French tennis star Jo-Wilfried Tsonga is preparing to play against a robot. Surprisingly, it's not Roger Federer, renowned for his robotically stiff commercial acting and machine-like winning ways (including those 17 Grand Slam singles titles). Today at 11 a.m. ET, at a practice session for the French Open, Tsonga will take on an actual automaton, which will try to hit shots past the world's eighth-ranked player based on tweets supplied by fans as part of a promotion for banking giant BNP Paribas (and agency We Are Social).
Fans visiting the Tweet & Shoot site can log in with Twitter and drag and drop tennis-ball icons to set up virtual shots, which are then encoded as hashtagged tweets which the on-court bionic Borg will decipher—and then spit out a real ball for Tsonga to hit. Users are also encouraged to include messages of encouragement to Jo-Wilfried, who has never won a Grand Slam event. Forty fans chosen by BNP's social communities are guaranteed to have their shots included at Tsonga's session with the robot. The rest will be picked at random from among the tweets. Folks with no lives whatsoever can check out Tweet & Shoot's streaming coverage of the event at the link above. Maybe the bot will blow a fuse, leap over the net and swat Tsonga like a fly.
Droga5 and publisher Hachette Australia recently bestowed upon Qantas frequent fliers an anachronistic little gift that will come in handy aboard Qantas flights when approved electronic devices must be completely turned off.
The agency's Sydney office packaged together a 10-book box set of previously published paperbacks "specifically edited to last just as long as each of Qantas's key routes." It's a fun idea, and Droga is playing the nostalgia factor to the hilt. "In this world of Kindles and iPads, it seems that the last bastion of the humble paperback novel is actually at 40,000 feet," says David Nobay, creative chairman of Droga5 Sydney. "You only need to look at the bulging shelves at any airport bookstore. Maybe it's the fact that everything seems so far removed from the real world up there."
All 10 books are by Australian authors: James Castrission, Tony Cavanaugh, Sean Fewster, Kimberley Freeman, Lian Hearn, William McInnes, Peter FitzSimons, Jack Marx, Rob Mundle and Roland Perry. The collection spans adventure, crime, women's fiction, literary, history and romance. The books are meant to correspond to the lengths of 10 popular Qantas flights (Sydney to Dubai, Melbourne to London, Perth to Singapore, etc.), with meals and other breaks factored in. Designer Paul Belford created a unique cover for each book.
"One of the greatest challenges in publishing is to remind people of the pleasure that reading brings, and that even though the online world is growing, there is still a romance in the printed page," says Fiona Hazard, publishing director of Hachette Australia. "At Hachette, we are always looking for new ways to bring stories and voices to life, so when Droga5 approached us to discuss this idea we jumped straight in. It's been great fun working with them to get this project off the ground."
Illinois and Wisconsin are currently overrun with pregnant teenage boys, thanks to the Chicago Department of Public Health. Man, that's fun to say. The CDPH's Office of Adolescent and School Health has rolled out a new teen-pregnancy prevention campaign that features pictures of pregnant teenage boys, and the accompanying text reads "Unexpected? Most teen pregnancies are." The intended impact is twofold. Along with the initial shock of seeing a pregnant boy, the ads hope to communicate that pregnancy prevention isn't just the girl's responsibility. They're risky images to run with, but I'm glad that the CDPH didn't try to make a joke out of it. If Junior taught us anything, it's that male pregnancy is no laughing matter. More images below.
Here is Geico's latest commercial from The Martin Agency. Uploaded on hump day, it's all about hump day. And it stars a certain mammal that hails from the Middle East and Africa. You can see where this is going. Part of the insurance company's ongoing "Happier Than" campaign. Silliness at its best. Credits below.
CREDITS Client: Geico
Agency: The Martin Agency, Richmond, Va. Chief Creative Officer: Joe Alexander Group Creative Director: Steve Bassett Creative Director: Wade Alger Creative Director, Art Director: Sean Riley Senior Copywriter: Ken Marcus Executive Broadcast Producer: Molly Souter Producer: Samantha Tucker Junior Producer: Emily Taylor Strategic Planner: Melissa Cabral Group Account Director: Chris Mumford Account Director: Liz Toms Account Supervisor Parker Collins Account Coordinator: Carter Crenshaw Project Manager: Susan Karns
Group Talent Director: Suzanne Wieringo Production Business Manager: Amy Trenz
Production Company: Hungry Man Director: Wayne McClammy Director of Photography: Tim Ives Executive Producer, Managing Partner: Kevin Byrne Producer: Nate Young Production Supervisor: Steve Ruggieri
Editorial Company: Mackenzie Cutler Editor: Ian MacKenzie Editor: Dave Koza Assistant Editor: Carmen Hu Editorial Producer: Evan Meeker Director of Operations: Biz Lunskey
Visual Effects: The Mill Executive Producer: Jo Arghiris Producer: Colin Blaney Shoot Supervisor: Tony Robins 2-D Lead Artist: Randy McEntee 2-D Artists: Tony Robins, Paul Downes, Jamin Clutcher Art Support: Rob Meade 3-D Lead Artist: Kevin Ives 3-D Artists: Billy Dangyoon Jang, Olivier Varteressian, Laurent Giaume, Justin Diamond, Sean Dooley, Joshua Merck, Hassan Taimur, Wyatt Savarese, Samuel Crees, Ross Scroble
Audio Post, Sound Design: Rainmaker Studios Engineer: Jeff McManus Music: "Happier Than" theme song by Adam Schlesinger
Principal Actors in Spot: "Ronny" – Alex Harvey "Jimmy" – Timothy Cole Musical Duo in all spots
"Hump Day" "Mike" – Michael Clark "Julie" – Lindsay Stoddart "Leslie" – Leslie Tsina "Camel VO" – Chris Sulivan Voiceover announcer: Andrew Anthony
The Puma Dance Dictionary, created by Grey London to push the brand's new Sync fragrances (yes, Puma makes fragrances), allows users to select words and phrases which are then translated into dance moves by freestyle performers. These "moving" messages can be shared via social media or emailed to friends. You start with various templates and then shift a few words in and out to create sentences. The pre-set "I love women with heart," for example, can be changed to "I love women with popcorn." Or "I love guys with muscles." Or even "I love women with nuts," if you're into that. Manipulating other templates yields sentiments like "Money makes me want to get naked," "Hey bro, your face is crazy" and "Will you stroke my girlfriend?" This can be amusing, but not very, as the vocabulary is too limited. I understand the dancers could interpret only so many words, and Puma naturally wants to avoid potential hate speech or outright vulgarity. But the enterprise seems hamstrung by a lack of true interaction. The dancing on display is self-consciously goofy: "Women" is signified by hip wiggles and boob gestures, and "nuts" is communicated by pointing to one's head with accompanying eye rolls. Plus, the brand message is ill defined. Maybe Puma should've sat this one out.
This new ad for Samsung televisions is precipitating foul rumblings across the cyberverse for depicting men as gassy, unkempt, couch-bound louts. Sounds like truth in advertising to me. Especially the flatulence. The spot touts the Evolution Kit, which turns any Samsung television into a smart TV. A young wife saddled with a sorry spouse decides he needs a similar upgrade, and plugs the kits into his back. Suddenly the dude's cooking, cleaning and styling her hair with a vacuum. (Don't try that last one at home! But if you do, let me know how it works out.) The complaints generally follow this example from Reddit: "I find this advert quite sexist. The idea of an 'evolved man' is basically making him the stereotype of a woman. This isn't evolution rather than devolution. If this advert had the women being attached to some machine to make her better equipped to clean/cook/look after children/make her loving to her spouse/partner, there would be an outcry from feminists about equality." Sure, Samsung squeezed out some questionable material. But the clip is nearing 10 million YouTube views in just a week, and generating gobs of attention for the product, so I'd hardly call it a total stinker. Agency: To be determined; CHI & Partners, global agency for Samsung TVs, says it wasn't them.
Corporate Executives who a visit to the spa is a far easier way to de-stress than fleeing life. Indian is renowned for people embracing sainthood/sanyas when fed up with life.
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Are the guys from Lonely Island trying to say that marriage and kids are shortcuts to the grave? They sure don't seem too happy to be "grown-ass" men, maybe because they're starving for sex, wiping baby bums and visiting their own funeral plots in "Diaper Money," posted below. The video, released as part of YouTube's Comedy Week, also promotes the trio's latest musical effort, The Wack Album, due June 11. Look for more promos in the coming weeks.
Just when you thought you ran out of ways to mess with Sasquatch, someone comes along with lipstick and press-on nails. And as you'd guess, Sasquatch does not care for his glam makeover. In the ongoing saga for Jack Link's beef jerky, the hirsute man-beast gets punked yet again—three times, in fact, in new TV spots from longtime agency Carmichael Lynch. He's just come out of hibernation, so his back story goes, and roams too close to civilization, where he's an easy target for public humiliation. He gets "beautified," doused with slop and hosed. Who could resist? Retaliation, which has become a hallmark and creative flourish of these ads, ensues. Those folks will never learn. More spots and credits below.
CREDITS Client: Jack Link's Agency: Carmichael Lynch Chief Creative Officer: Dave Damman Associate Creative Director, Art Director: Brad Harrison Senior Copywriters: Tim Blevins, William Bloomfield Director of Integrated Production: Joe Grundhoefer Senior Content Producer: Freddie Richards Content Producer: Tara Mulholland Director of Business Affairs: Vicki Oachs Director of Account Management: Andrew Dauska Account Director: Holly Wheeler Account Manager: Sofya Guterman Account Leader: Andrew Pautz Senior Project Manager: Elizabeth Charron
Production Company: MJZ Director: Rocky Morton Senior Executive Producer: Scott Howard Producer: Donald Taylor Director of Photography: Mattias Rudh
Editing House: HutchCo Technologies Editor: Jim Hutchins Assistant Editor: Joaquin Machado Executive Producer: Jane Hutchins
Postproduction, Special Effects: Rabbit Content Creative Director: Nick Losq Executive Producer: Joby Barnhart Producer: Lloyd Dsouza Music House: Black Iris
I'm not sure which is more disturbing—the hirsute images that adorn the Beardvertising site from Kentucky ad agency Cornett-IMS, or creative Whit Hiler's use of the work "mancessory" to describe such facial hair. You might recall Hiler from past wacky ventures such as conquering Reddit with fake fliers (including a meetup to recreate scenes from Human Centipede—"Guys only") and crafting a tourism campaign that was presumably too "kick-ass" for the Bluegrass State. Here's his latest pitch: "Do you wanna get paid for having an epic beard? Of course you do. Join the world's first Beardvertising network. Get paid. It's simple—turn your beard into a business. Just like Duck Dynasty. Hang a BeardBoard (Patent Pending) in your beard. Sit back and get paid up to $5 per day." So far, A&W Restaurants and Eagle One Automotive have slapped their messages on Beardvertising mini-billboard clips. Maybe Schick, Gillette, Old Spice and DollarShaveClub.com should join in to cut through the clutter and carve out some unique ad space.
If you can ship your pants skillfully and creatively, you have a good chance of working at Kmart's ad agency, Draftfcb. The agency said today that it has brought in a new intern in large part because of his pants-shipping abilities. Alf Zapata shipped his actual pants and résumé to Draftfcb's recruiting department. That got him an interview; his "portfolio, witty humor and enthusiasm" got him the internship, the agency says. This raises the possibility that you could get an internship at Y&R in New York simply by apologizing and then acting superior. More images below.
"Every time you get drunk, you separate yourself from the things that matter most. Like your family." That's the voiceover in this weird anti-drinking ad from Spain, aimed at young adults. The girl in the ad is seen vomiting up what is apparently her father. The sound effects are nasty, and the metaphor isn't much better. Second spot after the jump, in which a guy gets "separated" from his girlfriend—by upchucking her on a bathroom floor. Agency: Bungalow 25. Via Ads of the World.
'Tis the season for male-grooming brand extensions. Old Spice introduced its shaving gel last week. And now, Axe has updated its range of hair products for men. It's advertising them with four new 20-second ads from BBH London that have launched in Europe and will reach North America this weekend. The creative idea is that well-styled hair is crucial when you meet someone for the first time. The spots present various quirky first-meeting scenarios—the most faux-provocative of which is probably the home-invasion scenario, in which burglar seduces buglee with his perfectly slicked 'do. "We wanted to capture a simple truth about guys and their grooming habits," says David Kolbusz, deputy executive creative director at BBH. "Whenever a man sees a woman he fancies, he tends to touch up his hair before making the initial approach. We dramatized this behavior by setting it in the most extreme of circumstances." More spots and credits below.
CREDITS Client: Lynx/Axe Agency: BBH London
BBH Creative Team: Matt Fitch & Mark Lewis and Harry Orton and Robin Warman BBH Creative Director: David Kolbusz BBH Producer: Charlie Dodd BBH Strategic Business Lead: Ngaio Pardon BBH Strategy Director: Dan Hauck BBH Strategist: Tim Jones BBH Team Director: Heather Cuss BBH Team Manager: Cressida Holmes Smith
Production Company: Outsider and Station Films Director: Harold Einstein Executive Producer: Eric Liney Producer: Jon Stopp/Richard Packer DoP: Danny Cohen Post Production: The Mill Editor/Editing House: The Mill Sound: Factory
Damn you, hot hunks of advertising! Damn you to hot, hunky hell! Your Grecian glutes mock me as I polish off another nacho platter, and your six-pack abs shame me as I knock back my six-pack of beer! Shirtless Josh Button is the latest addition to the ad-hunk trend, rising seductively from the sea in Deutsch L.A.'s new tongue-in-cheek commercial for Diet Dr Pepper. (They make diet soda now?) "Millions of guys are born good looking," Button's voiceover begins, as the number 70,611,600 flashes on screen. "But not many are really good looking." The number 64,891 appears. "Even fewer are really, really, really, really, really good looking. At least, that's what I'm told." The number 45 zips by. "I'm Josh Button, and I'm one of a kind." We then get a full-on view of his chiseled torso as the red number 1 appears, thrust like a dagger into my cholesterol-clogged heart. (Hey, I'm at least one of the 70 million fairly OK-looking dudes, right?!) "We're poking fun at ourselves and the trend of hot guys in advertising," Dr Pepper svp of marketing Jaxie Alt tells USA Today, alluding to hunk sightings in spots for brands like Kraft Zesty Italian dressing and Diet Coke. After decades of impossibly trim bikini babes making women feel insecure, I guess it's men's turn to suffer. At least one advertiser out there is providing a more realistic depiction of the male form. But when you consider the state of that beach bum's liver, and his life expectancy, it's cold comfort indeed. Credits below.
CREDITS Client: Dr Pepper Snapple Group Brand: Diet Dr Pepper
Agency: Deutsch, Los Angeles Chief Creative Officer: Mark Hunter Group Creative Director: Brett Craig Creative Director: Xavier Teo ACD, Art Director: Erick Mangali ACD, Copywriter: Chris DiNinno, Lehr E. Ryan Director of Integrated Production: Vic Palumbo Executive Producer: Lisa K. Johnson Director of Content Production: Victoria Guenier Ken Rongey: Senior Business Affairs Manager Directors: Craig Brett/Mangali Erick Director of Photography: Greig Fraser 1st A.D.: Anthony Dimino
Editorial Company: Spot Welders, Santa Monica, CA Editor: Patrick Murphree Executive Producer: David Glean Senior Producer: Carolina Wallace Producer: J. Patrick McElroy
Post Facility – Color Only: Company 3, Santa Monica, CA Colorist: Dave Hussey
Visual Effects: Arsenal FX, Santa Monica, CA Post Production Company: Arsenal F/X Executive Producer: Ashley Hydrick VFX Supervisor/Design: Lauren Mayer-Beug Flame: Mark Leiss and Terry Silberman Designers/Animators: Andrew Schreiber Post Producer: Pravina Sippy Production Coordinators:
Music/Composer: Elias Arts, Santa Monica, CA Creative Director-Dave Gold Executive Producer-Ann Haugen Composer-David Wittman Producer-Kiki Martinez
Audio Post Company/City/State: Play Studios, Los Angeles, CA
Others: Mnemonic and End Tag Wood Shop, Culver City, CA CD/Product Director: Trevor Shephard DP: Tom Lazarevich Live Action Producer: Christy Lindgren Post Producer: Sabrina Elizondo Nuke Compositors: John Weckworth, Forbes Hill, Jon Lorenz, Ned Wilson, Thomas Horne 3D Artist: Forbes Hill, Cody Smith CD
Client Credits Director of Creative: Shaun Nichols Brand Manager – Diet Dr Pepper: Angela Snellings Director of Marketing: Leslie Vesper SVP, Director of Brand Marketing and Sponsorships: Jaxie Alt SVP, Marketing: Andrew Springate EVP, Marketing: Jim Trebilcock Advertising Manager: Sharon Leath
Additional Deutsch Credits: Mike Sheldon, CEO Account Management Credits: David Dreyer, Group Account Director Helen Murray, VP Account Director Andrew DuBois, Account Supervisor Kate DeMallie, Assistant Account Executive Account Planners: Jeffrey Blish, Chief Strategic Officer Aileen Russell, Group Planning Director Business Affairs Abilino Guillermo: Director of Integrated Business Affairs
I love it when brands finally catch on to jokes the rest of us were making in fourth grade. This time it's Charmin, which treated fans at the Charlotte Motor Speedway's Sprint All-Star Race to an underwear-shaped billboard that said "Stop Skidmarks." That phrase also applies to cars, you see. Given the kinds of ostentatious crap we often see with billboard design, this idea was refreshingly concise and to the point, if a tad juvenile. And it's certainly less offensive than the "Back Got Back" commercial. Photo via @trippmickle.
To hype its inaugural Comedy Week, which begins Sunday night at 8 p.m. ET, YouTube turned to an ad agency known for generating its share of laughs: Goodby, Silverstein & Partners. The San Francisco-based shop's New York office whipped up a load of ads (many of them :15s) that have been airing in recent weeks starring the Comedy Week's actors and comedians. Check out a whole bunch of those spots below. (At the bottom is a longer promo with Arnold Schwartzenegger, which YouTube produced in-house, but we have to include because it's awkwardly hilarious.)
Goodby also designed a special YouTube masthead that will run all day Sunday to promote that night's kickoff. It shows a bathroom wall inside a comedy club. You can scroll around, click different doodles and find Easter eggs like Venn diagrams for classic jokes; a mounted moose head who doubts Comedy Week will be funny (he says things like "I have serious doubts about the funniness of this week" and "the humor is very subtle … and by subtle I mean unfunny"); and a phone number—(888) 303-3771—you can call for a good time (if you're not having one already).
The first two-hour live stream starts Sunday at 8 p.m. ET. New shows will air each night this week at midnight ET through Saturday. Guests will include Ben Stiller, Vince Vaughn, Seth Rogen, Comedy Central's Tim and Eric, Conan O'Brien, Rainn Wilson, Ricky Gervais and Sarah Silverman, and YouTube stars The Gregory Brothers, Rhett & Link and Ryan Higa.
Schwartzenegger spot produced in-house by YouTube:
The best performance by a cat in a TV commercial this week goes to the fluffy mess in this new British spot for eyewear maker Specsavers. Not that the veterinarian here would know—he's not clear on what a cat is anymore. Specsavers, of course, has a long and proud history of offbeat commercials. The best mistaken-animal-identity spot, though, remains the brilliant raccoon commercial from Sears Optical.
What a week it's been. As Friday draws to a close, I see your defecating man in the exercise video and your threesome-inducing Sexual Chocolate wine, and I raise you one talking butt crack in this British advert for something called Polycell. It's some sort of spray product that promises "No more unsightly cracks" in your walls. Unfortunately, there's one major unsightly crack in the commercial. And it talks. David Ogilvy would be proud. Agency: 18 Feet & Rising. Full list of perpetrators below.
CREDITS Client: Polycell Agency: 18 Feet & Rising Creative Director: Stephen de Wolf Creatives: Alex Delaney & Oli O'Neill Agency Producer: Emily Hodgson Julia Methold Account Director: Adrienne Little Strategic Business Lead Rob Ward Director: Simon Willows Production Company: Blink Production Company Producer: Tiernan Hanby Executive Production Company Producer: James Bretton Editor: Mark Aarons Post Production Company: The Electric Theatre Company Post Production Company Producer: Helen Sutermeister VFX Supervisor: Andrew Stewart Colourist: Steffan Perry @ Framestore Sound Engineer: Tony @ Wave Studios
Stand-up comedian, actor, songwriter and noted YouTube personality Toby "Tobuscus" Turner made this fourth-wall-shattering musical ad for Hot Pockets in which he is bullied by an unseen voiceover into singing about the new Cuban Style and Spicy Beef Nacho flavors. God help us all, Spicy Beef Nacho? I can already hear my toilet crying. Anyway, the concept might not thrill you, but the execution is top notch, mostly due to Turner's facial expressions. Now I want to see him in some sort of comedy duel with Jim Gaffigan, who once compared Hot Pockets to filling a Pop Tart with nasty meat. Making this ad is like slapping Gaffigan in the face with a dueling glove.
Advertising Agency: Blackpencil India / Leo Burnett, Gurgaon, India Creative Directors: Shweta Ahuja, Shadab Abidi Art Director: Rodrigues Robert Copywriter: Raktim Chakroborty
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
