InklPay’s WordPress PlugIn Opens The Door To A New Day

Unlike larger and more mainstream online publications, AdPulp has the ability to reject online advertising in its current state. Like thousands of other independent publishers across the globe, we pay no rent for an office, no salaries, and no dividends. Having said that, removing advertising from this website is much more than a financial move. […]

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Brand Publishing Is The New New Content Marketing

New York City, sometimes I wonder why I am so far away from you.

I am invited to countless industry events in Manhattan, and have been for years, but AdPulp’s travel budget is exactly zero.

So, I do appreciate BtoB and Online Media Daily sending reporters to the Rise of Brand Journalism conference at Forbes Inc. headquarters this week. Otherwise, I would not be puzzled by this statement:

Mark Himmelsbach, COO of IPG Mediabrands Publishing, said scaling the distribution of native content often creates a paradox for marketers and agencies, because they have to pay for both the creation of content and the distribution.

“We create content and are forced to buy advertising to drive people to it,” he explained.

How is this a paradox? Only in a dream world is brand content good enough to actually pull in the desired audience on its own. In the real world, we still need push mechanisms to get the word out. Push and pull, that’s the ticket to ride.

According to data revealed at the conference, brand content produces a 29% boost in unaided brand recall, an 8% increase in brand favorability and a 9% jump in purchase intent.

Branded content beats display ads alone but, when combined with display, the two are particularly effective, with brand recall boosted up to 15%.

Speaking of brand journalism, Sam Slaughter, vp of content at Contently* offered up a deepening of the definition on Adweek recently.

A valuable piece of brand content doesn’t exist in a vacuum, despite what some publishers would have you believe. In fact, content is an effective medium for brands because it maps back to a broader narrative—the story a brand is telling about itself.

Which is why in my office we have a swear jar for anyone who uses the term content marketing—it insinuates that the content exists to sell you a product, when in reality great content exists to tell a story.

Great content exists to tell a story. For sure, but that story better build the brand and grow the client’s business, or it’s just more fluff. Or worse, it’s smelly brown stuff stuck to the brand’s shoe.

*Disclosure: I have a working relationship with Contently. Here’s one story I wrote for them. Here’s another. And another.

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Search Advertising Is Digital’s Big Dog

I don’t always look at bar graphs, but when I do…

I look at bar graphs from Marketing Pilgrim depicting digital ad spending, which is up 18 percent over last year’s first-half revenues of $17 billion, according to IAB.

Advertising-Format-Share-First-Half-2013

What story does this bar graph tell?

One big story is how little brand advertising there is in the digital camp. Digital is dominated by search advertising. The rest of the digital ad pie is split between display, video, mobile, classifieds and various lead generation activities.

No question, display ads are improving in quality, and publishers are finding better ways to feature them on the page today. But of all the categories in digital advertising, video is the most brand-focused medium. A brand can offer commercials, episodic content, consumer-generated content and much more in video.

Another big story is how mobile continues to experience a massive rise in spending. Mobile is the fastest growing of all digital advertising types.

The opportunities for brands to grow their digital advertising capabilities (and see greater returns) is enormous. The opportunity for agencies to get digital right and make good money doing so is also at hand.

My contention is digital is so much more than direct marketing and data analysis. Just because you can measure it, is not reason enough to make measurement the principle yardstick of success.

Digital advertising, like any great advertising has to do more than inform and perform. For brands to be built, digital advertising also must move people emotionally. There’s no metric to measure love, but love is real and getting people to love your brand is the ultimate result of any marketing effort.

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Digital Disruption Adds Complexity To The Job of Keeping Things Simple

Are you a change agent? If you work in advertising today, there is no doubt.

According to The Wall Street Journal, a recent Adobe survey found that 76% of marketers think marketing has changed more in the past two years than in the past 50.

Needless to say, digital is the great disruptor. Clearly, there is much opportunity in this turbulent media atmosphere — new agencies with new specialties are being born. On the other hand, there is much chagrin.

Sometimes I miss the days when I had a print ad and a radio spot, said Carlos Figueiredo, a creative director at Publicis Kaplan Thaler. He said it feels like there are “a billion” ad options today.

I know how Figueiredo feels. We want to uphold not just tradition, but craft, and radio and print are great vehicles for it. Also, traditional media tends to deliver desired results.

Yahoo Sports – Sports News, Scores, Rumors, Fantasy Games, and more

Someday, we may in fact bring craft to digital advertising. Media companies, brand marketers and possibly consumers with no ad blockers in place will be grateful. Because for all the talk about innovation and change, when it comes to display advertising, most of what’s out there continues to be an embarrassment.

Of course, display ads represent just one aspect of digital advertising. There are many more creative expressions of brand advertising in digital, including serial video content, mobile utility and the building of brand sites and microsites. Nevertheless, sometimes you just want to make a radio spot.

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Whether Perpetrated By Bots or By Babies, Click Fraud Is A Crime

Digital advertising will account for 22.7% of all worldwide ad investments this year, or about $117.60 billion — up 13% compared with 2012, according to estimates from eMarketer and Starcom MediaVest Group.

I’m not certain this is a good thing. Unless, brands and their agency partners clearly know what they’re doing with all that money.

 
I posted this new Adobe commercial from Goodby Silverstein & Partners on my friend Bob Hoffman’s Facebook wall. Hoffman is a champion of common sense and logic in the face of much digital advertising speculation. Recently on his Ad Contrarian site, he pointed to a Solve Media study that claims 46% of the viewership reported by websites seems to be fraudulent. That’s a lot of ghost traffic.

As someone with feet in both the media and marketing worlds, I can say it’s not all that simple to say exactly how many people are visiting your site, where they’re coming from and if they are real people or not. Yes, there are tools aplenty, but tools are biased. How you choose to measure something impacts the data and flavors the results.

If we can’t trust the data, or the people who willfully manipulate it, what or who can we trust in terms of getting value for our ad dollars? We can’t trust the traditional ad guys who are invested in making TV. We can’t trust the digital demigods either. This is not a good situation for the ad business, nor for the clients who need to trust someone to help them reach their communications objectives.

My take is create a media plan that makes sense for your particular business situation. I often drive by a large lot of shiny Airstream campers, and I think here is a company that desperately needs well-made TV to tell the story of weekends in the mountains. Naturally, a client like this would also be well advised to develop its digital assets. Thus, the divide between TV and digital is a false divide. Companies need to spend on both TV and digital and apply the best metrics available to each, while keeping in mind that persuasion is an art.

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Using Interactive Technology To Forward The Brand Story

Media companies certainly have a ton to gain by solving the online advertising riddle that continues to plague Adland, for they will be the direct beneficiary of client dollars invested.

According to Adweek, The New York Times’ 10-person Idea Lab is helping to reshape what it means to be a display ad.

Just as technology enables the Times to tell stories in a more visual, more interactive way, it now affords advertisers the same opportunity.

Recently, Idea Lab created an ad unit for Prudential, the insurance giant, which allows people to type in their date of birth and see the front page of the Times on the day they were born.

The New York Times_Prudential

The ad satisfies the interactivity problem straight away and that’s a big step in the right direction. Plus, if you think of the Times’ archives as a canvas and a data mine, a developer certainly has plenty to work with.

From the agency perspective, the desire for a more complex storytelling vehicle is palpable. No one wants to make banner ads that just sit there. We’re happy to now ask what kind of value these ad units can deliver, and how can they perform more like an App?

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Protect Yourself from Industry Hype – Search Is What People Use When They Intend To Buy

This is the hype machine and the the hype machine is deafening.

Chugga, Chugga, Chugga the hype machine goes. That’s the sound of spinning yarns into memes and trends. Social media is the new this. Content is the new that. And so on.

face_shot

Which is why I find this cold glass of water (or is it sand in the gear box?) from serial entrepreneur Kaila Colbin refreshing.

In the provocatively titled “Can We Please Stop Hyping Social As The Marketing Messiah?” Nathan Safran replaces assumptions with data. During the 2012 holiday season, for example, 34% of retail website visits came from search. 40% were direct. 2% — yes, a mere two percent — were from social.

Another study Safran cites has 15% of respondents always or often turning to social for shopping or product research, while 97% say they always or often turn to search. Search is obviously not the only possible marketing channel out there, but at least if your dogma is that “search is best,” you’ve got some stats supporting you.

I’m not a search marketer. And this post isn’t about search, it’s about our ability to reason and read between the lines. For instance, digital spending reports continue to baffle me. Up and up the spending goes; yet, so-called display ads are the worst of the worst ROI generators.

Can we trust our most trusted media sources today? Hell, can we trust our own media literacy?

Companies are about to spend $17 billion dollars on display ads this year, but only one tenth of one percent of the people who see these display ads will notice, or act. The information fails to justify. Either companies are throwing money down the hype-made drain for no good reason, or display ads work much better than reported.

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The Matter of Making Simpler Display Advertising

Display Advertising

In a nutshell, advertising doesn’t have to be sophisticated. There is a belief in some companies that the more high-tech your advertising campaign is, the more attention you will get. This may be true but not all people are appreciative of sophisticated display advertising.

Remember that advertising aims to attract the masses towards your product or service. It doesn’t matter if it is basic or simple. What remains is the fact that most people today have varying tastes towards taking notice of advertising campaigns set loose today in the various mediums.

Simple advertising works to the advantage of people but in the end, it still depends on how you can make your product or service become a need towards people in their daily needs.

“In order to really move into large masses of advertisers, display advertising has to be easier and simpler,” said Ajay Agarwal, managing director of Bain Capital Ventures. “Google did this with search advertising. We think the same thing has to happen with display.”

(Source) Wall Street Journal

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