SXSW 2014: Um retrato diário dos assuntos mais populares

Toda sexta-feira, publicamos aqui no B9 um ranking das propagandas mais populares da semana, oferecido pela BrandMagz. E nessa semana, em virtude do SXSW, eles lançaram uma nova ferramenta.

O site sxsw.brandmagz.com gera um resumo diário dos assuntos, matérias, tweets, vídeos e fotos mais compartilhadas sobre o evento. Uma boa maneira de não perder alguns dos temas mais relevantes do festival.

Não esqueça de acompanhar também a nossa cobertura, aqui no B9, e no nosso Instagram.

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SXSW

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ICYMI: Data Brokers Get Slammed by ’60 Minutes’


The marketing-data industry got a swift kick in the gut from mainstream news outlet “60 Minutes” last night. The CBS magazine show called the data broker industry “a much greater and more immediate threat to your privacy” than “government snooping and bulk collection and storage of vast amounts of data.” And, continued reporter Steve Kroft, corporate data collection is “coming from thousands of companies you never heard of.”

Many in the data industry last week steeled themselves for a show they expected to paint their practices in a negative light. The Direct Marketing Association contacted Advertising Age last Wednesday suggesting the segment would probably air during the March 9 broadcast, noting the nearly-100-year-old trade group would have comments regarding the show after it ran.

Continue reading at AdAge.com

Honda Restructures: Accavitti to Lead Acura; Conrad to Oversee Honda


American Honda has reassigned marketing boss Mike Accavitti to lead the Acura brand amid a restructuring of the automaker’s North American operation that will group marketing and sales functions under separate divisions for the Honda and Acura brands.

Mr. Accavitti, currently in charge of marketing and product planning as senior VP-automobile operations at American Honda, will add the newly created role of general manager of the new Acura Division. In that role, he will oversee all sales, marketing and parts and service operation for the Acura brand in North America, while ceding official product-planning duties and oversight of national marketing for the Honda brand.

Meanwhile, Acura sales boss Jeff Conrad will be promoted to senior VP at American Honda and will take over all sales and marketing efforts for the Honda brand as general manager of the newly created Honda Division.

Continue reading at AdAge.com

[ATUALIZADO] Uma rede social que só pode ser acessada por quem estiver bêbado

[ATUALIZAÇÃO] Conforme informado pelos leitores nos comentários, o aplicativo LIVR é falso. Nota do Gizmodo.

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LIVR é um aplicativo e rede social que gira em torno daquela bebedeira casual, onde os usuários que compartilham deste mesmo momento podem se reunir para continuar – ou apimentar – a festa.

LIVR é uma comunidade de pessoas que querem se divertir e viver a vida honestamente.

Fundado por Kyle Addison e Avery Platz, a diferença de LIVR de outros apps com o mesmo foco é a sua exclusividade: só conseguem acessá-lo aqueles usuários que estiverem bêbedos. O nível de álcool é medido através de um bafômetro que pluga no celular e se conecta com a rede.

Depois de entrar, o usuário tem acesso a uma lista de recursos como: um mapa que indica aonde outros usuários estão bebendo e curtindo, e qual o nível de álcool deles; a brincadeira “Truth or Dare” de forma crowdsourced, onde usuários mandam dicas de perguntas e desafios a serem cumpridos; e a ligação “Drunk Dial”, que conecta o usuário a outro de forma aleatório.

E, para aqueles que foram longe demais e não querem deixar rastros, existe o botão “Blackout”, que apaga tudo o que o usuário fez e utilizou naquela noite. Um recurso que ajuda os usuários a se sentirem mais confiantes e a se divertirem sem preocupações com o dia seguinte.

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Enquanto outras redes sociais estão repletas de postagens de uma vida perfeita e certinha, LIVR foca em uma comunidade que quer ser honesta sobre suas noites divertidas mas, ao mesmo tempo, não está afim de compartilhar suas histórias de bebedeiras com os pais nem com o chefe.

LIVR está buscando investimento e tem previsão de lançamento nos próximos meses.

 

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Páginas no Facebook terão novo design, que começa a ser liberado hoje

O Facebook anunciou oficialmente nesta segunda-feira que as páginas da rede social também vão sofrer uma mudança de visual. A alteração começou pelos perfis dos usuários, e a partir de hoje será, aos poucos, liberada também para as páginas.

Uma das principais alterações será a concentração das postagens em uma coluna do lado direito, enquanto o lado esquerdo mostrará dados sobre a página, como número de curtidas, mapa de localização, horário de funcionamento, entre outros detalhes.

Na visualização dos administradores da página, dados como novas curtidas, mensagens e notificações não vistas e anúncios que estão sendo divulgados por aquela página estarão visíveis logo na tela principal. No topo desta tela, também será possível ter acesso direto às seções de atividade da página, insights e configurações.

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Lado esquerdo do novo design terá informações sobre a página

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Postagens ficarão somente do lado direito

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Menus com mais fácil acesso, no topo da página, e informações relevantes na lateral

Outra novidade bastante interessante é a possibilidade de comparar páginas a partir do menu Insights de Página. Com a ferramenta Páginas para Observar (‘Pages to Watch’), os administradores poderão comparar a performance das suas estratégias de mídias sociais com a de outras páginas similares (ou concorrentes, né?), com dados como os posts que mais geraram engajamento, quantidade de curtidas e até a porcentagem de aumento destas nas últimas semanas. Certamente uma ferramenta útil, mas que vai ser motivo de bastante dor de cabeça para muitos analistas de mídias sociais.

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Let’s Be Honest: SXSW Is About Innovation in Marketing, not Tech


During South By Southwest 2014, I tweeted, “Here’s the list of all the amazing tech that launched at #sxsw this year,” and then posted an image of a 404 ‘page not found’ error. It was a joke, but it felt all too real in Austin.

Years ago, when major corporations with massive marketing budgets started to come to Austin and sponsor SXSW Interactive, they were seen as an invading species. On the surface, it was a typical story of colonization: a peaceful and not particularly clean shaven species lives in harmony; a better dressed species with expense accounts causes hotel room prices to skyrocket; the happy, furry people either die out from logo asphyxiation or put on suits and join the invaders.

While some feared that narrative, what really happened for awhile was one of symbiosis. Marketers wanted to work with the technologists and tinkerers who had made SXSW their favorite escape. They wanted to reach the early adopters. They wanted to increase their share of voice, but also encourage more conversation. The technology enthusiasts, meanwhile, saw opportunities for private corporations to fund their and validate their business models. As a bonus, the marketers often sponsored pedicabs, food trucks, and open bar parties. For the tech products like Twitter and Foursquare that spread so quickly at SXSW that they attracted mainstream media attention, marketers were lining up to run campaigns. The quest for startups to launch the most buzzed about product excited developers, marketers, and journalists alike.

Continue reading at AdAge.com

Billboard Bounce: Political Ad Spending Up 13% for Outdoor Media


With an increasing number of politicians, advocates and third-party groups flooding a never-ending election cycle, political players are turning to an old-school solution to avoid the clutter and expense of TV advertising: the billboard.

The Outdoor Advertising Association of America, citing an analysis of Kantar Media data, says political ad spending on outdoor advertising grew 13.3% between the 2009-2010 election cycle and the 2011-2012 cycle.

Walker Jacobs, president of sales for Clear Channel Outdoor, said his company has high expectations this election year. Mr. Jacobs said billboard advertising was usually used largely by local candidates for office. But now it’s becoming popular in congressional and statewide races.

Continue reading at AdAge.com

Why Do Advertisers Get a Pass When It Comes to the Blame For ‘Pedorazzi’ Photographers?


Occasionally the celebrity-industrial complex isn’t completely awful. Case in point: the recent announcements by a number of media outlets that they won’t run unauthorized paparazzi images of the children of celebrities.

Entertainment Tonight went first, announcing Feb. 20 that it was “showing support for ‘Veronica Mars’ star Kristen Bell and her husband, ‘Parenthood’ actor Dax Shepard, in their fight against paparazzi who harass celebrities’ children in order to get photos.” Bell and Shepard, ET noted, “have passionately campaigned, especially through their personal social-media platforms, to motivate others and bring more attention to this cause.”

People was next, with Jess Cagle publishing a note Feb. 25 saying that “when I took over as editorial director of People in January, I told our staff that People would not publish photos of celebs’ kids taken against their parents’ wishes.”

Continue reading at AdAge.com

Dog Sledder, Life Saver, Surgery Fixer: Dos Equis Keeps it Interesting

Considering that Dos Equis' "Most Interesting Man in the World" has become a meme with thousands of crowdsourced iterations, the bar is set pretty high for new official ads in the series. But this one seems up to the task.

In "Dogsled" from agency Havas Worldwide, His Interestingness valet parks a team of huskies, rescues man and fish alike from a blaze, second-guesses a surgeon and, uh, gives a young lady a pearl necklace.

It's probably one of the campaign's better spots in recent memory. And speaking of memory, there's another brief new ad after the jump about the Most Interesting Man's take on (of all things) memory foam mattresses.

CREDITS

DOGSLED :30
MEMORY FOAM MATTRESSES :15

Advertising Agency: HAVAS Worldwide NY
Chief Creative Officer: Jason Peterson
Chief Creative Officer:  Darren Moran
Executive Creative Director:  Jim Hord
Creative Directors: Paul Fix, Jamie Overkamp
Associate Creative Director:  Matthew Hock, David Fredette
Writer: Marty Bonacorso
Art Director: Rick Cohen
Writer: Christian Beckett
Art Director: Jon Vall
Global Chief Content Officer:  Vin Farrell
Co-Head of Production:  Dave Evans
Co-Head of Production:  Sylvain Tron
Executive Producer: Jill Meschino
Director of Broadcast Business Affairs: Cathy Pitegoff
Senior Broadcast Business Manager: Susan Schaefer
Talent Affairs Manager: Dawn Kerr
Talent Manager: Hilary Olesen
Managing Director: Kersten Mitton Rivas
Group Account Director:  Chris Budden
Account Director: Jamie Sundheim
Account Supervisor:  Sara Heller
Account Executive: Katie Moore

Production Company: @radical.media
Director: Steve Miller
Director of Photography: Eric Schmidt
Executive Producer: Gregg Carlesimo
Producer: Barbara Benson

Editorial Company: Arcade Edit
Editor: Jeff Ferruzzo
Assistant Editor:  Dave Madden
Audio Engineer: Eric Thompson
Music Composer: Brett Fuchs
Executive Producer: Sila Soyer

Postproduction:  Studio 6
Visual Effects Supervisor / Flame Artist: Johnny Starace
EP:  Tricia Higgins / Rich Rama
Producer:  Anna De Castro

Colorist: Company 3
Colorist: Tom Poole


    



Small Agency Awards 2014: Ad Age is Now Accepting Entries


Ad Age’s annual Small Agency Awards contest is now open, and independent shops with 150 or fewer employees are invited to enter.

The goal of these awards — now in their sixth year — is to ensure that the smart thinking and innovative brand ideas produced by smaller shops are getting their due. We’ve observed that all too often this community’s work isn’t being surfaced in the big awards shows.

The best part? Winning a Small Agency Award can help under-appreciated shops get noticed in a major way.

Continue reading at AdAge.com

? Transforme seu conhecimento. Faça MBA na ESPM.

Assim como os produtos e os serviços estão cada vez mais comoditizados e precisam de um diferencial para que possam se destacar, as pessoas também estão percorrendo esse mesmo caminho. Não basta mais fazer apenas o básico, é preciso ir em busca de novos desafios e de mais informação, ou seja, sair do lugar comum. E, para isso, você precisa estar em contato com quem está transformando o mercado e tem grandes histórias para contar. O compartilhamento de boas ideias e de experiências ainda é a melhor forma de adquirir conhecimento e te trará grandes diferenciais.

É isso que nós viemos sugerir a vocês: uma das opções que pode ser tomada para que você possa se destacar. A ESPM-Sul tem 14 diferentes opções de cursos de MBA que vão te tornar ainda mais completo e cheio de conhecimento para transformar tudo ao seu redor. Divididos pelas áreas de Gestão e Mercado, no portfólio desse semestre estão cursos como os conhecidos MBA Executivo Internacional e Master em Marketing Estratégico, para quem já está no mercado há mais tempo. Além desses, a ESPM apresenta 3 novidades:

MBA em Branding: Construção e Gestão de Marcas

Criado para todos os que querem aumentar seu repertório de conhecimento na área, principalmente gestores de empresas, empresários, profissionais das áreas de Marketing, Comunicação, Design, Administração ou, claro, estudantes.

MBA em Gestão e Marketing Esportivo

Para quem quer trabalhar no mundo dos esportes, seja em clubes esportivos, patrocinadoras ou empresas ligadas, esta é uma ótima solução, já que desenvolve capacidades de gestão, planejamento e implementação de estratégias voltadas para um desenvolvimento saudável dessas entidades.

MBA em Jornalismo com Ênfase em Gestão e Novas Mídias

Jornalismo voltado para o movimento contemporâneo da comunicação, formando profissionais capazes de gerir negócios na área, com uma visão estratégica e de futuro.

Agora, mais uma boa novidade: todos os cursos estão com inscrições abertas, mas quem correr e se matricular até ao dia 14 de março, recebe um desconto de 10% no valor da matrícula.

Dá uma olhada no site: www.espm.br/mba.

ESPM

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[Esse post é trazido a você por ESPM. Texto de responsabilidade do anunciante.]
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On Another Planet satiriza abeladas mundo afora

Que seu Abel é um fenômeno mundial, todo mundo já sabia. E que apesar de todos os pesares, ele também pode servir de fonte de inspiração para alguns projetos, também. O “muso” favorito dos criativos está de volta, desta vez em On Another Planet, coleção de pôsteres criada por Jonathan Quintin, diretor de criação do STUDIOJQ.

Aqui, o designer reúne algumas frases brilhantes e divertidas que ouviu de seus clientes ao longo dos anos, o que comprova mais uma vez que seu Abel só muda mesmo de nome, endereço e nacionalidade. Confira abaixo e lembre-se com carinho todas as vezes que você ouviu algo como “Eu não gosto, mas não sei porquê” ou ainda “Quero que você use uma fonte melhor, algo divertido como Comic Sans seria legal”.

Apesar de o projeto ter sido concluído em junho do ano passado, On Another Planet é atemporal.

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Chevy Was Right to Curb This Dog Ad, Even If Everyone Seems to Love It

Here's a candidate for most mercenary ad of the year—a homemade spot that was among those entered into Chevrolet and MOFILM's Oscars competition. Thankfully, it didn't win.

It opens on a young woman getting ready to say goodbye to her Golden Retriever. It then heart-wrenchingly backtracks through her relationship with the pet, all the way back to her childhood. It is beautifully written and produced, and will make you feel sad, and make you smile, and then make you angry when you realize Chevy is a dick that has shamelessly manipulated love for a dying dog to get you to buy a car—by slapping the punny "A best friend for life's journey" tagline onto a shot of an Equinox at the end.

The point of the ad seems to be that your Chevy will outlast your dog, or something. Or maybe, like your dog, it will be there through all the times? And eventually the car will die, and you will be sad about that, too? Except you won't really care, because it's a machine, and not a pet, and well-adjusted people don't develop the same attachment to machines as they do to pets?

The ad is steadily gaining steam on YouTube, where it seems to be pretty well loved, though it has its vocal detractors elsewhere. Kudos to Chevy for picking Jude Chun's ad as the winner instead.


    



The Scoundrel’s Dilemma: When and How to Evoke Patriotism in Advertising

The great English writer Samuel Johnson once declared that, “Patriotism is the last refuge of the scoundrel.” Johnson’s beef wasn’t with patriotism per se, rather the issue of it being coopted for the purposes self-interest. In the preceding several hundred years since he uttered the phrase, proof of Johnson’s quote is still readily seen in many pockets of society. Politicians often appropriate the love of country for a broad range of purposes; from securing smooth passage of legislation, to xenophobic fear mongering. To wit, patriotism often rears its head when any standalone merit is hard to find.

The American car industry has a complicated history with patriotism. Since Detroit industry workers smashing Toyotas in the 70s, the call to buy American over imported cars has been strong.

But this is 2014. The problem with American manufacturers evoking the nebulous notion of patriotism is that not only are a slew of affordable imported alternatives available, consumers have never been better informed. Aside from buying a house, a new car is likely the biggest purchase a consumer will ever make. Can (or should) a car buyer suspend rationality for the love of country? The idea of this is worth examining in light of a couple a couple of TV spots from American carmakers, Wieden + Kennedy’s GlobalHue’s Super Bowl spot for Chrysler, and Rogue’s recent spot for Cadillac.

Chrysler’s spot features America’s most revered living icon, Bob Dylan, expounding on the attributes of other nations against the backdrop of gorgeously shot Americana. The spot finishes with a call to action, “Let Germany brew your beer. Let Switzerland build your watch. Let Asia assemble your phone. But WE will build your car.” Dylan assures us that other countries are adept at plenty of other worthwhile endeavors, but cars are central to the American story. To buy a car from another country is treasonous.

The Cadillac spot is more polarizing. A love letter to unfettered self-reliance, the spot seems to know which way its bread is buttered. Unlike the Chrysler spot, it doesn’t acknowledge but rather demonizes the attitudes of other nations, even taking the well-worn path of French bashing, finishing with the phrase, “N’est-ce pas?” While the YouTube commenters formed two camps, one of the, “How insensitive, egocentric, and repulsive.” The other, “Hey butthurt foreigners in the comments: instead of crying, take notes. This is why our country is the greatest in the world and yours isn’t,” the spot reinforces what American buyers of this car will love the most about themselves.

Both spots evoke patriotism, but the Cadillac spot stays strictly in the visceral, emotional space, whereas Dylan’s Chrysler spot ends with a plea of rationality – it’s ok to buy foreign goods, just not cars.

The problem with this message is that is is patently untrue. By many independent (indeed, American) perspectives, Chryslers are a pretty middling choice. The jury is back in — Edmunds, Cars.com, Consumer Reports, and plenty of others suggest that all things considered, Chryslers aren’t a great buy. Chrysler is essentially asking us to sacrifice our decision-making rigor on the altar of patriotism. That’s a pretty big ask boys.

But by embracing only the emotional hot buttons and appealing to what makes them unique, Cadillac’s spot lovingly depicts those with the wallet and the will to buy the ELR. While controversial, this spot is much more relevant and appealing to the sensibilities of the self-made.

Jimmy Darmody from Boardwalk Empire cautions, “You can’t be half a gangster.” American carmakers would do well to take note. Evoking irrational yet powerful emotions can’t be tempered by a call to rationality. IF a brand feels compelled to evoke love of country (and it’s a big IF), then it needs to go hard or go home.

The post The Scoundrel’s Dilemma: When and How to Evoke Patriotism in Advertising appeared first on AdPulp.

Watch This Miniature, 3D-Printed Subaru Race Against a Ton of Exploding Sticks

If you ever need to outrun an elaborately exploding array of wooden tongue depressors, a remote-controlled Subaru might just be the vehicle for you.

The brand's two-minute spot, "WRX STI vs. StickBomb" is packed with dramatic visuals of the miniature car drifting around curves and jumping over ramps while the wooden sticks fly into the air all around. It's like Fast and Furious for kids—a playful idea that seems to let the brand hint at the car's street racing abilities without showing off a bunch of dangerous driving scenarios that could land the automaker in court.

It also took an absurd amount of work to pull off, if the making of video below is any indication. For starters, there's the time required to assemble the "stick bomb," a tension-based stick pattern that comes apart in dramatic fashion when a single stick is removed.

Overall the concept is a cool gimmick, though there's not quite enough excitement to drive the casual viewer through two minutes. Even the uptempo music can't always maintain the illusion that something is actually happening.

In the end, it's a pretty compelling ad for an RC Subaru, but I've got bad news: The car was a one-of-a-kind created via 3-D printer just for the ad. So here's hoping all the effort was worth it and moves some of the $35,000 full-size models.


    



My Holy Nacho, it’s all about the gaps in online communication

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My Holy Nacho is a process driven project and exhibition using the power of the internet to create physical changes in the real world. Inspired by László Moholy-Nagy’s Telephone Pictures (1923), where the artist communicated instructions at-a-distance for a finished piece to a manufacturer through the telephone continue

DealBook: New Movie Studio Is Formed, With China and Self-Distribution in Mind

A group is looking to make $40 million movies with big stars, as an alternative to the blockbusters now favored by Hollywood.

    

7 Ways Marketers Can Use Mobile to Tap Into People’s ‘Digital Home on the Range’

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In just under a decade, mobile devices have morphed from a handy tool that allows people to make phone calls on the go into a users’ primary communication channel and ubiquitous online connection to friends, family, business and entertainment. The rapidly changing role mobile devices play in our lives is evident from a mobile device users’ utter panic if their phone is misplaced or stolen: The loss creates the same physiological and psychological symptoms once reserved for a traumatic event like a home burglary — a sense of disorientation and alienation from what they hold dear as well as profound separation anxiety.

These feelings arise because the mobile phone today is much more than a mere handset: It’s a portal to the digital world we increasingly inhabit. We use it to keep up with loved ones on social platforms, find our way in the real world, catch up on the latest news, conduct personal business like banking and handle production tasks while we make a living.

The smartphone is, in a very real sense, our home on the range, our digital home. And with this change in the way users relate to their mobile devices, this increased dependence, marketers and sales professionals must evolve the way they approach customers to effectively reach out to them in their mobile abodes.

As marketers and sales professionals understand how personal mobile devices have become, they will do well to think about what worked for our grandparents’ generation in the form of the door-to-door salesmen. Before the digital age, successful door-to-door salesmen knew that to make a sale, they had to engender trust in order to gain access to a prospective customer’s private home. Theses yesteryear sales professionals followed commonsense guidelines to gain access to the homeowner and an opportunity to make a sale.

Present a neat appearance: Successful salesmen were groomed and dressed appropriately for the neighborhoods in which they worked.

Use a confident approach: Salesmen were deliberate and confident when they knocked at the door — finding a balance between being too aggressive or too meek.

Make a positive first impression: Salesmen knew the homeowner would peek at them through a curtain or keyhole and prepared a positive, non-threatening look.

Greet customers in their own language: Salesmen studied their target customers and greeted them in a manner and language that was familiar to the listener.

Anticipate objections and create trust: Salesmen created pitches to allay concerns and worked to build trust by addressing pain points and managing expectations.

Involve customers in the solution and tell the truth: Salesmen who achieved long-term success convinced customers that they needed the product with a true account of the benefits.

Follow up and ensure satisfaction: Good salesmen knew happy customers were their most effective marketing channel and that the customer was always the final arbiter of success.

With just a few adjustments in the wording, these same principles apply today when creating mobile marketing strategies. The medium is different: Instead of approaching the door of a residence, today’s mobile marketers are using apps and mobile sites to deliver their pitch directly to the portal of the user’s digital home.

But just as successful salesmen in a bygone era took care to convey honesty by projecting an appropriate and confident image, speaking in the same vernacular as customers, creating a pitch that appealed to pain points while allaying fears and involving the customer in developing the solution, successful mobile marketers should strive to make an equally positive impression in pixels using these very same tactics. Today, word-of-mouth sales might originate from a retweet instead of a back-fence chat with a neighbor, but the revenue generated is just as valuable.

The key takeaway for businesses today is that mobile devices now function as a portable doorway to a customer’s digital home. Successful sales professionals will embrace modern tools, but that doesn’t mean they should leave tried-and-true sales tactics and customer focus behind; they simply evolve these principles onto new platforms.

By understanding the psychology of mobile, how personal and important the devices have become to their users, today’s successful sales professionals can gain entry to prospective customers’ home on the range, their digital home, with the latest technology while generating revenue the old fashioned way — through honest iteration and customer satisfaction.

James Ramsey is the CEO of Fiddlefly, a digital creative agency.

Campaign Spotlight: 24-Hour ‘Rebrand’ Helps Twin Cities Nonprofits

An effort to help a local organization compresses a traditional advertising and marketing effort into a 24-hour marathon.

    



40 milhões de fotos do Getty Images agora podem ser embedadas gratuitamente

Getty Images, o maior banco de imagens do mundo (mais de 40 milhões de imagens disponíveis) acaba de introduzir uma nova ferramenta, um botão que permite embedar suas fotos em sites, blogs e redes sociais de graça.

“Temos blogs e publicações que amam nosso conteúdo, não são grandes empresas, não possuem propósitos comerciais, mas querem usar nossas fotos.” – Craig Peters (VP Getty Images) para Wired

O botão funciona como qualquer outra ferramenta para embedar conteúdo, basta copiar o código e inseri-lo no lugar em que se deseja colocar a imagem.

As imagens embedadas aparecem sem a marca d’água e com crédito para o fotógrafo. Porém, se a necessidade é ter controle sobre como a imagem é recortada, redimensionada e publicada, é preciso pagar pelo uso.

O novo recurso se baseia no fato de que muitos blogs e pequenas publicações usam tais imagens sem licença comercial. E, segundo Craig Peters (VP Getty Images), a empresa poderia seguir dois caminhos: criar uma tecnologia que rastreie tais usos indevidos e cobrar por isso, ou olhar esse fato como uma oportunidade.

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Como qualquer mudança, há sempre aqueles que se opõe. No caso, alguns fotógrafos estão relutantes ao verem seu trabalho ser distribuído “gratuitamente”. Porém, ao contrário deste pensamento, o novo recurso pode trazer também consciência para as leis de copyright e maior conhecimento sobre o autor do trabalho e sua importância.

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