Sony’s PlayStation@Store Movie

PlayStation® Store made a series of movie related videos using ‘Immersive Imaging’ which takes 3D projection mapping as its starting point, but gives the viewer a supercharged experience with the help of the PlayStation Move controller.

Credits:

Client: Video Store of PlayStation Store
Product: 3 x virals
Title: Great films fill rooms
Media: 3 x HD videos 1920×1080,25fps
Agency: Studio Output – http://www.studio-output.com

Creative: Studio Output / Marshmallow Laser Feast – http://marshmallowlaserfeast.com/

Production Company: Marshmallow Laser Feast (MLF)
Director: Memo Akten, Barney Steel, Robin McNicholas
Producer: Ian Hambleton

Offline Editor: MLF
Post Production House: MLF
Post Production Producer: Ian Walker
Audio Post Production: MLF
Sound Design & Final Finn McNicholas
Music:
Finn McNicholas, Si Begg


Long distance calling from Etisalat

Click images to enlarge   Advertising Agency: Lowe MENA, Dubai Creative Director: Marwan Saab Art Directors: Prashant Yeware, Pramod Surwase Photographer: Mansoor Bhatti Makeup: Ieva Nemciauskaite Account Handler: Maram Salah Senior Account Manager: Farhan Farooq Via[AdsOfTheWorld]

No boundaries

Click images to enlarge Agency: Adrenalin Communications, Riyadh Associate Creative Director: Paul Labban Art Director: Nasser Hulleza, Jimmy Bejjany Copy Writer: Georges Maalouf Account Director: Jean Pierre Badr

Dog tails behind cars / Pas la queue d’une idée neuve?

dogtail2007 dogtail2011
THE ORIGINAL?
Iams dog food 2007
Headline : “Good for life”
Source : Cannes Archive Online
Agency : Saatchi & Saatchi (France)
LESS ORIGINAL
Mobility Dogs – 2011
Headline : “Honk if you like Mobility Dogs”
Source : Adsoftheworld
Agency : Whybin TBWA Tequila, Auckland (New Zealand)

Chaiti Mehta Designs

Chaiti Mehta, founder of Chaiti Mehta Design (CMD) in 2009, discovered herself in the world of design when she began communicating a message both visually and conceptually. Calling herself as purely a designer, she creates forms and patterns out of brands, our of love, out of passion.
Her work spans brand identity and development, art direction, packaging, printed matter, interactive, art-projects and exhibitions. With her clientele in India, New York, London, and Dubai, she works closely and collaboratively with them who want their brands to speak. She allows a direct thought-process, approaching design holistically.

Her work has been awarded and published by curated design publication; Book of the Year, Volume Four (Praquin, France), Asia Pacific Design No. 7 (Sandu Cultural Media Co.,Ltd. Hongkong/Guangzhou/Beijing and Design 360°- Concept and Design Magazine). Featured on the front cover of India’s noted design magazine, The Kyoorius Design Magazine 7 and The Kyoorius Design Showcase 2011-12.

Why are you a Graphic Designer?
I usually stumble at being called a Graphic Designer and come up with all sorts of complicated explanations and words. I’m purely a designer. One who can define a color, a type and a form. The kind of graphic design majority of people relate to is not only about brochures, catalogs, logos and all of that. It’s about a Process. It’s how it works. Knowing the real power of holistic design and experiencing its maximum. In short every piece needs to have an Understanding of Design, a perception and experimentation. Hence I chose this path.

Did you attend school for fine art or design?
Attended a four year intensive training in a design school at Rachana Sansad College of Applied Art & Crafts, Mumbai brought in basic fundamentals of Design and prepares one to pursue that path. What I gathered learning in design school are the basic concepts like rhythm and balance. The education gave me a direction and opened several avenues. Education is useful. Training and practice is more important.

You have a distinct style of Design. How long did it take you to develop your style?
I don’t think I try coming up with a style but come up with something that has a logic underneath it. I take myself into a whole new experience everytime I think of something. If you see my work, it’s always emerging into different interests. I don’t draw from any inspiration, influence or reference material. It’s the thought of creating something unique and identifiable. I have a very strong kind of look, and what people see is a reflection of myself, my own personality and I simply love what I do.

Were there any particular role models for you when you grew up?
I’m still young, still evolving in my career. There are yet lot of people I would like to work with or rather say collaborate with. But there’s one person who has opened my eye and showed me the true world of design is Salil Awchat, art director of Awchat & Olsen Design. A hard-core design experience and freedom to work on projects giving it everything that I could create, it’s rare to find a mentor like him. I hope he agrees.

Who was the most influential personality on your career in graphic design?
Where I stand today, I owe it to Salil Awchat, art-director of Awchat & Olsen Design, an award winning design studio based in Mumbai and Oslo. I have worked under him for two and a half years when I just graduated and was difficult for a fresher to jump into a graphic design studio with zero experience. A few were confused, some got married, majority entered the big world of Advertising. I was sure that it’s got to be design and I was stubborn at it. A&O opened many avenues. As a designer, I was exposed to all stages of the design process from pitching to finished artwork and print production. Their belief in me started growing, solidifying and together I delved into my work as if nothing ever mattered more than this.

When did you start freelancing?
June 2009, I took the plunge to create my own individuality. Life has meaning only in the struggle. It’s been over two years and still evolving.

Was there any time when you wanted to quit graphic design?
Design is what I love to do. To keep practicing and do good work in a meaningful way. I am constantly trying to open myself to explore design in different perspectives. There’s always a desire to keep getting better but it only comes through practice, practice and practice!

Are many advertising agencies hiring graphic designers? Do you work more with agencies or clients/publishers?
A lot of agencies need graphic designers. But I work wholly with individual clients who want their brands to speak.

Do you have clients who give you steady work or do you advertise for new clients often?
My clients come to me. My relationship with my clients has been so far long-term. There is a commitment that I add to their work that makes them come back with larger and more creative opportunities. It’s all a process.

Any other Indian graphic designers who you admire?
Miti Desai, Ishan Khosla, Alok Nanda, Tania Singh Khosla, Sameer Kulavoor, Lokesh Kareker are the very few whose work I admire. They are exceptional and hence do very different and unique work. It’s logical and level-headed.
Recently met Manjiri Rajopadhye over a chat. There is so much to learn from her. A true designer, she has mastered her skill and is so true to herself which reflects in her work. I had taken a class with Miti Desai, a very remarkable course on design. It was an experience of a lifetime. She’s an incredible lady, so Indian, so real. A designer & dancer, her aim is at encouraging the students to feel and experience design, to achieve both professional and personal goals. Every second was worth it.

Some other design contemporaries whose work you admire?
Shigeru Ban – his approach is methodical, unorthodox and ingeniously pragmatic.
Subhash Awchat – he builds a beautiful relationship with himself and the canvas. Sabir Khan – acclaimed sarangi maestro. Heard him at The Dewarists show and his music just flows around the groove so meticulously.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Practice, practice and practice! If you don’t go all out, how would you succeed?
There are tons of talented artists and these are the ones who apply real talent, dedication and put their soul into their work. Be passionate. Love what you do. Create something crazy. There are no boundaries in design! Be approachable, stand out from the crowd and don’t be complacent. The passionate innovating ones, yes this would a great career. You need to be a skilled ‘looker’. Struggle is the core part here, and laziness definitely doesn’t take you anywhere. Having an early design exposure makes one aware of the design profession to transform analytical materials to visual ideas. A graduation design program shows depth in the process of design. Design can be a long term career choice since it completes
personal interest as well as earning a living and exploring yourself.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work?
Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
Most of my clients, yes. Awareness and realisation has made a lot of my clients set up a budget for design work and hence it opens our creative minds to think differently.

Whats your dream project?
Brand a luxury hotel.

Who would you like to take out for dinner?
Let’s keep this personal!

What’s on your iPod?
Lounge, Spiritual

Mac or PC?
Mac

 


 

 

 

 

 

 

To view more of her works:
Visit FB Page  |  Visit Behance Page  |  Chaiti Mehta Home Page

Logo for Nagarjuna Construction by Ray + Keshavan

NAGARJUNA CONSTRUCTION COMPANY

Nagarjuna Construction Company (NCC) is one of India’s leading infrastructure construction companies.
Established in 1978 as a partnership by founder and chairman AVS Raju, NCC is India’s fastest growing construction
company and fifth largest E&C Company providing EPC services for infrastructure sectors.
In the infrastructure sector, NCC builds building, housing and industrial structures,
water treatment plants / pipelines, transport infrastructure, i.e., highways, flyovers, bridges,
elevated railroads, electrification projects and irrigation projects. It also has a real estate division.
Nagarjuna became a public limited company in 1990.

NCC NEW LOGO

NCC logo, inspired by the idea of progress and positive impact is a vivid, energetic
and memorable mark. It is a confident symbol of progress and that of stakeholders’.
The logo with it’s rich colours cue corporate scale and vibrancy. It has been handcrafted for
reflect the unique way in which we collaborate with stakeholders to shape progress and outcomes,
by bringing together many elements – teams, resources, businesses, services,
skills and stakeholder interest –in a perfectly united and unified way.

Designer: Anoop V Chalil
Ray+Keshavan | The Brand Union

 


Athena: Sprint, Pole Vaulting


sprint

pole_vaulting

Advertising Agency: Euro RSCG 360, France
Advertiser’s supervisors: Dominique Seau, Anouk Ribard, Françoise Chauvin
Agency’s CEO: Pascal Allard
Agency’s Managing Director: Vincent Mayet
Executive Creative Director: Hugues Pinguet
Account supervisors: Vanessa Bernard-Granger, Anne-Flore Seringe
Art Director: Thomas Derouault
Copywriter: Dimitri Hekimian
Art Buyer: Isabelle Baud
Agency Producer: Christophe Demeure
Photographer: Jean-Yves Lemoigne
Retoucher: Asile
Director: Agathe Riedinger
Production Company: Marcassin
Athletes: Renaud Lavillenie, Kevin Mayer, Martial Mbandjock, Romain Barras

Corinthians: Nike homenageia o Campeão Brasileiro 2011

A data no YouTube entrega que o vídeo estava pronto e online desde o dia 1 de dezembro. Porém, apenas após a confirmação do penta campeonato corintiano, a Nike liberou a homenagem – que valeria também se o time tivesse perdido.

Com locução do próprio Andres Sanchez, o vídeo faz referência a um chavão criado pela torcida, de que o Corinthians não vive de títulos. Corinthians vive de Corinthians. Justificando ainda o recente anúncio da retirada das estrelas do uniforme do time.

E pra finalizar, só digo uma coisa: Acabou! É penta!!! Agora vou comemorar até perder a voz. Bjo não me liga.

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie


Advertisement


Delusions of Self-Immolation

118k

Delusions of Self-Immolation, aka ‘the suicide machine’, was a built by Erik Hobijn in the 1990s to set members of the public on fire. Literally continue

Adbusters ??u v?i Th?i báo New York

Chuy?n gì ?ã x?y ra v?i quy?n ???c h?i ?áp c?a chúng ta?

From Adbusters Blog

This article is available in:

H?i các b?n nh?ng k? gây r?i, ng??i m? ng? và nh?ng ng??i nói ra s? th?t ngoài kia,

Tr??c s? ?ánh th?c c?a #Cu?c chi?m ph? Wall, các công ty truy?n thông ?ã nhi?u l?n c? g?ng ?? làm gi?m uy tín c?a cu?c bi?u tình. Chúng ta b? lên án d??i nhi?u cái tên và không ng?n ng?i nh?t chính là New York Times, ?ã hai l?n giáng ?òn m?nh vào Adbusters. Và bây gi? thì h? t? ch?i cho in s? th?t.

Hãy vào Mondoweiss và ki?m tra s? h?i ?áp cho cu?c ??u tranh ti?n hành vì quy?n l?i c?a chúng ta.

Và n?u b?n c?m th?y b? vi ph?m m?t cách tr?ng tr?n tr??c s? t? ch?i in ??y ?? b?c th? c?a chúng ta thì hãy lên ti?ng, tweet ý ki?n c?a b?n và nêu lên rõ v?n ??. Có l? ch? biên t?p Jill Abramson s? b? thuy?t ph?c b?i nh?ng email cho bà th?y r?ng ?ó hoàn toàn là b?t công và ch?ng l?i nguyên t?c nhà báo c? b?n c?a New York Times khi t? ch?i quy?n ???c h?i ?áp chính ?áng c?a Adbusters. Hãy sáng t?o… làm b?t c? ?i?u gì b?n có th? ?? gây áp l?c cho h?, ?? khi?n h? làm nh?ng ?i?u là ?úng.

Có th? ?ó là chuy?n th?t khi nói r?ng Adbusters ?ã làm Pro-Israel t?c gi?n và vi?c ch?ng l?i – ??nh ki?n v? Palestine ?ã gây ?nh h??ng không t?t cho New York Times suôt nhi?u n?m trong nh?ng bài xã lu?n c?a nó, và ??c bi?t là v?i b?n tin c?a Isabel Kershner và tr??ng c?c Jerusalem c?a Times, ông Ethan Bronner. Bà Kershner và ông Bronner – là nh?ng ng??i có con trai ph?c v? trong quân ??i c?a Israeli – c? hai ??u có quan h? ch?t ch? v?i Israel hi?n t?i. Nh?ng bài vi?t c?a h? th??ng không có b?i c?nh lich s? hay v?n c?nh, và Adbusters ?ã g?i chúng là “Ch?ng quên c?a Hoa K?”.

S? thay ??i trong v?n hóa ch? có th? x?y ra khi m?t trong nh?ng t? báo l?n nh?t c?a th? gi?i… và chúng s? ch? có th? b?t ??u b?ng vi?c ??ng ý in b?c th? c?a chúng ta.

h??ng ??n nh?ng ?i?u ch?a xác ??nh,

Tr? s? chính nh?ng ng??i khu?y ??ng v?n hóa.

Translated by the Translator Brigadestranslatorbrigades@gmail.com

Cu?c s?ng c?a chúng ta ch? là nh?ng ?o giác

Không d?a trên th?c t? mà là nh?ng ?o t??ng.

by
Hudson Spivey

From Adbusters #91: The Revolution Issue


? Trung Qu?c, ng??i dân th??ng t? t?p ? nh?ng góc công viên cùng nhau t?p th? d?c. Nh?ng câu chuy?n ngoài s? sách c?a M? không ph?i là nh?ng con ng??i thô l? hay nh?ng anh hùng hy sinh b?n thân ?? theo ?u?i gi?c m?. Nó là câu chuy?n v? n?n dân ch? b? tr?ch ???ng, v? tinh th?n cách m?ng b? ?àn áp và v? ni?m t? hào v? th?i mà s? kiêu ng?o nh??ng ch? cho s? quy ph?c.
?nh: Ryan Pile (l) và Martin Parr (r)

This article is available in:

Chúng ta th??ng quên m?t r?ng cu?c s?ng c?a chúng ta ch? là nh?ng h? c?u, mà trong ?ó cu?c s?ng c?a con ng??i ch? là nh?ng cái tr?u t??ng – nó không d?a trên th?c t?, mà trên nh?ng v? kich, ?o t??ng. Cu?c s?ng c?a chúng ta th?c s? không khác gì nh?ng gi?c m?, nó ch? s? r?i rác m? nh?t t? b?a ?n này sang b?a ?n khác, t? ?o?n h?i tho?i này sang ?o?n h?i tho?i khác, nh? m?t r?p hát, môt trung tâm mua s?m, hay nh? m?t c?c cà phê, m?t c?c bia, m?t v?t trôi d?t không ng?ng t? c?m giác này sang c?m giác khác, hay là s? th?a mãn không ng?ng các mong mu?n c? b?n.

Chúng ta ???c trong t?o nên ? trong “th?c t?” ?y b?i v?y m?i di?n bi?n c?a nó ??u vô hình ??i v?i ta. Chúng ta có th? nh?n th?y t?ng kho?nh kh?c nh?ng không th?y ???c toàn b? v?n ?? – s? chuy?n nh??ng c?a con ng??i t? t? nhiên, ch?ng b?nh c?a s? thu?n hóa, s? ph? thu?c c?a con ng??i vào nh?ng công ngh? máy móc ch?t ?? t?n t?i và th? h? tr? n?m quy?n s? h?u hành tinh này ?ang ngày càng b?t l?c h?n trong vi?c k?t nói v?i nó. Chúng ta ?ang d?n m?t ?i kh? n?ng ?? tr?i nghi?m nh?ng ?i?u v? ??i ???c tìm ra sau nh?ng giây phút tr?ng ??i. Ta bám l?y nh?ng th?a mãn t?m th??ng nh? k? ngã xu?ng c? bám vào nh?ng hòn ?á. C?ng nh? vi?c ta không dám ngh? ??n m?t cu?c s?ng thi?u pizza, kem, lò vi sóng, ph??ng ti?n giao thông, nh?ng s? ti?n l?i, tho?i mái, nhàn h?.

Th? k? 21 này cho ??n nay ?ã quá nhân t? ??i v?i chúng ta. Nó m? ra m?t chân tr?i m?i cho chúng ta –nh?ng k? vi?n vông, nh?ng ?? l?i là th?m h?a. ?ó chính là nh?ng cu?c chi?n, nh?ng tr?n ??i Chi?n, chúng v??t qua m?i gi?i h?n, lôi kéo t?t c? vào tr?n xung ??t c?a nó: cu?c chi?n ng?m ?òi phá b? nh?ng ?i?u t?ng b? c?m ?oán, m? cánh c?a ng?n cách gi?a ph? n? và ?àn ông ?? ???c t? do chuy?n trò, phá b? rào c?n gi?a tâm trí và c? th?, gi?a xác th?t và tâm h?n. S? có nh?ng ng??i ?àn ông trong b? qu?n áo ng? ch?y nh? ?iên trên ???ng ph? cùng v?i chai r??u. N?u ?ó không ph?i là s? ?iên lo?n thì c?ng s? là máu, dòng sông máu ?êm x?i x? ?iên cuông nh? con sông Mississippi ch?y trên kh?p các th? tr??ng th? gi?i, ??p lên nh?ng k? y?u, h? b? nh?ng k? ?ã t?ng m?t th?i thành công, ??a t?t c? b?n h? lên ??u ng?n sóng kh?ng khi?p c?a nó…

—Hudson Spivey

Translated by the Translator Brigadestranslatorbrigades@gmail.com

Even the FTC Can’t Stop Facebook’s Mad Rush Toward Total Information Awareness


Facebook is reportedly getting serious about floating an IPO that would value the company at $100 billion, and it's happening just as Facebook seems more focused on exploiting users in increasingly creepy ways.

Iam Haircare: Bracelet, Necklace


bracelet_0

necklace

“Because your hair is your most beautiful accessory: Iam Haircare.”

Advertising Agency: Advico Y&R AG, Zurich, Switzerland
Creative Directors: Dominik Oberwiler, Martin Stulz
Copywriters: Marietta Mügge, Sascha Borsai
Art Director: Benny Goldstein
Photographer: Chris Tribelhorn
Graphic Designers: Sarah Paul, Joelle Hauser
Chief Creative Officer: Markus Gut
Account Manager: Edi Walker

pglydon became a registered member

pglydon became a registered member

Comments: 0

Heads

Print campaign made for the Committee on Environment And Public Works of ALERJ (Legislative Assembly of Rio de Janeiro).

The ad criticizes the excuses people often use to justify the damage they cause on the environment.

Creative Director: Paulo Castro
Head Of Art: Bernardo Machado
Art Director: João Paulo Medeiros
Copywriter: Otto Pajunk
Illustrator: João Paulo Medeiros
Retoucher: Raphael FS


How to Know If Your Tampon Brand Is Really, Really Sorry


It looks like Johnson & Johnson's O.B. tampon brand has bowed to an outcry from loyal users of its Ultra product to return it to store shelves in Canada.

Então é Natal…

Depois de um período festivo, agora entramos oficialmente na temporada das outras festas: as de fim de ano. Confraternizações, Natal (Chanukah para alguns) em família, Réveillon e por aí vai. Um período bastante movimentado comercialmente e, por que não, criativamente. Afinal, aqui mesmo no B9 você já viu o que a Starbucks, John Lewis, Microsoft, T-Mobile, Ikea e Zaffari estão fazendo… Então, vamos aumentar esta lista!

Se alguns criadores apostam no lado emocional das festas de fim de ano, outros preferem tratar o tema de maneira mais ácida – o que pode até ser divertido.

Então, nossa primeira pergunta é: você acredita em Papai Noel? Os criativos da TBWA de Londres não só acreditam, mas estão dispostos a provar que o Bom Velhinho pode tornar seus desejos realidade – especialmente se você trabalha com publicidade e afins. Basicamente, você manda um e-mail para o Ad Santa com seu desejos para este fim de ano e aguarda a resposta.

No site há sugestões de pedidos singelos, como matar o cara do atendimento, mutilar o criativo ou arrancar a cabeça do chefe de planejamento, entre outras… Só não espere um Papai Noel doce e meigo do outro lado: ele está muito mais para Dexter do que para Bom Velhinho. Dizem até que, conforme dezembro avança, sua tolerância vai a zero.

E, falando em tolerância zero, quantos filmes você já assistiu de pessoas tentando escapar do Natal em família? Vários.

É aí que entra o ShoeBox, um aplicativo do 1000memories que criou um guia de sobrevivência para as festas de fim de ano em família. How to Go Home traz 10 dicas que cobrem diversas situações como ter de dividir um banheiro com outras sete pessoas, não ter de falar de sua vida romântica, conversar com sua prima de 13 anos sobre Justin Bieber, usar o Internet Explorer ou simplesmente ganhar uma passagem de avião de volta para casa.

A ideia até que é divertida e pode ser útil. Aliás, todo o conceito do 1000memories é interessante. O site funciona como uma espécie de rede social onde você compartilha lembranças de pessoas que já morreram, como se fosse um memorial.

E que venham as festas…

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie


Advertisement


eugenio orsi wrote a new post, Follow the frog

eugenio orsi wrote a new post, Follow the frog Watch shoppers navigate the potentially hazardous supermarket aisles. It’s a jungle out there! They’ll need our frog’s help if they want to avoid personal mishaps and find sustainably grown products. Need help […]

Comments: 0

Marshawn Lynch Tastes the Rainbow–and a Free Supply of Skittles


Nothing beats some Skittles after a touchdown — at least that's how Seattle Seahawks running back Marshawn Lynch feels.

O comercial de Natal 2011 do Zaffari

Eu desconhecia a tradição de comerciais de fim do ano dos supermercados Zaffari até a minha namorada gaúcha me abrir a mente. Descobri que em Porto Alegre existe toda uma expectativa para saber qual será o filme de Natal da marca.

Vi alguns antigos bem bons, como esse ou esse, e o de 2011 não fica atrás, daqueles pra você dizer que caiu um cisco no seu olho.

A criação é da Agência Matriz, com produção da MFX Filmes e Gogó Conteúdo Sonoro. Em Porto Alegre o comercial vai ao ar na TV, e em São Paulo só nos cinemas.

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie


Advertisement