BETC Paris, B-Reel Create ‘Names Not Numbers’ for Médecins du Monde

Each year, 300,000 women die from pregnancy-related complications or unsafe abortions. To bring this statistic to life, production company B-Reel conceived and created “Names Not Numbers” for ad agency BETC Paris and Médecins du Monde (Doctors of the World), “a new experiential installation and digital experience” giving names to the women in the faceless statistic.

On International Women’s Day, March 8th, on a public street in Paris’ 3rd distict, B-Reel and BETC Paris unveiled their “Machine of Death” — “an artfully constructed and coldly methodical device that, each minute, cursively prints the given name of an actual woman who has died in childbirth or during an unsafe abortion.” After the name is printed, onlookers have 60 seconds to claim the card before it is dropped into a bin and lost forever. The cards include details on methods to help put an end to this tragedy on their flip side, and recipients are urged to sign the card and send it to local politicians or UN Secretary Ban Ki-Moon.

“This machine is a factory of death,” says Florence Bellisson, creative director at BETC, in a statement. “We are forced to confront this tragedy, live. It’s difficult to imagine that even today a woman’s right to choose what happens with her own body is not universal. This machine will become a weapon of salvation if every name it produces lands on the desk of someone who holds the key to change.”

The harrowing “Names Not Numbers” experience was captured in a digital short film (featured above), shot by B-Reel “at Stockholm’s Independent Studios and on location in Paris on March 8th.” Visitors to the “Names Not Numbers” website are given a minute following the film’s conclusion to retrieve, sign and send out their card through social media, in a digital recreation of the original experience. Claim your card now, and stick around for credits after the jump. continued…

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Last Night’s New Ads: Watch LeBron James Train for Powerade, Tom Watson Coach for MasterCard


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Miss yesterday’s batch of Hot Spots? They’re right here.

Continue reading at AdAge.com

Here’s the Last E*Trade Baby Commercial You’ll Ever See

After six years of infancy, the E*Trade baby is finally moving on with his life.

This week, the online brokerage began airiring what is said to be the last ad featuring the longtime spokeschild, a Super Bowl staple since 2008. As a bit of an admission that the campaign has started to get stale, the spot shows the baby being subjected to a new sidekick. In true 2014 Internet style, it's a zany cat.

The campaign's end was somewhat inevitable, given that the agency behind it, Grey, resigned the E*Trade account in 2013. Just a month later, the account was handed to fellow WPP Group agency Ogilvy & Mather.


    



PETA Turns to Emoji for a Seriously Cartoony Take on Animal Abuse

People for the Ethical Treatment of Animals, well known for its naked celebrity spokespeople and shockvertising, takes a slightly less controversial approach in a new campaign breaking this week.

In video and print ads, PETA tells a story of animal cruelty entirely in emoji, with hammers, hypodermics and handguns making short work of adorable bunnies, monkeys and tigers. Semi-spoiler alert: They turn into skeletons at the end, but there's no actual carnage depicted. Still, it's a PETA ad, so there will be blood, albeit cartoonish this time.

The nonprofit group said it went the iconic route because this campaign is aimed at the young, a demo who likely wouldn't be able to identify Pamela Anderson, clothed or not. The ads come from Los Angeles agency BPG with an assist from Waterfall Mobile for an emoji-based texting feature that allows people to donate money to the cause.

The campaign is running in national magazines and on PETA's blog and website, YouTube channel, Facebook page, Twitter and Instagram accounts. What do you think, readers? Thumbs up or face punch?

Credits below.

CREDITS
Client: PETA

Agency: BPG Agency
Chief Creative Officer: Steph Sebbag
Group Creative Director, Art Director: Frank Dattalo
Copywriter: Kevin Samuels
Creative Director: Ryan Hunnewell

Editing Company: Cut+Run
Editors: Steve Gandolfi, Sean Fazende
Managing Director: Michelle Eskin
Executive Producer: Carr Schilling
Senior Producer: Amburr Farls

Visual Effects: David Parker, Cut+Run
Senior Producer: Liz Lydecker

Music: Finger Music and Sound Design


    



Movimento Bandeiras Brancas: Heart

Leave a legacy. Be an organ donor.
Notify your family, or legal guardian, that you would like to be a donor. It’s simple.

Advertising Agency: Pereira & O’Dell, São Paulo, Brazil
Managing Director: Michel Lent
Creative Director: Guilherme Lemos
Art Director: Brunno Barbosa
Copywriter: Alexsander Brunello
Body painting artist: Gesine Marwedele
Photographer: Mateusz Rzewuski
Published: March 2013

beIN SPORTS: Game changer

Advertising Agency: TBWA\Chiat\Day, New York, USAA
Executive Creative Director: Matt Ian
Global Creative Director: James Cheung 
Copywriter: Spencer Campbell
Art Director: Mike Malz
Account Director: Edward Rogers
Account Supervisor: Raffaella Pardi
Assistant Account Executive: Tim Masek
Project Director: Sophia Barnett-Wiltshire 
Studio Digital Director: Dima Farer
Studio Director: Pasquale Bortone
Technology Director: Jordan Holberg
Design Director: Melatan Riden
U/X Designer: Cait Smith
Designer/ Animator : Yuriy Lozitskiy
Designer: Eric Lau
Print Services Manager: Joni Adams/Frances Cardona-Espinal
Senior Video Producer: Kelcey Edwards
Producer: Brittni Phillips
Production Designer: Dan Kane
Photographer: Erwin Brown
Comp Artist: John Turturro
Tech Consultant: Ed Bear
Design Consultant: Liz Zarro
Video Directed By: Shillick
Video Production Company: WW7
Video Editors: Brady Hammes, Nida Vohra
Mold Production: Neomak

Simply: Home


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Advertising Agency:1861United, Milan, Italy
Executive Creative Director:Pino Rozzi, Roberto Battaglia
Creative Director:Luca Beato
Art Director:Alice Marrollo
Copywriter:Chiara Monticelli
Director:Giuseppe Capotondi

Native Advertising Can Actually Boost Display-Ad Sales, Report Says


There’s a school of thought that native advertising is going to kill the banner ad, but a new report from eMarketer suggests that native sales are spurring display-ad sales at the same time.

That’s because publishers are using their native-ad products to lure marketers into a conversation and then packaging those native ads with a variety of other ad products including display, video and live-event sponsorships.

“Native works very much like a cherry,” Tessa Gould, director of native advertising and HuffPost Partner Studio at The Huffington Post Media Group, told eMarketer. “While it might be the initial hook of the deal, the advertiser almost always ends up also buying other advertising products such as HuffPost Live, video, premium formats and sponsorships. We find that our products work very well in combination.”

Continue reading at AdAge.com

Magritte Collection by Opening Ceremony

La marque Opening Ceremony a fait une collection de vêtements basée sur les célèbres peintures de Magritte. Parapluies et voiles sont à l’honneur : une façon très originale de ré-actualiser la culture classique avec l’ère contemporaine et la mode. La collection est à découvrir dans la suite.

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Mekanism Takes on Life’s Messy Moments for Method

Mekanism has just launched a new campaign for San Francisco-based shop, Method, “the premier disruptor of the home care category,” featuring a “romantic comedy-style series of TV and online ads, content and social media programs” which will run from March 24 – June 7.

The ads tell the story of Charles and Francine, two opposites who, over the course of the spots, meet, fall in love, and have a baby. Mekanism and Method buck conventions a bit by making Francine the messy one and Charles clean (even if they feel the need to point out that he’s “pretty neat for a guy”). In the first of the spots, the 30-second “They Meet,” Charles finds Francine asleep on his toilet after a night of partying, and Charles wonders how to break the ice. From there, their domestic tale evolves with a series of relatable messes marking milestones in their lives. While not laugh out loud funny, the spots have a pleasant kind of light humor and are quite watchable. The voice over by a man with a strong French accent definitely helps things along, especially in the 15 second “Super Pregnant” where viewers are treated to hearing the words “super pregnant” in said French accent.

“Our story is about opposites attracted to one another,” said Tommy Means, Mekanism founder and executive creative director. “Francine is charming, stylish, impulsive and a bit of a mess not unlike Audrey Hepburn in Breakfast at Tiffany’s. Charles on the other hand is clean and orderly. Telling the Method story through the eyes of this odd couple falling for each other is something everyone can relate to.”

Method is also partnering with digital agency Essence to develop and execute its media plan, which marks Method’s first significant foray into online advertising. Stick around for “Easy” after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Oscar Mayer: Wake up & smell the bacon

Advertising Agency: 360i, USA

Ads From Deep YouTube: The World’s Weirdest New Commercials

Beginning today, and every Friday, we're going to be slipping on our crampons, grabbing our pickaxe and carabiners and descending into the foreboding caves of Deep YouTube in search of the world's weirdest commercials.

Below, check out this week's collection—seven solid-gold ads that will make you laugh, cry, run for cover, or all of the above.

 
• Eat gum, ride enormous magical kitty to work! Country: Japan.

 
• The political situation in Eastern Europe is often complicated, but here it's clearly bananas. Country: Hungary.

 
• Asking for chips is a problem for some people. Enter the scary-ass talking tiger spirit animal. Country: U.K.

 
El anuncio de el Rancho De Jack es muy estraño. Country: U.S.

 
• Fantasizing about American girls rolling around in coffee will be a problem for your relationship. Country: Georgia.

 
• Need to wake up? These terrifying giant chickens will do the trick. Country: Australia.

 
• These coat racks were Neil deGrasse Tyson's first choice for his spaceship in Cosmos. Country: The Netherlands.


    



Bicycle Banana Holders – This Leather Banana Hammock Allows You to Take the Fruit For a Ride (GALLERY)

(TrendHunter.com) This banana holder is made of genuine leather. It’s designed to allow cyclists to safely carry a banana anywhere. Bananas are a great snack and a wonderful source of energy. The only thing…

Orange Telecommunications: Wonderlove

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Orange

Advertising Agency:Publicis Conseil, Paris, France
Chief Creative Officer:Olivier Altmann
Creative Director:Olivier Altmann
Copywriter:Olivier Dermaux
Art Director:Mathieu Vinciguerra
Account managers:Marie Wallet, Anne Dauvé, Steven Roué, Baptiste Roynette, Noemie Balmat, Joanna Weber, Remy Guizerix
Strategic Planner:Nicolas Levy
Tv Producers:Pierre Marcus, Guillaume Delmas
Director:Fredrik Bond
Production:Irene

Orange: Wonderlove

Advertising Agency: Publicis Conseil, Paris, France
Director: Fredrik Bond
Chief Creative Officer / Creative Director: Olivier Altmann
Copywriter: Olivier Dermaux
Art Director: Mathieu Vinciguerra
Client Team Directors: Fabienne Dulac, Quentin Delobelle, Annabel Salesa, Severin Cassan
Planner: Nicolas Lévy
Production Company: Irene
Agency Producers: Guillaume Delmas, Pierre Marcus / Prodigious
Account team: Anne Dauve, Steven Roue, Baptiste Roynette, Noemie Balmat, Joanna Weber, Remy Guizerix
Account manager: Marie Wallet

WWF Canada / Earth Hour 2014: Moment of Darkness

See the work at http://www.momentofdarkness.ca

Advertising Agency: john st., Canada
Creative Directors: Angus Tucker, Stephen Jurisic
Copywriters: Jacob Greer, Kohl Forsberg
Art Directors: Denver Eastman, Zack Vitiello
Agency Producers: Mavis Huntley, Dana Drummond
Technical Lead: Marc Cattapan
Account Service: Melanie Courtois, Dorian Burns-Coyne, Jared Applebaum
Brand Experience / Planning: Laura Robbins
Director: Jesse Senko
Production Company: Lisa Bonnici: Artist’s Agent
Line Producer: Aarin Mackay
Editorial: Danica Pardo, Melanie Hider, Raj Ramnauth / Saints Editorial
?Audio House: Grayson Matthews
Transfer/Online: Alter Ego, The Vanity
Aired: March 2014

Louis Vuitton – Emprise

Pour sa campagne de montres et de bijoux, Louis Vuitton a fait appel à Slowdance et Surface To Air Studio pour réaliser une belle vidéo intitulée « Emprise » et entièrement faite sur une mise en abîme. Accompagnée d’une musique de Gesaffelstein – « Aleph », la vidéo nous plonge dans l’univers très élégant de la marque.


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That Kissing Stunt Bosses ‘Bossy’ On the Viral Video Chart


If you spent any time on the internet last week, this week’s Viral Video Chart won’t shock you: strangers locking lips for the first time killed it, raking in 63 million views, according to Visible Measures.

Titled “First Kiss,” the spot for LA-based apparel brand Wren had 20 strangers who were paired up and asked to engage in the vulnerable act of kissing each other for the first time.

As you can imagine, it starts off awkward as couples try to break the ice by saying things like, “You have nice eyes,” to “What was your name again?” Jimmy Fallon and Chelsea Handler create spoofs. But it was hard to tell if the short film was actually a marketing effort which it was since no real branding was involved. While cast members were filmed wearing Wren’s label, even that wasn’t clear just by watching the video.

Continue reading at AdAge.com

Ford Explorer: Blind spot

Ford Explorer with BLIS technology. Warns you of dangers in your blind spot.

Advertising Agency: BBR Saatchi & Saatchi, Israel
Agency CEO: Yossi Lubaton
Executive Creative Director: Nadav Pressman
Creative Director: Eran Nir
Copywriters: Idan Levi, Sharon Refael
Art Director: Shirley Eva Bahar
Account Group Head: Hagai Leeran
Account Supervisor: Yogev Weiss
Account Executive: Daniel Sela
Photographer: Yoram Ashahim
Photoshop: Yaniv Shahar
VP Production: Dorit Gvili
Producer: Odelia Nachmias

Intricate Steampunk Insects – Gaby Wormann’s Bio Bugs are Strangely Beautiful (GALLERY)

(TrendHunter.com) Germany-based Gaby Wormann fuses mechanics with tarantulas in her bio bug art project. She attempts to imagine a world where the organic and the mechanic are brought together as one. She calls her…