Lowe Campbell Ewald Officially Heads to Motor City HQ

-9Last summer, we brought you news of Lowe Campbell Ewald‘s impending move to Detroit.

Now, Lowe Campbell Ewald has officially opened its new downtown Detroit headquarters, after 36 years in Warren, Michigan. The relocation is something of a homecoming for the agency, which spent 67 years in the city following its formation in 1911. The new office is located in the original J.J. Hudson Co. warehouse at Ford Field, home of the Detroit Lions. Lowe Campbell Ewald’s new 122,000 square foot space retains the classic “industrial look of the 1920s-era warehouse, leaving duct work and concrete columns exposed.” The space features 100 meeting pods and collaboration spaces, as well as “a three-story LED video wall (the first of its kind in Detroit) and sustainable solutions throughout.”

Over 500 employees will be relocating to the new headquarters, which marks the latest in a series of shakeups for the agency. The past six months have seen the announcement of new leadership, an alignment with Lowe and Partners, and the addition of a New York office, along with considerable new business with clients such as Atkins, LifeLock, Western Governors University, the Detroit Lions and University of Michigan.

“This is a transformative moment for Lowe Campbell Ewald,” said recently-appointed Lowe Campbell Ewald CEO Jim Palmer (not to be confused with Orioles Hall of Fame pitcher/The Money Store spokesperson Jim Palmer). “Detroit is attracting creative and entrepreneurial talent from all corners of the globe, and we want to be part of that movement…Lowe Campbell Ewald was founded in Detroit nearly 103 years ago – it’s great to be back home and contribute to the city’s revitalization.”

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Here’s a Statement from an Advisor on Lowe/Profero Deal

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In case you haven’t heard, IPG-owned Lowe & Partners has acquired global digital agency Profero, which will now be known as Lowe Profero and led by global CEO, Wayne Arnold. One of the advisors on the deal is Results International, whose senior partner Andy Collins offers this comment below. Terms of the deal were no disclosed, but Arnold offers this statement: “This is an important and exciting next step for both of our teams.  We have invested a lot of time and thought into bringing this new network to fruition. We know each other well, we work together seamlessly and we both believe in and understand the benefits of a complementary and integrated advertising and digital offering.   Digital sits at the core of all future advertising. That’s what Lowe Profero will deliver globally for our clients, giving us a highly relevant and distinctive position in the agency network market.”

 

“As one of the few remaining major independent international digital agencies, Profero is an obvious target for any buyer looking to build its global digital capabilities.

 

It has extensive multi-region capabilities, including key markets such as the US and Asia. It was one of the first western digital players to enter the Chinese market and the agency’s senior management has demonstrated huge commitment to growing its business in Asia. It is highly respected for its growth – particularly impressive when you consider most of it is organic – and for the quality of its management team and the ‘Profero way’ of thinking.

 

If you look at some of the recent big deals in the sector, they’ve been driven by client synergy as well as capability. BlueFocus cited this when it acquired We Are Social at the end of 2013 and this Profero-Lowe deal is no exception, with both parties sharing the Unilever account.

 

But what really makes the deal attractive for Lowe is Profero’s joined-up approach and global scale. With so many M&A deals in marcoms these days being about a larger buyer acquiring a niche business, it’s still vital for the networks to be able to seize whole new markets and technologies with a single, large-scale acquisition.

 

So, what does this mean for the mainly smaller digital agencies with much less scale that remain? Without global capabilities we will see them working to forge partnerships and alliances, both formal and informal of a kind that will allow them to compete for the big international briefs that would otherwise remain out of their reach.

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Campbell Mithun Welcomes David Carter as CCO

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Minneapolis-based agency Campbell Mithun has announced the hiring of industry veteran David Carter, formerly of BBDO New York,  as its new chief creative officer.

Carter is one of the most highly awarded creatives in advertising today, with two of the One Show’s Top Ten Campaigns of the decade with BMW Films and HBO Voyeur. He’s worked with clients including BMW, Amazon, Starbucks, HBO, AT&T, Chrysler, Jeep, Pepsi and Glenlivet Whisky.

“David’s body of work over the years is testament to his belief in platform creativity—drawing upon data, technology and emerging media to deliver brand stories,” said Campbell Mithun CEO Rob Buchner.

Carter was equally optimistic about the move, stating, “You only have to read a headline or two each day to see how quickly the agency and media worlds are changing. The combination of Campbell Mithun’s legacy of big, brand ideas and its commitment to new media thinking and strategy is the perfect fit for me. I couldn’t be more excited.” Carter reported for duty at Campbell Mithun today, representing the agency’s “latest investment in talent since Rob Buchner took the helm in mid-2013.” Other recent moves at Campbell Mithun include Steve Adrndt‘s promotion to COO and the hiring of Denis Budniewski as director of account leadership and growth back in September.

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The Corner London, Nick Santonastasso Prank Norman Reedus of ‘The Walking Dead’

For the first installment in the global social media driven campaign “#getFOXed” for FOX International Channels (FIC), The Corner London enlisted The Walking Dead superfan and Vine “Zombie Prankster” Nick Santonastasso to pull an elaborate prank on cast member Norman Reedus.

The 17-year-old Nick Santonastasso, who was “born with a rare condition called Hanhart syndrome and has only one arm and no legs,” has become an inspiration to countless kids and adults living with disabilities. His sizable social media following and rabid The Walking Dead fandom made him the ideal candidate to launch this campaign, which also functions as something of a follow-up to Santonastasso’s own “Zombie Prank” Vine series.

The Corner London flew Santonastasso out to Tokyo, where cast members were promoting the new fourth season of the show, and the show’s special effects expert, Greg Nicotero transformed him into a walker. Cast member Andrew Lincoln also helped Santonastasso pull off the prank, and seemed pretty delighted to help scare the unsuspecting Reedus. It all came together pretty well, and Reedus’ reaction doesn’t disappoint. The stunt has already proved a huge success, racking up 3.2 million views in its first 48 hours and is now almost at the 5 million mark. The fourth season of The Walking Dead makes its premiere on FOX channels outside of the US on February 10th. Credits after the jump. continued…

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Amsterdam Worldwide Shows Both Sides of Sony VAIO 2-in-1 PC

Amsterdam Worldwide has a new campaign promoting Sony VAIO, l Flip PC, VAIO Tap 11, and VAIO Duo emphasizing the laptop/tablets appeal to both people’s playful and serious sides.

The new campaign, entitled “Both of You,” features four 2-in-1 characters, with the two sides of each personality battling each other, emphasizing that “sometimes we need to work, and sometimes we need to play.” In each of the four spots, neither side of the character wins a definitive victory in their battle of wits, another illustration of how the versatility of a laptop/tablet in one lets both sides of your personality get their way. “Our tech devices have become very personal extensions of ourselves – the question is ‘which self?’ We all have more than one. Now there is truly one device that can handle both of you, so we created a story to bring that to life,” explains Amsterdam Worldwide executive creative director Richard Gorodecky.

“Both of You” has already proven itself a big success. The four online spots debuted in December and combined have already received over 1.5 million views, and that’s without any media spend. The online campaign rolls out in earnest on January 27th, on platforms such as YouTube, Hulu, and AOL (for some reason). “Both of You” will also launch in international markets, including Japan, Asia, Europe, and Latin America. Stay tuned for “Both of You (Marla)” and credits after the jump. continued…

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Nerd + Vespa = Hipster?

-5According to a new creative print campaign from ACW Grey Israel, the difference between a nerd and a hipster is quite small. In fact, add a Vespa and any nerd is instantly transformed into a hipster (even without relocating to Williamsburg).

The simple print ad campaign features two images, a nerd on the left (suspenders, glasses and rolled up pants for the guy; glasses and conservative dress for the girl), and the same photo with a Vespa superimposed in front of the given nerd on the right. Both images are clearly labeled, with the left image reading “Nerd” and the right reading “Hipster.” The campaign acknowledges the blurry boundaries between the two terms, but also assumes that nerds aspire to be hipsters, which I’m not convinced is the case, and that they will believe that the Vespa will make that metamorphosis a possibility, serving as some sort of Hipster Badge of Honor or something. At any rate, it’s a clear indication that Vespa is aware of their popularity with the hipster crowd and now attempting to capitalize on it. Of course, an ad campaign obviously directed toward hipsters is probably the quickest way to curb your appeal with the hipster crowd, so it’s kind of hard to tell who this campaign is going to impact. Young, aspiring hipsters? Aging nerds desperate to appear hip? Again, hard to tell. Stay tuned for credits and the second print ad after the jump. continued…

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Marriage Has Been Removed by User: Wing’s YouTube Divorce Ads


Just in case you were too happy about the impending weekend, we’ve got some advertisements for a divorce lawyer for you.

The Law Offices of Esteban Gergely tapped Grey’s Hispanic advertising agency Wing (not to be confused with Wing) for a series of YouTube ads. Wing’s three YouTube spots use thumbnails to allude to celebrity content: Katie Holmes and Tom Cruise’s honeymoon, Katy Perry and Russell Brand’s wedding, and Ashton Kutcher and Demi Moore’s anniversary. When viewers click on these videos of divorced couples however, they are met with a “This video has been removed by user” message, followed by “Divorce happens.” and information for the Law offices of Esteban Gergely. The campaign is designed to “to shock and awe as users are initially searching and expecting to see intimate videos of these now-divorced celebrity couples.” Wing based the campaign on the insights that “the removal of a video from YouTube tells a story on its own” since in the social media age when someone gets divorced they “remove evidence of their former happy lives.” It’s quite a departure from the “Better call Saul” style local ads we’re used to seeing from divorce lawyers. In fact, it’s sort of sneaky. Kind of like divorce lawyers. Credits after the jump. continued…

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Ring in Wikipedia’s Birthday with New Case Study for ‘Create An Article’ Project by No, No, No, No, No, Yes

Since Wikipedia just celebrated its 13th birthday, it seemed appropriate to share this case study for “Create An Article” project, an initiative created for Hebrew Wikipedia by Gideon Amichay‘s agency No, No, No, No, No, Yes (named after his recent book and TEDx talk).

The project saw No, No, No, No, No, Yes team up with top Israeli journalists, each of whom wrote new Wikipedia articles “in their field of expertise and based on their personal knowledge” and broadcast the process on a channel 2 news program. (Channel 2 is the most viewed TV channel in Israel.) The agency decided that since media people are amongst Wikipedia’s biggest users, that this was an appropriate way for them to give back to the popular site. “Create An Article” was a huge success, gaining “2,033,000 viewers in a country of 8 million people.” Even more impressively, the “growth rate in the Hebrew Wikipedia viewing pages during the campaign was 9 times higher than the worldwide average, reaching a record of 67.4 million viewing pages.” Check out the case study above to learn more about the project, and stick around for credits after the jump. continued…

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Hill Holliday Producer Raps to Promote ‘Tweethearts’ for NECCO

Hill Holliday has a new campaign for NECCO’s classic Sweethearts, “#1 selling non-chocolate Valentine’s Day candy,”  that personalizes the messages on the candy hearts via Twitter.

Here’s how it works: simply visit the Tweethearts site and tweet your message to @tweethearts, then take a look at your Tweetheat, fill out the name and address where you want it sent, pay $29.99 (yikes!) for a one pound bag, and wait 3-5 business days for the gift to show up. Users who don’t wish to order the candy can choose to simply share the digital image of their peronalized Tweetheart instead, not a bad option for those who don’t feel like ponying up $29.99 for a small bag of candy. Hill Holilday VP and creative director Rick McHugh was very excited about the campaign, saying, “Turning something that’s digital into something that’s physical is a dream creative assignment, and we’re thrilled to bring it to life for NECCO.”

The best part of the campaign has to be Hill Holiday producer Chuck Woodard rapping in the above video. Needless to say, it’s pretty funny. We’ll abstain from commenting further, and hand this one over to the comments section…

 

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If You Were Wondering, Ex-BBDO Minneapolis ECD Brian Kroening is Now a Rocker

Well, having been in bands but doing the agency grunt work as an ECD altogether, we appreciate his mojo of former Fallon ECD, Brian Kroening.. During his ad career,Kroening has worked at the likes  of Minneapolis-based agencies Carmichael Lynch as well as Arnold prior to working at Falloon.. If you were wondering what he is up to now, well, do it up top.

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Whit Hiler is a Self-Promoting Ninja

Do you like sake? Do you like throwing stars? Ever wish there was a place where you could go to pound sake and throw throwing stars? How about an indoor ninja throwing star range where they serve sake? That sounds like either the best idea ever, or a lawsuit waiting to happen, or both, right?

In what is surely the craziest publicity stunt you’ll hear about today, Whit Hiler, one of the Lexington, KY-based Cornett IMS masterminds behind beardvertising and “Kentucky Kicks Ass”  announced that he was behind the crazy “Ninjas Indoor Throwing Star Range.”Hiler and crew created “Ninjas Indoor Throwing Star Range” because “Everyone loves throwing stars and everyone loves alcohol.” Hiler and Cornet decided to present their “establishment that allows people to pound sake and chuck throwing stars” to the world, presenting it as an establishment that would open in Lexington, Kentucky in the spring. Enlisted to aid Hiler in spreading this madness were “Kris Kross Ange on the design, Golden Nick Child on the video, and Shammy Shamick Gaworski on the web development.”

And spread it they did. The video makes use of YouTube’s “Best Death Scene Ever,” while the website quotes Wu Tang and, according to Hiler, Japanese curse words. They even created a fake Gmail account under the name Satou Watanabe (which has to be the coolest sounding alias this side of Throb Darshall) Soon everyone was talking, tweeting, and posting about the crazy new sake bar/throwing star range coming to Kentucky. For obvious reasons, most people wanted this to be real. The crew received articles from people asking how they could become a franchisee. Articles appeared in the likes of Gizmodo, io9, and Laughing Squid. Hiler even faked an interview with Yahoo, under another cool alias: Timothy San Bernardino.

Throughout the process, Hiler and crew got a lot of attention for Lexington and the agency in which they toil. But when can I really walk into an establishment, get shitfaced on sake and chuck throwing stars, you ask? Well, “maybe we’ll turn this joke into a reality and end up opening the world’s first throwing star range and sake bar later this year,” says Hiler. One thing is for sure though, as we mentioned above, Whit Hiler is a self-promoting ninja.

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SapientNitro Acquires La Comunidad

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Miami-based multicultural agency, La Comunidad, which works with the likes of Hornitos among other brands, has now joined the umbrella that is SapientNitro. The 13-year-old agency’s founders and brothers José and Joaquín Mollá, say in a statement, “We found a kindred spirit in SapientNitro. They are independent, entrepreneurial and their culture has always been about pushing boundaries for their clients, just like us. This union with SapientNitro, born from a mutual desire to create breakthrough work that lives at the intersection of technology, storytelling and culture, nourishes our creative spirit, gives us unparalleled access to emerging technologies and innovative experiences, and creates a new canvas of opportunities for us and our clients.”

La Comunidad works with other clients including  Chrysler, Citi, The Coca-Cola Company, Lufthansa, Target, and Vodafone.

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Dailey Nabs Piece of Nestle Biz

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Just three months after gaining the Alive! duties, IPG owned L.A.-based, IPG agency Dailey has won some new work for a notable client. Here’s a statement from Nestle itself: “Yes, Dailey LA has taken over duties for Skinny Cow Ice Cream and Candy from JWT NY.” Yes, this is a brand from Nestle, which we’ve been told chose Dailey over JWT and Publicis in its review for ad duties on its sweets brand.

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Les Gaulois’ New Citroën Spot is Badass, In Any Language

My French may be deplorable, but luckily you don’t need to speak the language to realize Les Gaulois’ new spot for the Citroën C4, entitled “Catapulte,” is pretty cool.

The 45-second ad, directed by Markus Walter,  pays homage to classic 70s car chase scenes (such as the famous one in Bullitt) with a series of cars catapulting over steep hills. Appropriately set to a 70s funk soundtrack, the series of cars careening over a steep, San-Francisco-esque hill includes a woman whose groceries fly free from their paper bag during the jump. Then, the smooth Citroën C4 handles the hill with ease, as another car catapults right over the drivers’ head. It’s a clever way to show off Citroën’s sleek new model, and just a plain fun viewing experience. I may not know what the voiceover is saying at the end of the spot (no close captions on YouTube for this one; if you speak French, though, please offer us up a translation in the comments section), but I know I enjoyed the ad. Credits after the jump. continued…

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TBWA\Chiat\Day Brands Nissan Qashqai ‘The Ultimate Urban Experience’

Speak of the devil, TBWA\Chiat\Day liken driving the Nissan Qashqai to ziplining from your office into a crowded city street in their latest work for Nissan. While this will translate as “thrilling” and “exhilarating” to most people, to someone with a fear of heights it comes across more as “terrifying.”

The 60 second spot is directed by Joseph Kosinski, who you might remember from his work on TRON:Legacy and last year’s Oblivion. Kosinski and company really did a lot to give the spot an urban feel, from the crowded nighttime city location to the Fatboy Slim song “Right Here, Right Now” used as the soundtrack. The spot ends with voiceover stating “This is how driving should feel,” tying together the ziplining metaphor, followed by the tagline “The Ultimate Urban Experience.” Being in the North American market (where the Nissan Rogue is offered instead), I wasn’t familiar with the Qashqai before watching this. While I’m still not sure why the Nissan Qashqai is “the ultimate urban experience,” the well-shot ad certainly does a good job of making it look appealing. I’ll give ziplining from tall buildings a pass, though.

 

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The Folks at HUSH ‘Release 2014? with 100 Abstract Images of Vocal Utterances

Last year, the folks over at Brooklyn-based design agency Hush welcomed 2013 with “100 Wishes”: a visual representation of 100 individuals’ wishes for the new year, “generated by reverberating viscous paint in water.” As a follow up, this year they’ve created “Release 2014,” a similarly inspired project that instead utilizes digital technology in its process.

The new project “paints a portrait of emotional release, using recordings of brief vocal utterances and custom software to generate bursts of color that vary their shape based on timbre, volume, and other unique identifiers.” For “Release 2014,” HUSH asked 100 people to express their feelings about the end of 2013 and beginning of 2014 with a brief utterance, acting as a vocal “release.” These vocal utterances were then fed through the software to create unique digital images based on the sounds; the digital images were then transferred to analog to make 200 limited-edition prints.

You can check out the 90 second case study of the project above. It documents HUSH’s intriguing process, as well as some of the end results. This would be easy to dismiss as just a gimmick, if the releases themselves weren’t so aesthetically pleasing and interesting. If you’re interested in checking out a selection of some of the most powerful releases you can do so here. It’s well worth a quick perusal, as you’re not likely to see something like it anywhere else.

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And Now, a Tale of the StrawberryFrog/APCO Fiasco

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Jeez Louise, we’re still awaiting to hear from both parties on the matter, but it doesn’t sound good. As you may have read last week, StrawberryFrog staff has sued D.C.-based PR company APCO, the latter of which acquired the agency in early 2012. Well, things are getting ugly. We’ve received word from very reliable sources, and one has spun a holiday-themed yarn like this:

“Strawberry Frog Amsterdam, a massive PR corporation from DC called Apco Worldwide led by Margery & Evan Kraus, and their made-up entity called the “Dutch Advertising Consortium.” The latter was created to save reputations after Apco attempted to shut down the Amsterdam SF office in October…via email. (Talk about breaking up with someone over a post-it note!) The issue now is that “The Dutch Advertising Consortium” may file bankruptcy in the next few days to avoid paying 20 employees and contractors—a move that could leave many broke from unpaid invoices and salaries.

The best part, is that the amount owed to employees would not even make a small dent in their combined revenues of 200M! Be sure to raise a glass to the Ebeneezers at @apcoworldwide and @frogism and tell them what you think about this kind of behaviour in our industry. Let them know that just like the epic tales of Scrooge or the Grinch, @apcoworldwide and @frogism can still turn it around and #dotherightthing by paying employees and contractors what they are owed. We believe in Christmas miracles. “God bless us, everyone!” Thank you, The Tiny Tims.”

FYI, agency founder Scott Goodson emphasizes that the Amsterdam company is controlled by Apco and is not StrawberryFrog, nor is it connected to StrawberryFrog New York. We’ll update when we hear more.

Update: APCO has sent us this statement:

“Hi Kiran –

StrawberryFrog Amsterdam was a standalone investment for APCO Worldwide, and not part of the operations of either StrawberryFrog or APCO.  As we informed the media in early November, APCO decided to end this investment since the clients that had been serviced there had either moved their marketing in-house or switched to other agencies.

We are appropriately following the process for shutting down a business in which we invested, as we informed StrawberryFrog Amsterdam’s staff in early November. We will continue to act in a responsible manner in accordance with Dutch law as the process continues.”

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Sid Lee Toronto Welcomes Jermain Defoe’s Move to Toronto FC

Toronto FC has partnered with Sid Lee Toronto for a campaign highlighting their signing of star English striker Jermain Defoe (formerly of English Premier League’s Totenham Hotspur).

Working under the assumption that “soccer isn’t seen as big news in North America until it has become ‘footie news’ across the pond,” Sid Lee crafted a spot documenting the perceived shocked reaction to the news in England. “Our idea for the campaign came pretty early on – let’s elevate the magnitude of Jermain Defoe swapping Tottenham for TFC by having a bit of fun with how people might react to the news in Great Britain,” explains Jeffery DaSilva, creative director at Sid Lee.

Set in the London boroughs where Defoe has been front page news since the beginning of his career, the 30-second spot manages to depict shocked Londoners’ reactions in a clever and funny way (to say anything more would give too much away).  The “It’s a Bloody Big Deal” tagline acts as the perfect ending to the spot, emphasizing the importance of the deal and the connection to how the news is perceived in England.

The integrated campaign launched earlier this week with :10 and :15 second teaser spots appearing in high rotation on major sports networks; the full 30 second spot (featured above) debuts today. In addition to television ads, the campaign includes “a variety of print, online, and OOH executions that will blanket the city for the next five weeks.” Each of the campaign elements feature “a specially commissioned illustration” of Defoe outfitted in his new Toronto FC uniform.

Stick around for credits after the jump. continued…

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Let Us ‘Join Together’ for W+K’s Celebration of Sony Artistry, Engineering

If you were watching the Golden Globes last night, you may have caught the debut of W+K Portland’s “Join Together” spot for Sony, which will run for the next six weeks.

The new work (perfectly set to The Who’s “Join Together”) celebrates Sony’s longtime practice of joining a “steadfast passion for artistry and commitment to engineering” in a matter of 90 seconds. Directed by Imperial Woodpecker Stacy Wall , the spot also comes equipped with its fair share of star power, whether it be director/Knicks mascot Spike Lee (filming with Sony’s 4K CineAlta camera), Academy Award-nominated actress Quvenzhane Wallis (now starring in Sony Pictures flick, Annie), actor Grizz Chapman of 30 Rock and Columbia Music artist, DJ Cassidy. In the process, the spot highlights a wide range of Sony’s most iconic products and innovations.

The broadcast effort is supported by the “Be Moved” brand experience site, and four product-focused online videos: “Inventing Furniture,” “Eyeballs,” “Skeptics” and “Floor Plan.” These online videos highlight some amazing new technology from Sony with a dash of light humor. Check out “Skeptics” below, and stay tuned for “Eyeballs” and “Floor Plan,” along with credits, after the jump.

continued…

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Campbell Mithun to Wrangle 2014 Interns via Musk’s ‘Market the Hyperloop’ Challenge

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Minneapolis agency Campbell Mithun has decided to find the 2014 version of its “Lucky Thirteen” summer interns by challenging prospective applicants to “Market the Hyperloop.”

The Hyperloop is “a futuristic transportation concept unveiled by Elon Musk in August 2013.” Elon Musk‘s idea is for a subsonic transportation system that operates at a lower cost than high speed rail. Applicants will market Musk’s proposal to an audience of their choice: such as investors, engineers, consumers, and the business sector. They will then submit their idea, plus a  “Why my ‘Market the Hyperloop’ idea will work” letter to pitch their concept.

“More and more, our agency teams tackle client business challenges with a mix of creativity and marketing science,” says Debbie Fischer, director of human resources at Campbell Mithun. “It’s no accident that this Hyperloop application process requires those skills.”

The latest in Campbell Mithun’s annual internship search, which now involves the PayPal inventor/head of Tesla Motors, is a really intriguing concept, stepping of the game a bit from last year’s Twinkie challenge. Applicants could do their part to ““help bring Hyperloop from an idea to a reality” while demonstrating skills that could land them a full-time agency position. The application process was strategically designed to launch today, Jan. 13, and will run until Feb. 13. Applicants, who “must be a college student with a graduation date between fall 2013 and summer 2015″ need to submit the following to be considered for the position:

  • URL address for the Market the Hyperloop recommendation (presented via blog, YouTube, SlideShare, Prezi, etc. – wherever it lives on the Internet)
  • A “Why my ‘Market the Hyperloop’ idea will work” short letter to pitch the idea
  • Resume

Finalists will be invited for an in-person or Skype interview, with the final selections announced in mid-March (we’re guessing around the 13th). If you’re interested in applying, you can learn more about the process here.

 

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