Jell-O’s Jigglevision Lets You Send Secret Messages to Friends

Jell-O's new "Jigglevision" social campaign from Crispin Porter + Bogusky is not quite as titillating as it sounds. You write a brief message on the brand's Facebook app using various "Jigglevision" patterns as camouflage, then share the note with friends via email or social media. Recipients decode the message by reading it through a red Jell-O gelatin snack lid. Just like they do at the NSA! Integrating social and real-word elements is cool, in theory. But if someone sent me a Jell-O jiggle-message, my first and last thought would be: #FML. Also, needing a Jell-O lid to play implies that you have to actually buy some product. Come on, that's not what social media is about! Kids will probably love this modern spin on a throwback idea (assuming they don't make a sticky mess of the computer), but to me it just feels a little insubstantial. Then again, given the product, what did I expect?

    

Microsoft Humiliates Siri in Biting Parody of Apple’s iPad Ads

Microsoft says a mouthful in this ad from Crispin Porter + Bogusky. And—surprise!—those words are spoken by Siri, Apple's voice assistant, from an iPad sitting next to a Windows 8 tablet. As the latter wordlessly flips through various features, Siri apologies for being unable to run those programs and perform the same functions. "I'm sorry, I don't update like that," she says. "I'm sorry, I can only do one thing at a time." I half expected a tax app to pop up on the tablet's screen and be greeted by an awkward silence from Siri. Maybe in the sequel. This is Microsoft's second spot in a week to deftly parody a rival's ad style (in this case, Apple's stylish minimalism), following its skewering of Google's Chrome browser. The tablet ad, which references the iPad mini's "Piano" spot from last October, is approaching 2 million views on YouTube in just a couple of days. There are some chatty personal assistants, like Indigo, available for Windows devices. But for my taste, the ultimate Microsoft PA voice would speak in measured, calm-yet-crazy cadences, providing sadly poignant commentary as the OS crashes into a sea of blue when its mind begins to go.

    

Jell-O Hijacks Twitter’s Profane #FML Hashtag, Changes It to Mean ‘Fun My Life’

The ubiquitous Twitter hashtag #FML (there have been 37,000 #FML-tagged tweets in the past seven days alone) is generally understood to be short for an obscene phrase uttered when things are at their bleakest. But now, Jell-O is here to help. The Kraft Foods brand and agency Crispin Porter + Bogusky are trying to hijack #FML and make it stand for "Fun My Life" (rather than doing something else to your life). Between now and June 14, everyone who tweets the #FML hashtag is entered into a pool, from which a certain number will win "Fun My Life" prize packs "specially created to get their life back on track." You can follow along at jelloFML.com, which also shows how the brand is tweeting at #FML-ers.

    

Microsoft Puts on Boxing Gloves, Goes After Apple Again

Now that the dust has settled around the overplayed Windows smartphone wedding commercial directed by Roman Coppola, there’s a void in Windows-bashing-Apple negative campaign ad territory. Well, with some help from CP+B, the brand is back to tackle a new comparative subject: tablets.

There are actually two new spots, first covered over at Mashable, both taking not-so-subtle digs at iPad products. The spot above even goes as far as to use Siri against Apple – in short, iPads can’t do as much as Windows 8 tablets. But you can play chopsticks on an iPad for whatever that’s worth. And if you watch the commercial, it’s apparently not worth much. You have to respect the brash stance Windows is taking here. They are clearly playing catch-up in the publicity game, and going after Apple in such a direct fashion could be the right way to make up the distance. And the best part is, since both companies are so rich, suing each other over copyright infringement and/or libel won’t even make a difference. Ding, ding. Time for the next round to begin. You can watch the more informational attack ad after the jump.

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Boyz II Men Will Make Love to Your Sweet Old Navy Jeans

Strap that lap belt tight, because Old Navy’s newest airline-themed ad will rocket you all the way back to 1994. Boyz II Men are the newest retro celebs to star in Crispin Porter + Bogusky’s zany spots for the retailer, which most recently tapped the supposed T-shirt expertise of Mr. T. In the new ad, 1990s R&B romancers Boyz II Men reinterpret their hit “I’ll Make Love to You” as an ode to white jeans. It's good to see them back on the air and still rocking the ivory suits, but given the fact they only have two lines of lyrics and a bunch of “loolooloo” noises, it’s probably for the best the trio gets cut off a bit early. They’re definitely an improvement over the perennial ad cameos by Mr. T, but in this series of pun-packed Old Navy spots, I’d say the best of the lot is definitely Jennifer Love Hewitt and her “flirtation device,” which you can check out after the jump.

    

Skahan Indeed Returns to CP+B, Assumes New Role of, Yes, XCD

Another day, another new title created at Crispin Porter + Bogusky, which finally confirms what we first reported a couple of weeks ago, that Brian Skahan has indeed returned to the fold His new title? Well, as you can see above, it’s something called XCD, which we’ve been told pertains to a creative director who “is in charge specifically of complex digital projects.”  Essentially, Skahan will serve as a digital jack-of-all-trades at the agency, rotating from client to client whenever a major digital project or digital platform is in the works.

As previously mentioned, Skahan’s first tour-of-duty at CP+B lasted approximately three-and-a-half years, during which time he served as VP/creative technology director and led development teams for clients including Microsoft, AmEx, Guitar Hero (RIP) and Domino’s. Besides his work with the Boulder-based bunch, Skahan spent two years as managing director/CTO at the agency formerly known as Publicis Modem, working with clients including P&G Oral Care and Citi for last year’s Olympics.

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Domino’s New Site Lets You Watch Live Stream of Pizza Being Made Somewhere in Utah

Life just got more stressful for the workers at a Domino's Pizza restaurant in Salt Lake City. That's because that particular location is the guinea pig for the chain's new Domino's Live experiment, dreamed up by Crispin Porter + Bogusky. The agency has installed five cameras at the store to show workers making the pizzas in real time—kneading the dough, adding the toppings, popping the pies in and out of the oven. All through the month of May, anyone who orders a pizza online from any Domino's nationwide will be directed to DominosLive.com, where they will see … well, people making someone else's pizza, not yours (unless you happen to live near that location). The single-store pilot program went live today at 1 p.m. ET (11 a.m. local time), and so far we can see … hmmm, yep, there's some pizza being made. The footage is almost comically boring, but I suppose that's what you get with "transparency"—an inside look at a pretty tedious process in action. CP+B should have used hidden cameras instead. Then we might be in for more of a treat.

    

Yep, This is Happening: Domino’s, CP+B Bring Us Live Pizza-Making from the SLC

Yeah, we got this news just before noon EST, but thanks to meetings and what not, we were kinda hampered. But, whatever the case, let us tell you if you haven’t heard already that CP+B and longtime client Domino’s continue their efforts to promote ultimate transparency for the brand to the masses with “Domino’s Live.” Salt Lake City is the pizza chain’s venue of choice for this pilot program, and with the aid of five installed cameras, we get quite the glimpse into the what happens when pizza chains stop being nice and start getting real. Ok, maybe it’s not that dramatic, nor as high-tension or unintentionally hilarious as something like Food Network’s Restaurant Stakeout and its host with horrible grammar, but you can check out the goings on here. Consider this effort one that brings your Domino’s web-based “Pizza Tracker” to life, if you will, though we’re not sure which viewing experience is more exciting at this point.

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Microsoft to Apple and Samsung Fans: Stop Fighting, You Utter Morons

If smartphone advertising has a recurring theme, it's that the users of rival products are idiotic obsessives. Samsung made that point with its campaign poking fun at Apple fanboys. Now, Microsoft is making a similar point about both Apple and Samsung fans. The spot below for Windows Phone, from Crispin Porter + Bogusky and director Roman Coppola, takes place at a wedding, where half the crowd has iPhones and half has Galaxies. The bickering starts immediately, and soon escalates into a nasty brawl. A couple of attractive caterers, meanwhile, don't see what all the fuss is about. Can't we all just get along, and agree to buy Windows Phones? Of course, Microsoft would kill, or at least maim, for the kind of smartphone brand loyalty that the other two companies have. For now, the thinking seems to be, If you can't beat them, at least beat them up. And by the way—yes, unfortunately, Apple body tattoos do exist.

Credits below.

CREDITS
Client: Microsoft Windows Phone
Spot: "The Wedding"
Agency: Crispin Porter + Bogusky
Worldwide Chief Creative Officer: Rob Reilly
Executive Creative Director: Dan Donovan
Creative Directors: Dave Swartz, Dave Steinke, Bill Roden
Art Director: Robbin Ingvarsson
Copywriter: Waldemar Wegelin
Executive Integrated Producer: Aaron Kovan
Senior Integrated Producer: Laura Keseric
Junior Integrated Producer: Mike Borell
Production Company: Directors Bureau, Hollywood, Calif.
Director: Roman Coppola
Executive Producers (Production Company): Lisa Margulis, Elizabeth Minzes
Producer (Production Company): Mary Livingston
Postproduction: Method, Santa Monica, Calif.
Editorial Company: NO6LA, Santa Monica, Calif.
Executive Producer, Design: Crissy DeSimone
Producer: Leslie Tabor
Editor: Kevin Zimmerman        
Junior Music Producer: Chip Herter        
Group Account Director: Devin Reiter
Content Management Supervisor: Lynn Harris
Content Supervisor: Kelly Olech
Content Managers: Casey Wilen, Andrea Cadloni
Business Affairs: Katherine Graham Smith
Group Planning Director: Jason De Turris
Junior Cognitive Anthropologist: Tiffany Ahern

    

Windows Denounces Apple-on-Samsung Fan Violence in Latest Spot

Son of The Godfather and Apocalypse Now director, Francis-Ford Coppola, Roman Coppola was on a bit of a winning streak after co-writing Wes Anderson films The Darjeeling Limited and Moonrise Kingdom. However, after directing the near-universally panned Charlie Sheen vehicle, A Glimpse Inside the Mind of Charles Swan III, Roman lost a healthy portion of the goodwill he had racked up. As The A.V. Club put it, the film “it isn’t a movie so much as a feature-length perfume commercial for a Charlie Sheen signature cologne with gorgeous packaging and absolutely nothing inside.” So, yeah. It was pretty bad.

Seeking solace from tomato-throwing critics, Roman did what all directors attempting to recover from a stinker do: Join forces with CP+B for a Microsoft TV spot. Here, we see Roman channeling his own life experiences to sell Windows Phones. Sure, says Roman metaphorically through this spot, there are haters are either side of the aisle. But you can’t have the naysayers keep you down, you know? Yes, some people like Apple phones and some people like Samsung phones, just like some people like good movies and some people like other good movies. But, just because your movie isn’t “good” or your phone isn’t “good” either, doesn’t mean to have to be part of the fighting. As Jay-Z once said, “Get that dirt off your shoulder.” Most assuredly, Roman was playing this track on set throughout the production of this ad.

Embrace Roman Coppola, and embrace Nokia Windows phones. Credits after the jump.

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CP+B Creative Director Makes Short Film About KISS Song ‘Beth’ From Her Point of View

A classic rock ballad, "Beth" by KISS, that inspired a thought balloon—"Wouldn't it be funny to hear Beth's  side of the story?"—is now a short film. The four-and-a-half-minute piece from Bob Winter, executive creative director at Crispin Porter + Bogusky in Miami, centers around a 1970s-era phone call between Beth and an actor portraying Peter Criss, the band's original drummer and co-writer of the song.

Beth is home, cooking meatloaf and wondering when Peter will get home. Peter is in the studio, unable to commit to a time (he keeps repeating a refrain in the song, "What can I do?") and anxious to get back to recording. He and his bandmates are inexplicably dressed in full costume and face paint, despite being nowhere near a concert hall. Ah, but hey, what says KISS more than makeup and platform boots?

The back and forth turns hostile when Peter, who said he'd be home in a few hours, shifts to another line in the song: "I hope you'll be all right 'cause me and the boys will be playing all night." "What?" Beth replies, stunned. "Peter, you just said you were going to be a couple of hours. I made dinner. It took me all afternoon to make. You know what? … I might as well just throw it into the garbage." Rather than reply, Peter sighs, leaves the phone cord hanging and returns to the boys, sits down behind a piano and belts out the song. Beth doesn't hear it, though. She glumly hangs up and sits down to eat with her two children.

Directed by Brian Billow of Anonymous Content, the film feels part Behind the Music and part Saturday Night Live, with just enough '70s home décor (beige stone, dull wood cabinets, a toaster oven) to make you yearn for The Brady Bunch. Winter first got the idea for the spoof when he was chief creative officer at Young & Rubicam in Chicago. As he told Adweek previously, "I was thinking that it might be fun to create a series that's like the made-up stories behind real songs."

Asked this week what's next, Winter replied, "Maybe the next song is 'Jump' by Van Halen, and it turns out it was really about one band member helping another band member avoid stepping in dog poop. Something serious like that."

CREDITS
Director: Brian Billow
Production Co.: Anonymous Content
Sr. Exec Producer: Eric Stern
Exec Producer/Production: SueEllen Clair
Producer: Paul Ure
Writer: Bob Winter
DP: Darran Tiernan
Editor: John Dingfield/Beast Editorial
Actors:
Beth: Lilli Birdsell
Peter: Steven Olson
Kid #1: Michael Hamilton
Kid #2: Robert Hamilton
Ace: Roy Green
Paul: Alec Paul Cartinian
Gene: Rocco Fonzarelli
Roadie: Jason Lee Beckwith
Performer Beth Piano Intro: Coleman Zurkowski

    

Planning Vet Lefevre Heads Back to CP+B

It’s been a busy week on the staffing front at CP+B. Just days after announcing a slew of creative hires in its L.A. office, the Boulder-based agency brings us the news that it’s welcomed back Heather Lefevre, who you might remember from this clip, to serve as group planning director in its Miami office. Lefevre initially worked at Crispin from fall 2007-2008 as a senior cognitive anthropologist (can never get enough of that title) and was part of the multiple award-winning teams that worked on Whopper Freakout and Whopper Sacrifice.

During her career, she’s also held planning positions at the likes of what was then StrawberryFrog Amsterdam as well as DDB Amsterdam, The Martin Agency and Mullen. Lefevre’s not the only one reuniting with CP+B, though, as the agency has also welcomed back Greg O’Neal to serve as account director on Bing. O’Neal’s first tour of duty at CP+B lasted two years and during his career, the account vet worked at the likes of Razorfish and BBH.

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Skahan Returning to CP+B

Sources familiar with the matter confirm that Brian Skahan, who has spent nearly two years serving as EVP/CTO/managing director of what was Publicis Modem and is now Publicis Kaplan Thaler, is heading back to his old stomping grounds at Crispin Porter +Bogusky. During his three-and-a-half year stint at the Boulder-based agency, Skahan served as VP/creative technology director and led development teams for clients including Microsoft and Domino’s.

CP+B would not officially comment on the matter, but from what we’re hearing, Skahan is just one of a handful of staffers who are boomeranging back to the agency. We’ll try to get title, start date, but in terms of the latter, we’re hearing that Skahan will assume his new role at CP+B within the next couple of weeks. Prior to CP+B, the tech exec worked at Digital Pulp. We’re certain that we’ll have more updates soon.

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Mr. T Returns for Old Navy, Is Very Proud of Store’s Upgraded Tees

Mr. T guest-stars as a living pun in this Crispin Porter + Boguksy ad for Old Navy Best Tees, which are more stylish and durable than their previous ones. That's not a huge accomplishment, but whatever, it's their ad. (T also appeared in a two-minute Old Navy infomercial last year with Anna Faris.) I enjoyed the quiet irony of putting Mr. T on a plane, when B.A. Baracus was scared to death of them, but it's a little hard for the audience to accept that he can just kick the bathroom door down in a post-9/11 world. No T-shirt in the world can get you out of that kind of trouble.

CREDITS
Client: Old Navy
Agency: Crispin Porter + Bogusky
Partner/Worldwide Chief Creative Officer: Rob Reilly
Executive Creative Director: Jason Gaboriau
Creative Director: Robin Fitzgerald
Creative Director: Cameron Harris
Associate Creative Directors: Alexandra Sann, Mike Kohlbecker
Sr. Copywriter: Dafna Garber
Copywriter: Chelsea O'Brien
Art Director: Mary Dauterman
Director of Video Production: Chad Hopenwasser
Executive Integrated Producer (Music): Bill Meadows
Executive Integrated Producer: Deb Drumm
Junior Integrated Producer: Jackie Maloney
Executive Business Affairs Manager: Amy Jacobsen
Business Affairs Manager: Michelle McKinney
Production Company & City: Smuggler, Hollywood, CA
Director: Randy Krallman
Assistant Directors: Jey Wada, Erin Stern
Executive Producers/Partners: Patrick Milling Smith, Brian Carmody
Executive Producer/COO: Lisa Rich
Executive Producers: Allison Kunzman, Laura Thoel
Head of Production: Andrew Colón
Producer: Paula Cohen
Director of Photography: Bryan Newman
Editorial Company & City: Cut + Run, Santa Monica, CA
Head of Production/Senior Producer: Christie Price
Executive Producer: Carr Schilling
Editor: Frank Effron
Assistant Editors: Heather Bartholomae, Brooke Rupe
Visual Effects Company & City: Method Studios, Santa Monica, CA
Executive Producer: Robert Owens
Producer: Colin Clarry
Set Supervisor: Rob Hodgson
VFX Supervisors: Jason Schugardt, Michael Sean Foley
Lead Composer: Kelly Bumbarger
Graphics & Animation Company & City: Buck, Los Angeles, CA
Executive Creative Director: Ryan Honey
Executive Producer: Maurie Enochson
Sr. Producer: Nick Terzich
Associate Producer: Ashley Hsieh
Art Director: Jenny Ko
Designer: Sean Dekkers
Animator: TJ Socho
Music Company & City: Search Party, Portland, OR
Executive Producer: Sara Matarazzo
Producer: Chris Funk
Composer: Terence Bernardo
Sound Design & City: Machine Head, Santa Monica, CA
Sound Designer: Stephen Dewey
Producer: Patty Chow Dewey
Telecine & City: Company 3, Santa Monica, CA
President/Colorist: Stefan Sonnenfeld
Executive Producer: Rhubie Jovanov
Partner/Managing Director: Steve Erich
EGroup Account Director: Danielle Whalen
Account Director: Kate Higgins
Content Management Supervisor: Laura Likos
Content Supervisors: Jessica Francis, Kendra Schaaf
Content Manager: Alex Kirk, Michelle Forbush
Group Director, Planning: Lindsey Allison
Cognitive Anthropologists: Jennifer Hruska, Tiffany Ahern

    

Markham, CP+B Part Ways

After spending the last 15 months in Boulder at CP+B, where he last served as VP/executive creative director on accounts including Kraft Mac ‘n Cheese and Grey Poupon, Tom Markham is leaving the agency. From what sources tell us, Markham’s family wants to be in NYC, which is familiar territory for the senior creative as he spent two years working out of Lowe and Partners’ Big Apple office as global digital CD prior to joining Crispin. Markham’s departure seems to be an amicable one, as CP+B sends this statement: “”We truly appreciate all of Tom Markham’s contributions to CP+B. We will miss him and remain great friends.”

According to those in the know, there are no immediate plans to replace Markham, who has also served as head of digital/digital CD at Lowe Sydney during his career. His last day at CP+B was yesterday.

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Sincoff Joins Up with CP+B

We’ve received confirmation from those in the know that Paul Sincoff, who’s spent nearly two years copywriting at Mekanism on campaigns such as this one for Method, has headed to Boulder and officially started this week as an associate creative director at Crispin Porter + Bogusky. If you recall, Sincoff was the man behind the “Ad Agency in My Mind” site during a brief stint at SVP/ACD on JetBlue among other accounts while at Mullen back in 2011. During his career, Sincoff spent a handful of years at TBWA\Chiat\Day and one as an interactive copywriter at TBWA\Tequila on a variety of past and present accounts from Playstation to Visa.

Along with Sincoff’s hire, CP+B has also promoted Ryan Nikolaidis, the man who helped lead work on the Jell-O “Jiggle It” app, to the rather unique title of associate director of physical computing.

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Well, Here Are Some Excerpts from CP+B’s ‘Test’

To finish up what we started yesterday, we have what appears to be some images from CP+B’s actual creative test, which looks like it’s geared towards art directors sent by sources in the know. We will leave out certain parts considering sensitive client issues, but you can have a gist of what this test from the agency, which just picked up fall work for XBOX, entails. As mentioned previously, we’ve been told that there were no cuts as a result, though, and the “name your favorite dessert” question was non-existent.

Check out more after the jump.

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To Clarify, We’ve Been Told Evan Fry’s ‘Test’ Did Not Result in Terminations

Since last week, we’ve been hearing about a certain “test” that Crispin Porter + Bogusky’s executive director of creative development, Evan Fry, laid upon certain creatives in recent weeks at the Boulder hub. Fry, if you recall, rejoined his old shop last fall after co-founding crowdsourcing-loving Victors & Spoils.

According to those in the know, Fry’s test did not in turn eliminate staff–though we’re hearing otherwise. The questionnaire we received, which contained a handful of inquiries, via tipsters was apparently inaccurate, save for those regarding how one would redesign an ad for a certain client among other things. Sources familiar with the matter would not elaborate on which client it was as it’s being protected for time being. We were told initially that approximately 10 creatives were let go as a result of the test, but CP+B sent us this statement:

“We are constantly assessing that the right people are working on the right things and this series of questions was one way to do that. No one was terminated or will be terminated due to their answers and that was never the intention of these exercises.”

We have some names, but will spare the innocent and not reveal those who were allegedly let go.

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Domino’s Thanks 8 Million Facebook Fans by Toppling 50,000 Dominos

Domino's doesn't make much use of its namesake domino logo—until now. The pizza chain topples more than 50,000 dominos in the video below from Crispin Porter + Bogusky, as a thank-you to fans after crossing the 8 million likes mark on Facebook. I think we can all agree it probably should have been 8 million dominos, but that would have been 160 times the work—and required more than two years of nonstop work to produce, instead of the 120 hours it took for this one. Facebook milestone videos are something of a specialty for CP+B, which last year did the giant human coupon for Old Navy.

Domino’s Thanks 8 Million Facebook Fans By Knocking Over…Dominoes

50,328 dominoes, to be exact. How’d they do it? With seven Domino Experts (cool, yet random), 1 protege (not as cool, more random), and “top secret domino stackers.” Can we just stop for a second and talk about the Domino Experts? They all look like older versions of kids from the Diary of a Wimpy Kid trilogy, and I’ve never even seen those movies.

Putting together this appreciative gesture took 120 hours of labor. However–I hate to do this–there’s a grammatical error. The “We Like You Too” should actually read, “We Like You, Too.” They never said the Domino Experts were Punctuation Masters.

No word yet on what Domino’s will do for their 163,000 Twitter followers, but let’s hope the protege becomes the eighth Domino Master whenever that time comes. CP+B credits after the jump.

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