Nature Valley Shames Modern Parents for Ruining Their Kids in 3-Minute Technology Hate-On

Nature Valley Canada shouts “You kids, get off my lawn!” in a curmudgeonly new ad from Cossette that contrasts the childhood memories of three generations of families.

The brand yearns for the good old days of fishin’, fort buildin’, and granola eatin’ in the great outdoors. And it argues that newfangled tablets and video games are just ruinin’ childhoods left and right, leaving parents with tears and fears for the future.

So, are they just engaging in intergenerational hate mongering here, or do they have a legit point? It probably depends on the generation you’re from, and whether you feel like you actually fit the technology stereotypes of that generation.

Boomers who’ve learned to stop worrying and love their tablets will feel just as criticized as millennials or Gen Z members who go hiking every weekend. And stuck in between are the poor parents in this video, shamed in front of Grandpa and Grandma for failing to provide a robust childhood of wilderness adventures for their technology-addicted kids.

Just watch the response this hot topic has generated as all three generations ironically fight it out in the comments section of the YouTube video. (Pro-tip for old people: Shouting down a sassy 14-year-old in the comments section of a brand page with ad hominem attacks does not make you a nature crusader.)

The tagline is, “Rediscover the joys of nature.” So, how is Nature Valley Canada helping people do that? Well, they’ve got a website that tells you where the National Parks are, gives 10 suggestions for what to do in nature, and lets you donate to the Boys and Girls Clubs of Canada. In other words: nothing, really.

Of course, it’s possible that changing the trajectory of the entire technological revolution is beyond the abilities of a granola company’s Canadian marketing division. Which begs the question: Is it enough for a brand to stand for something, if it doesn’t actually do anything?

It would probably have been easier for the brand to champion nature and donate a ton of money to National Parks cleanup without pissing on technology at the same time. But it wouldn’t have generated nearly as many angry old people shouting, “Back in my day!”

And that truly would have been a tragedy.

Cottonelle Wants You to Go Commando and Not Throw Your Panties at New Kids on the Block

Cottonelle wants you to “go commando.” That’s right, the toilet paper brand says you should walk around without underwear because its CleanRipple texture imparts a superior clean.

In fact, they’ve hired documentary filmmaker and British accent possessor Cherry Healey to intercept random people who’ve just used the toilet and ask them to go commando.  Whereupon they hide in a little popup tent, take off their underpants and receive an undies storage baggie and some Cottonelle—in stunts that are both bizarre and amusing.

I can only surmise that part of the reason they picked Healey is because Poo-Pourri’s success taught marketers that Americans like it when potty humor is delivered via a British accent. In fact, Time Out recently found that British accents are considered the most sexy.

Speaking of sexy, Cottonelle isn’t just doing this commando stuff to hawk its product. It’s doing it for the good of musicians everywhere. Musicians who have been much maligned by the odious habit women have of throwing our undergarments on stage. Musicians like New Kids on the Block, who kicked off the Cottonelle campaign on Feb. 15 with an intimate concert that didn’t get intimate enough for underwear throwing.

The Kimberly-Clark brand will be joining the first leg of the NKOTB summer tour to offer “an elevated bathroom experience,” and surprise meets and greets with the boys—which presumably only happen if you agree to remove your underwear ahead of time. Meow.

So, if you want to trust your butt to clean ripple, challenge a friend with a free sample, or just want to browse a lot of pictures of people showing side-hip to prove their not wearing underwear, head over to Cottonelle’s website. And take a moment to wonder about this new trend in bathroom humor that’s sweeping marketing.

CREDITS
—TV
Director: Fred Goss
Production Company: Company Films
Editor: Matt Walsh
Editorial Company: Cutters
Sound: John Binder
Sound Studio: Another Country
Agency: Trisect
CCO: Chris Cancel
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Acct Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella

—Print
Photographer: Liz Von Hoene
Studio: Stockland Martel
Retoucher: Kellie Kulton
Agency: Trisect
CCO: Chris Cancilla
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Account Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella



Honda Teaches You to Speed Read in Three Ads That Go Faster and Faster

Honda teaches you to speed read in a series of ads which—in a nice nod to its vehicles—keep accelerating if you’re up for a challenge.

Apps have revolutionized speed read lately by displaying a single word on the screen at a time, one right after another in rapid succession. Partly because this reduces eye movement, these apps help readers not just beat but destroy the average reading pace of 220 words per minute. (Most of the apps default to 250 words a minute to start.)

The Honda campaign, from Wieden + Kennedy in London, uses the same technique—with the on-screen copy that flashes by in a trim, minimalist 40-second spot. A second ad lasts 30 seconds, with the text moving that much quicker. A third and final ad lasts just 20 seconds. (It’s kind of a shame there aren’t more. I was prepared to see how fast I could really go.)

The three spots combined have more than half a million YouTube views in a couple of days. That’s some speedy likes for some speedy reading.



Salt-N-Pepa Tell Football Players and Pregnant Ladies to Push It for Geico

If you’re excited by rumors of a Salt-N-Pepa reunion album, you’ll thoroughly enjoy this Geico ad where Salt, Pepa and DJ Spinderella don their famous jackets and tell everybody to push it.

Divorcing the song from its sexual connotations, the ladies are now here to help anyone who needs some encouragement with their pushing. They help a man who tries to pull open a door that needs to be pushed. They help a lady in an elevator who needs to select a floor. They show up at a Lamaze class, then on a football sled, and finally they dance after a poor man trying to mow his lawn.

It’s pure silliness. But it certainly is memorable. And since Geico doesn’t have to use its ads to tell you what it does (save you 15 percent on car insurance, as everybody knows), it might as well have fun with it.

Also, you’re not going to be able to push “Push It” out of your head for the next few hours.

CREDITS
Client: Geico
Vice President, Marketing: Ted Ward
Manager, Broadcast Production and Agency Relations: Amy Hooks
Marketing Planner: Amy Ruddell
Marketing Coordinator: Katherine Kalec
Marketing Coordinator: Tom Perlozzo 

Agency: The Martin Agency, Richmond, Va.
Chief Creative Officer: Joe Alexander
SVP/Group Creative Director: Steve Bassett
SVP/Group Creative Director: Wade Alger
SVP/Creative Director/Art Director: Sean Riley
Senior Copywriter: Ken Marcus
VP/Agency Executive Broadcast Producer: Molly Schaaf
Bid/Prep/Shoot/Edit Producer: Alex Scheer-Payne
Vfx/Finishing Producer: Sam Tucker
Agency Junior Producer: Emily Taylor
Business Affairs Supervisor: Suzanne Wieringo
Senior Integrated Production Business Manager: Amy Trenz
VP/ Group Account Director: Brad Higdon
Account Supervisor: Parker Collins
Account Executive: Meg Ingraham
Senior Project Manager: Jason Ray    

Production Company: Hungry Man
Director: Wayne McClammy
Director of Photography: Bryan Newman
Executive Producer Mino Jarjoura
Producer: Nate Young

Editorial Company: Mackenzie Cutler
Editor: Ian MacKenzie
Assistant Editor: Nick Divers
Executive Producer: Sasha Hirschfield
Editorial Producer: Evan Meeker

Telecine: The Mill
Colorist: Fergus McCall

Audio Post Company: Rainmaker Studios
Engineer: Jeff McManus

Push It:
Conform: Running With Scissors
Conform Artist: Chris Hagen
Executive Producer: Scott Friske
Producer: DeeDee Ray

Talent:
“Push It”
Cheryl “Salt” James Wray
Sandra “Pepa” Denton
Deidra “Spinderella” Roper
Door Guy – Sergio Cilli
Elevator Woman – Suzy Nakamura
Lamaze Wife – Chala Savino
Lamaze Husband – Lonny Ross
Lawnmower Guy – Mike McCafferty
AVO – Jon Curry
Music – “Push It”



Kotex Tells You to Be Gentle With Your Cat (What's Another Word for Cat?)

Cats are very sensitive. And when you apply sticky tape to them, they tend to walk funny. Just like when your pad won’t stay in place and decides to adhere to your crotch.

Ogilvy & Mather Shanghai created a viral hit for Kotex around the truth that no cat of any persuasion likes sticky tape. An entire spot starring super fluffy cats filmed in slow motion looking uncomfortable and walking sideways? It’s no wonder it’s already attracted over 1 million views in China (not on the subtitles version below, though, of course).

The brand has another spot that suggests it’s easier to find a good pad than a good man. (Well, yeah—you can buy pads at the store.)

Kudos to Ogilvy for coming up with an adorable cat spot that also has an actual product benefit included amid the cute. And don’t worry, no cats were harmed in the making. They were just made very uncomfortable.

CREDITS
Client: Kimberly-Clark
Project Title: Kotex Brand Promise Viral Campaign
Creative Agency: Ogilvy & Mather, Shanghai
Chief Creative Officer: Graham Fink
Head of Copy: Thomas Zhu
Creative Director: Bamboo Zhuang
Group Head: Yaya Wu
Senior copywriter: Kiddy Wang
Agency Producer: Xiaolong Wu
Media Agency: Mindshare
Production House: Shine Works



Here's How Gay Marriage Will Destroy Your World, Warns Satirical Short Film About 'Armagayddon'

What will happen when gay marriage is legal? Will the resulting Armagayddon destroy civilization as we know it? Luckily, an Irish gay rights advocacy group is here to help you visualize the consequences.

Ireland is set to consider a referendum on marriage equality in Spring 2015. To get people fired up for the vote, LGBT Noise is holding a march in Dublin, and they’ve partnered with Like:Minded productions to create this humorous short that laughs at our collective fear of the unknown.

Social change can be hard, particularly in a conservative nation, but what this spot is trying to suggest is that there really won’t be any change—unless opponents ruin their own lives with self-enforced isolation and a creepy prison box for their children. 

With more than 200,000 views since being posted two weeks ago, it’s sparking interest for the cause around the world. After all, sometimes the only thing you can do in the face of uninformed fear is laugh.

CREDITS

Client: LGBT Noise
Production House: Like:Minded Production

Writters: Tara Flynn and Kevin McGahern
Director: Martin Gaughan
Producer: Lisa Gallagher
Director of Photography: Andrew Cummins
Sound: Stephen McDowell
Assistant Director: Diarmuid O’Brien
Assistant Camera: Anna O’Carroll
Make Up Artist: Olivia Fitzsimons
Sound Mixer: Bounce Sound
Graphics: Richard Merrigan & Eric Dolan
Postproduction Producer: Carly Butler
Online Editor: Robbie O’Farrel
Editor: Tom O’Neill & Ultan Murphy

Cast:
Adam: Shane O’Reilly
John: Kevin McGahern
Mary: Tara Flynn



Nike Boosts Brazil's Morale After World Cup by Looking Ahead to the Olympics

Nike doesn’t want Brazil to linger on its loss in the World Cup. Instead, the brand’s new ad aimed is aimed at pumping up the passionate nation of sports fans for their next global event: the 2016 Olympics.

“Tomorrow Starts Now” is a beautiful tribute to the outstanding athleticism of a country whose chances at glory were abruptly and embarrassingly snuffed out by a 1-7 World Cup loss to Germany.

But instead of trying to tend the wounds of Brazil’s futebol fan base, Nike is instead looking ahead to the many events where the country is expected to do well when the world returns to Rio de Janeiro’s for the next Summer Games.

The spot from Wieden + Kennedy São Paulo is a solid minute packed with diverse talent like track athlete Ana Claudia Lemos, beach volleyball siblings Clara and Carol Salgado, basketball players Leandrinho and Anderson Varejão, and Yane Marquez, a bronze medalist in the modern pentathlon at the London Olympics.

As usual, Nike is on top of its game, finding those perfect moments that celebrate the unparalleled power of the world’s best athletes. It’s also a moving reminder that the soul of sport lies not in winning, but in the passion it takes to keep going after a defeat. You can make it, Brazil. You can get past this.



This Epic Front-Yard Dildo Battle Suddenly Becomes a Pretty Amazing PSA

Don’t you just love an epic dildo battle? Well, yeah, as long as it’s not your kid waving them around the front yard.

This new ad from McCann New York is all about dildos. But it’s not all about dildos. Check it out, and then read my take below (where there are obviously spoilers).

Watch the spot first. Spoilers below…

Why this PSA is genius: If we make a sweeping generalization about the sort of conservative people who generally defend their Second Amendment rights, we would suggest they may also be sexually conservative. Showing some boys playing with vibrators might not be all that shocking to a liberal. Heck, it was an Ikea campaign. But to people who don’t normally think kids playing with guns is a big deal (trust me, I know these people), seeing kids play with vibrators might be shocking and memorable.

Why this PSA is necessary: It’s National Safety Month. According to Everytown for Gun Safety, two children per week were killed in 2013 in unintentional shootings, and two-thirds of those tragedies were due to unsecured guns children found in a home. That means two-thirds of those tragedies were entirely preventable. Or as Evoleve—the advertiser in the PSA above—puts it, “It’s the right to bear arms. Not the right to be a dumbass.”

“Are there any unsecured guns in your home?” is a hard thing to ask another parent before you drop your kid off. But as this ad shows, it’s necessary. Since I live in Georgia, the state with the most school shootings since Newtown, where we just passed a sweeping new open carry law that allows more guns in more places, I know I’ll be asking it of any parent I leave my child with.

Those who are weirded out by epic dildo battles might also want to ask if there are unsecured sex toys.



Old Spice Scores With World Cup Ad Full of Screaming

Old Spice scores another goal with Terry Crews, this time for the World Cup.

The brand would like you to know it’s now available in Brazil, and it’s a good time to tell you that because there’s a rather large sporting event taking place there right now. Wieden + Kennedy in Portland, Ore., cranked up its crazy machine and decided to have Crews power drill through the Earth to Brazil, where he meets his Brazilian double and congratulates him on being awesome, spontaneously creating a pineapple in the act.

Someday, they’ll just have Crews scream the whole thing; this time they settle for screaming half. Luckily, Crews’s elongated vowels work great for celebrating a sporting event where people yell “Goooooooaaaaaaal” all the time.



Volkswagen Freaks Out a Whole Movie Theater With Devious 'Don't Text and Drive' PSA

We’ve seen lots of “Don’t text and drive” ads lately. With this one from Ogilvy Beijing, Volkswagen drove the message home to a captive movie-theater audience in a way they’ll surely remember.

Watch the spot first to get the full impact.

Obviously the video begs the question about how, exactly, the stunt was pulled off. It says a “location-based broadcaster” was used—presumably this is done through geo-fencing, though you would think people would have to opt in to receive text messages that way.

But if the footage is genuine, it’s a remarkable way to demonstrate that mobile-phone use is now the leading cause of death behind the wheel. Advertising is a great way to get that message across, at least until VW figures out a way to use German engineering to solve our obsession with cellphones.



Q&A: How a Reality TV Show Pranked America With Fake Celebrity Divorce Ads

We’ve been had. It turns out that one man’s heroic billboard crusade to prevent celebrity divorce was actually a hoax by WEtv to advertise its new show Marriage Boot Camp: Reality Stars.

We caught up with WEtv President Marc Juris to find out how he hit the zeitgeist and tricked media outlets across the nation:

AdFreak: Is there a real J. Robert Butler?
Mark Juris: You’re speaking to him. No, he’s a fictional character we invented, played by a real actor.

Whom you made up a whole backstory for about his daughter’s divorce…
Because the most important thing you have to remember, is that the audience in incredibly smart. We created a whole character, a persona, and a motivation. Thought about why he would do this, what he expected would be the response. I think the inclination is to have him say some outrageous stuff, and we pulled all that back and had him be more realistic.

How did you hatch the hoax?
We went through a couple of ideas. We thought, “Could we make these billboards poking fun at celebrity couples who had divorced?” But it just felt too much like an overt ad campaign. And that’s the problem with overt campaigns; people just drive by them and just keep going. So we thought, “How can we really do this?” What if we made an organization that seemed ridiculous, but could be real and serious?

It seemed real and serious. You fooled us. Did you get anyone else behind the movement?
We had quite a few requests for interviews from some major broadcasters and some broadcasters who were upset because we weren’t getting back to them. Some got lightly pushy, saying things like, “We’re going to go to press without your comments.” But it got a lot of pickups because it was thought provoking. What it was saying kinda made sense, and by the end it was even making sense to me.

I think you could have actually started a movement.
I think you might be right. Some of those lines really resonated because marriage isn’t a sponsorship opportunity. I think the general population is a little sick of it. The Kim and Kanye wedding happened recently, and we weren’t invited, but when you see this sort of thing where everything is sponsored, all the brands there, and people are tired of it. The best messaging is what really resonates with people. People are getting smarter and smarter, and they don’t want to be played. I mean, when you see something like “consciously uncoupled,” it really seems like they [Gwyneth Paltrow and Chris Martin] went to the same company that comes up with things like “Obamacare” to come up with the name!

The new banner across the signs says “help stop celebrity divorce,” and suggests tuning in for Marriage Boot Camp: Reality Stars. Do you think a show like this will really help prevent celebrity divorce?
No, I don’t think so. At this point we’re having a little fun.  But we wanted to make people think and link it to our show in a more meaningful way.

Well you got lots of people talking. Who was covering it?
There was a lot of online blog coverage. We had a very long piece on KPLA, we had an entire segment on Fox news referencing the billboards and talking about celebrity divorce.  We really had great coverage with just five billboards and a couple of buses. I love outdoor advertising because it really stands alone, and if it’s great you really see it. Outdoor can be really successful and very cost efficient. I also think you have to do city specific advertising when it’s appropriate.

It was definitely appropriate here.
Yeah, there’s really nowhere other than Hollywood you could have put those banners. But we also had banners running up and down Jersey Shore this weekend letting everyone know JWoww was going to be at the Jersey Shore this weekend, because she was at Marriage Boot Camp. And that got a lot of Twitter activity.

That’s great. Tell me a little about the design. How did you make it look so believable? Even the actor you chose…
I was very careful not to make it look like an ad campaign. It’s easy to go there, I really like to step back and be the cynical self that I am, and say, “Would I buy that that’s an ad campaign?” I will tell you this: We shot a video message from him, but I felt it didn’t ring true enough, so we didn’t use it. Because believability is key, and you can’t fall in love with your own stuff. I saw him on camera and I said, “I’m not buying it from him.” You would have to be De Niro to sell this stuff! You’d need an actor of that caliber to pull it off. I’d rather pull back in an effort to make it feel more real than to put it up.

And the design?
It was consciously done to make it seem like someone like him would think it was a good billboard, American values, low-fi. We placed him from Utah in our own heads. What would a guy from Utah who was a used car dealer use as his billboards? Right down to the logo, that’s the sort of logo he’d like. We knew we needed a website where he could say his piece. We even went so far to Google J. Robert Butler to see who would come up. You see, we did all our homework because we knew you’d be doing that.

Yeah, we looked through the site, and usually people don’t bother to hide the truth. The moment you get to the website the real advertiser is like, “Surprise! It was us all along!” And claims credit for the campaign.
That’s right. That was everyone’s inclination, but I didn’t want to do that. Because to be believable it simply can’t be connected to anything—no immediate messaging. You really have to be patient. I learned that from the Jimmy Kimmel twerking video, because that was, what? Two months they sat on their hands. I know our PR team was going crazy wanting to tell everyone about it. But you have to wait because that’s when things start to feel real—when you feel like there’s no ad message that’s behind it.

That’s a great point. Was there anything else surprising about the campaign besides the actual surprise at the end?
Well, J. Robert Butler, the actual actor we used, has been married four times. So that’s more than a little ironic. I’m wondering if he heard from any of his ex-wives about his billboard campaign.

Marriage Boot Camp: Reality Stars premieres tonight at 9/8 Central on WEtv.



Ogilvy Apologizes for Shooting Malala Yousafzai in Mattress Ad

Someone at Ogilvy India thought it would be a good idea to depict Malala Yousafzai being shot by the Taliban to sell Kurl-On mattresses. Clearly it wasn't.

Ogilvy has now officially apologized for the ad, saying it is "contrary to the beliefs and professional standards of Ogilvy & Mather and our clients." It was originally sent to Ads of the World, which has since taken it down, though you can still see the full ad on AOTW's Facebook page. (The concept is that Kurl-On mattresses help you "Bounce back." The Malala ad shows her falling after being shot, bouncing off a mattress and rising to receive a humanitarian award.)

Other ads in the series featured Steve Jobs being ousted by Apple and Gandhi being tossed off a train for refusing to move from first class. I can only imagine the creatives said, "Geez, we should probably get a woman in there." And Malala is a great choice. Except what happened to her wasn't a cartoon, which is where the whole thing falls apart. Plus, she didn't just "bounce back." She soared above. The ad really is the ultimate trivialization of a horrific event.

Malala has appeared in ads—most notably, Bing's "Heroic Women of 2013" spot. But you know, celebrating her strength and courage is different than shooting her again.

What do you think? If you think the world is way too sensitive now and offended over everything, let me know in the comments without threatening to shoot me. That won't help your point.




How Do You Break Through Apathy? One Agency Tries for Rage

Pleas to help the poor are usually ignored. So what if you turned things around and started advocating against the poor? Would anyone come to their defense?

Publicis London put that question to the test with an experiment for The Pilion Trust. The agency stuck a guy with a "FUCK THE POOR" sandwich board on a busy London street and filmed people telling him off.

After plenty of heated reactions, including a police officer telling him "that's offensive" and a near fight with a homeless man, the organizers flipped the sign around to say "HELP THE POOR" in the same font, same presentation, and filmed everyone ignoring him. The resulting film has already gone viral, with over 1.2 million views in three days.

It's an interesting experiment, but does it really prove that people care about the poor? It seems more like it proves that people enjoy being self-righteous on topics where they know most people agree with them. The truth is, it doesn't cost anything to be offended.

I'd like to see if those people who got upset really did care enough to give. Publicis should design another experiment with two guys, one with a "help the poor" just down the street from the "fuck the poor" guy. Then we'll see how many people who yelled at one actually donated to the other.

CREDITS

Client: The Pilion Trust
Advertising Agency: Publicis, London
Director: Jonathan Pearson
Creative Director: Andy Bird
Art Director: Jolyon Finch
Copywriter: Steve Moss
Producer: Adam Dolman
Director of Photography: Peter Bathurst
Agency Producers: Sam Holmes, Colin Hickson
Editor: Toby Conway Hughes at Marshall Street
Postproduction: Absolute
Sound Design: Wave
Typographer: Andy Breese




Have Another Good Cry With Thai Life Insurance’s Latest Beautiful, Life-Affirming Ad

They've done it again.

Thai Life Insurance has unveiled another masterful mini-film by Ogilvy & Mather Bangkok, the latest in a string of tear-jerking, wait-to-watch-it-at-home-so-you-don't-openly-bawl-in-your-cubicle ads that make you think about what's important in life and why your own life is important.

"Unsung Hero," which clocks in at just over three minutes, will make you want to give of yourself to reap the rewards of the soul. It's not a charity campaign, but I'm off to give more to my favorite charity anyway.

If you want to keep on crying, have a look back at the company's 2011 ad, "Silence of Love."




The Walking Dead Pranks NYC With a Grate Full of Grabby Walkers

You're walking along the streets of New York City, earbuds firmly in place, texting furiously and doing your best to ignore the press of humanity as it swarms around you … when the monster-movie version of the very horror you're seeking to avoid erupts out of a street grate. It would be enough to make you drop your skinny latte on your skinny jeans.

Score another victory for prankvertising and AMC. For a moment there, I had forgotten about The Walking Dead, which shambles onward, entering its fifth season even as the zombie apocalypse genre is starting to feel like a rotten cliché. The stunt itself, orchestrated by ad agency Relevent, is simple and effective, but there's a surprisingly real and sweet moment when the zombies restrain themselves from scaring the bejesus out of a little girl who wanders up to the grate in curiosity.

Of course, they don't have any reticence about scaring their own cast. Norman Reedus was recently pranked by costar Andrew Lincoln and one-limbed Vine star Nick Santonastasso. They set him up with a fake interview in Tokyo and then sprung the undead on him.

Between those two incidents, and the even more aggressive "Devil Baby Attack" prank for the horror movie Devil's Due, it seems ambushing people in NYC with horrifying half-humans is the strategy of the season. If that's what it takes to breathe life into the zombie genre, then prank on.

Credits below.

CREDITS
Client: AMC
Agency: Relevent
Executive Creative Director: Ian Cleary
Executive Producer: Tony Berger
Creative Director: Jody Feldman
Producer: Bari Henderson
Account Manager: Claire Annas


    



If Patrick Bateman Were a Hipster, He’d Kill For Denham Jeans

What if Patrick Bateman were a hipster? It would look a lot like this brilliant remake of two American Psycho scenes, updated for our decade of obsessive beard cultivation and vintage clothing perfection.

The nearly six-minute film, complete with hipsters committing murder set to classical music and comparing their pants like they're comparing their cocks, is actually an ad for Denham the Jeanmaker—whose stores are also now serving coffee. Denham is a small, boutique fashion brand focused on mixing denim with "workwear tradition." It's safe to say they're a brand created for the denim enthusiast, the sort of person who is as interested in the creation process behind their pants as they are in wearing them. In fact, their cheapest jeans currently retail for 130 euros, which may be more than I have spent on all the jeans I have purchased in my lifetime.

Created by Flickering Wall, the parody (aptly titled "Denham Psycho") was created to coincide with the opening of a Denham pop-up store in Berlin, has gone viral by hitting the twin zeitgeist of hipster humor and murderers who love civet coffee. Witness the terrifying brilliance, and fear for vapid, soulless hipsters everywhere.

CREDITS
Client: Denham the Jeanmaker
Agency: Flickering Wall
Directed by Hugo Keijzer
Produced by Remco den Hartog
Cinematography by Robbie van Brussel
Edited by Nils Rensen
Written by Ben Clark
Graphics by Ali Kirby
Costume by Denham


    



SNL Helps Obama Through Presidential Depression With Paxil Second Term Strength

Most presidents go through a second-term depression, but Obama's has been particularly dismal. To help out, Saturday Night Live has introduced Paxil Second Term Strength, a depression medication for the narrowest target market imaginable: the president of the United States. Paxil Second Term Strength makes you feel like you're giving a speech on a college campus in 2008 or getting Bin Laden all over again. It's even powerful enough to deal with symptoms from Benghazi to that time Jay-Z and Beyoncé went to Cuba. Not a Democrat? No problem. There's also new Paxil Republican Strength for when you have to answer to Congress or the Koch Brothers. It's not the funniest of SNL, but it's worth a chuckle. It also appears to be some excellent product placement, given that Paxil is a real medication with a registered trademark whose packaging and logo were used in the spot—a fact which should be far from depressing for Paxil's brand managers.


    

Intriguing Ads Tell Young Girls: ‘You’re Not a Princess’ and ‘Life’s Not a Fairytale’


    

Tweeting Bra Lets the World Know Each Time It’s Unclasped

If tits could tweet, they'd probably have a lot to say; but since they can't, they'll have to settle for the next best thing: a tweeting bra. OgilvyOne Athens has created a bra that tweets every time it's unclasped, sending a titillating notification to a special Twitter feed. Greek actress Maria Bakodimou will wear the bra for two weeks, letting the world know each time the twins are unleashed. The tweets then direct people to the Nestlé Fitness website, where they can get tips on how to do a monthly self-exam. As you can imagine, the bra currently tweets a lot in Greek, but it contends that self-exams are still Greek to many women. Maybe next time they can team up with Durex's Fundawear team and add some electric tingles to the bra that can be remotely controlled by response tweets. C'mon, anything goes in the name of awareness! Via Mashable.


    

PlayStation Packs Two Decades of Gamer Nostalgia Into One Clip

Now this is what corporate nostalgia should look like. Inspired by responses to the #playstationmemories tag on Twitter, British agency PHD's content division, Drum, created this time-warping video clip that charts the history of PlayStation's evolution all the way back to the ancient past: 1995.

Absurd attention was paid to every single detail in the room, allowing you to watch the nearly three and a half minutes of video over and over while still noticing different subtle changes to the magazines,  posters, figurines and games lying on the floor. The creators even spent a good deal of their budget digitally altering the London skyline instead of just telling us the year had changed.

It all creates a strangely moving effect. I didn't realize how just listening to the start-up sounds of each generation of console would transport me back. I felt real tears lurking at the memories—or maybe I was just mourning how many hours of my youth I'd wasted.

It's really a fantastic clip, one that's dead-on with the sort of nostalgia Sony will have to generate to get its core players to shell out for yet another high-powered console with no backward compatibility. But one thing: Almost 20 years after getting his first PlayStation, and the dude is still living in the same room at home with his mom? Ouch, man. Maybe it's time Daniel ditched the PlayStation and got a JobStation.

Hat tip to Mashable.