid."
Taking an out of context, you-had-to-be-there approach to promoting Colonial Williamsburg, The Martin Agency is out with two new commercials which aim to highlight the destination’s many attractions which, when explained out of context, can be a bit off putting.
If you were walking past your neighbor’s house and you asked them how their vacation was and they answered, “there were gunshots, explosions, angry mobs – it was fantastic,” you might scratch your head a bit. But that’s exactly what these ads are going for. Because Colonial Williamsburg is not your typical vacation destination.
Which is why these spots, interspersed with imagery of what you’d actually experience if you visited, work so well.
(TrendHunter.com) Designers James Dyer-Smith and Gian Frey are completing their exclusive furniture brand called the DSF COLLECTION with a new sub-collection called ‘Penthouse.’
BBDO New York‘s latest series for General Electric (almost) travels to the globe’s most remote corners to remind viewers that the company isn’t just responsible for creating trivection ovens and six-second video loops.
With “World Firsts”, the agency uses three disparate stories of isolated communities to illustrate GE’s ability to bring the benefits of the digital world to those living on its margins.
The first spot in the series of three concerns the challenges of delivering medical technologies to one of Japan’s most remote inhabited islands:
After the jump, the second spot plays on the same outsider themes (while lightly referencing World Cup fever) in relaying the tale of a young boy’s first big trip and his love of all things football.
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New York-based production company O Positive announced today the addition of director Rodrigo Garcia-Saiz to their roster for commercial representation in North America and internationally.
“I am an enormous fan of O Positive,” Garcia-Saiz said. “Talking with Jim [Jenkins] and David [Shane], I felt as if I knew them. They really love their work and enjoy their families; we share a similar vibe. Plus, they do some of the best work out there. I appreciate that O Positive is a small company where I can really focus and do great work.”
Garcia-Saiz has a steady track record of award-winning work, including a Cannes Gold Lion win for AMIS “Office” (Ogilvy & Mather Mexico), and the Bronze Lion-winning horror parody “Executed” for Gandhi Bookstores and anti-bullying spot “Playground.” After attending film school at University of Mexico’s prestigious El CUEC, Garcia-Saiz flexed his cinematic muscle at Alejandro G. Iñárritu’s production company as a commercial AD, before forming his own Mexico City production company, Central Films. continued…
(TrendHunter.com) The Tamara Mellon Spring 2014 ad campaign captures a socialite behaving badly as they are often stereotypically depicted as doing on Page 6. It so happens to star American socialite and budding…
Oh the amusement you can find on Reddit. One Reddit user, Tsja87, has offered up a rant that aims to tear down the very purpose of advertising calling it a pointless career choice.
He/She writes, “Is it just me, or can any idiot work in the advertising industry. Every advertisement is the same mostly, and I see no need for a company to hire creative to do something they could easily do themselves. Why do advertising agencies even exist? It requires no knowledge, and getting your degree in such a thing is absurd, my close friend is an advertising major at Baylor university, and my god, it’s like their teaching common sense to people who don’t have any. Sorry for posting this in this board, but some of have to feel the same way. I just finished watching the pitch on AMC, Jesus Christ, it ain’t no mad men, but plenty of people trying to be, and apparently, that’s all you need.”
Predictably — this being posted in an advertising sub Reddit, many are defending the profession with one commenter twisting things a bit and writing, “Basketball is a joke. All they do is throw a ball in a hoop and get paid millions. Any idiot can do that”
Camp & King has hired Paul Sincoff as creative director. Most recently, Sincoff was an assistant creative director at Crispin Porter & Bogusky in Boulder, where he worked on the agency’s Kraft Mac & Cheese and Microsoft Windows Phone accounts. As a copywriter at TBWA/Chiat/Day in Los Angeles, he crafted creative for brands that included Activision, Visa, Pepsi, PlayStation, Washington Mutual and Jimmy Dean. He has also worked as a freelance copywriter at Mekanism in San Francisco (for Brisk, Method and Virgin Mobile) and an ACD/SVP at Mullen in Boston (for JetBlue and Google Mobile).
BBH New York has hired Marcos Kotlhar as art director, reporting to chief creative officer John Patroulis. Kotlhar was previously art director at AlmapBBDO in So Paulo, Brazil, where he worked on national and global campaigns for clients including Havaianas, Getty Images, Visa, HP, and Volkswagen. His career has also included working in animation at MTV Networks in New York as well as roles in branding, fashion and editorial design. His awards include Cannes Lions and Clio awards, as well as two D&AD yellow pencils and an ADC Young Guns Cube.
Here’s an interesting, if odd, approach to promoting a show and train ticket offering from a travel agency.
On April, 8th and 9th, Voyages-sncf.com, with help from TBWA\Paris, created an interesting installation on the streets of Paris with some oversized interactive figures.
Passersby could hear Ave Maria sung from a 1,500lbs silicon mouth, take a shower with a 43 sq.ft inked rugbyman, peek under Marilyn Monroe’s 300ft long skirt or transform a bus shelter into a night club by touching a funk singer’s torso.
Yea, we have no idea how all that promotes a travel agency offering either.
AMV BBDO’s new campaign for Currys & PC World, entitled “Football? What Football?” — their first work for the brand — manages to be World Cup-themed without ever mentioning the words “World Cup” (although at one point they come pretty close). The new broadcast spots for the UK’s largest specialist electrical retailing and services company each feature a hopelessly transparent man attempting to (not so) slyly suggest to his significant other that they should buy a new television, positing the purchase as selfless, and certainly having nothing to do with the impending 2014 World Cup in Brazil.
The approach is clever, examining the types of subtle and not-so-subtle manipulations partners in relationships make surrounding expensive purchases. In my favorite of the spots, “Pride and Sensibility,” a man tells his wife, over dinner, that him and his friends watched that “Pride and Sensibility” program and it really looked great on his buddy’s widescreen TV. He’s not nearly so slick as he thinks he is, and his significant other’s incredulous facial expressions really bring the spot together as he almost mentions the World Cup and claims the new TV is for “that castle program” she likes so much.
The other spots follow a similar formula, finding humor in a man suggesting to his wife that her gardening programs would look great on a new television, and a father attempting to justify the purchase as a way to better enjoy upcoming penguin documentaries to his daughter while a disbelieving mother looks on. It’s the kind of approach that works because of its relatability, with humor that is at once universal and distinctly British coming from true to life scenarios. The broadcast campaign launched on the first, along with accompanying 30 second ads appearing on sports radio. Stick around for credits and the other two spots after the jump. continued…
(TrendHunter.com) The ‘Paper Dolls Or Noir’ editorial for Jalouse Magazine’s May 2014 issue combines the location of a Western with the aesthetic of a film noir.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.