Hasta La Creative!

Saatchi New Zealand and cereal brand Weet-Bix has solicited the help of handful of players from native team The All Blacks, perhaps one of the most well-known rugby franchises in the world, to help make a young fan’s dream come true. How? By surprising the lad at his breakfast table, obviously. Ten-year-old Auckland boy Bailey Paki‘s reaction says it all as he’s greeted by All Blacks teammates Ben Franks, Wyatt Crockett, Tom Taylor and Frank Halai. To make the surprise that much sweeter, the parties involved set up a pitch in Paki’s grandfather’s backyard. Of course, a hearty breakfast comes in handy prior to the athletes getting down to business. In a statement, Saatchi NZ ECD Antonio Navas says, “”The experience of bringing Bailey’s dream day to life has been an incredible journey for everyone involved. I think we have all been a little inspired by his passion and determination along the way. Creatively, the opportunity to bring together two of New Zealand’s most iconic and loved brands together in this way was our very own dream day.” Nothing like a a quick heartwarming clip for lunchtime, now who else is hungry? Credits after the jump.

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McCann Worldgroup Milan created “Fair Play Machines” for Coca-Cola, bringing together rival fans at the San Siro Stadium in Milan.

Internazionale di Milano and A.C. Milan have a fierce rivalry dating back decades, which often leaves neighbors, friends, and even family enemies when the two teams meet. So, as part of Coca-Cola’s ongoing “#ShareTheGood” campaign, in the moments leading up to kickoff at an important Internazionale di Milano versus A.C. Milan match at a very divided San Siro Stadium in Milan, McCann Worldgroup installed two vending machines in the stadium, one on each side of arena. The catch: fans couldn’t get a Coke for themselves, only for fans of the rival team. Pressing a button on one of the machines, connected to the other via video and audio, sent a Coke down a chute and delivered it to a rival fan. In under an hour, both machines were emptied, bringing rival fans closer together and supporting fair play.

“Coca-Cola reminds us that even in the face of seeming differences, happiness can be found through simple moments of human connection,” explains Claudia Navarro, director, integrated marketing communications, central & southern Europe. Check out the video above to see the campaign in action, and stick around for credits after the jump. continued…

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Brandblack, the recently-launched “futurist performance sports brand” from David Raysse and Creative Director Billy Dill, teamed up with the L.A. Clippers’ “Sixth Man of the Year” Jamal Crawford and RSA Films, the production company founded by director Ridley Scott and Tony Scott, for a new campaign highlighting their high performance basketball sneaker, J.Crossover.

The global campaign, named “FUTURELEGENDS” after the opening track on David Bowie‘s 1974 album Diamond Dogs, centers around a 60 second spot of the same name. Directed by Antony Crook, the spot puts viewers in Crawford’s perspective in an examination of the “insightful and reflective approach he takes to each and every game.” Other heavy hitters tapped to collaborate on the project include creative director Glenn Kitson, executive producer Arrow Kruse, and director of photography Trent Opaloch (District 9, Elysium, Captain America: Winter Soldier). The copywriting doesn’t quite live up to the production side of thing, with a somewhat predictable voiceover about being the ice “when they bring the fire” and finding order in the chaos. But it sure does look nice.

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With Mother’s Day around the corner, the folks at Cadillac have unveiled this timely effort that might just warm your cockles and put your old flowers-and-card gift for moms to shame in the process. The automaker, armed with director Spike Lee and his SpikeDDB unit, Lawson Clarke (aka @Malecopywriter) and art director Khari Streeter (from Hill Holliday and Rogue, respectively) as well as Grenadier’s Mark St. Amant, have turned the spotlight on Teddy Bridgewater, University of Louisville QB who’s now a top NFL draft prospect. You see, folks, as a wee lad–when he was nine-years-old, to be exact–Bridgewater made a promise to his mom that one day, he would buy her a pink Cadillac (and yes, the Springsteen tune is rolling along in our heads). Well, as you can see in the 7-minute Lee-directed doc above called  “A #Promise2Rose” (ideal for lunchtime viewing), consider mission accomplished.

According to ABC News, the pink Cadillac has even more significant meaning than just a promise from son to mother fulfilled, though, as  Bridgewater’s mother also raised her son while battling, and eventually beating, breast cancer. Yes, folks, it is getting hella dusty in here.

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AMV BBDO’s new campaign for Currys & PC World, entitled “Football? What Football?”  — their first work for the brand — manages to be World Cup-themed without ever mentioning the words “World Cup” (although at one point they come pretty close). The new broadcast spots for the UK’s largest specialist electrical retailing and services company each feature a hopelessly transparent man attempting to (not so) slyly suggest to his significant other that they should buy a new television, positing the purchase as selfless, and certainly having nothing to do with the impending 2014 World Cup in Brazil.

The approach is clever, examining the types of subtle and not-so-subtle manipulations partners in relationships make surrounding expensive purchases. In my favorite of the spots, “Pride and Sensibility,” a man tells his wife, over dinner, that him and his friends watched that “Pride and Sensibility” program and it really looked great on his buddy’s widescreen TV. He’s not nearly so slick as he thinks he is, and his significant other’s incredulous facial expressions really bring the spot together as he almost mentions the World Cup and claims the new TV is for “that castle program” she likes so much.

The other spots follow a similar formula, finding humor in a man suggesting to his wife that her gardening programs would look great on a new television, and a father attempting to justify the purchase as a way to better enjoy upcoming penguin documentaries to his daughter while a disbelieving mother looks on. It’s the kind of approach that works because of its relatability, with humor that is at once universal and distinctly British coming from true to life scenarios. The broadcast campaign launched on the first, along with accompanying 30 second ads appearing on sports radio. Stick around for credits and the other two spots after the jump. continued…

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Wieden + Kennedy New York’s latest World Cup spot is a welcome departure from their previous World Cup work, foregoing focusing directly on the on-field action in lieu of the conversations and connections among fans sparked by the World Cup, leading into the “Every Four Years” tagline.

The new 30-second spot, called “Global Issues,” follows a linear conversation between soccer fans from diverse backgrounds. “Global Issues” stars real soccer enthusiasts — including a German butcher, an Italian barber, and a cab driver from the Ivory Coast, who support a vast array of teams, but all reside in the U.S. It’s a clever direction, executed well thanks largely to the precision editing, from editorial company Final Cut, necessary to pull off such an approach, and illustrates the excitement leading up to the World Cup well.

Wieden + Kennedy New York also debuted eight of its 32 original World Cup posters for ESPN, designed by Brazilian artist and graphic designer Cristiano Siqueira. Each features a likeness of key players and stories from the featured country competing in the 2014 FIFA World Cup. Stick around after the jump for a look at several of these posters, as well as campaign credits. continued…

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Sony could be excused if they had decided not to bother advertising the release of MLB 14 The Show at all. The latest installation in the long-running franchise, the only baseball simulation for PS3 or PS4, has literally no competition (which is how Sony got away with releasing the PS4 version a full month into the baseball season). Instead, they tapped Portland-based boutique agency Mutt Industries, who teamed up with Eastbound and Down star Danny McBride for a integrated campaign spanning broadcast, digital and social media. At the center of the campaign is a really fun online spot starring McBride, who also stars in the broadcast version.

In the 1:45 spot, McBride tells you something you should already know: that “Baseball is Better” — better than all other sports, and better than babies. He goes on to list all the reasons baseball is the best: no crying, no flags, no clocks, etc., all while sporting a badass old school Brooklyn Dodgers uniform. McBride is inserted into the game itself (Hey Sony: You really should make Kenny Powers a playable character) allowing Mutt Industries to show MLB 14 The Show‘s shiny new graphics, which really do look great. Most fans of the franchise have been eagerly anticipating the title for months now, but “Baseball is Better” may convince a few converts that The Show is worth picking up this year.

Broadcast spots will air on on Adult Swim, ESPN, Discovery, FX, History, MLB Network, Comedy Central and other cable stations, while digital and social media content highlights top MLB players, including Miguel Cabrera, Andrew McCutchen, Brandon Phillips, and Buster Posey. Over the course of the baseball season, Mutt Industries will release over 100 unique videos for the campaign, with each player given a unique role and character. Interestingly, Mutt Industries developed, directed and  produced the entire campaign in-house with creative director Mike McCommon doubling as the commercial director. Stick around for credits after the jump. continued…

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Ace Hardware tapped FCB Chicago to help introduce The Paint Studio, which seeks to provide a “more style-inspired and personal paint shopping experience” for Ace customers with exclusive paint collections from Clark+Kensington, Valspar Optimus and Valspar Aspire. The resulting campaign, “Helpful Is Beautiful” is the largest ever for Ace Hardware, spanning television, radio, print, social and digital.

“Helpful Is Beautiful,” which was developed by FCB Chicago in association with Ace and Valspar, riffs on tropes from beauty advertising in an effort to emphasize the more design-oriented aspects of The Paint Studio. The attempts at humor fall flat (painfully so), but the spots do get across the more personalized approach Ace’s new Paint Studio takes when compared to other hardware mega-stores. Still, the three 30-second spots are pretty tough to watch.

“For years, women have expressed loyalty to their favorite cosmetics brands and the inspiring shopping experience that comes along with it,” explains John Surane, executive vice president, marketing, merchandising, and sales for Ace Hardware. “Ace and Valspar recognize the emotional response evoked by color and built the ‘Helpful is Beautiful’ campaign and The Paint Studio at Ace around this connection as a way to offer consumers a differentiating paint shopping experience featuring the brands they know and trust.”

Ace also launched a new website for The Paint Studio today, created by GSD&M, and will be featuring special offers to get customers to experience The Paint Studio throughout the month of May. Stick around for credits and a second spot after the jump. continued…

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Operating under the assumption that more people would recycle if it was fun, Coca-Cola and Grey Dhaka placed six “Happiness Arcade” machines around Dhaka, Bangladesh. The machines were operated by inserting an empty Coca-Cola bottle and played a branded version of arcade relic Pong. As some might remember (and Adweek readers noticed), DDB Stockholm made the same hypothesis regarding fun and recycling back in 2009 (dubbing it their “Fun Theory”) with their similar “Bottle Bank Arcade” campaign for Volkswagen.

“Bottle Bank Arcade” differed in that it turned recycling itself into a game: lights above bottle deposits lit up and, the faster you inserted the bottle, the more points you got. It seems like it was both more fun and a better way to promote recycling than Coca-Cola’s more branded effort, in which it appears the only type of bottle that makes the game work is a Coca-Cola bottle.

At the very least, these seem like two executions of the same idea. We’ve included DDB’s “Bottle Bank Arcade” after the jump for comparison.

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Electronics retail chain Radio Shack, online collaborative Quirky and Austin-based, Omnicom-owned GSD&M have teamed up to extend the brand’s “Do It Together” mission by launching an invention challenge for kids and budding inventors. The Shack is inviting its target audience to contribute “smart” toy ideas with the opportunity for the best one to become a sellable product on the chain’s shelves. It doesn’t look like there’s much time (well, seriously, there isn’t much time), but you can check out the site here to submit your concepts, which will be judged live on June 5 at Quirky.com. This effort marks the latest partnership between Radio Shack and GSD&M, which began working with the brand last year and created their well-received, 80′s-loving Super Bowl spot.  And if you can bear the crap weather here today in NYC, tonight, the brand and Quirky are hosting a Sketch and Design night at the Radio Shack Concept store on 150 E. 42nd St. from 4-7. Enjoy, kids.

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