Philips LED Torch

Advertising Agency: Ogilvy & Mather, Gurgaon, India
National Creative Directors: Rajiv Rao, Abhijit Avasthi
Chief Creative Officer: Piyush Pandey
Executive Creative Director: Ajay Gahlaut
Creative Directors: Vikash Chemjong, Basab Tito Majumdar
Copywriters: Vikash Chemjong, Ajay Gahlaut
Art Director: Basab Tito Majumdar
Photographer: Pankaj Arora
Account Supervisor: Chandana Agarwal

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Zoinks! State Farm Saves Scooby-Doo and the Gang in Groovy Animated Spot


    

Virgin America and Delta Take In-Flight Safety Videos to Crazy New Heights


    

AT&T’s Kids Do Their Own Halloween Ad, and No One Throws Up


    

Lil’ Pepsi Might Be the Cutest Can of Soda Ever (Almost) Invented

This cute Halloween video from Mekanism introduces a faux product called Lil' Pepsi, "the tiny treat that does the trick at any party!" We're talking about itsy-bitsy cans of soda, maybe 0.5 fluid ounces each, sized to fit in a doll's mini-mini-mini fridge, right next to the itty-bitty beers from that Dish commercial.

We're assured that Lil' Pepsis "are not available anywhere at any time," which is a shame, because most commenters seem enthralled, and Pepsi could make a bundle selling them as curios for keychains and such. (Queens, N.Y., rapper Big Baby Gandhi has a track called "Drink a Lil' Pepsi." It begins: "Drink a lil' Pepsi/Mix it with codeine … Big batch for the whole team." Gosh, I wonder why the song wasn't licensed for this ad?)

Lil' Pepsi sprang from the client's challenge to its in-house marketing execs and domestic agencies to come up with a fun ad concept. The spot is getting a fair share of spooky-week press and starting to pop on YouTube, so I guess that proves there aren't any small ideas. Or maybe it proves there are.


    

Insecticide by BEI Confluence

Agengcy: BEI Confluence, New Delhi, India
Executive Creative Director: Anwar Abbas
Creative Director: Ammar Mohammad
Art Director: Sonu Chandra
Copywriter: Sonu Chandra
Illustrator: Sonu Chandra

Brinjal

Tomato

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Is This the World’s Chattiest, Cattiest Corporate Twitter Account?

When a product or service is less than stellar, people often take their complaints to Twitter instead of suffering through an automated call. While many brands respond with a buttoned-up tweet asking you to call their customer-care line, Britain's Tesco Mobile has taken to trolling its trolls in hilarious LOL-speak, snark and thinly veiled insults.

When @JayFeliipe tweeted "Immediate turnoff if a girl's mobile network is tesco mobile," Tesco replied: "Are you really in a position to be turning girls away?" That quip has been retweeted more than 6,000 times, and the company has since sent @JayFeliipe a gift for being so good-natured about getting publicly burned on the Internet.

The banter between Tesco and its followers has been so entertaining that its Twitter numbers and engagement have since exploded. See the full feed (i.e., with replies) here.

See more tweets below.


    

Is It Sweet or Kind of a Bummer When Honda Upstages You on Your Wedding Day?

Does your wedding day get better, or imperceptibly worse, when Honda shows up with eight carloads of fun?

See for yourself in the video below, starring Mairead and Kevin, a young couple who (for reasons unexplained in the video) apparently asked Honda to "borrow" three CR-Vs for their wedding day—and then ended up with a whole lot more than they expected.

The video, by RPA, is meant to be one of those heartwarming tear-jerkers. And you may feel your heart warmed and your tears jerked. But the wedding setting is a tough place to pull that off—you're supposed to be unbearably happy even before Honda rolls in with the extra presents, so the upside is limited. They're not all material presents—flying in the distant cousins was a wise move. But showering a happy couple with even more happy doesn't have the tension, or the payoff, of some of other videos in the genre.

For an equally manufactured but much more fun-loving execution from Honda, you'd have to go back to last year's "Surprising Monsters Calling Home" video. Now, those are kids who really needed—and appreciated—some loving.

The new video is part of Honda's "Start Something Special" campaign, which launched in August. Two national brand TV spots break Tuesday, beginning with "Thank You" (posted below), which shows photographs and video of families and fans showing their appreciation of the Honda brand. "Thank you all for making your Honda more than a car. Thanks for making them something special," says the voiceover. The spots will air on the NHL Network and during NFL games.

CREDITS
Client: Honda
Spot: "#StartSomething Special: Mairead & Kevin's Wedding"

Agency: RPA
EVP, CCO: Joe Baratelli
SVP, GCD: Jason Sperling
AD: Suzie Yeranosyan
CW: David Sullivan
Agency Executive Producer: Gary Paticoff
Agency Senior Producer: Mark Tripp

Production:  RPA
Director: Mark Tripp
DP: Stephen Carmona
Producer: Tracy Chaplin
Production Supervisor: Andrew Scrivner

Editorial Company: Butcher Editorial
Editor: Teddy Gersten
Assistant Editor: Kelly Henson
Executive Producer: Rob Van
Producer: Justine Smollan

Telecine Company: The Mill
Colorists: Adam Scott

Audio Post Company: Margarita Mix
Audio Post Mixer: Paul Hurtubise

Music Company: Music Beyond and Position Music


    

Why the Ad Business Is Like the Human Centipede, Part 2

Whit Hiler is extremely, disturbingly obsessed with The Human Centipede. The Kentucky adman and beardvertising pioneer, who once posted a fake flier to Reddit inviting people to reenact scenes from the movie ("Just for fun. Guys only"), also teamed up with co-worker Jason Kaufmann last Halloween to create the "Ad Agency Human Centipede Infograph." The handy chart explained how creativity in advertising, from brief to finished ad, is basically one long, unsavory multiple-ass-to-mouth digestive process.

Now, Hiler and Kaufmann are back with a sequel—or a second sequence, if you like: "Ad Agency Human Centipede Infograph Part 2." The sequel celebrates the hottest new trends in advertising, like native advertising and real-time marketing, and the hottest new job titles, from director of emerging media to senior chief culturist to senior listologist.

Behold the horror below.


    

Director’s Loopy Pitch Video Is Too Insane for the Client, but You’ll Enjoy It

Tony Benna, a director at Mekanism, had some interesting ideas for a recent pitch to a client—and roped in some Mekanism co-workers to be the actors in his pitch video.

He tells AdFreak:

"The idea behind this specific pitch was to play off the idea of the incredibly stupid stuff people do when they are bored. Anyone that has ever played with a clothespin or binder clip inevitably tries to put it on their nose, or lip, or ear or whatever … So the thought was to show a montage of people doing incredibly stupid things by themselves. We see each person in a slow-motion stupid thought with a simple object, and then cut back to them doing a completely unexpected stupid action.

"This is where it got interesting, I went in to shoot the video without any real ideas for these vignettes, so I improvised! The results were unfortunately WAY too far out there for the client, and pretty much everyone that saw it. So it got killed. A few weeks ago I had a good friend in town and he asked to see some of my recent work. I stumbled across the raw footage from that pitch video and we were literally crying laughing. Not so much at the ideas, but at the torture I put my friends through. That coupled with my unapologetic monotone direction coming from off screen made it hilarious! So I decided I should repurpose the footage, and show the true madness behind a Mekanism pitch video."

Check out the inspired stupidity below. Via The Denver Egotist.


    

Man Develops Friendly, Possibly Obsessive Feelings for Kindle’s Mayday-Button Woman

Amazon's three-ad series for the Kindle Fire HDX's Mayday button, which allows a one-way video chat between users and Amazon experts who can troubleshoot problems, feels like the start of a romantic comedy. Not because it's funny or cute, but more because it's absurdly unrealistic. Anyone half as photogenic as Amy would quit that job before lunch, and the average customer is even more creepy and/or unpleasant than this guy. And where is she calling in from, anyway? Her office looks like the cityscape from the Bourne Identity movies.


    

Night Light Glow In The Dark Condoms

Advertised brand: Night Light
Advert title(s): Night Light glow-in-the-dark condoms: LED
Headline and copy text (in English): Light up her night!
Creative Directors: Vinay Saya, Siddarth Basavaraj
Art Director: Vinay Saya
Copywriter: Siddarth Basavaraj

Print ad for Night Light condoms

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20 Years of ‘Got Milk?’

—Jeff Goodby of Goodby, Silverstein & Partners wrote "got milk?"—one of the greatest marketing taglines ever. Here, he looks back at the campaign on its 20th anniversary.

It is perhaps the most boring product imaginable.

We have all tried it. Most of us already own some. There is very little to say about it.

Milk is not new. It is not improved. It is white.

And so it was that when the California Milk Processor Board first asked us to pitch their business in 1993, we were shockingly ambivalent. A number of us simply thought the product was inherently too boring.

Oversimplifications of the history abound. Here's what really happened: Jon Steel and Carole Rankin were at a focus group when the clouds parted and a woman said, "The only time I even think about milk is when I run out of it." Goodby scrawled "got milk?" on a poster board for a meeting and decided it might be a tagline. And Silverstein set it in that typeface that has by now been appropriated ("got ____?") by lots of junk, donuts, wine and Jesus folks.

And of course, a 20-year downturn in California milk consumption leveled off and has even headed upward now and then.

Actually, there were a number of false starts before all that, as you can imagine. Someone noted that people always seem to drink milk along with something else—which was a fine insight, but they wanted to call the campaign "Milk and…" There was also a contingent that perhaps loved hard, milk-fed bodies and whiter teeth a little too much.

In the end, however, the consummate patience and advice of the California Milk Processor Board members, their directors Steve James and Jeff Manning and a cadre of artists like Kinka Usher, Noam Murrow, Michael Bay, Tom Kuntz, Jonathan Elias, Don Piestrup, Terry Heffernan, B-Reel and Method (and hundreds of others there is not room to name) made all the difference. Not to mention dozens of my favorite people ever to have worked at Goodby Silverstein & Partners (if I begin listing them, I am certainly in trouble).

Our research shows that "got milk?" has become the most remembered tagline in beverage history, outstripping those of beer and soft drink companies with budgets many times the size of ours. It is so ubiquitous, in fact, that people don't think of it as a tagline anymore. It is a piece of culture that was always just … there.

We have always felt that it's fitting that the campaign got its start in California, which is at the leading edge of experimentation and health trends. But it has been a long time since it was exclusively a GSP creation. After a period in which the California campaign ran nationally, it has been ably extended by a number of national agencies, and extended into Hispanic America by John Gallegos with a unique humor and artistry.

In short, we have all been very lucky to find each other and have this happen. When something lasts 20 years in a very pure form, it reminds us all how much serendipity and chance contribute to what we like to think is a very orderly, brilliantly orchestrated process.

I wouldn't trade it for anything. May we have 20 more, please.


    

Trying to Sell Your ‘Slightly Haunted’ Condo? Century 21 Can Help.

As if putting Walter White's house on the market a few weeks back for Breaking Bad's finale weren't enough, Century 21 and Mullen return with five fun videos that channel the Halloween spirit.

The clips take place in a "slightly haunted" house and were actually shot in a single day in the home of Mullen group cd Tim Cawley, who wrote and directed the campaign. (He's quite the boo-ster of scary movies, with two horror shorts to his credit).

In one clip, "Master Suite," a claw reaches out from beneath a bed, grabs a pair of slippers and devours them. Another video, "Playroom," features a toy box with a ghostly inhabitant. Household items—chairs, doors, shoes, candle holders—move by themselves in several clips, including "Pet Friendly," which stars Duke, Cawley's Great Dane puppy, who looks cute enough to charm any poltergeist.

At the end of each vignette, on-screen copy—"Yeah, we could sell it"—assures us that even though the place has some slight supernaturally issues, Century 21 is up to the challenge. No Realtors are shown. Guess they would've scared prospects away.

Check out all the clips after the jump.


    

TWBC : Water Calendar

Water is the driving force of all nature.
When water is in abundance, conservation is not in our thoughts. Slowly but surely, water, like all other natural resources is depleting and drying up, thanks to our callous disregard for future generations and the planet. When realisation dawns, it will be too late that the very water which infused life on Earth dies and the planet is an inferno.
Wishing peace & prosperity for the year ahead. Celebrate Diwali responsibly.

Advertising Agency: TWBC Marcom, Cochin, India
Creative Director / Art Director / Illustrator: Syamkumar S
Copywriter: Rajeev TR

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‘Skip’ Button Shows How Easily Job Interviewers Can Ignore Ex-Cons

If job interviews had a skip button, would anyone be willing to hear out an ex-con? That's the question Leo Burnett and a U.K. nonprofit try to make you answer in the innovative interactive clip below.

As the video opens, a young man recently released from prison speaks directly to the camera, as if the viewer is the hiring manager. As he awkwardly tries to tell his story, a "Skip Ad" button appears on screen. Each time the button is pressed and the video restarts, the applicant grows increasingly apprehensive and downbeat, until he's almost begging to be heard. Finally, he becomes resigned to his fate.

"I'm sorry that you don't want to listen," he says to those who've skipped their way to the end. "I hope you can find time in the future to give an ex-offender like me a second chance."

If viewers don't press the button, his pitch, though tentative, gets increasingly upbeat and ends on a hopeful note: "A lot of people just write me off pretty much straightaway as soon as they hear I've been inside. Today's been different. Thanks for that. Yeah. Thanks for listening."

The video by Leo Burnett Change, an activism division of the agency's London office, is part of the "Ban the Box" campaign from the nonprofit Business in the Community, which is pushing for the removal of mandatory check-off boxes on U.K. job applications that ask about criminal convictions. "With the subject of ex-offenders being such a contentious issue, we wanted to create a thought-provoking idea. Something that would make people reassess how they feel toward ex-offenders," agency cd Hugh Todd says in a statement on Leo Burnett London's Facebook page. "Using and subverting the 'Skip Ad' button gave us the perfect opportunity to do this."

That unusual approach underscores the broader message that denying this guy a chance to be heard is like locking him up all over again and throwing away the key.

Try out the video for yourself here.


    

Two Almost Entirely Blank Pages in Today’s New York Times Are an Ad for a Movie

Here's a pretty expensive way to say (almost) nothing: Buy two consecutive pages in the A section of The New York Times, and leave them completely blank except for a tiny URL in 12-point type at the bottom of the second page.

That's what you'll find in today's paper—and it turns out it's an ad for a movie.

The URL, wordsarelife.com, links to a microsite for the upcoming film The Book Thief. The innovative ad ties into the message of the movie's larger ad campaign, "Imagine a world without words," and the film itself, which is about a young girl in Nazi Germany who steals books from war-torn areas and shares them with others.

Twentieth Century Fox approached the Times with the ad concept, and it was approved by the paper's ad standards team. Impressively, it doesn't even feature an "Advertisement" stamp, which you might expect to be added to reassure readers that it's not a printing error.


    

Colorado’s Keg-Stand Ad for Obamacare Is Probably the Dumbest in the Nation

Hey, bro … what's a deductible?

The Colorado Consumer Health Initiative and ProgressNow Colorado Education target young adults, including the oft-maligned and frequently wasted "bro" segment, in a series of shareable Web ads that milk the theme "Got insurance?" to promote access to Obromacare Obamacare.

The most outrageous ad in the bunch is "Brosurance," which shows "Rob, Zack and Sam—bros for life," in all their beer-fueled frat-house glory. Copy begins: "Keg stands are crazy. Not having insurance is crazier. Don't tap into your beer money to cover those medical bills. We got it covered." Zach and Sam also appear in an execution headlined "Club Med," which reads, "Yo Mom, do I got insurance? My girlfriend broke my heart, so me and the bros went golfing. Then my buddy broke my head. Good thing my mom made sure I got insurance."

The rest of the campaign is more conventional. One ad shows a very-expectant young woman "about to pop," while others feature a young mom with her daughter, a guy who was injured in a bicycle crash, a kayaker and a mountain climber. All ads use the #GotInsurance hashtag and point to DoYouGotInsurance.com for more information about signing up for Obamacare.

"We were trying to connect with young adults, and we thought, 'What are things that might connect with college-age folks?'" says Adam Fox, director of engagement for Colorado Consumer Health.

Some have blasted the "Brosurance" and "Club Med" ads as offensive, condescending or simply vapid, lamenting the party imagery and grotesque grammar. Others question whether targeting college-age people is wise, since the Affordable Care Act extends dependent coverage to adult children 26 and younger. That latter complaint seems mean-spirited, since not everyone that age has living parents, and even if they do, many young people, for various reasons, must insure themselves.

Moreover, the work is mildly controversial at best, and I think the nation's psyche is strong enough to withstand a little bro-needling for a good cause. The campaign is getting lots of media attention, which was clearly its aim, and hopefully that will lead the target audience to at least think about healthcare, however fleetingly, between rounds of golf and beer.

More shareable "Got insurance?" ads are on the way in coming weeks. And though she's not from Colorado, I'd like to propose Shelby Herring as the ideal spokesperson for this demographic. Having fun … that's her policy!


    

Domino’s Needles Pizza Hut for Saying It Makes Weekdays Feel Like Weekends

Domino's has fired the latest shot in the pizza wars by disparaging unnamed competitors—OK, clearly Pizza Hut—for overpromising the effect its midweek deals will have on your mundane little life.

"We could tell you that carrying out Domino's on a Monday will bring out the weekend you," says the new spot, from Crispin Porter + Bogusky. That's a not-so-veiled reference to Pizza Hut's recent ads, one of which (also posted below) begins: "Make your weekday feel like a weekend with Pizza Hut's Early Week Deal."

The Domino's ad pushes its own weekday deal—$7.99 for a large, three-topping pizza Monday through Thursday. (The Pizza Hut deal is the same, except only two toppings.) But in keeping with the chain's recent campaign theme of painful honesty, the Domino's ad says promising a weekend feeling from its midweek pizza "would be a lie," adding: "The truth is, pizza alone won't make your weeknight special. It's what you do with it that will."

The ad is amusing, but disingenuous. It closes with a family all laughing together and eating Domino's pizza in their backyard, while watching a movie from an old-time projector on a white canvas staked in the ground. So, Domino's won't bring out the weekend you—but it will bring out the spontaneous, fun-loving, perfect-parent you who suddenly does things, like watching movies in the backyard, that only happen in commercials. That, of course, is as much a fantasy as saying your Tuesday will be like a Friday.

Domino's can pretend to be above the fray, but it's playing the exact same game. And isn't that, in the end, actually more dishonest?


    

Penguin India by McCann Worldgroup

Advertising Agency: McCann Worldgroup, Mumbai, India
Chief Creative Officer: Prasoon Joshi
Executive Creative Director: Ashish Chakravarty
Creative Directors: Talha Nazim, Rohit Devgun
Copywriters: Talha Nazim, Rohit Devgun
Art Directors: Rohit Devgun, Talha Nazim
Illustrator: Lamanoestudio.cl
Typographer: Rohit Devgun
Account Supervisor: Bhakti Malik
Advertiser’s Supervisor: Hemali Sodhi
Senior Visualiser: Nobin Dutta

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