Pharrell Anoints a New Generation (and Definition) of Superstars in Adidas Video

Johannes Leonardo’s new “Superstar” campaign for Adidas, which features Pharrell and is centered around the Supershell collection he designed, claims to both democratize the idea of superstardom and make it less ambiguous.

Well, you can’t accuse them of aiming their sights too low, that’s for sure.

The first video in the campaign questioned the idea that fame is necessary for superstardom, and the more recent video, “Audience of One,” makes good on that premise by introducing a bunch of people no one has ever heard of as Pharrell-approved superstars.

They include American musician Pusha T, actor/director Grigoriy Dobrygin, Japanese designer Yoon, Chinese designers VJ Mian, and Mexican illustrator Smithe, all of whom state that they create purely for self-expression, with no desire for fame or glory. (Given that they’re all appearing in an ad for a global shoe brand featuring a major celebrity, they don’t seem too allergic to the idea of fame, though.)

One neat aspect of this campaign is the “pay it forward” component, wherein the five people I just named will shine a light on other creative people, forever marking them as cool via the hashtag #OriginalSuperstar. Who knows, perhaps future elements of this campaign might even focus on shoes in any significant way.

Pharrell Got an Architect, Photographer and 2 Artists to Design Adidas' New Sneakers

Bringing in artists to design limited-edition shoes is a no-brainer. But an architect and a photographer? That makes things a bit more interesting.

Pharrell Williams, who was named to Adweek’s Creative 100 this week in part because of his fashion design savvy, just announced a new extension of his Superstar line of Adidas shoes. It’s called Supershell, and features designs from four disparate creators:

  • Architect Zaha Hadid, an internationally recognized designer once selected by Time as one of the most influential people in the world. Her work includes China’s Guangzhou Opera House, the London Aquatics Centre for the 2012 Olympic Games, and the Rosenthal Center for Contemporary Art in Cincinnati. 
  • Japanese contemporary artist Mr., who brings an anime-inspired style to a wide range of artistic mediums and is, says Williams, “a master of depicting innocence.”
  • Photographer Cass Bird, who shoots fashion for a variety of major publications and has directed several branded videos for J.Crew, Wrangler and others.
  • New York contemporary artist Todd James, whose career began with graffiti and grew into frequent gallery exhibitions and high-profile collaborations.

The shoes aren’t available for sale yet, but there’s a placeholder page on Adidas’ site, and you can get a sneak peek in the photos and videos below.

The BBC Rolls Out a Galaxy of Stars (and a Tiger) in This Lavish Cover of 'God Only Knows'

Does Brian Wilson know who Lorde is? Or why there’s a tiger on his piano?

This lavish video boasts an array of stars performing Wilson’s 1966 Beach Boys classic “God Only Knows” to help launch BBC Music, described by the company as “an ambitious wave of new programs, innovative partnerships and ground-breaking music initiatives.”

Karmarama created the clip, which features luminaries representing various generations and styles. The Impossible Orchestra, as it’s called, features Wilson, Lorde, Elton John, Pharrell Williams, One Direction, Stevie Wonder, Dave Grohl, Jake Bugg, Emeli Sandé, Chris Martin and many more. Kylie Minogue floats in a soap bubble. Baaba Maal rides by in a balloon. Alison Balsom sits perched in a gilded cage.

The extravaganza debuted yesterday during a pan-channel BBC broadcast, and the video’s nearing 800,000 YouTube views already. The song also benefits BBC’s Children in Need charity, is available for download and streaming and was released as a physical CD single in the U.K.

“One of the things that interested me most about this project was the ideas of bringing together so many different styles of music,” says Ethan Johns, who produced the tune. “To make so much diversity work within one piece of music was quite a challenge.”

Naturally, the initiative’s been compared, favorably and otherwise, to other musical megastar team-ups, such as the 1997 Children in Need reboot of Lou Reed’s “Perfect Day,” which was a global smash. (Elton John is only star from that outing to appear in “God Only Knows,” by the way.)

One story in the Guardian brands the new effort as “not quite a perfect day,” noting “There’s something self-aggrandizing about this—but with the amount of music the BBC covers, perhaps it is deserved?” Coverage elsewhere on the site disdainfully notes that “God Only Knows” arrives just as “the corporation’s battle to retain the television license fee [is] getting almost tougher by the week.”

Tough crowd.

BBC Music director Bob Sherman explains the project, and the song choice, thusly: “Everybody gets the significance of ‘God Only Knows.’ And that’s what we’re trying to do with BBC Music. We’re trying to make it feel like it’s an all-encompassing brand for everybody.” That quote comes from the “making-of” clip, in which Queen guitarist Brian May—whose trademark fret runs on “God Only Knows” are a highlight—seems to offer a slightly different take, calling the song “quite enigmatic, really.”

Some view the CGI effects and costumed theatrics as overkill, but I’d say the grand scale fits the message, which is quietly captured in the closing bars of the performance. Wilson sits alone at the piano, sans tiger or bombast, just looking into the camera and singing his brilliant song.



Let's All Thank Weird Al for Turning 'Blurred Lines' Into an Anthem of Proper Grammar

Weird Al might not be the hero an illiterate Internet wants, but he’s certainly the one it needs.

His newest video, “Word Crimes” (a parody of “Blurred Lines”), is possibly the catchiest grammar lesson created since the days of Schoolhouse Rock. The song and kinetic-type video cover a wide swath of everyday errors, from “its” vs. “it’s” to abusing the word “literally.”

A few of my favorite lines:

“You should never write words using numbers, unless you’re 7 or your name is Prince.”

“Listen up when I tell you this: I hope you never use quotation marks for ’emphasis.'”

“I saw your blog post. It’s really fantastic. That was sarcastic. Cause you write like a spastic.”

He even squeezes in a PG-13 pun with his reference to the aid of “some cunning linguist.” Look at Weird Al, gettin’ scandalous.

This clip almost makes up for his practically unwatchable video for “Tacky,” a lifeless parody of Pharrell’s “Happy.” After seeing that one the other day, I was just about ready to write off Weird Al. But never underestimate his ability to get the last word.



World of Red Bull 2014

Utilisant le nouveau morceau « Come Get It Bae » de Pharrell en featuring avec Miley Cyrus, la nouvelle campagne World of Redbull 2014 permet de mettre en avant ses athlètes de l’extrême en action, à l’image de Sally Fitzgibbons et Jamie O’Brien en surf ou encore le plongeur Orlando Duque pour ne citer qu’eux.

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Diddy Joins Fiat Fold to the Tune of Pharrell’s ‘Happy’

Doner created a new global campaign called “Mirage” for FIAT, in promotion of their new Fiat 500L, the first four door vehicle from the automaker (which we guess is now officially Fiat Chrysler Automobiles). “Mirage” enlists the help of Diddy and Pharrell‘s hit “Happy,” which you may recall as the song from the world’s first 24-hour music video, and the soundtrack to Despicable Me 2.

“Mirage” is (as you might have guessed) set in the desert. Two lost travelers searching for rescue see Diddy drive by in a Fiat, but dismiss the sighting as a mirage. When they then stumble on Diddy‘s REVOLT soiree, they again dismiss the vision as a mirage, with one of the travelers pointing to the new Fiat 500L and saying, “The Fiat over there has four doors. Fiat only makes small cars, it’s not real.” The line draws attention to the misconception that Fiat only builds small cars as a way of introducing the new Fiat 500L, further cemented by the tagline, “Unbelievably Big” (which is sure to elicit snickers and/or “That’s what she said” jokes from certain corners of the ad community). In the spot, Diddy once again proves himself a much more talented comedic actor than rapper (for further evidence, see Made or Get Him to the Greek), delivering the spot’s punchline (which I won’t reveal here) with great timing.

Doner’s global campaign will roll out this Thursday, with the TV spot running both nationally and internationally, and will also include online components. Stick around for credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Pharrell – 24 hours of Happy

Le duo de réalisateurs français WeAreFromLA a réalisé pour le morceau « Happy » de Pharrell Williams un clip étalé sur 24 heures, réunissant sur le site 24 hours of Happy 360 plans séquences filmés à Los Angeles. Une version de 4 minutes dévoilant quelques guests, à l’image d’Odd Future ou encore de Jamie Foxx.

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Daft Punk – Lose Yourself To Dance

Le groupe Daft Punk vient de sortir le clip de la chanson « Lose Yourself To Dance » : on y retrouve le duo casqué, entouré de Pharell Williams et Nile Rodgers, tous habillés d’habits pailletés dans une ambiance très 80′s. Une vidéo dans la continuité de celle réalisée pour la chanson Get Lucky. A découvrir en images.

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Daft Punk for Obsession

A l’occasion du prochain album de Daft Punk – « Random Access Memories » prévu pour le 20 mai, dont le premier single « Get Lucky » a été récemment dévoilé, le photographe Maciek Kobielski a pu immortaliser pour Obsession Magazine les 2 français déguisés en robots dans leurs tenues Yves Saint Laurent.

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Daft Punk – Get Lucky

Voici enfin le titre officiel du groupe français Daft Punk, le très attendu « Get Lucky » à l’occasion de leur retour en studio. Une collaboration et des featurings avec Pharrell Williams et Nile Rodgers pour ce 1er extrait de leur album « Random Access Memories » (20 mai 2013). A découvrir en images et en écoute dans la suite.

Titre officiel « Daft Punk – Get Lucky » disponible en HD ci-dessous :

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