Mohan Music Palace: Harmonium Love Banner

Advertising Agency: Webchutney, New Delhi, India
Creative Director: Gurbaksh Singh
Associate Creative Director / Copywriter: Sattvik Mishra
Art Director: Abhishek Saxena
Developers: Mandeep Singh, Hemant Kumar
Production: Akshay Raheja
Published: July 2012

M&S: Blooming QR Code

Make your Mother’s Day with M&S.

A special way to order flowers for Mother’s Day. The first scannable QR code made entirely from fresh flowers.

Advertising Agency: Profero, London, UK
Executive Creative Director: Ben Clapp
Art Directors: David Lawrie, Luke Till
Copywriters: Matt Roach, Jenny Unna
Production Company: CURB Media
Published: March 2013

iPhone 5: Brilliant

Advertising Agency: TBWA\Media Arts Lab?
Chief Creative Officer: Duncan Milner?
Executive Creative Director: Eric Grunbaum?
Creative Directors: Yo Umeda, Chien Hwang, JD Jurentkuff, David Zorn
Art Directors: Joe Fotheringham, Yao Yu
Copywriters: Anna Kate Roche, Caroline Lee, Elizabeth Marks
Executive Producer: Eric Voegele?
Agency Producers: R.J. Pomeroy, Chelsea Larner, Katie McCain
Production Company: Green Dot Films
?Directors: Mark Coppos, Rebecca Baehler
DP: Mike Farrell
Editorial Company: Nomad Editing Company, Inc.
Editor: Jared Coller
Post Co: The Mill?
Lead Flame Artist: Gareth Parr
Color Artist: Adam Scott

iPhone 5: Discover

Advertising Agency: TBWA\Media Arts Lab, Los Angeles, USA?
Chief Creative Officer: Duncan Milner?
Executive Creative Director: Eric Grunbaum?
Creative Directors: Yo Umeda, Chien Hwang, JD Jurentkuff, David Zorn
Art Directors: Joe Fotheringham, Yao Yu
Copywriters: Anna Kate Roche, Caroline Lee, Elizabeth Marks
Executive Producer: Eric Voegele?
Agency Producers: R.J. Pomeroy, Chelsea Larner, Katie McCain
Production Company: Green Dot Films
?Directors: Mark Coppos, Rebecca Baehler, Alain Briere
DP: Mike Farrell, Wyatt Troll
Editorial Company: Nomad Editing Company, Inc.
Editor: Jared Coller
Post Co: The Mill?
Lead Flame Artist: Gareth Parr
Color Artist: Adam Scott

Media Decoder Blog: Geithner to Write Book on Financial Crisis

Timothy F. Geithner, the former Treasury secretary, will write the book for Crown Books, a Random House imprint.

Topolino: 80

Now that’s a story!
Topolino magazine celebrates 80 years of comic stories with a special issue.

Advertising Agency: Now Available, Milan, Italy
Creative Director: Marco Peyrano
Art Director: Matteo Ruisi
Copywriter: Paolo Platania
Illustrator: Livio Ansaldi
Published: December 2012

As Chevy Heads to McCann, 200 Staffers Must Decide if They Want To Go, Too


The nearly 200 employees who’d been hired by Goodby Silverstein & Partners to work on the General Motors business have a big decision to make: should they go to work for McCann, to which the Chevy account will be transitioning over the next few weeks, or take their talents to a new shop?

GM today made official the news Ad Age broke on March 8 of talks between the carmaker and Commonwealth execs to remove Omnicom Group’s GSP from the equation and put Interpublic Group of Cos.’ McCann in the driver’s seat at the agency.

The move gives McCann global ad responsibilities for Chevy. When Ad Age originally reported the news, GSP Founder Jeff Goodby told Ad Age he hadn’t been made aware by GM Interim CMO Alan Batey that any of those discussions were taking place. That changed rapidly as the news began spreading like wildfire in Detroit. The agencies have since been in a holding pattern waiting for the automaker to publicly address the changes.

Continue reading at AdAge.com

LG Punks Samsung With Taunting Billboard Above Its Rival’s in Times Square

It's a big day for Samsung, which is unveiling the Galaxy S4 in New York City later today. But leave it to LG to preemptively let a little air out of that balloon—with this gloating billboard in Times Square, designed just like the Samsung one below it. "Be ready 4 the next Galaxy"? Well, the "LG Optimus G is here 4 you now." Bickering billboards, of course, are a time-honored tradition, from Newcastle's takedown of Stella Artois to the famous BMW/Audi spat out west. Via CNet.

Media Decoder Blog: Boston Phoenix to Cease Publication

The weekly newspaper failed to attract sufficient advertising to continue publishing.

Media Decoder Blog: Movie Aggregation Site to Close

The Web site moviereviewintelligence.com, which compiles reviews from newspapers, magazines and Web publications, will stop operations at the end of April, its founder said.

Comercial da Nike na China diz que para fazer sucesso basta uma bola e um bom par de tênis

Em uma campanha para a China, a Nike mostra os sonhos de um jovem jogador de basquete serem realizados. Segundo a mensagem da marca, ele pode conseguir tudo apenas com uma bola e um par de tênis. Da Nike, claro.

Apesar de não original, o roteiro é empolgante, com uma ponta do astro Kobe Bryant. Porém, o destaque mesmo fica pra produção da Imperial Woodpecker, com pós da Carbon VFX e The Mill.

A criação é Wieden + Kennedy de Xangai.

Nike

Brainstorm9Post originalmente publicado no Brainstorm #9
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20 Fierce Nasty Gal Features – From Hipster Blogger Muses to Vibrant Punk Fashion (TOPLIST)

(TrendHunter.com) There is no question that hipster culture has invaded street style, and the these Nasty Gal features showcase the online retailer’s ability to capitalize on this fashionable look.

Nasty Gal&#…

Old Spice’s Mr. Wolfdog Is as Skilled as Any Living Creature at Making Banner Ads

It says something about banner ads that the best ones—with a few exceptions, like this and this—are the ones that are laughably, shareably bad. You've seen them. And now Old Spice is parodying them. Or rather, its new marketing chief, Mr. Wolfdog, is parodying them. He posted the five banners below to his Tumblr today, with the same note on each: "I have achieved another mountain of a business achievement. I have made effective banner ads." Wolfdog may be a shameless, talentless moron, but he's not wrong—and in that sense, he may be the most hilariously prototypical CMO ever. Since introducing himself to the world on Monday, Wolfdog—the marketing brains behind the Old Spice Wild Collection "smell products" (influenced maybe a little by Wieden + Kennedy)—has been busy all over the Internet. He's posted more YouTube videos; made a Pinterest page, Vine videos and an album of inspirational business music; hosted Google+ Hangouts with his Twitter followers; posted a toll-free number (866-695-2407) to help those who need to look busy at work; played Call of Duty: Black Ops II on Xbox Live; made animated GIFs; and whipped up websites like worldsbiggestchart.com. In short, he's done everything (and much more) that a marketing director should do in social media—while inherently poking fun at how hollow and rote and mindless it all is. Which of course is what makes it actually amusing and worthwhile. Such self-referential anti-advertising could feel overly cynical, but here it rises above—as usual for this agency and client—by the quality of the writing.


The Next Day: a volta de David Bowie

Longe dos holofotes e da mídia por 10 anos – mas sempre no coração e nas playlists dos fãs – David Bowie retornou ao mercado com seu novo (e guardado a sete chaves) The Next Day.

Lançado após dois anos de reclusa gravação com praticamente o mesmo time de Reality – e com a assinatura tradicional do produtor Tony ViscontiThe Next Day parece um tributo de David Bowie para ele mesmo. Obvia e felizmente, o disco não tem essa pretensão, e o que se ouve 10 anos depois do hiato de Bowie poderia muito bem ter sido ouvido em 2005. Ou seja, The Next Day parece uma continuação mais do que natural para o que ele já fazia uma década atrás.

Todas as suas marcas registradas estão lá: o alto nível das melodias, o flerte com o drama, a experimentação instrumental requintada que esbanja bom-gosto e os arranjos de arrepiar a espinha e de causar inveja, como no caso das incríveis e espetaculares How Does The Grass Grow?, Boss Of Me e da maravilhosa You Feel So Lonely You Could Die.

The Next Day traz todas as personas de Bowie de volta, em plena forma. E vai satisfazer todo mundo que estava carente por um material novo do mestre. Se você gosta de David Bowie, prepare-se para adorar o disco novo. Pode não ser revolucionário como alguns esperam, mas é glorioso. É Bowie de volta com fôlego total, conscientemente revisitando o melhor de seu passado com o cuidado de não cair na nostalgia rasa, incorporando seu toque inovador de sempre. E isso já é o bastante para fazer de The Next Day uma experiência emocionante.

Ziggy Stardust está de volta, Aladdin Sane está de volta. The Thin White Duck está de volta.

Bem-vindos.

Confira os videos de The Stars (Are Out Tonight)  e de Where Are We Now?

Brainstorm9Post originalmente publicado no Brainstorm #9
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Converse: Sapatos são tediosos, use tênis

Quem usa sapato é chato, quem usa tênis é legal. Essa é simples mensagem do novo comercial da Converse.

Tênis faz você pegar alguém no supermercado, quebras coisas (ossos, por exemplo), e viver a vida se jogando de precipícios sem motivo aparente. Quem usa sapato sai pra correr de manhã, quem usa tênis chega em casa de manhã.

É todo aquele papo descolado de marcas do gênero, mas que fala bem ao público-alvo. Como trilha sonora, “Modern Art” do Black Lips.

A criação da Anomaly.

Converse

Brainstorm9Post originalmente publicado no Brainstorm #9
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Coke Seeks World Peace Via Vending Machines


Coke quietly posted this teaser video back in late December, but sources suggest a bigger announcement is coming soon and that it will be a major project for the brand. It shows vending machines capable of connecting users, bound for not-so-friendly neighbors India and Pakistan. Video technology means the users in the two countries will actually be able to see each other and touch hands virtually; the idea is that it could roll out to various countries in conflict.

It’s all part of Coke’s “happiness project” which has already seen other innovations with vending machines, including a machine that you can hug in Singapore, and a machine that gives you a Coke if you can prove you are a couple, in Turkey. Check it out on Creativity-Online.com, and follow @creativitymag on Twitter for more great work.

Continue reading at AdAge.com

If CMOs Can Rate Agencies, Then Marketing Directors Should Be Rated Too

I always take company reviews I read on Glassdoor or services like TripAdvisor with a grain of salt. Because you never really know who’s behind the review and if they have an ax to grind. Yes, if you take these reviews in the aggregate you can get a good picture of a restaurant or service business, but in the end, I trust my judgment most of all.

Which is why I’m a little wary of this Ad Age story which suggests CMOs are launching a private rating service for agencies.

The CMO Club, a group of 700 heads of marketing, has launched what it dubs a private “vendor rating program” for the purpose of allowing marketers to share recommendations on vendors across 18 product and service categories, which includes everything from creative and media agencies to mobile and analytics firms.

According to CMO Club founder and president Peter Krainik, he often witnessed chief marketers swapping recommendations informally at the club’s dinners and events. “This is us helping people behind closed doors,” Mr. Krainik said of the new program. “We’re connecting people, that’s what the club is all about.”

I’m not privy to the clubby network of CMOs, but what we do know about CMOs is that they tend to play favorites with agencies and personal contacts they have, like to come in and shake things up then quickly leave, and either micromanage agencies or let them bring unique thinking without requesting it. That this rating idea is being proposed in private makes it sound all the more arbitrary.

And when you rate an agency, you’re rating its people. All the people, because the management of an agency doesn’t do the day-to-day work on an account. The work of a junior copywriter could affect a rating. So perhaps someone in the agency world should turn this idea around and rate marketers:

  • What CMOs like to come in, fire an agency, change its marketing, then leave in 18 months to go and do the same thing somewhere else?
  • Which CMOs are primarily looking to enhance their personal brand, not the one that employs them?
  • Which ones empower their lower-level marketing managers and directors to make decisions?
  • Which ones demand great work and then never approve it?
  • What’s their method for evaluating marketing strategy, creative work, or agency costs?

Advertising agency people would love the chance to rate their clients — but just like the CMO Club idea, it could get really petty and ugly very fast. But turnabout is fair play, I suppose.

The post If CMOs Can Rate Agencies, Then Marketing Directors Should Be Rated Too appeared first on AdPulp.

Media Decoder Blog: Disney Announces Overhaul to Its Retail Complex in Orlando … Again.

Disney quiety scrapped plans it announced in 2010 to redo a retail shopping area on Disney property. Now it has announced new plans, for a themed mall called Disney Springs.

The Leisure Society – Fight for Everyone

Le studio anglais Persistent Peril a réalisé ce petit bijou d’animation pour illustrer le morceau « Flight For Everyone » du groupe The Leisure Society. Colorée et très drôle, ce clip propose de découvrir la création d’une planète par une main géante, son évolution et ses effets indésirables de la vie sur celle-ci.

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Nick Denton Doesn’t Want to Talk About Monetizing Gawker’s New ‘Kinja’ Blog Network


“Gawker admits defeat, tries to replicate Bleacher Report and Huffington Post.”

That’s the headline of a PandoDaily article (column? rant?) from earlier this week by Bleacher Report co-founder Bryan Goldberg. In it, Mr. Goldberg talks about changes this week at some Gawker Media sites that saw Gawker expand its Kinja commenting system to let commenters create their own Kinja pages. Those Kinja pages aggregate a person’s comments in one spot and let them create their own blog posts .

Editors and outsiders alike can choose to “follow” each other’s pages. And the editors of Gawker Media sites are now expected to pay attention to this reader ecosystem as it grows, linking out to Kinja posts from Deadspin.com or Jalopnik.com’s home page as they see fit.

Continue reading at AdAge.com