Arte cumpre papel de restauração e traz novos usos para locais abandonados

Catherine O’Halloran, uma artista de rua que trabalha como assistente social durante o dia, usou um posto de gasolina como tela para criar uma enorme obra inspirada na pop art, tudo dentro da lei e com o apoio da cidade de Limerick, na Irlanda.

A obra no posto de gasolina visa incitar nas pessoas novas possibilidades e pontos de vista.

Esta é a obra mais recente criada para o projeto Draw Out, que conta ainda com mais 20 instalações artísticas a serem criadas.

O objetivo do projeto é se apropriar de propriedades abandonadas, que acabam por interferir visualmente no espaço e na interação dos habitantes para com a cidade.

Com tais locais deixados de lado durante muito tempo, as pessoas começam a se distanciar deles, de forma a se tornarem quase invisíveis. Propondo o oposto, aqui Draw Out destaca como os habitantes adquirem uma dissociação entre si e a cidade, a partir dos espaços que os rodeiam.

A obra no posto de gasolina, a maior até agora, visa incitar nas pessoas novas possibilidades e pontos de vista, enxergando o espaço de forma completamente diferente do olhar rotineiro e viciado.

Por trás da arte, O’Halloran propõe que os espaços sejam abertos com novos usos, como sede de oficinas, debates e eventos musicais para a comunidade.

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Ao partir da arte para alertar e gerar consciência, Draw Out escapa das intermináveis discussões legais e políticas por trás de problemas urbanos, e parte para uma regeneração e reintegração do povo para o povo.

Para o futuro do projeto, O’Halloran espera receber ajuda de artistas do mundo todo que queiram colaborar com suas ideias.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Wikipedia acrescenta gravações de vozes de pessoas famosas em suas páginas

Wikipedia anunciou estes dias um novo projeto: estão agora adicionando vozes de celebridades e qualquer pessoa que possua páginas em seus nomes para contribuírem com gravações de voz para a enciclopédia digital.

O projeto, chamado WikiVIP (Wikipedia Voice Intro Project), é uma realização dos editores Andy Mabbett e Andrew Gray, que acharam que o site poderia não apenas expandir seus conteúdos para o áudio, mas se tornar um banco história de mensagens de voz para a posteridade. Assim, começaram a abordar pessoas famosas para que contribuíssem com pequenos clipes com suas vozes.

“WikiWIP serve para colocarmos online, gratuitamente e acessível a todos as vozes de nossas gerações.” – Mabbett e Gray, via blog Wikipedia 

WikiVIP foi ao ar com uma gravação teste do Stephen Fry, ator britânico, falando sobre a sua página na enciclopédia. Com este lançamento, espera-se gerar conhecimento sobre a causa para outras pessoas como Fry, que possam contribuir com ideias e comentários em suas próprias páginas.

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Sir Tim Berners-Lee

Com a ajuda da BBC – que está trabalhando em parceria com a Wikipedia neste projeto – já está disponível também uma série de áudios de grandes personalidades, de Sir Tim Berners-Lee (acima) à Aung San Suu Kyi. Até a página do astronauta Charlie Duke, da missão Apollo 16, também possui comentários com sua voz.

Qualquer pessoa que esteja citada no site pode enviar uma amostra com sua voz gravada (não precisa ser em inglês). Para contribuir, saiba mais aqui ou envie um email para stevie.benton@wikimedia.org.uk.

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Super Bowl Head-to-Head Ad Poll: Vote for Oikos’ Sexy Stamos or Chobani’s Raging Bear


The Broncos and the Seahawks aren’t the only ones who’ll be facing off during this year’s Super Bowl: Two Greek yogurt advertisers, Dannon’s Oikos and Chobani are going head to head during the game with Super Bowl spots that have now both been released early.

Chobani takes a bit of a slapstick approach with its new ad created out of Droga5, which touts the brand’s good-for-the earth ethos by way of a hungry bear gone wild in a country store.

And Oikos, via agency Poptent, returns with studly spokes-celebrity John Stamos — this time, with his former “Full House” cast members Bob Saget and Dave Coulier. But the two turn out to be mere sidenotes to some yogurt-fueled foreplay between Mr. Stamos and a lady friend.

Continue reading at AdAge.com

Morpheus Brings Bombastic, Matrix-Style Melodrama to Kia Super Bowl Ad

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Kia has released its Super Bowl ad featuring Laurence Fishburne reprising his Matrix role, Morpheus. Predictably, there’s a blue key, red key choice as a couple just wants to get their car back from Morpheus the valet.

The couple, urged by Morpheus to take the red key because “you’ll never look at luxury the same again,” takes, of course, the red key.

And this is where the spot gets good. Crazy good. It’s a slow build but it ends masterfully and bombastically with Morpheus belting out that familiar opera tune, Nessun Dorma” all while items elevate and explode as if, well, as if Morpheus and the couple were in the Matrix.

It’s been 11 years since Morpheus hung up his duds but the dude still has his swagger.

We Hear: Is Brian Wallace Out at Motorola?

Brian-Wallace We’ve reached out to the Motorola camp on multiple tries and haven’t succeeded but sources tell that Brian Wallace, who joined the Google-owned company barely a year ago, is no longer there. Here is one of several comments we’ve received: “Razorfish took on Motorola when Brian Wallace went there, while still working on Samsung. They did the Motorola work under the name Digitas (and still are).  Media planning/buying is being done by the real Digitas (NYC office) but the rest is Razorfish Chicago and Austin. Some key individuals were working on both at the same time [names redacted]. Samsung was not happy about this. Legal got involved. Went on for a while; Razorfish knew that Samsung would wind down the biz and move on, and it was so.”

Oy, if you recall, Wallace’s relationship with Razorfish dates back a few years, during the time he worked at RIM and served as VP/global digital marketing and media for the latter brand. Prior to his most recent gig, Wallace served in a similar VP/strategic marketing role at Samsung.

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Super Bowl, Puppy Bowl and More!

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– In this promo for the NBC 2014 Sochi Olympic Winter Games, athletes are portrayed as superheroes. And when you think about it, they really are.

– According to a 2013 survey by Lab42, 39% of people prefer Super Bowl ads over the actual game, 64% said that more than half their game related conversations the next day revolve around the commercials, and 69% have re-watched a Superbowl commercial online. So play Big Game Bingo while you watch the ads.

– Coke is out with one of its Super bowl ads. Created by Wieden + Kennedy, it’s entitled Going All the Way and features a boy who ends up with the ball during a football game…and really does go all the way!

– Leveraging kids to pimp your Lean Cuisine diet is, in a word, despicable. Kids shouldn’t be burdened with obsessing over what they eat. That’s a parent’s job. For shame, JWT New York!

– Haven’t seen Hyundai’s two Super Bowl spots yet? Well here they are. Created by Innoecean, there’s Dad’s Sixth Sense and Nice. Dad’s Sixth Sense is pretty aewsome. Nice is, well, nice.

– And we wonder why Americans are fat. These Taco Bell XXL Steak Nachos are OK for Kevin Love but they are way too much for you.

– And then there’s the Puppy Bowl.

– To mark the 15th anniversary of Sony PlayStation’s Gran Turismo, the brand has launched a feature length documentary film on the iconic game.

– Saatchi & Saatchi Norway is out with a case study of its work for Toyota entitled Try My Hybrid which which urged Toyota owners to become brand ambassadors for the manufacturer’s hybrid vehicles.

– Sometimes you need some time away from the kids. Usually that comes when you go to Days Inn for a Bizcation. Work from Toronto-based Giants & Gentlemen.

– Oh and here’s Morpheus in Kia’s Super Bowl teaser ad from David&Goliath.

Glass House by Harumi Yukutake

Réalisée en 2012 par Harumi Yukutake, cette maison est recouverte de miroirs en forme de cercles de différentes tailles et formes, tous taillés à la main par l’artiste. Reflétant ainsi la nature et donnant ainsi un rendu visuel du plus bel effet, cette création Glass House se dévoile dans plusieurs images dans la suite.

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Angry Birds Maker Rovio Points Finger at Ad Networks Over NSA Data Leak


Ad technologies are giving the National Security Administration an inadvertent assist in its data collection efforts.

Or so says Rovio, maker of the popular Angry Birds franchise, which today pointed the finger at third-party ad networks after a new report from The Guardian which named the game as one of many “leaky mobile apps” that allow the NSA to collect age, gender and location information on users.

“As the alleged surveillance might be happening through third party advertising networks, the most important conversation to be had is how to ensure user privacy is protected while preventing the negative impact on the whole advertising industry and the countless mobile apps that rely on ad networks,” Rovio Entertainment CEO Mikael Head said in a statement.

Continue reading at AdAge.com

#A.I.L – artists in laboratories, episode 51: We Colonised The Moon

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Sue and Hagen’s installation, performance and graphic works seek to demonstrate that the future may indeed be frightening, but also highly entertaining. Previous projects have included creating solutions for space waste by disguising satellites as asteroids, building a solar powered solarium because ‘the sun dies anyway’, synthesising the smell of the moon and embedding it into scratch and sniff cards continue

24 Alcohol-Fueled Apps – From Brew Finder Apps to Interactive Virtual Beer (TOPLIST)

(TrendHunter.com) Chances are that those who can’t say no to a good drink probably have at least one or two of these alcohol-fueled apps downloaded. Mixing alcohol with smartphones can lead to disastrous…

Coca-Cola Visits Lambeau Field in One of Its Two Super Bowl Ads

While the Broncos and Seahawks battle it out Sunday at MetLife Stadium in New Jersey, Coca-Cola will visit an almost completely deserted Lambeau Field in Green Bay, Wis.—in one of its two 60-second Super Bowl commercials.

Coke released the first spot online Monday, and it's a cute tale of a small kid named Adrian who goes from benchwarmer to star of his high school football team with one impressive fumble recovery and return for a touchdown. In fact, he doesn't stop there. He keeps running from Ashwaubenon, a suburb of Green Bay, all the way to Lambeau, where he does a touchdown dance and a little Lambeau Leap—and gets an ice-cold Coca-Cola from the groundskeeper (played by the actual Lambeau groundskeeper of 17 years).

Most of the cast consists of Green Bay-area residents, the soda maker said, and the spot as a whole is meant to celebrate Coke's connection to modest communities across the country. " 'Going All the Way' is a story that celebrates a young man accomplishing his dreams. It's also a celebration of the amazing town of Ashwaubenon, Wis., coming together and our wonderful partnership with the city of Green Bay," Katie Bayne, president of North America Brands at Coca-Cola North America, said in a statement. "While Coca-Cola is a global brand, this ad illustrates the deep roots it has in every community where it does business. We are in every city and every town across the country, ready to provide the kind of refreshing, uplifting moments of optimism Adrian enjoys after his journey to Lambeau Field."

The ad, created by Wieden + Kennedy in Portland, Ore., and RSA director Jake Scott, will air in the second half. For a Super Bowl commercial, it's cute but pretty quiet. You'd expect the other :60, in some form or other, to be splashier than this. The other spot will air during the second quarter.


    



A Real Woman Will Quit Her Real Job in GoDaddy’s Second Super Bowl Ad

GoDaddy will try a real-world prank/stunt in the second of its two Super Bowl commercials this Sunday, as a woman will quit her job in front of the world to pursue her dream of starting her own business. The Web-hosting company released a teaser for the spot on Tuesday in which actor John Turturro sets up the premise.

"Let's talk about dreams, and the people who choose to pursue them. Like [BLEEP]," he says, as a picture frame with a question mark appears. "She's a real person with a real dream of starting her very own business. And she's got a message for her boss in front of 100 million people."

The gambit is clearly inspired by prank videos. Presumably the woman's boss had no idea this was coming, and will have a genuine reaction—positive or negative—that could be fun to see. UPDATE: GoDaddy sent through some more information. "Her boss doesn't know!" the company says. "He or she is going to find out while watching the commercial with the rest of the viewers—after the commercial, a formal resignation letter will be delivered and she'll give her two-week notice."

The stunt also recalls Marina Shifrin's spectacular late-night job-quitting dance from the super-viral video she posted last year. People just like seeing other people stick it to their boss. The concept would work better for a jobs site, but GoDaddy could make it work, though at 30 seconds it might be tough.

GoDaddy is evolving its messaging away from sleaze and toward a more respectable focus on women as business owners. The company's other 2014 Super Bowl spot, already released in full, stars Danica Patrick as one of many bodybuilders seeking a spray tan from a GoDaddy-using business owner.


    



Trinity Mirror folds People site after three months

Trinity Mirror is set to close its new digital site People.co.uk, dubbed “Buzzfeed for grown-ups” after just three months due to a lack of traffic.

Jaguar’s Debut Big Game Ad ‘Rendezvous’ is Really Bloody British

About two weeks ago, we shared the teaser trailer for Jaguar’s Super Bowl ad, which features Ben Kingsley, Mark Strong, and Tom Hiddleston (although only Kingsley was featured in the trailer). Today, Jaguar and their in-house agency, Spark44, have debuted the full 60 second spot, “Rendezvous.”

“Have you ever noticed how in Hollywood movies, all the villains are played by Brits?” Kingsley asks at the opening of “Rendezvous,” featuring the three star British actors as vaguely defined villains who all drive Jaguars. Filmed in London by Oscar-winning British director, Tom Hooper (The King’s Speech), in collaboration with Smuggler, Spark44 and Jaguar clearly threw a lot into “Rendezvous” to make the spot cinematic, also employing Alexandre Desplat, who worked with Hooper on The King’s Speech, to compose the ad’s original soundtrack, which was recorded by The London Symphony Orchestra at Abbey Road studios. “‘Rendezvous’ was filmed with the realization that many of today’s television viewers have access to beautifully sharp picture screens and multi-channel surround sound not unlike the best movie theaters,” explained Brand Vice President of Jaguar North America, Jeff Curry.

“Rendezvous” marks Jaguar’s debut Super Bowl advertisement, and also launches their straightforwardly-titled “British Villains” campaign, which promotes the new Jaguar F-TYPE Coupe (available spring, 2014) and will run through July. The spot features the campaign’s #GoodToBeBad hashtag (a line also spoken by Kingley during the ad, which honestly sounds a little forced), but that’s only the tip of the iceberg in terms of Jaguar’s online and social engagement. They’ve launched a campaign landing page, that “hosts information about the F-TYPE Coupe, the commercial and some unique video content including teasers starring each of the three actors.” Jaguar is also hosting an event with Deadspin as part of their partnership with the latter’s parent, Gawker, as well as two co-sponsored events with Sports Illustrated, including during the magazine’s Super Saturday event the night before Super Bowl Sunday.

What’s more, Jaguar “aims to be the most real-time engaged advertiser during the Super Bowl through a unique physical space calledThe Loop,’  developed by Mindshare, where multiple screens will monitor real-time consumer data and translate it into actionable insights, and ultimately, rapid marketing decisions…” Jaguar claims “The Loop” is “the first real-time marketing tool to impact paid media – whereby media dollars can be quickly shifted and redeployed to leverage opportunities uncovered by the data.” It will be interesting to see how Jaguar’s first Super Bowl advertisement, and their “The Loop” strategy plays out this Sunday. Stick around for behind the scenes footage of “Rendezvous” after the jump. continued…

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Prime: Chasing the Stars

Production Company: Caviar
Director / Editor: Tom Willems
Animators: Filip Vandueren, Steven Huybrechts
DOP: Geert Verstraete
Assistant DOP: boris godfroid
Art Director / Stylist: Heidi Petré
Sound: Gregory Caron
Production: Sofie Gebruers
Production assistant: Janna Maes

Hyperrealistic Paintings by Jacques Bodin

Jacques Bodin est un peintre français qui dessine des peintures hyperréalistes impressionnantes. En s’appuyant sur une projection de photographies, il dessine avec précision et s’attarde méticuleusement sur les détails de ses photographies. Plus de photos dans la suite de l’article.

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Portfolio Jacques Bodin

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70% of Americans Watch Super Bowls Ads Before Game Day [Infographic]

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Here’s a round up of Super Bowl stats from Venables Bell & Partners. The study, in it’s fifth year, queries Americans on their Super Bowl-related behaviors with a focus on social media habits and ad viewership. The year is shaping up to be a favorable one for marketers. Stats include:

Americans’ Love for Super Bowl Ads Continues to Grow:

– 78% would rather watch the Super Bowl with commercials. 70% will pay attention to ads before the game and 45% will seek out ads before kickoff (A 350% increase since 2010).

– Post-game, viewers are as likely to talk about Super Bowl ads as they are plays. More than half (52%) will re-watch ads after the game.

• Viewers are 105% more likely to “like” on Facebook a brand that advertised in the game vs. a team that played in the game.

Facebook Remains Vital to Super Bowl Advertising:

– 41% of Americans and 69% of millennials will be on Facebook during the game.

– 36% of Americans say engaging in the social media conversation “enhances” their Super Bowl viewing experience. This number increases to 68% for millennials.

– Of the 36% of people who will share their favorite Super Bowl ad, 77% will do so via Facebook and 15% on Twitter.

– Millennials are more likely to seek out information on an advertiser via Facebook than a brand site, an omen for the future.

Humor Rules:

– 95% of Americans say humor makes a Super Bowl ad memorable.

– Of the 33% of Americans (65% of millennials) who would likely use a hashtag from a Super Bowl spot, 26% (53% of Millennials) reported they would use a hashtag if was funny over if they liked the brand (9%) or commercial (10%).

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Project ‘3 Seconds’: Balloons

Advertising Agency: TUDO, Brazil
Creative Director: Rodolfo Barreto
Copywriter: Bruno Dias
Art Director: Felipe Diefenbach
RTVC: Cicy Freitas, Jader Gudin, Karine Invenção
Workflow coordination: Andrea Motta
Account Executive: André Cavalini
Planner: Cleber Paradela
PR Planners: Kassìa Cáricol, Renato Pezzotti
Production Director: Iron Neto
Producers: Paulo Takahashi, Valdenir Rosa
Sound: 11:11 Ads+Arts

Federated Media Gives Up On Direct Sales, Puts Focus On Programmatic


The rise of programmatic advertising has wreaked havoc across digital media, giving media buyers far more leverage while pushing down the value of publisher inventory. It has also torn apart the traditional ad network business, which is one reason Federated Media, today announced it would stop battling the tide.

The company will sell its direct sales, or “content marketing” business, to LIN Media for an undisclosed amount and focus entirely on its programmatic business.

“As a venture backed company, it’s always a difficult decision to sell a business, but you want to do the right thing for the people and the partners that got you to where you are and I think this does that,” said John Battelle, who founded Federated nine years ago and will transition from the company’s CEO to its executive chairman.

Continue reading at AdAge.com

Yamaha Europe MT-09: Street Rally

Advertising Agency: DLVBBDO, Milan, Italy
Executive Creative Directors: Federico Pepe, Stefania Siani
Client Creative Directors: Nicola Cellemme, Pasquale Frezza
Art Director: Simone Di Laus
Copywriter: Dario Lo Nardo
Client Service Director: Chiara Niccolai
Account Director: Domenico Grandi
Account Executive: Neli Mechenska
Producer: Marijana Vukomanovic
Cdp: KUME Film
Director/dop: Luca Fantini
Line producer: Pietro Ferri
Ex. Producer: Claudio Castellani
Junior producer: Beatrice Pepe
Set design/styling: Cristina Panata
Editor/Postproduction video: Manu Gerosa
Music/Sfx: Franky B
Colorist: Enzo Catizzone
Photographer: Alessio Barbanti
Postproduction photo: Davide Calluori