Outdoor Ad Makes People Think They're About to Be Destroyed by a Tornado

You’re trudging down a busy sidewalk, minding your own business, when suddenly the sky is torn apart by lightning, cars and lampposts are hurled across the street by the wind, and a tornado starts heading your way.

If you’re guessing it’s only an ad—you’re right.

Augmented reality shop Grand Visual created the stunt in Sydney, Australia, to promote a tornado-themed disaster film called Into the Storm.

A typical movie-poster street display was replaced with a large, high-definition video screen. The monitor initially shows the “poster” getting blown away by rising gusts. This seems to provide a clear view of the street being thoroughly destroyed by insanely violent weather.

The visuals are impressive, especially the car appearing to slam into the display and smash the screen. And actually, this stunt—by the same team that devised PepsiMAX’s apocalyptic bus shelter prank in London—seems more fun and enthralling, and far less unsettling, than some campaigns in the category.

Sure, some of the passersby look a bit stunned at times. But they’re probably just perturbed that we’re all living in a world that’s morphing into one gigantic ad.

Via Digital Buzz Blog.



Gillette Razors Are Great for Shaving. Or, You Know, Playing the Piano

Embracing music has become a popular strategy for making potentially dull brands seem cool, and Gillette is leaning hard into the approach with a new spot that turns its razors into part of an elaborate piano-playing machine.

Son Lux, an artist and producer who recently collaborated with Lorde, performs an original composition on the contraption, which rigs a second keyboard into a pulley system that controls the razors—which in turn press the keys on an actual piano.

The ad is meant to demonstrate the rotational capacity of Gillette’s Flexball technology. That ends up succeeding well enough, which is a good thing, because otherwise it might just look like an awful lot of trouble to make a perfectly functional instrument unnecessarily complicated just to squeeze in the product. Regardless, Gillette, agency Grey and production company 1stAveMachine get props for helping to bring viewers a nice song.

The project also recalls Gillette’s symphony of sweaty dudes on gym equipment from last fall (via BBDO), meant to promote the P&G brand’s deodorant. GE, meanwhile, has been teaming up with electronic artists to sample the sounds of its heavy machinery, and turn them into very listenable records.

It’s hard to say whether razors, free weights, shipping containers or jet engines make the best tunes, though.

CREDITS
Client: Gillette
Spot: “Piano”

Agency: Grey

Brand Agency Lead: Debby Reiner
Senior Vice President/Account Director: Sarah Beaumont
Vice President/Account Director: Elizabeth Gilchrist
Account Supervisor: Thomas Ghiden
Account Supervisor: Katie Stirn
Account Executive: John Nelson

Executive Strategy Director: Howard Roberts

Cinematographer: Zach Mulligan
Composer: Ryan Lott (“Son Lux”)

Production Company: 1st Avenue Machine

Agency President/Global Chief Creative Officer: Tor Myhren
Group Creative Director: Jeff Stamp
Group Creative Director: Leo Savage
Associate Creative Director: Lance Parrish
Associate Creative Director: Steve Nathans
Copywriter: Nick Terzip

Director: Asif Mian (1st Avenue Machine)
Editor: Akiko Ikawaka (Cut + Run)
Executive Producer: James McPherson
Mix: Heard City, Phil Loeb
Music Producer: Zachary Pollakoff
Film Producer: Katy Fuoco
Assistant Film Producer: Megan Swan



Cutest Goth Ad Ever? It's Super Bleak, but You'll Be Smiling by the End

Ad agency Heimat in Berlin has made the cutest teenage goth ad since Kodak film taught my generation that cheerleaders and dudes in fishnet shirts could be friends.

In this spot for German home improvement brand Hornbach, a gloomy-but-not-sour goth girl is soundly rejected by everyone in her community, who all wear pastels. The direction and camerawork make the contrast more subtle than it sounds. And let’s also acknowledge that hers is a totally understandable response to life in that town. If everyone in my neighborhood dressed like extras from an Aaron Spelling sitcom, I’d start listening to Spahn Ranch and moping through gym class, too.

Fortunately, the girl’s dad is much less of a douche than everyone else, and his obvious desire to relate to her comes through in the end. Yes, it’s corny and tugs at the small (or large) piece of us that feels misunderstood and adrift. But it also highlights the too-often-overlooked moment when someone realizes his or her parents are also kind of weird.

For another great goth spot, take a look back at this vulgar yet ultimately sweet ad from Denmark, which was one of 2013’s best candy commercials.

Via Co.Create.



SunRun Ad Is Delightfully Upbeat, and You Can Be Too If You Use Solar Energy

All the electrical products in your house will start doing Busby Berkeley routines once you sign up with solar power company SunRun.

Cutwater in San Francisco crafted the stop-motion ad below with help from Australian animator Dropbear (aka Jonathan Chong), the creative force behind the music video for Hudson and Troop’s “Against the Grain.” It’s funny that an environmentally friendly company like SunRun would tap an animator who wasted so many pencils (don’t we need pencils?!), but such is life. 

All of the animation was done by hand, and it took the team roughly a month to complete the 30-second spot.

CREDITS
Client: SunRun
Spot: “Solar Motion”
Agency: Cutwater
Founder/ECD: Chuck McBride
Creative Director: Luke Partridge
Executive Producer: Daniel Tuggle
Producer: Danielle Soper
Art Director: Gong Liu
Copywriter: Deidre Lichty
Group Account Director: Christian Navarro
Senior Account Manager: Sarah Owens
Production Company: Hustle Co Director: Jonathan Chong
Director of Photography: Nick Kova
Editorial: Dropbear Digital
Stop-motion animator/Editor: Jonathan Chong
Postproduction Company: Creative Technology
Flame Artist: Zac Dych Colorist: R. Adam Berk
Postproducer: Melanie Bass
Audio Record & Mix: M Squared Audio Engineer: Mark Pitchford Assistant Engineer: Phil Lantz
Music Supervision: Blue Scout Music Music Supervisor: Joey Prather
Music Track: Dragon “Chase the Sun”



This Is How You Make an Ad for Cat Treats Look Like a Nike Commercial

Want to buy Temptations’ newest cat treats and throw them at your cat?

Better stretch out first, man.

The Mars Petcare brand just rolled out new Temptations Tumblers—treats that are apparently more perfectly spherical that regular old Temptations treats. (“Now you can roll, toss or bounce delicious treats for your cats,” the brand says.)

And so, in the 60-second spot below, cats “play ball” with them, Nike style, in pretty hilarious fashion. The ad will, of course, get billions of views. But really, how is there not a Tumblers Tumblr?



People Think Miller Lite in Retro Cans Tastes Better, Though It's the Same Old Miller Lite

Never underestimate the power of packaging and design to influence consumer attitudes—and if you’re lucky, move product.

This lesson is brought to you by Miller Lite, which enjoyed a sales spike after it began shipping its beer in ’80s-style cans last year, originally as part of a tie-in with Anchorman 2. A large number of folks apparently prefer their beer wrapped in retro white labels instead of blue, which has been the brand’s primary hue for the past dozen years.

Maybe the throwback cans simply struck a nostalgic chord, or perhaps the shiny labels stand out on retail shelves. Whatever the case, it’s had the curious effect of making consumers think the product itself has improved—which it hasn’t.

“A lot of people said, ‘I think the beer even tastes better,’ ” Miller exec Ryan Reis tells Bloomberg Businessweek.

Wisely, the brewer has decided to make the white labeling permanent, even extending the color scheme to its bottles and bar taps. Alas, after initially bubbling up, sales of Miller Lite have settled. In fact, they’re down 1 percent for the 12 months that ended Aug. 10.

Also never forget how quickly fads can fade?

Via Consumerist.



Gorgeous New Food Ad From Britain Will Make You Very, Very Hungry

It’s kind of obvious why humans are obsessed with food. It’s delicious. It makes us feel good. And well, it keeps us alive.

It seems rather simple to sell food, and it is. But as with any advertising, there’s good and then there’s great—and great food-porn ads are really, really great. They make you salivate and possibly lick the screen.

The latest in mouth-watering ads comes to us from Britain’s RKCR/Y&R for Marks & Spencer. It’s laden with all the drool-inducing techniques characteristic of good food spots—close-ups, slow-motion and time-lapse shots that all blend together to a perfect medley of deliciousness. 

Take a look below at this treat guaranteed to satisfy your cravings, or amplify them.



Marshawn Lynch, Real-Life Skittles Superfan, Even Works Out With the Candies

It’s no secret that Marshawn Lynch loves Skittles. And now, the brand’s real-life No. 1 fan is helping to kick off its official NFL sponsorship by showing how he (probably not in real life) works out with the candies.

The spot below, from Olson Engage—the first in a series of NFL-related Skittles marketing—claims that Skittles make game day “awesomer.”

Lynch, 28, whom Skittles honored last year with a special-edition “Seattle mix,” has known this for years. As his mother told Seahawks.com a couple of years ago: “When Marshawn was 12 or 13, we’d go to his games and I’d always have little candies in my purse,” she says.

“Before the game, I would say, ‘Here Marshawn, come and get you power pellets.’ I would give him a handful of Skittles and say, ‘Eat ’em up, baby. They’re going to make you run fast and they’re going to make you play good.’ “



Jeff Bridges Salutes the Dude's Favorite Beverage in Short Film for Kahlúa

As the Dude’s favorite cocktail, the White Russian was Jeff Bridges’s ever-present co-star in The Big Lebowski. And now, Bridges is giving back to Kahlúa with a short film for the brand.

He’s not in character as the Dude, alas, but there’s still plenty to like about the gritty yet goofy period piece by Smuggler director Ivan Zacharias, in which white quite literally meets Russian in the middle of the desert—with a whole lot on the line.

“As a short film entirely inspired by a simple classic cocktail, this story is creative, enigmatic and beautifully shot,” the Academy Award winner told People.com.



Eight O'Clock Coffee Is Bringing to Life the Central Perk Coffee Shop From Friends

Rejoice, Friends enthusiasts! Your dream of sipping coffee at the iconic Central Perk will soon become a reality.

It’s been 20 years since Ross, Phoebe, Monica, Joey, Chandler and Rachel first graced our TV screens, and the love for the gang remains strong, if all of the people on my Facebook feed are to be trusted. To celebrate two decades of shouting “Pivot!” every time a friend announces he’s moving, Warner Bros. Television Group, Warner Bros. Consumer Products and Eight O’Clock Coffee are partnering to create a Central Perk pop-up in Manhattan.

It’ll be short-lived—the shop, created with help from agency Source Marketing, will open Sept. 17 at the corner of Lafayette and Broome Streets, and close Oct. 18—but fans can hang out on the weird orange couch, listen to a rendition of Smelly Cat, see some special guests (Gunther will be there) and maybe, I don’t know, try to figure out how Rachel afforded to live in a sprawling Manhattan apartment on a barista’s salary.

It’s a brilliant partnership for Eight O’Clock, which will also be adding a special Central Perk blend to its coffee line next month, if you want to K-Cup your way to a Friends-in-your-travel-mug experience.



Tweet This Hashtag in NYC, and Reebok Could Run a Pair of Sneakers Over to You

Starting today, New Yorkers who tweet their shoe size and address with the hashtag #ReebokHDS could get a visit from the brand’s Human Dispatch Service.

The team of runners will personally rush pairs of Reebok’s new ZJet sneakers to people at home or at work. Venables Bell & Partners devised the stunt, which, according to Reebok, “brings the ZJet concept to life” by demonstrating how the shoe—which features air channels for maximum cushioning—”propels the runner forward with the power of air.”

It’s a fun idea that harkens back to a bygone era of personal service, at a time when many advertising stunts strive to confuse and frighten consumers to generate viral videos.

This is the client’s second creative promotion this summer, following its July CrossFit Games tie-in from VB&P that saw Reebok send bacon to athletes abiding by Paleo diets. The HDS team won’t be delivering any savory pork products, but the focus on shoes gives the ZJet stunt some steak to go with the sizzle.

CREDITS
Client: Reebok 
Brand: ZJet 
Executive Creative Director: Paul Venables and Will McGinness
Creative Director: Erich Pfeifer
Associate Creative Director: Eric Boyd
Design Director: Cris Logan 
Art Director: Sean Flores, Rich North, Matt Miller
Copywriter: Nate Gagnon, Craig Ross, Matt Keats
Designer: Jarrett Carr
Head Of Strategy: Michael Davidson
Communications Strategy Director: Beatrice Liang
Brand Strategist: Jake Bayham
Experiential Production House: Mkg
Production House: Sustainable Content and Fer.tl 
Director: Jordan Bloch 
Director Of Photography: Derrick Monks 
Line Producer: Mikyo Clark 
Editing Company: Fer.tl 
Editor: Derrick Monks 
Sound Design: Richard Devine 
Music: Marmoset Music 
Mix: M Squared 
Director Of Integrated Production: Craig Allen
Director Of Interactive Production: Manjula Nadkarni 
Experiential Producer: Nalina Baratz
Broadcast Producer: Nalina Baratz 
Production Coordinator: Megan Wasserman 
Digital Producer: Marc Mclean 
Account Manager: Ashton Atlas 
Project Manager: Daniela Contreras, Shannon Duncan



Nocturnal Beer Drinkers Just Hang Around in This Creepy Ad From Brazil

When you get to a certain point, usually around your mid-20s, you realize there’s not much more to life than drinking delicious beer. Imagine a world where you only wake up when it’s time to imbibe a bottle of suds. 

That’s the strange reality in this dark, surreal Brazilian ad for Skol by agency F/Nazca Saatchi & Saatchi, in which sleeping bat-people, hanging upside down all over town, wake up when they hear a Skol Beats beer opening.

I can dig it. Take a look below, and see if you’re willing to suspend your disbelief (from the ceiling … without spilling your beer).

CREDITS
Client: Ambev
Product: Skol Beats
Agency: F/Nazca Saatchi & Saatchi
Spot: “Morcegos” (“Bats”)
Creative Executive Directors: Fabio Fernandes, Eduardo Lima
Creative Director: Theo Rocha
Creative Staff: Theo Rocha, Thiago Carvalho
Account Supervisors: Marcello Penna, Ricardo Forli, Rafael Cappelli, Marcela Paiva
Planners: José Porto, Guilherme Pasculli, Victor Marx, Felipe Santini
Media: Fabio Freitas, André Cais, Bruno Storace, Vivian Simões, Caroline Pascuinelli
Agency Producers: Victor Alloza, Renato Chabuh, Gisele Campos, Maira Massullo, Rafael Paes
Production Company: Zohar Cinema E Comunicação Ltda
Director: 300 Ml
Executive Producer: Carlos Paiva, Isabelle Tanugi
DOP: Enrique Chediak
Producer: Angelo Gastal
Editor: Rami D’aguiar
Motion: Full Frame
Postproduction: Full Frame
Sound: A9
Client Supervisors: Pedro Earp, Fábio Baracho, Pedro Adamy, Taciana Ávila



Life Alert's New Ad is Terrifying, and Viewers Are Not Happy About It

Life Alert now takes its marketing very seriously. Maybe too seriously.

Rather than just have its old commercials be the laughing stock of anyone who’s ever seen them, the company is doing its best to scare the living crap out of everyone who watches TV.

The new ad below ditches the brand’s trademark testimonial cheesiness for straight up creepiness, with an old lady lying unnoticed in a heap at the bottom of a flight of stairs, screaming. It’s quite disturbing, and a lot of viewers are leaving pissed-off comments on the brand’s Facebook page.

“My own grandmother fell and cracked her hip and we brought her to the hospital immediately, but this just makes me feel so awful inside I start crying,” writes one. “I’m 17 years old and this is way too scary. I don’t want to see anyone in that much pain and crying when I’m just trying to enjoy my day. Please take it off the TV.”

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In fairness, some people are praising the commercial for driving the point home with a realistic depiction, and helping to convince their stubborn elders to buy the product.

Life Alert’s response is basically that the whiners should suck it up, because it’s sick of hearing them go on about how bad its prior ads were.

“We consistently hear horror stories of how families procrastinated in getting a Life Alert only to discover their loved one had fallen and was on the floor for hours (sometimes days) before someone found them,” reads part of a statement posted over at Consumerist.

“They have even complained that our commercials are corny, and NOT SERIOUS ENOUGH, and that our message doesn’t get through. The guilt and fear these families feel after a preventable tragedy is very real and far worse than any commercial.”

Of course, punishing a mass audience for the unreasonable griping of a few who wouldn’t take responsibility for their own failure to act doesn’t make a whole lot of sense. Even if the old ads weren’t effective.

Also, says Life Alert, it’s the good guy. “Our goal is to wake people up to the realities of what is going on with the elderly and to get a medical alert system as a PREVENTIVE measure, not a reactionary result to a tragedy,” it says.

As reasonable—and somewhat noble—as the for-profit company’s intentions may be, its posturing also kind of misses the point. There might be some middle ground between an that is an unintentional self-parody, and one that terrifies children. A less ham-fisted approach might persuade even more consumers, or at least alienate fewer.

Then again, when demand for your product is based on the ample supply of consumer anxiety about death, you might as well lean in.



See the Painfully Funny Science Museum Ad That Was Too Violent for Canadian TV

The guy in this sublimely sophomoric spot for a Vancouver science museum should be in a world of hurt.

Yet he smiles and shrugs off a nail through his shoe, a bitey dog, a neighborhood kid’s expertly executed kick to the crotch and a couple of even more potentially painful (probably deadly) indignities. His relience throughout his 30-second odyssey, promoting for Science World at Telus World of Science, is explained at the end with a little scientific factoid. (The wimpy Walmart clown could learn a thing or two from this guy.)

This latest installment in the client’s “Now You Know” campaign from ad agency Rethink was deemed too violent for TV by the Television Bureau of Canada. Of course, that’s the perfect formula for maximizing press coverage and interest on the Web.

Among the campaign’s many notable past efforts, you might recall these racy ads from 2012 that promoted a “Science of Sexuality” exhibit and scored significant media exposure.

After 15 years on the business, Rethink’s got this stuff down to a science.

Credits below.

CREDITS
Client: Science World
Creative Agency: Rethink
Creative Directors: Ian Grais, Chris Staples, Rob Tarry
Art Director: Felipe Mollica
Writer: Morgan Tierney
Broadcast Producer (in house): DW
Account Services: Solomon Gauthier
Production Companies: OPC//FamilyStyle, Reco
Director: Chris Woods
Executive Producers: Harland Weiss, Donovan Boden, Liz Dussault, Michael Haldane
Director of photography: John Houtman
Line Producer: Darrin Ball
Post Production House: Cycle Media
Editors: Rob Doucet, Mathew Griffiths
Audio House: Vapor Music
Producer (Audio House): Kailee Nowosad
Engineer: Andrew Harris
Visual Effects: Crush



Belize Thanks Journey's Keyboardist for Visiting by Recording 'Don't Stop Beliezin'

You can’t make this stuff up.

Jonathan Cain, the keyboard player for Journey and writer of perhaps the band’s biggest hit, “Don’t Stop Believing,” vacationed in Belize recently—and tweeted about what a fantastic experience it was.

The Belize Tourism Board got wind of this, and with help from its ad agency, Olson, orchestrated an elaborate thank-you to Cain—in the form of a cover song, “Don’t Stop Belizein.” Popular local Belizean group The Laru Beya Boys recorded the song, which you can hear below.

Olsen and the Belize Tourism Board have collaborated on quirky campaigns in the past. Last year they offered free vacations to Vince Gilligan and eight members of the Breaking Bad cast—after the phrase “taking a trip to Belize” was used on the show as a euphemism for getting murdered.



New Yorkers Try to Quiet Union Square from a U.S. Open Umpire's Chair in Heineken Stunt

Chair umpires in tennis have a thankless job. Sure, they have real work to do, but they spend much of their time babysitting the crowd—and sometimes even babysitting the players.

As part of its sponsorship of the U.S. Open, which began Monday, Heineken recently gave New Yorkers—like it or not—a chance to feel like a real tennis umpire. It set up a U.S. Open umpire’s chair in the midst of the always-hectic Union Square, and dared people to climb up and try to silence the crowd using the microphone.

As you can see below, it wasn’t easy. And it has a bit of a twist at the end.

Agency: Wieden + Kennedy, New York.



John Malkovich Makes a Pretty Damn Good Vampire in This Fun French Ad

John Malkovich plays a vampire in this amusing, cinematic spot from Buzzman promoting French streaming video service Canal Play. His character is also a bank manager. The fangs work either way.

You don’t need to understand French to get the message: This toothy dude loves movies and TV shows, and Canal Play delivers them via mobile or desktop.

The Oscar-nominated actor’s bald pate, pale complexion and powerful yet goofy presence lend themselves well to his prince of darkness portrayal, though he seems to have no qualms about stalking around in broad daylight. What joie de vivre! Or perhaps, joie de la mort!

His résumé includes Shadow of the Vampire, an art-house/horror hybrid from more than a decade ago, though he didn’t play a Nosferatu in that one.

Canal properties have produced some notable ads, most famously “The Bear,” a 2012 Cannes Grand Prix winner from BETC. The new 90-second spot doesn’t quite rise to those comic heights. Still, a campy script, glossy effects and the star’s idiosyncratic turn really bring this sucker to life.



Houston Astros' Spoof of Viral Shopping Mall Ad Is as Bad as the Team's Record

When you have a .420 winning percentage, you come up with creative ways to put butts in seats. And Houston Astros pitchers Dallas Keuchel and Collin McHugh certainly didn’t balk at the idea of giving advertising a shot in the form of this parody of last week’s viral mall commercial from Missouri. 

While the original spot was indeed bad on purpose, we’re not sure what motivation these guys had in spoofing it. But it turns out to be a wonky inside-the-park home run in its own right. Take a look below, from MLB Fan Cave’s YouTube Channel.



New Agency Wants to Turn Every Ugly Craigslist Ad Into a Thing of Beauty

Craigslist is not a place where you tend to find beautiful, creative, compelling advertising. It’s almost all amateur ads, after all, and created within a fairly limiting framework.

Still, we’ve seen what can happen when people do put a little effort into it. Whether you’re pitching yourself as the perfect roommate or selling your crappy old Camry, a little ingenuity goes a long way in helping you stand out in Craiglist’s mind-numbing sea of sameness.

The recently opened Classify Advertising is dedicated to doing just that. It will take your terrible Craigslist ad and make it a brilliant Craigslist ad—for free!

Classify, which bills itself as “the only agency that started with 80 million clients already,” was started by three agency interns. Here’s how they describe the business: “Classify moves products out the door. We turn your used junk into a pile of sweaty, hot lucre. It’s not our business what you do with all that bread. We transform Craigslist posts from boring, ineffective ads into dynamic cash cows. Cows that you can milk—for money.”

They’ve got a few before-and-after examples posted on the site. (We’ve posted some of them below.) We also caught up with the founders to ask how the service works—and what their plans are for ramping it up.

Where did you get the inspiration for this?
As ad school students, we were always told to make campaigns that sell real products. We just took it literally.

You must feel aesthetics is a big part of the selling process.
Not exactly. Strategy plays a big part in our startup. We take a client’s request and transform it into a real brief that points out the qualities and flaws of a certain product. Making things visually attractive is equally important to strategy and attractive copy.

Millions of things are bought and sold on Craiglist every day. If it ain’t broke, why fix it?
We agree that there’s a big amount of transactions, and technically it’s already successful, but there are a lot of people who can’t get their product sold, and they come to us every day since we started Classify asking for help. We’re not trying to improve Craigslist. We’re improving the way people communicate to sell their own products.

Isn’t there a purity about how low-fi Craigslist ads are? Aren’t you just putting lipstick on a pig?
Craigslist ads are low-fi until people have to sell something there. A car, for example—they will wash and wax the car just to take tons of pictures of it to put it on the ad. They’ll write a long description telling how resistant the car is and the mileage. Then that link will be everywhere on their social media, email, etc.

Tell us how the process works. Can consumers approach you with their ad, and you make it sing?
On our website there’s a section where people can request an ad. We look at those requests and we transform it into a creative brief that will be given to a creative team. In some cases the post already exists, so we just create something based on that post.

What’s the turnaround time, and what’s your fee?
It takes one to three days to make a picture, a headline and body copy, and we do it for free.

So, how do you make money? Or is it not a moneymaking venture?
Craigslist doesn’t make any money with [most of] its transactions, either. It wouldn’t be fair to charge people.

Are you making any money in other ways through this business?
We’re not making any money for ourselves. Some brands and business people approached us to present a business model that can work for us, but we’re still just talking.

Can the seller critique your designs and request changes?
We don’t usually do revisions unless there’s an actual mistake in the ad.

Do you have paying clients yet?
The examples on the website are ads we proactively sent to people on Craigslist, but now we’re getting around 30-plus ad requests a day.

Are there are guidelines or limitations regarding items you can or can’t sell?
Each case is different, but we base it on ethics. We’ve got request from a guy selling a Civil War collectible gun. It would be pretty cool to sell it, but then we found out the gun still works and we decided not to make an ad for that person.

There’s a Careers section on your site, which suggests you expect to grow quickly. How will you do that?
The Careers section is a place where volunteers can sign up to make ads to help people. We already have around 25 volunteers who signed up, but we selected only six for now who are getting briefs and helping us to deliver those ads to the clients.

What’s your dream Craigslist product you’d like to sell?
A school bus. It’s something huge that costs a lot of money, and it’s a weird vehicle to own. We’d love to make a huge integrated campaign with videos, posts and even a microsite for something like that.

Via PSFK. Top photo via Flickr.



Gap's New Celebrity Ads Tell Us to 'Dress Normal.' What Does That Mean, Exactly?

See this Gap ad with Anjelica Huston? How would you describe her look? Stylish? Sophisticated? Exceptional? Not according to Gap, which, as you can see, chooses a more unlikely word: Normal.

“Finding your own version of ‘Dress normal’ is an art,” Seth Farbman, Gap’s global chief marketing officer, says of the brand’s fall campaign from Wieden + Kennedy New York. “My normal is different from your normal, and that’s the essence of the campaign.”

That’s right, Gap is redefining the concept of normal from that of a collective norm to an individual belief. In other words, it now believes in normal relativism.

I can only imagine the undergraduate philosophy courses they had to take before one of the creatives looked up and said, “There is no true normal. Normal is whatever’s normal for you.” And somebody replied, “Dude, mind blown.”If you didn’t read the nice press release and just looked at the ads, you might say to yourself, “Wait, is Gap saying if I dress in other brands’ clothing, I’m going to look like a freak?” Well, yeah, they kind of are. Look at how normal and everyday these famous celebrities look in our clothes. They’re just so down to earth and self-possessed. Driving out to the desert to watch planes take off just like ordinary people. Don’t you want to be normal?

From the press release: “The campaign is rooted in the same core values the brand has unapologetically stood for over the past 45 years—individualism and the liberation that comes from confidently being your most authentic self.” So, apparently, normal now means liberating and individual.

I think they’re trying to say something even subtler: that selecting a wardrobe should bring you closer to an understanding of yourself. That when you pick out what you want to wear, you’re not just showing the world who you are, you’re crafting your own personal narrative that reassures and centers your notion of self—the normal you. And somehow, through buying shirts at Gap, you’ll eventually achieve self-actualization.

Again, the press release explains: ” ‘Dress Normal’ boldly instructs individuals to shape their own authentic, personal style—and intentionally challenges every one of us to dress for ourselves.”

By doing the exact opposite.

That’s deep. Let’s stare at these seagulls for a while and think about it.