Bummed You Couldn’t Afford WhatsApp? Buy This Stuff Instead


One of the main talking points of the week goes like this: “Wait, what? $16 billion? Really?”

That dollar amount, of course, refers to what Facebook is paying to acquire WhatsApp. As my colleague Cotton Delo reported, “An additional $3 billion in restricted stock units are being set aside for WhatsApp’s 50 employees and will vest over a four-year period,” so some news outlets have just been rounding up to the vested figure in reporting a $19 billion price tag for WhatsApp. WhatsTF?

Naturally, there’s now a Tumblr titled “Things that are cheaper than whatsapp,” which considers relative bargains like the cumulative design, build, launch and maintenance costs of the Hubble Telescope ($10 billion), American Airlines (which has a market cap, as of this writing, of $12.1 billion) and the U.S.S. Ford aircraft carrier ($13 billion). You are invited to submit your own cheaper-than-WhatsApp stuff here.

Continue reading at AdAge.com

Agency’s Ice-Cold Prank Turns DHL’s Rivals Into DHL Advertisers

Some evil genius of an agency is getting global buzz for delivery service DHL with a endearingly cold prank on the brand's rivals. There's just one problem: DHL didn't have anything to do with it.

In a video that's exploded across the Web over the last two days, we see how delivery services like UPS were tricked into toting around large packages that were essentially mobile billboards saying, "DHL is faster." The stunt was supposedly accomplished by wrapping the boxes in thermo-active foil that, when cooled, hid the message until well after the packages had been picked up by the competition.

Many viewers debated whether the stunt was real or fake, which still isn't quite clear. What is certain, though, is that it's not an official ad for DHL.

In an email to Consumerist, DHL issued the following denial of responsibility:

"This was not something that was initiated by DHL. The video was created by an external agency for their own internal competition. We were aware in advance of the intention to use it for this purpose. We were not aware of any plans to share it externally."

Oops.

The brand stopped short of naming the agency behind the "Trojan Mailing," but the supposed video case study, already viewed more than 600,000 times, is hosted by German firm Jung von Matt/Neckar.

Real or staged, it's hard-hitting advertising at its best. Attention grabbing and not afraid to show its teeth, but also clever enough to avoid just being obnoxious.


    



Slick Real-World Superbikes – The Lotus C-01 Motorcycle is Conceived by TRON Designer Daniel Simon (GALLERY)

(TrendHunter.com) The Lotus C-01 motorcycle is a real-world superbike if there ever was one. It doesn’t hurt that it was masterminded by none-other-than TRON designer Daniel Simon. The slick shape is…

The Way Publishers Cash In Twitter Referrals Now (Hint: More Ads)


Much bandwidth has been consumed discussing the effects of Facebook’s recent algorithm change to favor sites offering “high quality” content. It’s been said to hurt viral sites like Upworthy — a notion the site’s founders have denied — while rewarding other publishers including Mental Floss.

But little has been said on how publishers seeing a traffic bump actually make money from those additional eyeballs.

Social media referrals now account for nearly 50% of overall traffic to some publishers’ sites. Facebook is eclipsing all others as the top traffic driver, according to a report last year from Shareaholic, a company that makes social media sharing tools.

Continue reading at AdAge.com

A Little Girl and Her Cat Sing the Perfect Duet in Britain’s Latest Adorable Commercial

It must be nice to be Three.

The British mobile network has the most fun-loving advertising slogan around: "We all need silly stuff." And Wieden + Kennedy in London makes the most of that promisingly vague positioning. Last year, we had the dancing Shetland pony. Now, it's time for the singing cat.

The new ad is brilliantly shot by Traktor, and features remarkable performances—not just by the preternaturally talented kitty but by the girl, too, who apparently was born to lip-sync old Starship songs. (W+K London has lots of relevant feline experience, too, of course, having also done the much-loved "Cats With Thumbs" work for Cravendale.)

The only downside: The related website, where you can upload your photo and "star in your own kitten-rocking, face-morphing music video," doesn't load outside the U.K.

Credits below. Via Unruly Media.

CREDITS
Client: Three
Agency: Wieden + Kennedy, London
Creative Directors: Dan Norris, Ray Shaughnessy
Creatives: Chris Lapham, Aaron McGurk, Luke Tipping
Production Company: Partizan
Directors: Traktor
Postproduction: MPC


    



Grey Stages Ewing Energies Takeover for TNT’s ‘Dallas’

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If you own a car and live in Manhattan, you’ll have reason to celebrate this Monday, especially if you’re a fan of TNT’s Dallas reboot.

To celebrate the season 3 launch of Dallas, Grey New York is organizing a gas station takeover for TNT, with the mystery location being transformed to a Ewing Energies station with prices that will drastically undercut the competition (although 1978 prices may be a bit too much to hope for). The show’s star, Josh Henderson, will be on hand to cut the ribbon and announce the price.

Grey has launched the campaign with a video message from Henderson on the Dallas Facebook page. A multimedia campaign will lead up to the event on Monday, including “radio promotions, billboards, wrapped oil tankers,” more video messages from Henderson, and “a New York Times ad announcing the price cut.” The actual location of the Ewing Energies gas station will be kept secret until Monday, so a keep eye on this campaign, especially if you’re keen on getting some cheap gas after the weekend. This should be a fun way to launch the new season, and we’re guessing the slashed cost of gas at the station will draw quite the crowd and garner a lot of attention for the show.

“Producing a campaign for TNT that effectively showcases how the world’s most powerful fictional family, the Ewings, can blur the lines and wield enough power to change something in the real world is the type of work that Grey lives and breathes for,” says agency executive creative director, Lisa Topol. “Fans will just have to wait and see how generous the Ewings will be with the final price of gas.”

One thing is for sure, though, this guy is excited:

 

New Career Opportunities Daily: The best jobs in media.

Spring Learning Center in Hong Kong

Pensé par Joey Ho Design à Hong Kong, ce très joli lieu a été réalisé pour imaginer un espace créatif et joyeux pour inviter dans ce centre d’apprentissage les enfants. Des choix très simples et colorés, permettant de proposer un environnement propice au développement des plus jeunes. A découvrir en images dans la suite.

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7 Step Guide For Brands Using Content to Connect With Customers

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This in-depth guide from Marketo and Kapost, entitled A Modern Marketer’s Guide to Successful Buyer Relationships, is one of the best guides we’ve seen for marketers looking to use content to connect with customers and build lasting relationships.

The guide comes in the form of a workbook you can use to ensure you are maximizing your content marketing efforts.

In the eBook, you will find:

  • Do-it-yourself exercises and worksheets to help you map out successful content campaigns
  • Best practices for reaching the right buyers at the right time with the right content
  • A look into Marketo’s techniques for developing new buyer conversations into committed relationships

Download the eBook now and map your way to a rewarding and profitable content marketing strategy.

BBH Producer Mercadal Heads to Ogilvy

rubenmercadalAfter spending the last seven years at BBH London, where he last served as executive producer/partner, Ruben Mercadal has headed to the States to join up with Ogilvy New York in the newly created position of senior film content producer. During his long stay at BBH’s London hub, Mercadal racked up One Show, Clios, D&AD and Cannes Lions for his work on Johnnie Walker’s 2009 campaign, “The Man Who Walked Around the World.” In addition to the whiskey brand, Mercadal served as agency producer for a host of other clients including Axe (remember this from last year?), Audi, Dunlop, Mentos and Barclays.

Prior to BBH, Mercadal worked as a broadcast producer at the London offices of both Publicis and Saatchi & Saatchi. He officially assumed his new role at Ogilvy on Tuesday.

New Career Opportunities Daily: The best jobs in media.

Cadbury Brings the Joy Yet Again With James Corden’s Lip Sync

Cadbury is following up last month's charming "Yes Sir, I Will Boogie in the Office" spot with another winner. U.K. actor James Corden, best known as the creator of hit BBC sitcom Gavin & Stacey but probably more familiar to Americans from his Doctor Who appearances, stars in the latest video for Cadbury's "Free the Joy" campaign.

It's a solid two minutes of dancing and lip-syncing. That length might seem tiresome, and Cadbury's product barely features in it, but it's so fun that I had no problem watching all the way through. Twice. And judging from the clip's 1.5 million views in two days, I think others might agree.


    



WPP Is Lead Deal Maker With 54 Acquisitions In 2013


Ad companies’ 2013 acquisition tally

WPP was the most active buyer in marketing communications last year, closing 54 deals, according to M&A advisers Results International. The next biggest player was Publicis, with 19 deals, followed by Dentsu Aegis at 16. Interpublic was the biggest spender in mobile, with three of its eight deals coming from the sector. Only seven deals came under the social media banner, of which five were made by WPP.

Jim Houghton, a partner at Results International, said, “There were no gangbuster deals in 2013, like WPP [buying] AKQA or Publicis and LBi. Instead, there were a lot more early-stage tech deals, and quite a few that were about strengthening management teams. The other big driver was geography, consolidating the supply chain for clients.”

Continue reading at AdAge.com

Catching The Light In Asia

Le photographe Weerapong Chaipuck décrit dans ses photos l’Asie. Un beau et mystérieux continent avec des paysages à couper le souffle et des traditions profondément enracinées. Profitez du voyages et de son travail sur la lumière grâce à ces superbes photos disponible sur Fubiz dans la suite de l’article.

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Fantasy-Inspired Couture Collections – This Black Milk Collection is Inspired by Game of Thrones (GALLERY)

(TrendHunter.com) Recently announced is a Black Milk collection inspired by the mega popular HBO series Game of Thrones.

Set to be released on March 11, this Black Milk collection offers a variety of clothing: from…

Barbarian Group Cuts a Handful

barbarianhelmetWe’ve received confirmation that The Barbarian Group, they of recent “Superdesk” fame, has had to cut a handful of staffers. While the tips make the situation seem somewhat dire (what else is new), we’ve been told that TBG actually had to let to go of four staff members due to a small section of Samsung business being absorbed into parent company Cheil’s headquarters. We’ll of course keep you posted if anything else develops.

New Career Opportunities Daily: The best jobs in media.

Under Armour Extends Contract With U.S. Speedskating Team


Under Armour extended its sponsorship contract with the U.S. speedskating team for eight more years, recommitting to the sport after criticism that its suits slowed down athletes at this year’s Sochi Games.

The contract, which had been due to expire this year, will now last until Dec. 31, 2022, the Baltimore-based company said today in a statement. As part of the deal, Under Armour will remain the team’s exclusive provider of competition suits.

Under Armour’s suits have come under scrutiny during the Olympics because no American has medaled in any speedskating events. The U.S. had won four medals in speedskating in the 2010 Vancouver Games. Some athletes blamed a design flaw in the suits’ rear ventilation panels, the Wall Street Journal reported last week.

Continue reading at AdAge.com

Everything is Awesome! And So Is Coke’s Social Media Guard Ad

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We are all guilty of planting our faces in our phones in the middle of social situations. This sort of behavior would once be considered rude but, hey, since everyone’s doping it, it must be OK, right?

Your parents and grand parents would be horrified if they saw you planting your face in your phone in the middle of dinner or while you should be playing with your newborn baby. But we all still do it so it must be OK, right?

Coke asks that question in it’s hilarious Social Media Guard video which touts a dog cone-like product that aims to cure our rampant obsession with social media.

In the video’s description, Coke asks, “Did you know that the world spends 4 millions years online every month. If you’re watching this video on your mobile phone, it’s time to put it down. Look around you, there is probably someone special you can share a real moment with. Enjoy it with an ice-cold Coke :)”

Oh and the video is one of the best uses of the 2001 theme in a long time!

Live Without Your Phone 10 Minutes and Help a Child Living Without Clean Water

To raise awareness of the millions of children going without clean water each day, Unicef is challenging you to see how long you could deny yourself something as simple as checking your phone.

Mobile visitors to UnicefTapProject.org can join the challenge (and help raise money for the cause) by following a few simple instructions and putting their smartphone down. For every 10 minutes you leave your phone alone, the project's sponsors will fund a day of clean water for needy kids worldwide.

The mobile Web app is currently in beta and scheduled for official launch March 1. Droga5 helped to conceive the campaign, part of an annual program now in its eighth year, and MediaVest serves as a media partner. While your phone is parked, the site fills your screen with stats and information about the need for clean water. It also encourages you to keep going and contrasts your elapsed time with the number of frivolous tweets, texts and Instagrams that have been posted while you've been participating.

Surely, even hardcore mobile addicts set down their phones for 10 minutes each day—perhaps while taking a nice hot shower, which millions of less-fortunate folks around the world would view as a luxury. 


    



Forgotten in Cages: Break Through the Facebook Album’s Bars

Please help hundreds of dogs that were forgotten inside of Facebook albums to find a loving home in the real world.

Hundreds of pictures of dogs are shared daily on social networks; these pictures describe the difficult stories of the photographed dogs along with a plea for an urgent adoption. Some dogs are lucky enough to receive the embrace of a warm family thanks to the exposure, but what happens to the dogs who don’t get adopted? Those are easily forgotten by the surfers. Their pictures “collect dust” in the Facebook albums as a painful testimonial to the fact that these dogs might remain in the dog pound for years or might even be put to sleep.

The Facebook page “Forgotten in Cages” gives stage to dogs that spent two years or more in the dog pound. The page presents the dogs’ only wish – to be a member of a warm family.

We decided to raise awareness to the page and help the dogs find a forever home. We came to the realization that the Facebook album grid resembles the cage where the dogs spend their lives in. We utilized the grid and created an image of a dog locked in a cage in order to give the surfers the look and feel of the physical cages the dogs spend years of their lives in.

http://bit.ly/forgottendogs

Advertising Agency: Ecaliptoos, Israel
Associate Chief Executive Officerss: Maor Chen, Elad Stefansky
Creative Director: Maayan Dar
Art Director: Gali Avidan
Copywriter: Lidor Levi
Studio: Helena Roizin

Polar Beer: Polar Cell Phone Nullifier

Advertising Agency: Paim Comunicação, Porto Alegre, Brazil
Creative Directors: Rodrigo Pinto, Carlos Thunm
Copywriters: Márcio Blank, Rodrigo Rocha
Art Director: José Pedro Bortolini
Head of Digital: Willian Zanette
Social Media Manager: Pedro Migotto
Agency Producers: Ana Paula Luce, Juliana de Barros Lima, Lucas Holderbaum
Graphic Designer: José Pedro Bortolini
Art Buyers: Marta Mendonça, Alexandro Souza, Daniela Pertille
Account Manegers: Daniela Flores, Mariana Balestra
Media Buyers: Claudia Mello, Patricia Angeletti
Account Planning: Eduardo Flores, Henrique Scholz
Technical Producers: Álvaro Heller, Diogo Thum de Oliveira
Photographer: Complex Studio Image
Production Company: SQMA Film Delivery, TGD Films
Film Director: Guilherme Petry
Music&Sound: Batuque Música, Loop Reclame

São Paulo Soccer Federation: Linesmen for Peace

Advertising Agency: Wunderman, São Paulo, Brasil
Chief Creative Officer: Paulo Sanna
Creative Directors: Paulo Sanna, Adriano Abdalla, Fábio Matiazzi, Fernando Tomeu, Rafael Palermo, João Paulo Martins
Art Director: André Araújo
Copywriter: Samuel Normando
Print Agency Producer: Sandro Figueiredo
Photographer: Paulo Villar
Project Manager: Sergio Porro
Agency Producers: Cleo Andrade, Flávia Rocha
Producer: La Casa de La Madre
Published: January 2014