Will MySpace Be Lost In Space?

robinsons-robotLike the Robinson’s robot from Lost In Space, someone has obviously been warning “The Suits” at MySpace “Danger! Danger! You are losing users!”  To MySpace’s credit, they listened, and have introduced new user features (Profile 2.0), revised their music section, and launched a “connect” feature. They also announced that they had ousted their CEO to bring in a former Facebook exec, Owen Van Natta. (No one is quite sure what happened to ever-friendly Tom…)  Additionally, MySpace is offering a beta version of MySpace Local which provides some of the functionality of Twitter, like; “Where can I get a great Tuna Sandwich in Kansas City?”

To be honest, other than the music search on MySpace, it’s been dead to me. And the music portion, until lately, wasn’t the simplest to use: if you sift through enough crap, you could find a among the shattered glass: One listen to A Fine Frenzy and you’ll know what I mean. However, the newly revamped music features on MySpace are far better than what they had, and leagues beyond anything Facebook has to offer. myspace_logo088-copy

Yet is it too little, too late? Should MySpace have made these changes mid-year 2008 when they knew Facebook was coming on hard? Facebook overtook MySpace as the largest Social Network in existence, and it’s not showing any sign of slowing down. (My mother, in her 60s, recently added a Facebook account to keep up with the “kids;” we are all over thirty.)  So, Facebook’s growth, in addition to the growth rate of Twitter (1300 percent from 2008 to 2009) leaves MySpace with difficult challenges to overcome. (See the graph, below, courtesy of Compete.)

Will MySpace Lose Their Space?

It’s doubtful in the near term, but it will depend on Van Natta’s leadership, innovation, and speed. MySpace will also need to rollout MySpace II carefully, not offending current users but also regaining previous members. The other huge benefit for MySpace: it’s owned by NewsCorp, the same company that owns Fox News, The Wall Street Journal, and The New York Post. With that kind of breaking-news potential backing the site, it’s possible that MySpace may emerge as a combination between Digg and Facebook, with an awesome music application, online dating services, and the Twitter-like MySpace Local application.

Another hurdle for MySpace is to overcome its “ghetto” feel when compared to Facebook. Facebook is branded thoroughly on every page of the site whereas MySpace has multiple skins that can tombe utilized; some from third party vendors that cause the pages not to load correctly or even hang your browser. Additionally, MySpace is not positioned like Facebook in regard to the “employment” factor. Facebook is setup to “brand” yourself to potential employers…which means that tend to keep it clean of profanity in the headings, as well as use actual names rather than online IDs. But, then again, maybe that is part of its charm. Facebook has experienced their share of problems; they’ve disenchanted some of their members with sweeping changes to their privacy policies (although later rescinded), and have changed the user interface, much to the chagrin of many. In fact, many demand that the “old” Facebook be brought back. Finally, Facebook CEO, Mark Zuckerberg, seems to be a wild card that holds the future of the site in his hands, as evidenced by the mysterious departure of Chief Financial Officer, Gideon Yu. Yu’s departure was the latest change of several in the upper ranks at Facebook, “whose employees and investors are anxious about Chief Executive Mark Zuckerberg’s plans for the social-networking site.”

MySpace’s biggest challenge is to implement their changes quickly; not only to maintain their 130 million current members, but to also reel in former users that broke rank. MySpace and Flixter were the only two Social Networking platforms to lose users from 2008 to 2009.

Jeff Louis is a Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you: linkedin.com/in/jefflouis or twitter.com/jlo0312.

Dear Ad Agency Principals:

Did you get the RFP?

Did you receive Current’s RFP? The cable network is in search of an agency to “…formulate a brand/ad strategy that communicates who Current is through compelling, inspiring, and even controversial advertising.” Sounds like a client that would be great for your roster, right? One that would challenge the creative department’s expertise, and possibly land your agency on the front page of Creativity.

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The RFP wasn’t selective…it went out to everyone. It’s understandable that you could have been missed…things have been crazy, especially with most of your effort being spent on cost reductions and reviewing financials. You’ve made difficult decisions lately; downsizing, reducing benefits, cutting pension plans, ending bonus payouts, maybe even dumping the “not-so-free” coffee service. Decisions affecting real people, a responsibility greater than many could bear. The only solace: you’re not alone.

However, it’s never good policy to miss out on new business opportunities. If you missed the RFP, read on.

History tells us…

Once upon a time, broadcast television experienced explosive growth; it began at the close of WW II and roughly ended around 1960, with eighty-five percent of U.S. households owning a television set (a 500% growth rate). Decades later, the Internet did the same thing, at a faster rate and in much higher revenues. In hindsight, we wonder, “how could anyone have missed these opportunities?” Yet, some did. The chart, below, compares the first fourteen years of ad revenue growth for TV (blue), Cable (red), and Online (green):
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It’s happening again with Social Media (SM), a tsunami that grows daily…(let us pause to let the information sink in). Every day Social Media reinvents itself, converting commonplace consumers into informed users. Exponentially. It’s mashable, interlacing various user “platforms” (Facebook, Twitter, Digg, etc.) together, allowing users to choose one platform and also access all of the others. If you’re so inclined, you can even download a new desktop that will integrate all SM for you. SM is not comprised of stand-alone applications, and if you consider SM as a media tactic, you’re on the wrong track.

What do you do?

Wake up! Your agency is out of alignment: your strategy’s obsolete if it doesn’t capitalize on Social Media opportunities. Scrap the current strategy–even if it’s working. Meet with your staff. You may not be “in the know,” but your employees use SM on a daily basis. Use these resources to determine your SM strategy. Start a Twitter profile. Add your company profile to LinkedIn and Facebook. Begin an agency blog. Ensure your website has an RSS feed. Become content-oriented. If your specialty is automobiles and healthcare, tell the world how to weather the storm. Show them how to succeed. Invite them to contact you. Become the “go-to” for information regarding your agency’s strengths. Connect with your current clients…it is your singular purpose. Once you’ve engaged them, reach out and captivate new ones. In a meeting last week concerning the fall of newspaper, Google CEO Last week, Google’s CEO told the newspaper industry: Innovate to survive.

Today, I’m telling you: Be bold. Do great things.

Jeff Louis is a Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you: linkedin.com/in/jefflouis or twitter.com/jlo0312.

Make Mine Stirred…

One of the best perks about writing for (or with) the advertising industry is that there is always enough news to regurgitate without beating a story into the pavement. Especially during these economic times when many companies find themselves struggling to stay in the black. There are new campaigns launched every week, agency shake-ups, ethical questions to answer-it’s like having a gold mine of RSS data-feeds loaded in the Google Reader. This morning, over 2000 stories had come in over RSS since yesterday.

The other fantastic reason to work in this business is the community that surrounds: creative, strategic, deep-thinking people that fuel the business with inane, often stupidly funny ideas. Immersed in client strategy and brand building, these ideas that seemed so idiotic during the creative kick-off meeting actually transform in to fantastic campaigns. The latest campaign that comes to mind is the Kentucky Fried Chicken  grilled chicken spots, replete with a new website, a social media following on Facebook (and the obligatory anti-group “Keep KFC Fried”), integrated games, and three new TV spots that engage consumers rather than talking at them.

But, there are also “best and brightest” ideas that start poorly and end with company damage and public relations stepping in to help stop the blood flow. The ideas were innovative and innocuous when they started, but resulted in offending consumers so quickly that public outcry was  immediately heard. This week the award goes to Apple’s iPhone App, Baby Shakerbabyshaker042309. The premise of this “game” was that the iPhone ”baby” cried and fussed loudly, not stopping until the iPhone user shook the phone vigorously.

Although not created by Apple, (the application was the brain-child of Sikalosoft) they are taking the heat for it due to the rigorous vetting process applications receive before approval. Parents aren’t the only offended parties; reviewers, other developers, and many consumers expressed their disgust on the web. The public has suggested that the employees who approved the application lose their jobs.

Application-review site Krapps wrote in a review before the app was pulled: “Maybe it’s just us, but we would never even joke about child abuse and use it as a form of entertainment. Maybe we’re just square pegs and out of the norm because apparently Apple and the folks at Sikalosoft think shaking a baby is funny.”

Neither Sikalosoft nor Apple responded to requests for comment.

 
Jeff Louis is a Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you: www.linkedin.com/in/jefflouis or on twitter.com/jlo0312

Sanyo : Under the Sea

Une superbe campagne avec un jeu de typographie ainsi qu’un double sens, afin de vanter les mérites d’un caméscope numérique de la marque Sanyo permettant de filmer sous l’eau. Une idée de l’agence Saatchi & Saatchi New Zealand. D’autres visuels dans la suite.



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HP Print

Toujours sur des photographies du célèbre Jean-Yves Lemoigne, voici cette campagne originale à propos du rendu des imprimantes haute définition de la marque HP. Une idée de l’agence CLM BBDO, Paris. Les visuels sont disponible en grande taille dans la suite.



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Lacoste Red

Après Lacoste Future, nouvelle campagne pour Lacoste Red : des effets visuels en slow motion / bullet time, et une chorégraphie imaginée par Kris Moyes où mouvements ralentis, travellings 3D et morphing sur les vêtements donnent une vision surprenante de la collection.



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Site officiel Lacoste Red.

Un dispositif imaginé par l’agence Megalo(s) sur une bande son de Yuksek

National Railway : Giants

Un court spot dédié à la compagnie de chemins de fer en Belgique : “National Railway Company”. Belle manière de mettre en image le soutien des hommes au quotidien. Une post-production du studio Caviar avec l’agence de communication VVL / BBDO.



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Leo Lisbon removes the word crisis

leoburnett Leo Burnett Lisbon created a plug-in (a device for the internet) that removes the word “crisis” from every webpage and replaces it by the word “opportunity”. This revolutionary digital tool is extremely easy to install, and allows people to replace the most repeated word of the year for the word “opportunity”.
“We want to stop seeing the problem and start seeing the solution.” These words were the foundation of this original idea, available at www.see-the-opportunity.com. Here you can download the free plug-in, available in three languages: Portuguese, English and Spanish.

Things We Lost in the Downturn

unemployedNo more free coffee, cut-backs on car service, showing up on time, working eight hour days. Instituting a client-centric focus. The economy has been especially tough on agencies and media companies–industries known for creative problem-solving and critical foresight–causing them to remove perks associated with working in the industry.

Condé Nast has stopped tuition reimbursement. MPG asked their employees to work the same amount of hours as their clients. Summer hours are a thing of the past at Arnold. The emphasis on work-life benefits has ended in the face of dismal economic forecasts, according to AdAge.

“Employers are asking employees to step up and be flexible in order to preserve their jobs and maintain the company’s ability to continue,” said Fred Crandall, senior consultant at Watson Wyatt in Chicago. “This type of belt-tightening is taking place across corporate America.”

MPG even believes that showing up to work earlier, “…could give MPG an edge over media-agency peers.” Hmm.

This undoubtedly leaves many to wonder: “Was I laid off so that (insert company name here) could maintain free coffee and half-day Fridays?”

Jeff Louis is a Strategic Media Planner, Project Manager, and New Business Coordinator. His passion is writing, contributing to BMA as well as freelancing. He’d love to hear from you: www.linkedin.com/in/jefflouis or on twitter @jlo0312.

Mio GPS Campaign

Un impressionnant montage par l’artiste Hockstuff en provenance de Singapore, à propos de la nouvelle campagne pour l’outil GPS de la marque Mio. Plus d’images dans la suite.



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YouTube HD Camera Trick Challenge

Monopoly : Own it all

Une très belle campagne pour le célèbre jeu de société Monopoly. L’idée est construite autour de la couleur des hôtels : les 2 rues les plus chères sont en rouge et les 2 les moins chères en vert. Des photographies par Ralph Baiker et une réalisation de l’agence JWT Frankfurt, Germany.



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Want to Help Your Clients? Be Unmerciful.

Have you seen that AdAge Series, PLAN B? It is an ongoing dialog about the state of our industry, and it’s as enlightening as it is scary. If you have not read it, do so when you have a chance. After I did, I started looking for someone, anyone to blame. All those bad decisions…who could I blame? Then, for some odd reason, I decided to look inside for a culprit. Where did I go wrong in this mess? It is something I suggest we all do. We can blame our industry’s situation on the economy, big business, or the government, but the truth is that it’s our fault. We are the innovators and the creators. We build brands and lead the way. We determine the direction. We uchoosewefireconstruct the future. 

At some point, we became followers. We became corporations. We accepted status quo. We bought our competitors and became complacent. 

We became Remoras…content suckerfish attached to Big Fish for protection, transportation, and food. Although supposedly a symbiotic relationship, the truth of the matter is that we need them to survive, and they don’t need us at all. So, as we free wheeled through the ocean, traveling vast distances but never really getting anywhere, we were scraped off and left behind. With no transportation, protection, or food, what are we supposed to do now? “Hey, let’s look for another Big Fish to provide for us.” Well, guess what? The big fish had their own problems and moved to the other side of the ocean, leaving us no way to get there. 

Am I wrong? Perhaps a bit foolish? Probably. On the other hand, maybe I just see it differently. As the innovators, creators, builders, and leaders, it falls on us to do the right thing for our clients’ best interest, all the time. Even if it means openly disagreeing. I’ve sat through meetings, sans client, with their marketing plans spread out in front of us, knowing straight out that they would not work, or that were riddled with holes. Did we call our clients and say; “You know, this plan looks great, but, our research tells us that it probably won’t work. And here is why…” Nope. We presented them with options to choose from, but  never told them what we actually recommended. We were never bluntly honest. 

Clients pay us for service, expertise, and insight. As an agency, it is our job to be the watchdogs, the experts, and protectors. We know our brands intimately; we helped build them. Therefore, we should have the foresight to know what’s coming. Which of us looked at the state of the auto industry and told our clients the truth? How many of us reminded our banking clients that offering high-risk loans was a long-term mistake? Which of us stood up for what we KNEW was right, even if it meant risking the relationship? 

We let them down, and now we are paying for our sins. Unlike the other industries, don’t expect a bail out…we don’t produce anything tangible. 

Do you want to be of value to your clients? Be Honest. Be Unmerciful. Otherwise, we will continue to strangle this business that we love.

Jeff Louis: Strategic Media Planner & Buyer with over seven years of experience. Interests include emerging media, radical ideas, & redefining the status quo. He’s passionate about writing and digs great creative.
Reach him on twitter @jlo0312 or www.LinkedIn.com/in/jefflouis.

Icehotel

A zero budget project, an old videocamera, a couple of crazy creators from Icehotel and an awesome drummer.

Credits:
Client: Icehotel
Agency: Jung von Matt Stockholm
Art Director/Copywriter: Jacob von Corswant
Account Director: Jan Tallroth
Director: Jacob von Corswant

Women’s Aid

Raw.

Via: IBelieveInAdv.

Sprint – What’s Happening

Excellente publicité vidéo pour l’opérateur américain Sprint, résumant les principaux chiffres des consommations téléphoniques sous forme d’animation / infographies 3D : appels reçus, SMS envoyés, spam, consommation twitter… A noter la présence du prochain Palm Pré en fin de spot.



Une réalisation du studio Superfad. Par l’agence : Goodby, Silverstein & Partners.

Windy City Woes: JWT Chicago to Close

jwt_logoLate today, JWT announced that it’s Chicago office was ceasing operation and would be soon closing their doors. The shocking news, published in AdAge and The Chicago Tribune, notes that JWT had been a landmark Chicago agency since 1891 (prior to the World’s Fair), and was once heralded as the world’s largest agency network. Breaking the news to the remaining Chicago employees during a meeting, JWT’s North America President, Rosemarie Ryan, stated that keeping the office open was “Not an affordable proposition.” 
JWT’s Chicago office was the creative juice behind innovative campaigns that transcended advertising to play a part in American culture. Most of us have had the Oscar Mayer tune, “My bologna has a first name,” stuck in our heads. JWT also masterminded “Snap, Crackle, and Pop” for Rice Krispies, as well as branding 7UP as the “Uncola.”
During their 118 years of operation, many famous names walked the halls of JWT Chicago and have moved on to start new agencies, or are in key roles at competing shops. The demise of the Chicago office was as sudden as it was surpising, not only shocking the Windy City, but the industry as well. Former employees, adversaries, and well-wishers have left messages of sadness, anger, and condolence on both the AdAge and Tribune websites since the story broke. There is a small possibility that JWT will leave a satellite office in Chicago if the Illinois Tourism account, currently up for review, is retained. Today’s bleak news, however, will surely have a negative impact on this effort.

Persil Protect

Belle campagne d’affichage pour la gamme de lessive Persil de la marque Henkel. Une déclinaison autour de la protection des couleurs du textile sur une idée de l’agence DDB Varsovie et des photographies de Peter Lippmann.



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AdMarvel Unveils Mobile Advertising Toolkit

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This piece of news is aimed more for mobile application developers than consumers. With the growing number of developers today looking for ways to integrate mobile advertising with their apps, AdMarvel has made life easier for them with the release of the iPhone Advertising Toolkit. Advertising metrics and analytics are provided via a web console giving a near real-time view of the application’s advertising performance.

To answer the diverse needs of iPhone developers with an expanding international user base; AdMarvel can also act as a fully functional ad-server, supporting the provisioning and management of direct-sourced or in-house advertising.

AdMarvel works on behalf of mobile publishers to source and manage advertising from a variety of global and regional ad Networks including AdMob, Admoda, BuzzCity, Google, JumpTap, Millennial Media, mKhoj, Mojiva, Movoxx, Nokia, Quattro Wireless, Ringleader Digital, RingRing Media, Smaato, Third Screen Media, and Zestadz.

Brian Yalung is the editor for Beneath the Brand and Beyond Madison Avenue. He is also the owner of several other premium blog sites like Star Life Talk and Gossip. Stick around for unique and sensible posts coming your way.

(Source) Press