Nestlé's 'Bra Cam' Catches People Stealing Glances, but There's a Fun Twist Ending

Nestlé’s Fitness cereal brand, which last year brought us the tweeting bra, has upped the ante with the hidden-camera bra. Watch below as a woman walks around London capturing footage of men and women furtively (they think) checking out her boobs.

It’s a fun little social experiment from McCann Paris—and one, predictably, that has caused a bit of a flamewar in the YouTube comments. But it turns out the point of the video isn’t really to comment on objectification at all.

Also, check out the behind-the-scenes video here:

CREDITS
Client: Nestlé Fitness
Agency: McCann, Paris
Creative Director: Sarah Clift
Art Directors: Kate Pozzi, Sarah Clift, Caroline Gozier
Copywriter: Kate Pozzi
TV Producers: Sasha Mantel, Arnaud Lemens
Social Strategist: Mariam Asmar
Account: Cédric Vanhoutte, Cynthia Decant, Laurie Chappel, Leslie Adam, Julie Colombani
Production Company: Outsider | The Corner Shop
Director: Ellen Kuras
Producer: Mel Nwanguma
DOP: Ellen Kuras
1st AD: Julian Higgs
Costume Designer: Lydia Kovacs
Edit: Rock Paper Scissors
Editor: Ted Guard
Post Production: MPC LA
Music: Human



Google Embeds Itself in NYC With Some Delightful Site-Specific Outdoor Ads

Google has been running a lovely ad campaign promoting its rebranded mobile app. But some of the best executions have been pretty hard to find—because they’ve been woven into the fabric of New York City.

72andSunny created the wonderfully site-specific ads below, working with a variety of organizations and proprietors to bring little mini-installations to life. While the reach is probably fairly low, the playful factor is high—and it’s great to see a giant company doing such joyfully detailed work on the ground.

“Google search has always been about inspiring curiosity and enabling discovery,” a Google rep tells AdFreak. “This is the inspiration behind encouraging New Yorkers to re-look at familiar landmarks—both big and small—in a new light. By pairing interesting questions with visually intriguing placements we hoped to cut through all the sights and sounds of the city that compete for attention.”

She adds: “Our outdoor campaign aims to spark curiosity about the breadth and depth of New York, and the types of information you can ask of the Google app. Where possible we tried to make the work feels as natural to the environment as much as possible—from custom bowling balls in Brooklyn Bowl to cappuccino cups in Cafe Reggio.”



The BBC Rolls Out a Galaxy of Stars (and a Tiger) in This Lavish Cover of 'God Only Knows'

Does Brian Wilson know who Lorde is? Or why there’s a tiger on his piano?

This lavish video boasts an array of stars performing Wilson’s 1966 Beach Boys classic “God Only Knows” to help launch BBC Music, described by the company as “an ambitious wave of new programs, innovative partnerships and ground-breaking music initiatives.”

Karmarama created the clip, which features luminaries representing various generations and styles. The Impossible Orchestra, as it’s called, features Wilson, Lorde, Elton John, Pharrell Williams, One Direction, Stevie Wonder, Dave Grohl, Jake Bugg, Emeli Sandé, Chris Martin and many more. Kylie Minogue floats in a soap bubble. Baaba Maal rides by in a balloon. Alison Balsom sits perched in a gilded cage.

The extravaganza debuted yesterday during a pan-channel BBC broadcast, and the video’s nearing 800,000 YouTube views already. The song also benefits BBC’s Children in Need charity, is available for download and streaming and was released as a physical CD single in the U.K.

“One of the things that interested me most about this project was the ideas of bringing together so many different styles of music,” says Ethan Johns, who produced the tune. “To make so much diversity work within one piece of music was quite a challenge.”

Naturally, the initiative’s been compared, favorably and otherwise, to other musical megastar team-ups, such as the 1997 Children in Need reboot of Lou Reed’s “Perfect Day,” which was a global smash. (Elton John is only star from that outing to appear in “God Only Knows,” by the way.)

One story in the Guardian brands the new effort as “not quite a perfect day,” noting “There’s something self-aggrandizing about this—but with the amount of music the BBC covers, perhaps it is deserved?” Coverage elsewhere on the site disdainfully notes that “God Only Knows” arrives just as “the corporation’s battle to retain the television license fee [is] getting almost tougher by the week.”

Tough crowd.

BBC Music director Bob Sherman explains the project, and the song choice, thusly: “Everybody gets the significance of ‘God Only Knows.’ And that’s what we’re trying to do with BBC Music. We’re trying to make it feel like it’s an all-encompassing brand for everybody.” That quote comes from the “making-of” clip, in which Queen guitarist Brian May—whose trademark fret runs on “God Only Knows” are a highlight—seems to offer a slightly different take, calling the song “quite enigmatic, really.”

Some view the CGI effects and costumed theatrics as overkill, but I’d say the grand scale fits the message, which is quietly captured in the closing bars of the performance. Wilson sits alone at the piano, sans tiger or bombast, just looking into the camera and singing his brilliant song.



If You're From Pittsburgh, You Probably Think This Iced Tea Commercial Is Hilarious

Americans sure have some interesting regional accents. Whether you’re from New York, Baltimore, Philly, Chicago, Houston—dialects are fascinating, ya know?

So, there’s this character on YouTube named Pittsburgh Dad, who’s been starring in his own web sitcom since 2011, in which he mostly sits in front of a camera and watches his terrible sports team lose or The Price Is Right. His comedy hinges on his Pittsburgh accent almost as the punch line itself, which we’re sure is funny to someone. 

So, now Pittsburgh Dad is promoting a local beverage brand, Turner’s Iced Tea. He’s done a 30-second spot, but really, it’s the extended cut below where you get to enjoy his Pittsburghese in all its glory. So, Pittsburghers, is this guy actually funny or not?



Another Subway Ad Blows a Woman's Hair Around as Trains Arrive, but There's a Twist

A Swedish subway ad got a lot of attention earlier this year by showing a woman’s hair blowing beautifully in the wind whenever a train arrived. And now it has inspired another attention-grabbing display.

Since there’s not much to it beyond the reveal of this new digital ad, also from Sweden, I’ll spare you any spoilers. Credits are below the video.

Via Ads of the World.

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CREDITS
Agency: Garbergs, Stockholm, Sweden
Creative Director: Petter Ödéen
Art Director: Sebastian Smedberg
Copywriter: Sedir Ajeenah
Photographer: Daniel Griffel
Account Manager: Ida Tenggren
Digital Director: Micke Ring



Ouija Board Reader Brings Eye-Bulging Terror to This Latest Horror-Movie Ad Stunt

You’re asking for trouble if you visit a ouija board reader. But these poor Brooklynites got even more than they bargained for.

Thinkmodo, the agency behind the Carrie and Devil’s Due virals, returns with its latest sadistic horror-movie stunt, using a fearsome combination of terror—remote-controlled planchette, dead person under the floorboards, woman who can pop her eyes out of her skull—to psychically torment some innocent folks.

The reactions are priceless, and of course that’s what these videos are all about.

Via Unruly.



Samsung Has a Robotic Butt Sit on the Galaxy Note 4 in Comical #Bendgate Video

Once again, Apple is the butt of Samsung’s jokes. This time literally.

Does the iPhone 6 have a tendency to bend in your back pocket when you sit down? Would the Internet lie about such a thing? Samsung gleefully embraces the “Bendgate” scandal in this two-minute video, “Samsung Galaxy Note 4 Endures the Gluteus Maximus,” which delivers exactly what the title says. You’ll marvel, or not, as the Samsung phone survives stress tests set to a techno beat. Robotic buttocks, sporting blue jeans (of course!) and equal to the weight of a 200-pound human being, pose the biggest challenge, smooshing the handset repeatedly.

One day, when the machines rise up against their masters, this denim-clad butt-bot will crush us all!

The clip has more than 2 million views on YouTube, and its entertainment factor is awfully high. Though, as other commenters have noted, the only thing this demonstration proves is that Samsung continues to define itself largely in relation to Apple, slinging mud and hoping it’ll stick to the rival brand.

I’m pretty flexible, but after a while, that strategy gets to be a bummer.



Walter White/Heisenberg and Other Classic Alter Egos Get Their Own Business Cards

Online printing company MOO.com does some pretty great self-promotions. And its latest one is particularly inspired—a set of business cards for famous fictional alter egos like Walter White/Heisenberg, Bruce Wayne/Batman and Clark Kent/Superman.

The “Double Lives” collection promotes MOO’s new square business card, which appears to be perfect for meth makers and superheroes.

See more over at The Drum.



Viagra Airs Its First Ad Featuring Only a Woman, and She Gets Right to the Point

This minute-long BBDO spot for Viagra is, apparently, the brand’s first to show only a woman, and its first to use the word “erection” outside of the description of side effects.

Here, an attractive woman in a slinky blue dress poses on what appears to be an unmade bed or some sort of mattress, assuring us, “Plenty of guys have this issue—not just getting an erection, but keeping it.” She’s got an British accent, so you know she means business. An agency rep says it’s a new direction designed to focus on the partner’s point of view.

That’s a big change from past campaigns, which told men’s stories and kept women in the background, if they were shown at all. “The intensifying of the marketing message makes sense, considering Viagra’s patent expires in three years, along with its monopoly,” NBC’s Today points out.

Viagra ads used to be about as chaste and subdued as they could be while advertising boner pills. For example, this spot from a couple of years ago keeps the focus on some guy and his sailboat. No women in that dude’s crew. Not even a mermaid off the starboard bow.

That traditional level of restraint makes the new ad (also awash in nautical imagery, by the way), well … stick out, and not in an altogether positive way. It feels tacky, and could almost be viewed as an exercise in objectification: Take Viagra, and claim your prize!

Plus, some elements seem like overkill. She says “erection.” Do we really need the ship masts in the distance, rising straight and tall? Or that long pier jutting into the briny deep? And flagpoles planted in the sand?



Inspired by the City's Ex-Con Mayoral Candidate, Providence Agency Turns to a Life of Crime

Buddy Cianci served as the mayor of Providence, R.I., for two decades and is running again this fall, despite having been convicted of two felonies over the years—for assault and corruption—and spending time in federal prison.

Providence ad agency Nail seems pretty impressed by Cianci and apparently wants to follow in his footsteps. But can crime pay for an ad agency?

Find out below as Nail takes some tentative steps into the shadowy world of “mobvertising,” and encourages people to vote in the process.



Fake Batman Dances to Fake Michael Jackson in Tire Ad That's Ludicrously Real

Usually if something sounds too good to be true, you can bet dollars to donuts there’s going to be a catch. Well, what if I told you there’s an ad featuring an Irish dude dressed in a homemade Batman costume busting moves to a karaoke track of Michael Jackson’s “Billie Jean” in a shop that sells fancy tire rims?

“Aww, hell no, Alfred! That’s the most ridiculous thing I’ve ever heard,” you’d say.

Well, lo and behold, fake Irish “Billie Jean” Batman.

In the ad below, for Kingdom Alloys, an Irish purveyor of alloy tire rims, this joker dances around and air-humps to a slightly off karaoke version of MJ’s classic track. The punch line/tagline borrows the lyric “Don’t think twice,” which appears onscreen as the fake caped crusader stops dancing and turns away, leaving us wishing for more. 

At the risk of tossing some guano in the punch bowl, it’s hard to imagine DC Comics liking this as much as we did. The advertiser knows this, saying in the YouTube description: “Our Look-alike character is dressed in a custom ‘fan-made’ Costume, to resemble that of the film version. We are NOT affiliated with, DC comics or any other entertainment company or their affiliates. The music used is a ‘fan-made karaoke’ version to resemble that of the real version of the track. We are NOT affiliated to any music entity or label.”

So, take a look at the most absurd minute of advertising you’ll see today before it gets cleansed from the Internet.



What Will You Be Like in 2034? Chat With Your Future Self in This Trippy Ad Campaign

Twenty years from now, I’ll be a silver-haired fox and speak with a British accent, judging from this “Future Self” campaign created by Publicis Conseil and Jam3 for European telecommunications giant Orange.

Upload a photo of yourself, and the software creates an interactive 3-D model of how you might look two decades hence. You can ask questions of your future self using your computer’s microphone or keyboard.

Of course, these are canned responses, but most of the exchanges I sampled were amusing, and a few even felt kind of profound. When I inquired about my (his? our?) finances in 2034, Future Dave explained that money as I know it no longer exists, that it’s been replaced by a system of commerce in which nobody feels short-changed.

The initiative marks Orange’s 20th birthday, and it’s designed to position the marketer as hip and innovative with the millennial crowd. (Yeah, I’m sure the whole emphasis on aging will have exactly that effect.)

It’s livelier than Merrill Edge’s somewhat similar “Face Retirement” campaign, and more fun than this site, which emphasizes an aspect of the future I’d just as soon ignore.

Credits below.

CREDITS
—Orange
Deputy Director of Communications: Béatrice Mandine
Brand Director: Thierry Marigny
Head of Corporate Communications: Anne Imbert
Corporate Communications Manager: Joanna Gaumet
Corporate Communications Assistant: Charlie Lévêque

—Publicis Conseil
International Creative Director: Steve O’Leary
Copywriter: Méric Settembre
Art Director: Thomas Bernard
Worldwide Account Director: Cécile Lejeune
International Account Director: Guillaume Foskolos
International Account Executive: Laëtitia Mulinazzi
Digital Strategic Planner: Benoit Candelle
Creative Technologist: Julien Chaillou
Digital Consultant: Paula Petrucci
Special thanks: Benjamin Sanial, Isabelle Appé

—Digital production – Jam3
Creative Director: Adrian Belina
Executive Producer: Graham Budd
Producer: Sumit Awjani

—Video Production
Producers: Pierre Marcus, Thierry Delesalle (Prodigious)
Director of photography: Joël Labat
Post-production: Reepost
Sound design vidéos: Pink Factory

—Dialogues
Benjamin Euvrard, Ingrid Morley-Pegge, Benjamin Dumont, Charly de Witte, Romain Grandsire

—Sound design experience: Apollo Studios
Executive Producer: Bénédicte Leclere

—Website: futureself.orange.com

—Media plan: banners (Le Monde, YouTube, Le Bonbon, Orange.fr, Dailymotion, Deezer, Vice…)



Getting Insurance Shouldn't Be Like Dealing With a Hideous Pig-Faced Bathtub Monster

This lunatic British ad admits dealing with life insurance can be “a bit of a nightmare.” How much of a nightmare? It feels like having your nice bubble bath interrupted by a screaming pig-faced beast who sprays you with tap water and beans you with you own rubber ducky.

Frankly, the anti-bubble-bath sentiment expressed by that thing is offensive to me. Don’t bath-shame, ugly.

Fortunately, the beast has some kind of heart attack or asthmatic seizure, and—well, just watch for yourself. I haven’t exactly worked out the details, which is OK, because I don’t think the agency who made this hurt themselves thinking about them, either.

Credits below.

CREDITS
Client: Beagle Street
Managing Director: Matthew Gledhill
Agency: The Corner London                              
Creative Director: Tom Ewart                    
Copywriter: Robert Amstell                       
Art Director: Matthew Lancod                                  
Planning Director: Neil Hourston
Planner: Ollie Gilmore                                                  
Business Director: Fleur Andrews                           
Account Director: Tenzin Pooch               
Agency Producer: Daisy Mellors
Assistant Producer: Lauren Gray                             
Media Company: MEC                                  
Production Company: Colonel Blimp                     
Director: David Wilson
Production Company Producer: Sam Levene                                                     
Editor: Max Windows at Stitch                                                 
Post prod Producer: Fi Kilroe                    
Post-production House: Finish                 
Audio post-production: Sam Ashwell at 750mph



Jerry Seinfeld Gets Brutally Honest About Advertising in This Hilarious Speech at the Clios

Host Whoopi Goldberg brought the funny all evening long at Wednesday’s 55th Clio Awards in New York. But it was Jerry Seinfeld who brought down the house with a brilliant, hilarious speech about why he loves advertising—which ended up being a blistering anti-advertising rant that comically eviscerated the business.

“I love advertising because I love lying,” Seinfeld began. And he only got more brutally honest from there.

“I just want to enjoy the commercial. I want to get the thing,” he said. “We know the product is going to stink. We know that because we live in the world, and we know that everything stinks. We all believe, ‘Hey, maybe this one won’t stink.’ We are a hopeful species. Stupid but hopeful. But we’re happy in that moment between the commercial and the purchase. And I think spending your life trying to dupe innocent people out of hard-won earnings to buy useless, low-quality, misrepresented items and services is an excellent use of your energy.”

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Seinfeld also mentioned the debacle that happened at the 1991 Clio Awards, when greedy attendees rushed the stage in a mad grab for Clios they hadn’t won. That’s his favorite award-show story, Seinfeld said, because it’s so honest.

There were roars of laughter—because of course, Seinfeld is hardly an innocent party in the ad game. He’s done plenty of lying and duping over the years, most recently for Acura, and was getting an Honorary Award for that work last night. (He also thanked Ogilvy & Mather and American Express for getting him into the business to begin with.)

But while most attendees agreed the speech was the highlight of the night, there may have been a few hurt feelings here and there. As an award winner said in his speech later in the night, “Apparently everything I do is meaningless. But it was Jerry Seinfeld who said it, so I suppose that makes it OK.”

Via Clios.com, which just unveiled a new blog this week. (Disclosure: Adweek and the Clio Awards are both owned by affiliates of Guggenheim Partners.)



Teens in Horror Movie Make the Stupidest Decisions in Amusing Geico Ad

Geico introduces its latest advertising theme, “It’s what you do,” in this amusing horror-movie sendup from The Martin Agency that breaks just in time for Halloween.

Much like the insurer’s “Did you know?” commercials, and the ads featuring Maxwell the pig and Caleb the hump-day camel, “It’s what you do” espouses the wisdom of switching to Geico in order to save money. Some other things people do aren’t nearly so clever.

For example, teens in scary films are famous for making bad choices that significantly increase their peril. That’s just “what they do.” Here, a bunch of numbskulls on the run from a murderous maniac look for a hiding place—and consider an attic, a basement, a spooky running car and a garage crammed full of chainsaws.

When one girl suggests hightailing it to the cemetery, that actually seems like a smart idea, because this clueless crew will probably wind up dead anyway.

CREDITS
Client: Geico
Vice President, Marketing: Ted Ward
Manager, Broadcast Production and Agency Relations: Amy Hooks
Marketing Planner: Amy Ruddell
Marketing Coordinator: Katherine Kalec
Marketing Coordinator: Tom Perlozzo

Agency: The Martin Agency
Chief Creative Officer: Joe Alexander
SVP/Group Creative Director: Steve Bassett
SVP/Group Creative Director: Wade Alger
SVP/Creative Director/Art Director: Sean Riley
Senior Copywriter: Ken Marcus
VP/Agency Executive Broadcast Producer: Molly Schaaf
Bid/Prep/Shoot/Edit Producer: Alex Scheer-Payne
Vfx/Finishing Producer: Sam Tucker
Agency Junior Producer: Emily Taylor
Business Affairs Supervisor: Suzanne Wieringo
Senior Integrated Production Business Manager: Amy Trenz
VP/ Group Account Director: Brad Higdon
Account Supervisor: Parker Collins
Account Executive: Meg Ingraham
Senior Project Manager: Jason Ray

Production Company: Hungry Man
Director: Wayne McClammy
Director of Photography: Bryan Newman
Executive Producer Mino Jarjoura
Producer: Nate Young

Editorial Company: Mackenzie Cutler
Editor: Ian MacKenzie
Assistant Editor: Nick Divers
Executive Producer: Sasha Hirschfield
Editorial Producer: Evan Meeker

Telecine: The Mill
Colorist: Fergus McCall

Audio Post Company: Rainmaker Studios
Engineer: Jeff McManus

Horror Movie:
Conform: Running With Scissors
Conform Artist: Chris Hagen
Executive Producer: Scott Friske 
Producer: DeeDee Ray



KLM Warms 9 Million Hearts With Adorable Beagle Who Returns Lost Items

Anyone who says flying is a terrible experience hasn’t had a missing carry-on item returned by KLM’s lost-and-found delivery beagle.

Say what, you say?

It’s simple, says KLM: Its trained beagle traces the scent of left-behind personal effects—maybe a pink iPhone, or some headphones—and chases down the owner while he or she is still in the airport. Joy, gratitude and cooing abound, warming even the most frozen and incredulous jet-lagged souls (including more than 9 million YouTube viewers at last count).

Is this an excerpt from a 20th-century movie about a dog with a big heart who teaches people a thing or two about humanity? Nope, this is an ad by DDB & Tribal Worldwide for a Dutch airline, which is shrewd to pretend it employs a dog who will always be more genuinely happy to see you than any bipedal flight attendant, because the dog will hold out hope that you might reward its loyalty with a snack, but forgive you—or at least forget—if you don’t. (Before you hesitate to break off a piece of that beef jerky, don’t forget that dogs are people, too).

Too bad it’s all a sham, if a wildly popular one, designed to promote KLM’s obviously inferior humankind methods for returning lost items. In other words, it will leave you feeling cheated and disoriented, which at least is consistent with lots of flying experiences.



Jeff Goldblum Is Out of His Mind in Tim & Eric's Loony Ad for GE Lighting

GE has been doing a lot of poignant ads through BBDO New York lately—the dreamy fantasy world of “Childlike Imagination” (an Emmy nominee this year); the haunting dystopia of “Ideas Are Scary”; the adorably odd science fiction of “The Boy Who Beeps.”

So, obviously it was time to completely change things up—and hire Tim & Eric (aka, Tim Heidecker and Eric Wareheim) to direct a barely clothed but great-haired Jeff Goldblum in this totally bonkers fake infomercial for the GE Link lighting solutions.

It’s kind of all over the map, but the two-minute spot has lots of enjoyable over-the-top moments—particularly the peppy transitions from super-suave Goldblum to the “unremarkable nobodies” who deliver the testimonials.

A fake infomercial isn’t the route you’d typically choose for explaining new technology like GE Link. But this seems to be more of an awareness play. We’ll find out later whether it really does make everyone look like a cocky, raven-haired movie actor.



Facebook, Twitter and Instagram Logos Are Ingeniously Redesigned for Breast Cancer Awareness

Ask anyone you know how they feel about boobs, and I’m pretty sure it will be positive. Indeed, you’d have a hard time finding anyone hesitant to sing their praises.

Below is a fun series of ads from DDB Singapore timed to Breast Cancer Awareness Month in October. They’ll hit close to home for anyone who uses social media on the regular, and happens to have breasts, or knows anyone who has them (and wants them to be healthy). The familiar logos have been redesigned to anatomically pay homage to breasts and remind you to perform an exam—on yourself, or someone you care about—as frequently as you check your social feeds. 

The ads, for the Breast Cancer Foundation, also point to an online petition urging social media giants Facebook, Twitter and Instagram to actually change their logos temporarily for the cause. So, check out the ads below, and consider a screening so you can live longer to keep liking and faving.

Via Design Taxi.



Volvo Really Takes the Plunge in Powerful Ad That Leaves the Car on Shore

In its first global campaign for Volvo, Grey London strives for a “quietly epic” tone to position the Swedish nameplate more firmly in the premium auto space. Director Marcus Söderlund, working through Academy Films, delivers the goods with a visually compelling minute-long film called “The Swell.”

We open on a moonlit beach, where a Volvo XC60 sits in the sand, the hum of its radio melding with the sounds of the sea. “To feel, to really feel, is a rare thing these days,” a voiceover says. We watch a woman paddle her surfboard through dark, choppy water as a huge wave rises with thunderous force … and the tagline, “Seek feeling,” flashes on screen.

“The Swell” weaves its tale in moody hues, offering glimpses of the car as it focuses on the lonely surfer and approaching wave. (Söderlund also directed Grey London’s fiery Vodafone ad about the emergency responders.)

It’s an unexpected approach, and the first campaign from global creative director Hollie Newton, who joined Grey last year from Wieden + Kennedy, where she contributed to award-winning efforts for Lurpak butter. For Lurpak, she designed sensory experiences with cheeky, playful subtexts that reminded viewers not to take the ads too seriously.

“The Swell” shares this “sensory” sensibility, but ratchets up the intensity to a point where I imagine some viewers might be put off. Even so, Grey deserves credit for making a commercial that ripples with energy without drowning in car-ad clichés.

Credits below.

CREDITS
Client: Volvo
Vice President Brand Marketing: Tomás Caetano
Director, Marketing Communication: Ingela D’Angelo
Marketing Content Director: Magnus Brodd
Project Leader: Anna Wirsen
Spot: “The Swell”
Agency: Grey London
Executive Creative Director: Nils Leonard
Global Creative Director: Hollie Newton
Creative Team: Hollie Newton/Jamie Starbuck/Howard Green
Managing Partner: Nick Dutton
Business Director: Camilla Ashenhurst
Account Manager: Mel Caplan
Agency producer: Harriette Larder
Creative producer: Glen McLeod
Planning Director: Matt Buttrick
Planner: Hayley Cannon
Production company: Academy Films
Director: Marcus Söderlund
Editor: Tom Lindsay @ Trim
Producer: Medb Riordan
Exec Producer: Lizie Gower
DOP: André Chémétoff / Allan “Willy” Wilson
Colourist: Aubrey Woodiwiss
Post-production: Yourick Van Impe (Flame) & Aubrey Woodiwiss (grade) @Electric Theatre Collective
Audio post-production: Aaron Reynolds @ Wave
Photographer: Gian Paul Lozza

A Little Girl With Cancer Wanted to Make Her Own PSA, and It's Amazing

“I want to be on TV a lot, and I want to be on the newspaper so people can see how brave I’ve been during cancer,” says young Hannah, speaking into a hairbrush microphone as she carefully relates her experience with the disease, in her own words. 

According to the video’s description on YouTube:

Hannah was diagnosed with bilateral Wilms tumor (kidney cancer) in February 2014. She underwent 6 months of chemotherapy, radiation to her lungs and flank and surgery to remove her left kidney and part of her right kidney. Throughout her ordeal, she has always been very matter a fact about the entire situation. She understands what’s going on and knows what’s needed to fix it. She approached us one day and said she wanted to do a “commercial” to explain to other kids what they can expect when going through cancer and show them “how brave” she has been. #teamhannah

“Cancer is no fun—but it’s a little bit fun because you get to go on this camp,” Hannah says. “And if you have cancer, don’t worry, ’cause I am brave, and you can be brave also.”

Take a look below at this inspiring little PSA.