Well, We Figured as Much: Vitrone, Reichenthal Reunite with Gerry Graf

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As sources hinted yesterday, we were on to something when we started hearing that longtime creative partners Scott Vitrone and Ian Reichenthal were leaving Wieden + Kennedy New York, which the agency eventually confirmed. Our guess was that the duo, which has been working together for nearly 15 years, was joining Gerry Graf‘s NYC-based Barton F. Graf 9000, a notion that was only heightened when we got this tip around the same time: “Eric Kallman was let go today from BFG9000. It was totally unexpected.” There’s no confirmation on the nature of his departure but yes, that Eric Kallman, the award-winning copywriter behind “The Man Your Man Could Smell Like” for Old Spice who left W+K in early 2011 to rejoin old TBWA colleague Graf, but who’s now been left as a mere footnote in the BFG 9000 news about Vitrone/Reichenthal. When we called BFG 9000 yesterday, we were told simply that Kallman was “not available.” Ah well, why steal the thunder, read on here.

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Here’s a Quick Status Update on Coca-Cola, iCrossing (Updated)

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We figured we’d kick things off by addressing tips we received on the Spy late in the day yesterday regarding the relationship between Coca-Cola North America and Hearst-owned digital agency, iCrossing. From what sources in the know tell us, due to “a shrinking budget,” it was a mutual decision for Coke to “streamline a small piece” of its North American paid search business with Starcom MediaVest Group. While SMG hasn’t responded to our inquiries as of yet, it appears that iCrossing, which actually expanded its search relationship with Coke NA nearly two years ago, is still very much in the mix.

According to sources, iCrossing is still managing the soft drink giant’s biggest North American paid search effort, My Coke Rewards, and remains Coke’s global search AOR. In addition, we’ve been told that Coke has tapped iCrossing to manage its supplementary search campaign to support its Sochi Olympics sponsorship.

Update: Well, the Coca-Cola camp has chimed in and wants to clarify its relationship with SMG. A spokesperson, who tells us the “shrinking budget” issue is actually not an issue, says, “Coca-Cola is extending our relationship with SMG to drive greater innovation, efficiencies and effectiveness across platforms. By integrating search into our overall connections plans, this further enables our Company to take a major step forward in building best-in-class connections plans scaling across owned, earned, shared and paid media channels.”

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john st. Takes Experiential To A Darker Place

To compete with the recent wave of extreme pranks from marketers, Toronto agency john st. has launched their own exFEARiential marketing division. Muggings, carjackings, riots – there’s nothing they won’t do to get their client’s brands noticed.

I love how there is no disclaimer at the end of this video, and two “client” videos for further viewing. It makes you wonder if john st. is serious. Although the question here is not, “Is john st. serious?” The question is are the agencies and brands pulling very real stunts on unsuspecting people, serious?

Last month, Luke Sullivan wagered that he’s “not the only one who hates this crap.”

I’ve told several friends how much I hate these fear-producing stunts, and some of my buddies just tell me to shut up and get over it. Maybe I am wrong. Maybe I’ve become the old guy on his porch shakin’ his fist and yellin’ “Now you kids git offa my lawn!”

The ad industry is already thought by many to be a manipulative shell game played by semi-skilled hucksters. Why in the world would we–the ad people of the world–add to this negative public perception with even more manipulative crap?

Are the perpetrators here really that careless, arrogant, and operating with a total lack of respect for the consumer and knowledge about what works?

Clients want to sell their products or services, and they want their communications to create long term brand value while simultaneously driving purchase consideration. It’s fair to ask if live stunts that capture the imagination in a disruptive way do either.

The post john st. Takes Experiential To A Darker Place appeared first on AdPulp.

Advertising People Love Bourbon, Porn And Muting Ads

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Lowe Roche took it upon themselves to dig into the likes of advertising types. What did they come up with? Advertising people drink nine times more bourbon then the average person and they watch porn 1.7 times as much. Booze and porn. Yea, they pretty much sums up the ad world, doesn’t it?

In john st.’s World, Fear is Key to Great Brand Experiences

WPP-owned, Toronto-based john st. continues in its great annual tradition of taking the piss out of the industry as part of its pitch for Strategy‘s Agency of the Year awards (we covered fellow Toronto agency Lowe Roche’s entry earlier today). In its follow-up to last year’s introduction of a “professional clicking service” called Buyral, john st. gets more aggressive, scaring the bejeezus out of total strangers (well, at least let’s play along) as part of the a new marketing strategy that the agency’s christened “exFEARiential.”

It’s just as absurd/amusing, if not more so, than previous john st. AOY videos including Buyral as well as predecessors, Catvertising and Pink Ponies. It looks like we aren’t the only ones that get a kick out of “exFEARiential” as it picked up Best Agency Video at the Strategy awards, where john st. also took home gold for Agency of the Year and bronze for Digital Agency of the Year. FYI, if you stick around til the end of the clip, you can click on separate videos of the stress tests featured above (or if you’re just unwilling to wait, go here and here). Credits after the jump.

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T3 Makes Some Cuts

t3-logoDetails are a bit vague on this one, but sources familiar with the matter confirm that T3 has cut some staff across its U.S. network that includes its Austin HQ as well as offices in New York and San Francisco. From what we’ve been told, the number of those affected is “less than 10.” Sources tell us that an undisclosed technology client that T3 has been working with for the past three years, which they say the agency has grown business “significantly” for, was recently acquired, resulting in a consolidation of some of its marketing efforts. We’ll try to find out who this client is, but sources say that while T3 is still doing work for the tech account in question, the agency had to make a “slight staff reduction” as a result of the consolidation. Update: Folks on the Spy line tell us that the tech client is MetroPCS, which was acquired by T-Mobile earlier this year.

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Lowe Roche Mines Data, Reveals Ad Folk Like to Drink Alcohol, Watch Porn Among Other Things

Lowe Roche respects the data. In a video for Strategy Agency of the Year Awards, the Toronto-based company provided some education on the habits of the ad employee demographic. Not just tidbits about dieting and working, but the juicy stuff: you know, alcohol and porn. As someone who works with data just about every day (for sports, not survey research) I definitely appreciate a math-based approach to an industry full of projects that often rely on intuition and copycat trends. Product-research data can always be manipulated or ignored or conducted incorrectly. Steve Jobs once said, “People don’t know what they want until you show it to them,” and he was right. But demographic data is usually helpful and meaningful.

Here are a few lighthearted and self-deprecating mathematical takeaways from the clip, according to PMB Advertising Vertical Analysis 2013:

– Ad people drink nine times as much bourbon as the average Canadian.

– Ad people watch 1.7 times the amount of pornography as the average Canadian.

– And ad people are 1.6 times as likely to mute the sound in TV commercials as the average Canadian.

At least we can all agree that television commercials are typically bad. Buy some Jefferson’s Reserve. Drink up. Credits after the jump.

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Pernod Ricard Awards Chivas Global Digital Duties to AnalogFolk

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Following a review, Pernod Ricard has expanded its relationship with London/Sydney-based indie creative agency AnalogFolk, which has now been awarded global digital/social media duties for its luxury whiskey brand, Chivas Regal, which the spirits giant lists as of one its two “global icons” (the other being Absolut). AnalogFolk, which just opened up shop in New York a couple of months ago, now adds to its existing Pernod Ricard portfolio that includes Malibu (which AF also serves as global digital agency for) as well as brands such as Luksusowa, Kahlua and Wyborowa.

In a statement, Chivas Regal global brand director Richard Black says, “This is an important development in our digital plans for 2014. During the digital review process, we were impressed with AnalogFolk’s strategic thinking and innovative creative ideas. We look forward to working closely together to make these ideas a reality.” No word yet on who else participated in the pitch, but AnalogFolk takes over for EVB (specifically the London office, which declined to participate) on the Chivas global digital biz. AF will now work closely with Havas Worldwide and Ketchum, which handle above-the-line advertising and PR, respectively, for Chivas on integrated projects.

 

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Posner, Miller Advertising Join Forces

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A pair of New York-based agencies have aligned as 54-year-old Posner Advertising has merged with Miller Advertising, whose Big Apple roots date back to 1919. We just spoke with Bob Posner, who leads Posner Advertising with brother, Peter. He tells us, “Yes it is true that Posner Advertising has aligned with Miller Advertising. Going forward, the Posner Team will be branded PosnerMiller and we will be a division of Miller Advertising.” Both Posner and Miller, though, will continue maintaining separate offices.

Meanwhile, Bob Posner tells us that the agencies’ respective client rosters, which has included everything from Sbarro and L’Oreal to NYC Department of Health and Quiznos, won’t be affected by the merger. As far as staffing is concerned, though, he adds, “Ownership of both agencies recognized that cost efficiencies could be realized by combining resources.  While this has resulted in scaling back of a few of Posner’s back office personnel, the synergies created will allow us as a group to expand our digital and mobile offerings to stay ahead of the curve in an ever changing media environment.” We’ve been told that total staff count at PosnerMiller now stands at approximately 100.

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Bayer Shifts Animal Health Media Planning Duties

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We’ve received confirmation that Bayer HealthCare, the pharma/medical products-focused subsidiary of 150-year-old German company, Bayer AG, has awarded U.S. consumer media planning duties for its Animal Health unit to Kansas City-based Consumer Orbit following a review. The Animal Health U.S. planning account, which sources say is worth approximately $30 million in spend, was previously handled by PHD.

According to folks on the Spy line, PHD did participate in the review for the biz along with MediaCom and Energy BBDO, though we’ve yet to receive confirmation on this. Consumer Orbit, a company that focuses primarily on media planning and analytics, referred all inquires to Bayer HealthCare, which just so happened to  open up its new U.S. headquarters (pictured above) on a 94-acre campus in Whippany, NJ a few weeks ago.

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Chobani Adds MARS to Agency Roster

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Well, this slipped through the cracks while yours truly was on “vacation” last week. Sorry for the lag, but we should mention that Greek yogurt giant Chobani has continued fleshing out its agency roster as it’s now appointed 40-year-old, Southfield, MI-based MARS Advertising as its shopper marketing agency of record. According to those in the know, there was no review or incumbent on the Chobani shopper marketing account. Regarding the brand’s decision, though, Chobani SVP of marketing Brad Charron says in a statement, “When looking for a partner in the shopper marketing space, we simply wanted to work with the best shopper marketing agency in the industry. We found MARS’ ability to shape the consumer buying experience through its deep understanding of today’s shopper invaluable and look forward to a long-lasting relationship with their team.”

MARS, which has also worked with notable clients like Walmart, Pfizer and Diageo, now joins a Chobani agency roster that includes Droga5 and Weber Shandwick, which the brand tapped to handle creative and PR duties, respectively, two months ago.

 

 

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Stolarz Steps into Director of Strategy Role at MRM

arianamrmfeatAfter spending the last four years at mcgarrybowen, where she last served as managing director/digital strategy & social media, Ariana Stolarz has, as of last week, officially moved on and joined up with MRM, where she now serves as EVP/director of strategy for the agency’s eastern region that includes the New York and Princeton offices. According to the MRM buildup, the new EVP’s “perspective on building global insights and ideas across brands, geographies and culture will add tremendous benefits to our clients, navigating the intersection between strategic branding, digital transformation, and the world we live in.” Someone cue some dramatic flair from Hans Zimmer, stat.

Anyways, Stolarz replaces Adam Donnelley, who you may recall left MRM this past summer and headed back to his native Australia, where he now serves as managing partner at DDB Sydney. As for Stolarz, prior to mcgarrybowen, the exec spent several years on the digital strategy side at the Vidal Partnership as well as JWT.

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EVB Welcomes Pair of Senior Writers with ‘Star Wars’ References

kategettyhomeSan Francisco-based agency Evolution Bureau (or EVB if you will), which is perhaps still recovering from last Friday’s Ad Ghetto Bl0ck Party, has brought on a pair of senior writers in Kate Getty and David Satterfield. Normally, appointments like these might be relegated to the news roundups, but we got a little kick out of the Star Wars-referencing welcome memo sent to EVB staff last week announcing the pair’s arrival. But, as the EVB staffers who happen to be hardcore fans of George Lucas‘s brainchild have pointed out to the authors, the Star Wars quotes are from Episode III while the image toplining the memo is from Episode IV. Tsk tsk.

Anyhow, as elaborated upon below, Getty joins EVB after spending nearly four years as a senior copywriter at Draftfcb San Francisco while Satterfield worked as a copywriter at Boulder’s Made Movement prior to assuming his new role. Read on below for the somewhat colorful memo, complete with Luuuuuke:

 

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Subject: You were the chosen ones! It was said that you would destroy the Sith, not join them.

 Heroes of The Confederacy! You may have noticed some new faces prairie dogging up from the cubes this week. That is because we have three new members of the EVB team! I know, right?!
Check out Senior Writer Kate Getty. She came to us all the way from across the street. Big fan of bow ties, Bourbon (she’s from Kentucky), and dancing, that Kate. In her own words:
Kate spent the past three-and-a-half years directly across the street at dfcbsf.com, working on Air New Zealand, Kikkoman, Dockers, Ooma, EA and Habitat for Humanity. She doesn’t smoke, but still met Hilldawgg on the corner last year, where they challenged each other to a dance fight. Before that she was working in Austin in the green sector at the social marketing agency Enviromedia.com, working on keeping the world beautiful and water around for a while longer. And before that, she got her start as a bartender at The Cock Pit (really), while working at The Butler Bros. (now Bogusky/Fearless Cottage’s storytelling partners, for the Crispin boys) to get her start, working on Livestrong and Sweet Leaf Tea. She’ll talk to you about: food, surfing, dancing, physics, and spirituality.

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Saatchi & Saatchi’s ‘Miraculous Hen’ Launches Andes Barley Wine

What could be more appropriate than a beer post on a Friday afternoon?

Saatchi and Saatchi Del Campo’s new spot launching Andes Barley Wine features a most enviable bird: a hen who lays beer (specifically Andes Barley Wine) instead of eggs. Who wouldn’t want to own one of those?

First, a little terminology for the uninitiated. Barley wine is a strong, top fermented ale originating from England in the 18th century. It typically has around 8-12% alcohol by volume. Translation: This shit is strong and will get you crunk if you drink it like you would a lager. The word “wine” is meant to indicate that the ale has similar alcohol content to a wine, not that it tastes like or resembles wine.

“Miraculous Hen” was shot in Uspallata, Mendoza and directed by Agustín Alberdi. The scenic location makes an excellent backdrop for the spot, a lighthearted and humorous 1:11 devoid of dialogue. When a man finds that his chicken lays beer instead of eggs he is, predictably, very happy. He hops on his motorcycle to show an understandably skeptical friend the miracle and chases off a dog who is after the bird. Soon he’s sharing the beer with a group of friends, as there’s plenty to go around. When the bird suddenly starts laying eggs again instead of beer, the man cooks up the hen with the fresh laid eggs. It’s a simple spot that succeeds at being memorable without any dialogue whatsoever. I’ve never had barley wine before, but as someone partial to strong ales, this spot makes me want to try Andes Barley Wine. So, mission accomplished. Credits after the jump. continued…

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Commerce Bank Moves Biz to Olson

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It’s been a few months since we’ve heard about the goings-on at Commerce Bank, which parted ways with Kansas City-based agency Bernstein-Rein after 14 years this past summer. Well, the financial institution has finally made a decision and has appointed Olson as its new agency of record. The Commerce win comes just a week after the Minneapolis-based full-service digital agency took over on North American duties for electronics brand Sharp.

Regarding the move to Olson, which follows a national agency search, Commerce EVP/corporate marketing director Eric Steinhouse says, “We talked to a number of outstanding agencies, but Olson’s strategic and multi-channel expertise set it apart. They connected with us, and they connected all the dots.” As AOR, Olson will pretty much handle it all, from strategy and research to advertising, media buying/planning and analytics for Commerce, a 148-year-old brand that boasts 200 banks from Illinois to Colorado. Sources tell us that Olson beat out Richards Group and Rodgers Townsend for the Commerce account.

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RPA Can’t Get Enough Halloween Cheesiness

RPA, the agency behind the “#HauntedHonda” misfire we wrote about yesterday spent their Halloween day throwing together a series of zombie apocalypse clips in our commentors’ favorite medium: Vine. Entitled “#RPApocalypse” (Get it? RPA ends in an “A’ and…yeah you get it), the poorly produced Vines tell fragments of a story about the RPA office being overrun with zombies. The ten parts were produced and uploaded over the course of the day yesterday. This kind of illustrates the problem with the Vine format. While some people try to do something interesting with Vine (as in, put in time and effort), it’s way too easy to just goof around and throw together some four second clips in one take (clearly the case here). In all likelihood, these clips took as long to load on your computer as they did to make. It makes you wonder why someone would bother to create and share this in the first place.  

Maybe I’m being a little unfair. RPA clearly just wanted to have a little fun on Halloween. But then the question becomes: Why would anyone want to watch this? I really don’t have the answer. We’ve included two of the Vines above, and if you wish to see the rest (who are you?), you can check it out here.

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And Thus, Movember Has Begun

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We’re figuring that this just the tip of the iceberg as it’s only day 1 of Movember, the month in which the fellas hide their razors and grow their facial hair in all shapes and sizes (and let’s not forget the ladies have had an increasing presence each year, too) in order to raise awareness (and money) for men’s health issues. We’re sure there will be plenty of agencies chiming in as part of the industry’s annual Movember fundraising competition, but first up to bat is Red Peak Branding, a unit of NYC-based Red Peak Group, whose CEO James Fox sent out a memo this morning regarding his agency’s guidelines for taking part. See below:

“Today is the start of Mo’vember which means the mustache contest is on….
Here is how it works. All competitors must be clean shaven today, or if not today first thing Monday. Joon will be taking pictures today of all the competitors so the judges have a clear before and after shot.
Competitors may grow a mustache, beard, half beard, goatee or whatever until Friday 29th [November] at which point they must convert into a mustache. All competitors must come to the event wearing an appropriate outfit to accompany their mustache (lumberjack, greaser, 1920’s Dandy etc)
 
All the women in the agency who wish to do so will be judges at a special event on the 29th [November]
Competitors will receive points on the following three attributes:
  1. Lustre – How bushy and lustrous is the mustache in question (5 points)
  2. Creativity – How creative is the mustache and outfit (Gentlemen see mustache chart attached for ideas) (5 Points)
  3. Effort – You don’t need a monstrous mustache to win this competition – points will go to the best before and after pics (5 Points)
All those that want to get involved, both judges and competitors will pay $5 on the 29th of [November] and the proceeds will go to the USA Men’s cancer charity”
Is this the standard protocol for all agencies taking part in the Movember battle? Whatever the case, feel free to send over more efforts and if you need grooming suggestions, you can check out a larger version of the top image after the jump.

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Cornett-IMS Crafts the Best Horse Farm Ad You’ve Ever Seen

Lexington, KY-based Cornett-IMS, the agency behind “Beardvertising” and whose creative/biz dev guy Whit Hiler also co-masterminded  “Kentucky Kicks Ass,” have crafted the best long and short-form advertisements for a horse farm I’ve ever seen (and also the only long and short-form advertisements for a horse farm I’ve ever seen).

They teamed up with Eye Level Films to create “The Lane’s End Experience: A Short Film,” actually a long ad for Lane’s End Farms, which we’re told is “one of the world’s premier Thoroughbred farms.” It’s not hard to believe that after watching the video. There’s rolling green grass as far as the eye can see, attentive caretakers, and plenty to eat. If I was a horse, I think I’d really enjoy living at Lane’s End. The ad tells the story of Lane’s End beginnings and rise to prominence, with plenty of breathtaking scenery and majestic horses galloping through the countryside. If you’re looking for a horse farm, are a horse, or just love horses, it may be worth sitting through the 4:20 ad.

All kidding aside, it’s very well put together, managing to tell a story in a visually stimulating way over the course of its somewhat long running time. “The Lane’s End Experience: A Short Film” is available at the new Lane’s End website. There’s also a :30 version, which will premiere (appropriately enough) this weekend during the 30th Annual Breeders’ Cup World Championships on NBC Sports.

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Great Clips, Compass Point Media Part Ways After a Quarter-Century

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The folks on the Spy line were spot-on as we’ve received confirmation regarding the status of Compass Point Media’s longtime relationship with hair salon chain, Great Clips. A spokesperson tells us, “Great Clips has ended its 25-year relationship with our Compass Point Media unit.  We’re proud of the work we’ve done together over the past quarter century, particularly in developing local connection strategies nationwide. And we wish them continued success.”

During their time together, Compass Point, which currently houses over 125 strategists, analysts and negotiators and also works with clients such as Airborne, Supervalu and General Mills, handled media buying/planning across channels for Great Clips from TV and digital to print and outdoor.

As for where Great Clips’ media duties are headed to next, sources in the know tell us that they’ve now been handed over — minus review — to fellow Minneapolis-based agency, Periscope, though the agency is not commenting on the matter as of yet.

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Trick or Treat Sasquatch this Halloween via space150?s Effort for Jack Link’s

This past Sunday, Minneapolis-based space 150 launched its #tricksasquatch or #treatsasquatch social campaign for Jack Link’s, for which it serves as digital AOR.

I’m not sure if Sasquatch or beef jerky have all that much to do with Halloween, but I wouldn’t have minded getting beef jerky while trick or treating as a kid, so it kind of works I guess. After asking fans of the brand whether they would trick or treat the Jack Link’s mascot, Sasquatch is sending personalized responses based on whether fans want to trick or treat him. Fans could even receive a photo or video response from the hairy jerky mascot. Jack Link’s is also ”engaging fans through a brand and Halloween relevant keyword strategy.” They are retweeting the responses from @mesasquatch at @JackLinks and posting photo and video responses on Facebook.

Kevin Papacek, director of marketing for the brand, says, “We love Halloween and our fans love Halloween, which is why we have created an engaging and delightful experience for fans that embodies the Halloween spirit,” in an experimental announce determining how many times the word “Halloween” could feasibly be worked into a sentence.

Pro wrestler James Storm replied to Sasquatch with a video (featured above) in which he leaves the beast a beer and a bag of jerky. How sweet. Or should I say, salty?

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