Marshawn Lynch, Real-Life Skittles Superfan, Even Works Out With the Candies

It’s no secret that Marshawn Lynch loves Skittles. And now, the brand’s real-life No. 1 fan is helping to kick off its official NFL sponsorship by showing how he (probably not in real life) works out with the candies.

The spot below, from Olson Engage—the first in a series of NFL-related Skittles marketing—claims that Skittles make game day “awesomer.”

Lynch, 28, whom Skittles honored last year with a special-edition “Seattle mix,” has known this for years. As his mother told Seahawks.com a couple of years ago: “When Marshawn was 12 or 13, we’d go to his games and I’d always have little candies in my purse,” she says.

“Before the game, I would say, ‘Here Marshawn, come and get you power pellets.’ I would give him a handful of Skittles and say, ‘Eat ’em up, baby. They’re going to make you run fast and they’re going to make you play good.’ “



Jeff Bridges Salutes the Dude's Favorite Beverage in Short Film for Kahlúa

As the Dude’s favorite cocktail, the White Russian was Jeff Bridges’s ever-present co-star in The Big Lebowski. And now, Bridges is giving back to Kahlúa with a short film for the brand.

He’s not in character as the Dude, alas, but there’s still plenty to like about the gritty yet goofy period piece by Smuggler director Ivan Zacharias, in which white quite literally meets Russian in the middle of the desert—with a whole lot on the line.

“As a short film entirely inspired by a simple classic cocktail, this story is creative, enigmatic and beautifully shot,” the Academy Award winner told People.com.



Here's How Gay Marriage Will Destroy Your World, Warns Satirical Short Film About 'Armagayddon'

What will happen when gay marriage is legal? Will the resulting Armagayddon destroy civilization as we know it? Luckily, an Irish gay rights advocacy group is here to help you visualize the consequences.

Ireland is set to consider a referendum on marriage equality in Spring 2015. To get people fired up for the vote, LGBT Noise is holding a march in Dublin, and they’ve partnered with Like:Minded productions to create this humorous short that laughs at our collective fear of the unknown.

Social change can be hard, particularly in a conservative nation, but what this spot is trying to suggest is that there really won’t be any change—unless opponents ruin their own lives with self-enforced isolation and a creepy prison box for their children. 

With more than 200,000 views since being posted two weeks ago, it’s sparking interest for the cause around the world. After all, sometimes the only thing you can do in the face of uninformed fear is laugh.

CREDITS

Client: LGBT Noise
Production House: Like:Minded Production

Writters: Tara Flynn and Kevin McGahern
Director: Martin Gaughan
Producer: Lisa Gallagher
Director of Photography: Andrew Cummins
Sound: Stephen McDowell
Assistant Director: Diarmuid O’Brien
Assistant Camera: Anna O’Carroll
Make Up Artist: Olivia Fitzsimons
Sound Mixer: Bounce Sound
Graphics: Richard Merrigan & Eric Dolan
Postproduction Producer: Carly Butler
Online Editor: Robbie O’Farrel
Editor: Tom O’Neill & Ultan Murphy

Cast:
Adam: Shane O’Reilly
John: Kevin McGahern
Mary: Tara Flynn



A U.S. Open Billboard Is Being Updated Daily to Include the Most Memorable Moments

If you like good tennis and cool murals, then the U.S. Open has an advertising campaign for you.

The tournament’s organizers are paying an artist to climb up to a billboard each day over the course of the games and piece together a painting based on the event’s notable moments and online chatter.

The first eight installments have included, for example, interpretations of Gaël Monfis’s crushing 110 miles-per-hour match winner, 15-year-old Catherine “CiCi” Bellis’s on-court antics and Roger Federer’s selfie with Michael Jordan.

Each day’s addition is live-streamed on Facebook and later recapped in a YouTube clip. The painter, Josh Cochran, whose previous credentials include some spectacular Grammy-nominated album art for Ben Kweller, features heavily in the videos.

Agency DDB New York created the campaign, titled “Story of the Open” and tied it into social media with the hashtag “#StoryoftheOPEN.”

While viewers of the billboard over New York’s Midtown Tunnel might not get the full effect without watching the videos for context, Cochran’s illustrations are spectacular, and it’s fun to see the mural take shape.



Here Are the Two New Clash of Clans Ads, Which Will Get a Gazillion Views

There are fewer explosions and more dialogue in Barton F. Graf 9000’s new ads for the Clash of Clans mobile game. In the process, we see a softer, less violent side of featured character the Wizard.

In “Preparation,” he looks into his bedroom mirror, peels back his hoodie to reveal a massive black pompadour and psyches himself up for another long day on the battlefield. In “Magic,” he halts his fireball throwing in the middle of the battlefield to pull a white rabbit out of his hoodie—but don’t worry, he hasn’t turned into a kids’ party magician.

The spots have more than 6 million views each since being posted to YouTube page on Thursday. They’ll break on TV this weekend. (Last year’s 60-second spot has 22 million YouTube views.) Rounding out the campaign are five outdoor posters, each with a different character and headline. “Look into the eyes of my moustache,” says one with a close-up of Barbarian’s face, “and know despair.”

See all the work below.

 

CREDITS
“Preparation”
Client: Supercell
Brand Marketing Lead: Ryan Wener
Marketing Art Lead: Lauri Manninen
Senior Game Artist: Taneli Oksama
Game Lead: Tommi Suvinen
Brand Marketing: Christina Lee
Marketing and Video Artist: Red Killion
Agency: Barton F. Graf 9000
Chief Creative Officer/Founder: Gerry Graf
Executive Creative Director/Partner: Scott Vitrone
Executive Creative Director/Partner: Ian Reichenthal
Copywriter/Art Director: Kate Overholt Placentra
Copywriter/Art Director: Matt Rogers
Head of Production: Josh Morse
Producer: Erica Kahr
Account Director: Kate Faux
Account Supervisor: Michael Andreozzi
Mix: Heard City
Audio Engineer: Evan Mangiamele
Music Supervisor: Good Ear Music Supervision

“Magic”
Client: Supercell
Brand Marketing Lead: Ryan Wener
Marketing Art Lead: Lauri Manninen
Senior Game Artist: Taneli Oksama
Game Lead: Tommi Suvinen
Brand Marketing: Christina Lee
Marketing and Video Artist: Red Killion
Agency: Barton F. Graf 9000
Chief Creative Officer/Founder: Gerry Graf
Executive Creative Director/Partner: Scott Vitrone
Executive Creative Director/Partner: Ian Reichenthal
Copywriter/Art Director: Joseph Ianno
Copywriter/Art Director: Matthew Smith
Head of Production: Josh Morse
Producer: Erica Kahr
Account Director: Kate Faux
Account Supervisor: Michael Andreozzi
Production Company: Psyop
Director: Fletcher Moules, Dan Vislocky
Managing Director: Neysa Horsburgh
Executive Producer: Amanda Miller
Producer: Shannon Alexander
Mix: Heard City

Out-of-home: Barbarian, Wizard, Hog Rider, Wall Breaker, P.E.K.K.A.
Client: Supercell
Brand Marketing Lead: Ryan Wener
Marketing Art Lead: Lauri Manninen
Senior Game Analyst: Taneli Oksama
Game Lead: Tommi Suvinen
Brand Marketing: Christina Lee
Marketing and Video Artist: Red Killion
Agency: Barton F. Graf 9000
Chief Creative Officer/Founder: Gerry Graf
Executive Creative Director/Partner: Scott Vitrone
Executive Creative Director/Partner: Ian Reichenthal
Senior Designer: Matt Egan
Designer: Toga Cox Creative
Director: Dave Canning
Creative Director: Dan Treichel
Copywriter/Art Director: Joseph Ianno
Copywriter/Art Director: Matthew Smith
Head of Integrated Production: Josh Morse
Account Director: Kate Faux
Account Supervisor: Michael Andreozzi
Art: Psyop
Creative Director: Fletcher Moules
Executive Producer: Amanda Miller
Producer: Shannon Alexander
Lead Technical Directors: Stephen Delalla (3D), Matt Lavoy (2D)
Modelers: Jon Balcome, Luis Sanchez
Texture Artist: Yuo Tengara
3D Character Poses: Chris Meek, Dan Vislocky
Lighters: Stephen DeLalla, Yuo Tengara
Compositor: Matt Lavoy
Designer/Retoucher: Jacqueline Jocson, Edmund Liang
Studio: Box Graphics



LG Asked for 'Mom Confessions,' and Moms Delivered

LG launched its #MomConfessions campaign earlier this year with a series of cynically amusing TV spots, and since then, real moms have started to get in on the confessional action.

While the appliance brand and agency Hill Holliday seeded the campaign with their own Tumblr posts (“I go running to relieve stress. Just kidding, I drink margaritas.”), there are plenty made from the keyboards of your next door neighbor or PTA president and submitted to MomConfessions.com.

Some of them are funny, some are actually from dads, and some are quite brilliant (“My child thinks the ice cream truck is a music truck. We dance as it goes by.”). Of course, some left me making a face like I just had a bite of day old yogurt, know what I mean?

Here are a few of the better ones, slowly transitioning to the rather sad:



Eight O'Clock Coffee Is Bringing to Life the Central Perk Coffee Shop From Friends

Rejoice, Friends enthusiasts! Your dream of sipping coffee at the iconic Central Perk will soon become a reality.

It’s been 20 years since Ross, Phoebe, Monica, Joey, Chandler and Rachel first graced our TV screens, and the love for the gang remains strong, if all of the people on my Facebook feed are to be trusted. To celebrate two decades of shouting “Pivot!” every time a friend announces he’s moving, Warner Bros. Television Group, Warner Bros. Consumer Products and Eight O’Clock Coffee are partnering to create a Central Perk pop-up in Manhattan.

It’ll be short-lived—the shop, created with help from agency Source Marketing, will open Sept. 17 at the corner of Lafayette and Broome Streets, and close Oct. 18—but fans can hang out on the weird orange couch, listen to a rendition of Smelly Cat, see some special guests (Gunther will be there) and maybe, I don’t know, try to figure out how Rachel afforded to live in a sprawling Manhattan apartment on a barista’s salary.

It’s a brilliant partnership for Eight O’Clock, which will also be adding a special Central Perk blend to its coffee line next month, if you want to K-Cup your way to a Friends-in-your-travel-mug experience.



9 Charity Stunts That Want to Be the Next Ice Bucket Challenge

Eventually, every celebrity and politician (though hopefully not every brand) will have taken the Ice Bucket Challenge. So, what next?

The moment the ALS campaign went crazy, we braced for the inevitable slew of copycats. The only question is, Which one will complete hijack your news feed next?

Below, Adweek takes a look at some of the contenders.

 
Lather Against Ebola Challenge

More than 3,000 people have been infected with Ebola, and more than 1,500 have died. Though the disease has a horrifically high mortality rate of 90 percent if untreated, Ebola can be spread only through contact with the bodily fluids of an infected person. So, simple measures like hand washing can prevent outbreaks. Edith Brou, an Ivory Coast blogger, was inspired by the ALS trend to create the Lather Against Ebola Challenge. Ebola hasn’t yet spread to the coast, and Ivorians are determined to keep it that way with the challenge and some catchy tunes. There is no specific fund to donate to—awareness of prevention is the key of this campaign.

Pros: Easy to remember, easy to complete.
Cons: No direct benefit to those already suffering.
Rating: Three ice cubes out of five.

 
Bear Mace and Waterboarding Challenge

A gentleman in a “Party with Sluts” T-shirt was challenged ALS style and upped the ante by getting bear maced and waterboarded to raise awareness of suicide by veterans. An average of 22 veterans commit suicide each day, and a little waterboarding and bear mace are apparently not nearly as bad as what many of our veterans experience. There’s no specific charity affiliated with this challenge, and it’s unlikely it will catch on—but hey, now you’re aware of it.

Pros: With a lot of blog coverage, more people are aware of how many veterans are lost to suicide every day.
Cons: Who in their right mind would take this challenge? (Actually, a surprising number of people.)
Rating: Two ice cubes out of five.

 
Taco Beer Challenge

It started as a twitter joke by @AndreaGrimes, but now the Taco Beer Challenge is legit making money and headlines for pro-choice organizations. What do tacos and beer have to do with abortion rights? Well, what does ice have to do with ALS? Adventurous pro-choice advocates are taking it up a notch by eating a taco and drinking a beer while donating.

Pros: It’s really easy to eat a taco and/or drink a beer.
Cons: Pro-lifers attacking you directly on Twitter.
Rating: One ice cube out of five.

 
Plant a Tree for Groot Challenge

Did you enjoy Guardians of the Galaxy, in which Vin Diesel plays a glorified Ent (sentient tree creature) named Groot? Then you will probably enjoy joining Diesel’s followers in helping to plant a tree for Groot. The Plant a Tree for Groot Challenge is simple, and the benefit is obvious. The only thing better than funding research is being the change you want to see in the world. Besides, we should probably be more concerned about guarding the future of this planet than the future of the galaxy writ large.

Pros: Celebrity backing, connection with popular movie, large fan base.
Cons: No specific charity. Get on it, Arbor Day Foundation!
Rating: Four ice cubes out of five.

 
Rubble Bucket Challenge

Unable to find ice cubes in a war zone? Clean water too precious a commodity to pour over your head? Ayman al Aloul, a journalist, wanted to raise awareness of the conflict in Gaza but had to improvise with a bucket of rubble from damaged buildings. He doesn’t challenge specific people, but does challenge us all to be empathetic to the suffering in Palestine and raise awareness of the situation with #remainsbucketchallenge. And he does it while making Westerners feel really stupid about wasting clean water and ice, which we can easily get in abundance.

Pros: Draws attention to the first-world nature of the ALS challenge.
Cons: No specifically charity. Difficult to replicate.
Rating: Two ice cubes out of five.

 
Rice Bucket Challenge

Perhaps the best pun-based version on the Ice Bucket Challenge is the Rice Bucket Challenge in India. It’s easy. Give a bucket of rice to someone in need, or if you can’t, donate to sponsor meals for children. The Rice Bucket Challenge was created by Manju Latha Kalanidhi, who thought the waste of water was impractical. With tens of thousands of likes in just a few days and massive amounts of Indian press coverage, you can expect local versions to pop up in other countries.

Pros: Immediate, local effect with zero waste.
Cons: It would have to be altered to spread out of Asia, but this one could go all the way.
Rating: Five ice cubes out of five.

 
No Ice Bucket Challenge

For all the haters out there, the No Ice Bucket Challenge is the anti-ice bucket challenge. The gist is, just donate to the charity of your choice and then shut up about it, geez. Ironically, it’s basically bringing us back to the time before ice buckets when people just gave to charity sans gimmick. Except for those T-shirts and one-for-one products and stupid races and—look, the point is we’re already sick of the whole thing.

Pros: No water waste. Haters gonna hate.
Cons: Trading stupid ice water videos for self righteous whining about said same videos.
Rating: Two ice cubes out of five.

 
Camel Toe Challenge

While camel toe is generally an undesirable situation, the Camel Toe Challenge encourages it—for cervical cancer awareness. Easy to replicate and sure to make a splash in your Facebook feed, you can expect to either be rolling your eyes or enjoying this challenge a little too much for at least a month.

Pros: Lots of camel toe pictures, if you’re into that.
Cons: Lots of camel toe pictures, if you’re not into that.
Rating: One ice cube out of five.

 
ISIS Bucket Challenge

Radio host Mike Slater from the conservative network The Blaze posted a YouTube video where he appeared to scald himself with hot soup and challenged Jon Stewart, Rachel Maddow and Michael Moore to do the same. Then, on second thought, he says, “No wait, this goes to the guy in the black hood from ISIS.” Slater admitted later that the whole thing was faked and he did not actually scald himself with hot soup. Of course, he’s not the only one to have noticed that “ice” and “ISIS” sound similar, so there are a couple of these popping up, but don’t expect it to become the next big thing.

Pros: Did you have any idea who Mike Slater was before this?
Cons: Attempting to hijack a charity message for strange political grandstanding.
Rating: Zero ice cubes out of five.



60% of U.S. Families Have No Disaster Plan, but This Ad Hopes to Change That

In the case of a true disaster, how prepared will your family be? A bleak new PSA raises the question in ways that emergency managers hope will get Americans thinking.

Preparedness is the watchword in Deutsch N.Y.’s pro-bono campaign for the Federal Emergency Management Agency. The effort, released through the Ad Council and timed to coincide with National Preparedness Month in September, encourages families to devise emergency plans before catastrophe strikes.

“The first step to preparing for disasters is simple, and it’s free—talk to your family and make a plan,” said FEMA administrator Craig Fulgate. The goal should be to determine a place to meet and a way to communicate if cell service is disrupted, he said.

The organization estimates that 60 percent of families have no contingencies in place, and fewer than 30 percent updated their supplies (bottles water, canned food, flashlights) in the past year.

The centerpiece of the multimedia campaign—which directs audiences to Ready.gov and Listo.gov for more information—is “Waiting,” a minute-long commercial from Danish director Nicolai Fuglsig. Set in a relief shelter, the spot focuses on a mom and dad who can’t find their son after a tragedy has struck their community.

Fuglsig takes a restrained approach that captures a mood of quiet yet intense desperation. Viewers get the message that waiting is among the hardest parts of such situations, and that taking steps in advance can help ease their fear and anxiety.

CREDITS

Deutsch New York
Chief Creative Officer: Kerry Keenan
Executive Creative Director: Matt McKay
Copywriter: Nick Partyka, Jeff Vinick, Matt Moyer
ACD, Art Director: Dan Read
Designer: JC Pagan
Director of Integrated Production: Joe Calabrese
Executive Producer: Crissy Cicco
Director of Integrated Workflow: Jeremy Gelade

Production Company: MJZ
Director: Nicolai Fuglsig
Director of Photography: Greig Fraser
Executive Producer: Emma Wilcockson
Producer: Betsy Oliver

Editorial: Cosmo Street
Editor: Stephane Dumonceau
Assistant Editor: Joshua Berger
Executive Producer: Maura Woodward
Producer: Heather Richardson

Color Transfer: Company 3
Senior Colorist: Tom Poole
Producer: Dana Bloder
Conform: Method Studios
Online Editor: Jared Pollack
Producer: Christos Montzouros
Exec Producer: Cara Buckley

Sound Design Company: Stimmung
Sound Designer: Gus Kovin
Executive Producer: Ceinwyn Clark

Audio Post Company: Heard City
Engineers: Philip Loeb, Evan Mangiamele
Executive Producer: Gloria Pitagorsky
Assistant Producer: Katie Flynn

Shoot Location: Burbank, CA

Additional Deutsch Credits:
Chief Executive Officer: Val DiFebo, Deutsch NY
EVP, Group Account Director: Talia Handler
SVP, Account Director: Paulette Stone
Account Director: Laura Schrager
Chief Strategic Officer: Brent Vartan
Global Planning Director: Ole Pedersen
VP, Planning Director: Anthony Mariello
Director of Broadcast Business: Kris Weiner
Group Director of Business Affairs: Maria Taris
 



Master and Apprentice Are Back, and Ridiculous as Ever, for Steak 'n Shake

The latest ads in Carmichael Lynch’s master and apprentice campaign for Steak ‘n Shake continue to use sound effects and choice props to comic effect.

This time, the main featured sound effect is the comically exaggerated air karate chop. The latest series of wooshes reminds us fondly of Weird Al’s absurd dance sequence in his 1988 parody of Michael Jackson’s Bad (“Because I’m fat …”). As for the prop, it’s a black blindfold that Master wears in his “Pin the tail on the donkey” like search for a milkshake in the desert. The tagline remains, “Hunger wisely.”

As with last year’s spots, these were directed by Harold Einstein.

CREDITS
Client: Steak ‘n Shake
Spots: “Kung Fu Elbow,” “Blindfold”
Agency: Carmichael Lynch, Minneapolis
Chief Creative Officer: Dave Damman
Executive Creative Director: Marty Senn
Art Director: Matt Pruett
Art Director (Food): Teela Shandess
Writer: Nick Nelson
Director of Production: Joe Grundhoefer
Executive Content Producer: Freddie Richards
Senior Content Producer: Jon Mielke
Producer (Food): Jenny Barnes
Business Manager: Vicki Oachs
Account Service Team: Stacy Janicki, Sarah Brehm
Senior Project Manager: Lisa Brody
Postproduction Company: Dummy Films
Director: Harold Einstein
Executive Producer: Eric Liney
Director of Photography: Ramsey Nickell
Edit House: Arcade Edit, New York
Executive Producer: Sila Soyer
Editor: Dave Anderson
Assistant Editor: Mark Popham
Online Artists: Tristian Wake
Telecine: CO3
Colorist: Tim Masick
Sound Design: Butter & Heard City
Audio Post: Heard City
Mixer: Keith Reynaud
On-Camera Talent: Mark Montgomery (Master), Alex Miles (Apprentice)
Voiceover Talent: Tom Hair



Tweet This Hashtag in NYC, and Reebok Could Run a Pair of Sneakers Over to You

Starting today, New Yorkers who tweet their shoe size and address with the hashtag #ReebokHDS could get a visit from the brand’s Human Dispatch Service.

The team of runners will personally rush pairs of Reebok’s new ZJet sneakers to people at home or at work. Venables Bell & Partners devised the stunt, which, according to Reebok, “brings the ZJet concept to life” by demonstrating how the shoe—which features air channels for maximum cushioning—”propels the runner forward with the power of air.”

It’s a fun idea that harkens back to a bygone era of personal service, at a time when many advertising stunts strive to confuse and frighten consumers to generate viral videos.

This is the client’s second creative promotion this summer, following its July CrossFit Games tie-in from VB&P that saw Reebok send bacon to athletes abiding by Paleo diets. The HDS team won’t be delivering any savory pork products, but the focus on shoes gives the ZJet stunt some steak to go with the sizzle.

CREDITS
Client: Reebok 
Brand: ZJet 
Executive Creative Director: Paul Venables and Will McGinness
Creative Director: Erich Pfeifer
Associate Creative Director: Eric Boyd
Design Director: Cris Logan 
Art Director: Sean Flores, Rich North, Matt Miller
Copywriter: Nate Gagnon, Craig Ross, Matt Keats
Designer: Jarrett Carr
Head Of Strategy: Michael Davidson
Communications Strategy Director: Beatrice Liang
Brand Strategist: Jake Bayham
Experiential Production House: Mkg
Production House: Sustainable Content and Fer.tl 
Director: Jordan Bloch 
Director Of Photography: Derrick Monks 
Line Producer: Mikyo Clark 
Editing Company: Fer.tl 
Editor: Derrick Monks 
Sound Design: Richard Devine 
Music: Marmoset Music 
Mix: M Squared 
Director Of Integrated Production: Craig Allen
Director Of Interactive Production: Manjula Nadkarni 
Experiential Producer: Nalina Baratz
Broadcast Producer: Nalina Baratz 
Production Coordinator: Megan Wasserman 
Digital Producer: Marc Mclean 
Account Manager: Ashton Atlas 
Project Manager: Daniela Contreras, Shannon Duncan



Nocturnal Beer Drinkers Just Hang Around in This Creepy Ad From Brazil

When you get to a certain point, usually around your mid-20s, you realize there’s not much more to life than drinking delicious beer. Imagine a world where you only wake up when it’s time to imbibe a bottle of suds. 

That’s the strange reality in this dark, surreal Brazilian ad for Skol by agency F/Nazca Saatchi & Saatchi, in which sleeping bat-people, hanging upside down all over town, wake up when they hear a Skol Beats beer opening.

I can dig it. Take a look below, and see if you’re willing to suspend your disbelief (from the ceiling … without spilling your beer).

CREDITS
Client: Ambev
Product: Skol Beats
Agency: F/Nazca Saatchi & Saatchi
Spot: “Morcegos” (“Bats”)
Creative Executive Directors: Fabio Fernandes, Eduardo Lima
Creative Director: Theo Rocha
Creative Staff: Theo Rocha, Thiago Carvalho
Account Supervisors: Marcello Penna, Ricardo Forli, Rafael Cappelli, Marcela Paiva
Planners: José Porto, Guilherme Pasculli, Victor Marx, Felipe Santini
Media: Fabio Freitas, André Cais, Bruno Storace, Vivian Simões, Caroline Pascuinelli
Agency Producers: Victor Alloza, Renato Chabuh, Gisele Campos, Maira Massullo, Rafael Paes
Production Company: Zohar Cinema E Comunicação Ltda
Director: 300 Ml
Executive Producer: Carlos Paiva, Isabelle Tanugi
DOP: Enrique Chediak
Producer: Angelo Gastal
Editor: Rami D’aguiar
Motion: Full Frame
Postproduction: Full Frame
Sound: A9
Client Supervisors: Pedro Earp, Fábio Baracho, Pedro Adamy, Taciana Ávila



You'll Be Uncomfortably Surprised by This Honda Spec Ad That Just Got Leaked

There are lots of things to like about the Honda Fit. But one feature in particular might present some issues while you’re out there cruising for hours on the open road, Whitesnake blasting and the wind blowing through your hair.

We won’t spoil the punch line of this spec ad, created by A2F Pictures in Minneapolis. But take a look below and enjoy. After the video, check out our Q&A with the director, James Rautmann, in which we ask just what, exactly, he was thinking.

AdFreak: What was the inspiration for this ad?
James Rautmann: The inspiration came from wanting to make an ad that used text to give the punch line in a subtle way. Create an ah-ha moment. Let the audience make the assumption on what is really going on in the scene.

Tell us a bit about how you came up with the idea for the plot.
I was returning home from a shoot, and long story short we had to move white wine to an empty two-liter bottle for a shot. When I arrived home, I had to carry the bottle in past my neighbors. It definitely looked like it was filled with urine.

My business partner Mark, who co-wrote the spot with me, was with me, and I remarked how funny it would be if we told my neighbors that we had just returned from a long road trip and let them think what they wanted to about what was in that bottle.

With the help of Phil Jones, who not only helped in the writing process but also beautifully art directed the spot, our approach to a fuel-efficient ad was born.

Do you hope to create more spots like this?
Like as a campaign? It’s possible. I think overall the idea of creating a unique scenario that turns meaningless text into a joke is something I definitely want to keep pursuing.

CREDITS
Directed by James Rautmann
Written by James Rautmann, Mark Mazur and Phil Jones
Produced by Mark Mazur and Trent Hilborn
Executive Produced by Elizabeth Ryan-Govrik
Cinematography by Scott Regan
Art Direction by Phil Jones
Color and Finishing by Matt Collings at ditch
Production Sound by Nick Leisenheimer
Sound Design / Mix by Nick Christopulous
Talent: Eric Pierson
Song and Lyrics by Whitesnake “Here I Go Again”
Special thanks to Tracy Tabery-Weller and Chris Govrik
Production Company: A2F Pictures



Life Alert's New Ad is Terrifying, and Viewers Are Not Happy About It

Life Alert now takes its marketing very seriously. Maybe too seriously.

Rather than just have its old commercials be the laughing stock of anyone who’s ever seen them, the company is doing its best to scare the living crap out of everyone who watches TV.

The new ad below ditches the brand’s trademark testimonial cheesiness for straight up creepiness, with an old lady lying unnoticed in a heap at the bottom of a flight of stairs, screaming. It’s quite disturbing, and a lot of viewers are leaving pissed-off comments on the brand’s Facebook page.

“My own grandmother fell and cracked her hip and we brought her to the hospital immediately, but this just makes me feel so awful inside I start crying,” writes one. “I’m 17 years old and this is way too scary. I don’t want to see anyone in that much pain and crying when I’m just trying to enjoy my day. Please take it off the TV.”

brightcove.createExperiences();

In fairness, some people are praising the commercial for driving the point home with a realistic depiction, and helping to convince their stubborn elders to buy the product.

Life Alert’s response is basically that the whiners should suck it up, because it’s sick of hearing them go on about how bad its prior ads were.

“We consistently hear horror stories of how families procrastinated in getting a Life Alert only to discover their loved one had fallen and was on the floor for hours (sometimes days) before someone found them,” reads part of a statement posted over at Consumerist.

“They have even complained that our commercials are corny, and NOT SERIOUS ENOUGH, and that our message doesn’t get through. The guilt and fear these families feel after a preventable tragedy is very real and far worse than any commercial.”

Of course, punishing a mass audience for the unreasonable griping of a few who wouldn’t take responsibility for their own failure to act doesn’t make a whole lot of sense. Even if the old ads weren’t effective.

Also, says Life Alert, it’s the good guy. “Our goal is to wake people up to the realities of what is going on with the elderly and to get a medical alert system as a PREVENTIVE measure, not a reactionary result to a tragedy,” it says.

As reasonable—and somewhat noble—as the for-profit company’s intentions may be, its posturing also kind of misses the point. There might be some middle ground between an that is an unintentional self-parody, and one that terrifies children. A less ham-fisted approach might persuade even more consumers, or at least alienate fewer.

Then again, when demand for your product is based on the ample supply of consumer anxiety about death, you might as well lean in.



See the Painfully Funny Science Museum Ad That Was Too Violent for Canadian TV

The guy in this sublimely sophomoric spot for a Vancouver science museum should be in a world of hurt.

Yet he smiles and shrugs off a nail through his shoe, a bitey dog, a neighborhood kid’s expertly executed kick to the crotch and a couple of even more potentially painful (probably deadly) indignities. His relience throughout his 30-second odyssey, promoting for Science World at Telus World of Science, is explained at the end with a little scientific factoid. (The wimpy Walmart clown could learn a thing or two from this guy.)

This latest installment in the client’s “Now You Know” campaign from ad agency Rethink was deemed too violent for TV by the Television Bureau of Canada. Of course, that’s the perfect formula for maximizing press coverage and interest on the Web.

Among the campaign’s many notable past efforts, you might recall these racy ads from 2012 that promoted a “Science of Sexuality” exhibit and scored significant media exposure.

After 15 years on the business, Rethink’s got this stuff down to a science.

Credits below.

CREDITS
Client: Science World
Creative Agency: Rethink
Creative Directors: Ian Grais, Chris Staples, Rob Tarry
Art Director: Felipe Mollica
Writer: Morgan Tierney
Broadcast Producer (in house): DW
Account Services: Solomon Gauthier
Production Companies: OPC//FamilyStyle, Reco
Director: Chris Woods
Executive Producers: Harland Weiss, Donovan Boden, Liz Dussault, Michael Haldane
Director of photography: John Houtman
Line Producer: Darrin Ball
Post Production House: Cycle Media
Editors: Rob Doucet, Mathew Griffiths
Audio House: Vapor Music
Producer (Audio House): Kailee Nowosad
Engineer: Andrew Harris
Visual Effects: Crush



Belize Thanks Journey's Keyboardist for Visiting by Recording 'Don't Stop Beliezin'

You can’t make this stuff up.

Jonathan Cain, the keyboard player for Journey and writer of perhaps the band’s biggest hit, “Don’t Stop Believing,” vacationed in Belize recently—and tweeted about what a fantastic experience it was.

The Belize Tourism Board got wind of this, and with help from its ad agency, Olson, orchestrated an elaborate thank-you to Cain—in the form of a cover song, “Don’t Stop Belizein.” Popular local Belizean group The Laru Beya Boys recorded the song, which you can hear below.

Olsen and the Belize Tourism Board have collaborated on quirky campaigns in the past. Last year they offered free vacations to Vince Gilligan and eight members of the Breaking Bad cast—after the phrase “taking a trip to Belize” was used on the show as a euphemism for getting murdered.



Joe Buck and Troy Aikman Are Telenovela Foes in This Insane Ad for Fox Sports

What would happen if football didn’t exist? Well, for one thing, Fox Sports announcers Joe Buck and Troy Aikman would have very different jobs.

The two hombres star in this perfectly executed spot made in the style of a Latin telenovela. And it’s glorious. While their Spanish is downright remedial, they make up for it with absurd soap-opera melodrama. (Fox Sports seems to be going full comedy this fall, having also rolled out the “Sorry About All the Football” campaign.)

You could take issue with the premise, though. It’s highly doubtful, outside of football, that these two guys would have ever ended up in the same room. Unless baseball still existed, and Aikman played on the Red Sox.

The YouTube page says this is “the first of a series of videos featuring NFL on Fox talent, so it will be fun to see what happens next as the “drama unfolds.”

A world without football is, of course, inconceivable. But a world with more of these ads?

Si, por favor!

Via Awful Announcing.



DJ Samples Thousands of Sounds From GE Machines for a Track Called 'Drop Science'

GE doesn’t just do whatever it is that GE does. It makes beats, too.

Last year, GE brought you an electronica song featuring the sounds of shipping containers, as interpreted by Reuben Wu of Ladytron. Now the engineering brand is back with a sequel that graduates to samples from a broader range of GE’s heavy machinery—thousands, we’re told, including a jet engine—as assembled by artist Matthew Dear.

Created with The Barbarian Group, the campaign essentially argues a natural alignment between GE and music, focusing on the brand’s use of acoustics to test that its equipment is functioning properly. Andrew Gorton, an acoustics engineer for GE, worked with Dear to record sounds at a GE research facility in Niskayuna, N.Y., a process documented in a video produced by m ss ng p eces. A package of the loops Dear created is available to download via BitTorrent so that anyone can remix them.

While the symbiosis might seem like a stretch, it’s hard to fault GE for not wanting to bore regular people with too much geek talk about turbines and who cares what else. The resulting track, titled “Drop Science,” is certainly worth a listen.

That is, if you like the electronic music genre in general, it’s fun. If you don’t, you might think it sounds like a bunch of beeping machines. 



How Do You Advertise to an Ad Agency? Put Up a Billboard Right Across the Street

Here’s one way to pitch your design shop directly to an ad agency: Buy a billboard right across the street from them.

Intridea, a D.C.-based product design and development consultancy, did just that this month by buying a billboard for a week right near Ogilvy & Mather’s headquarters at 636 Eleventh Ave. in New York with the headline, “Ogle this, Ogilvy.”

The board included the URL oglethis.co, which featured goofy GIFs along with the text, “Made you look. Now hire us. AngularJS, Rails, UX/UI and more.”

It’s a little blunt, but it seems to have gotten Intridea in the front door. The agency says it got a call from Ogilvy New York CEO Lou Aversano and OgilvyOne managing director Dimitri Maex—and will be meeting with them on Sept. 3.

“This was the first time our team has ever spent any money on outdoor advertising,” says Intridea co-founder Yoshi Maisami, “and we’ve been very happy with the results.”



New Yorkers Try to Quiet Union Square from a U.S. Open Umpire's Chair in Heineken Stunt

Chair umpires in tennis have a thankless job. Sure, they have real work to do, but they spend much of their time babysitting the crowd—and sometimes even babysitting the players.

As part of its sponsorship of the U.S. Open, which began Monday, Heineken recently gave New Yorkers—like it or not—a chance to feel like a real tennis umpire. It set up a U.S. Open umpire’s chair in the midst of the always-hectic Union Square, and dared people to climb up and try to silence the crowd using the microphone.

As you can see below, it wasn’t easy. And it has a bit of a twist at the end.

Agency: Wieden + Kennedy, New York.