(TrendHunter.com) The Bubble Chandelier by Souda, a product design company based in New York City, is made out of post-consumer soda bottles. A stunning upcycled creation, it does not look at all like it is an eco-…
(TrendHunter.com) The Building Images portrait series revolves around some very awkward captures of working women. As though succumbing to the unnatural and life-sucking boredom that can only be experienced in a…
(TrendHunter.com) The Niels Peeraer SS13 collection is so stunningly feminine, it is great to see it modeled on a man, which happens to accentuate this quality rather than negate it. It helps that he himself strikes…
Advertising Agency: Makani Creatives, Mumbai, India
Creative Directors: Ashish Makani, Sameer Makani
Art Directors: Dhrupal Mehta, Prasad Rao
Copywriter: Chrisel Fonseca
Additional Credits: Manoj Pandey, Sunil Tank
(TrendHunter.com) Street artist Momo does not deal in the cute or even in the controversial like some of his fellow graffiti artists. Instead, he creates stunning abstract pieces that could very well belong in a…
(TrendHunter.com) The Wine Cellar by Jamie Beckwith, an interior designer based in Nashville, Tennessee, looks like something straight out of a sci-fi movie. In particular, the “TRON: Legacy” film. That…
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Uma mistura de live-action e comic art servem de tempero para este incrível spot da Nike+. Para produzi-lo, a AKQA Shanghai juntou um time de primeira: o diretor Jonty Toosey, o ilustrador Freek van Haagen e o motion designer Hugo Goudswaard. A trama é simples: um jovem casal percorre as ruas da cidade, fugindo de um monstro. Até o momento que eles resolvem enfrentá-lo, com muitos golpes de artes marciais e os poderes adquiridos com os produtos da Nike.
Apesar da história parecer boba, o resultado é impressionante, com uma qualidade visual que enche os olhos.
Post originalmente publicado no Brainstorm #9
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FMCG International a réalisé récemment un superbe simulateur de Formule 1, proposant une mise en situation digne d’une vraie voiture grâce à l’utilisation de véritables pneus Pirelli, et d’une carcasse en fibre de carbone. Un simulateur au design très réussi, à découvrir dans la suite de l’article.
(TrendHunter.com) The Gentleman’s Guide to Movember Infographics dictates how and what kind of mustache men can grow out to support their cause.
At the beginning of November, each supporter, affectionately…
Advertising Agency: Struck, USA
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Todo mundo gosta de almofadas. Mas se você gosta de almofadas e de tipografia, essa ideia vai cair muito bem.
Criada em Barcelona, Typies é uma coleção de almofadas-alfabeto, de A a Z, com listras na frente e uma cor sólida atrás.
Tem em dois tamanhos e entrega no mundo todo, incluindo Brasil.
Post originalmente publicado no Brainstorm #9
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(TrendHunter.com) The Maciej Bernas Papermint editorial brings the visionary photographer’s concept to life. The whimsical fashion story features Moye Mgmt model Marta, who is captured wearing a slew of…
(TrendHunter.com) Job security is a major factor when it comes to choosing a profession which will withstand the majority of your life; these top five careers for 2017 highlight the predictions of how industries are…
(TrendHunter.com) The Select Your Stache infographic reveals some hilarious iconic figures’ mustaches, iconic and non, throughout the last few decades.
For the entire month of November, men grow out their facial…
(TrendHunter.com) Lora Zombie’s recent collection of grunge art is bright, beautiful and has a transcendent quality. The subjects depicted in the pieces range from young children to adults and animals.
The…
(TrendHunter.com) The Ones 2 Watch ‘Easy Rebellion’ editorial captures a 90s-inspired style aesthetic that has been making a strong comeback in the last year. Elite Toronto model Sam Ypma stars in the…
“Angry Birds: Star Wars” está disponível para download desde cedo, mas se você ainda não jogou pode assistir a divertida introdução do game acima, com 3 minutos e meio.
O que mais me impressiona na Rovio, é que eles teriam tudo para aproveitar o sucesso de seus pássaros e porcos lançando um monte de jogos, novas fases e conteúdo sem critério. Porém, ao contrário da ardilosa Zynga, a empresa tem respeitado sua própria criação, e o que poderia ser mais do mesmo se prova um exercício de criatividade e mecânicas de jogo, como o recente “Angry Birds: Space” e o spin-off “Bad Piggies”.
Em “Angry Birds: Star Wars”, a Rovio não usa o licenciamento da maior ficção científica dos cinemas à toa. Nas mãos de outra produtora, poderia virar o mesmo jogo apenas com alteração de fundos estáticos tematizados, mas temos aqui uma incorporação esperta e criativa de “Star Wars” aos desafios gravitacionais de “Angry Birds”, sem deixar de lado a reverência necessária.
“Angry Birds: Star Wars” foi lançado hoje para iOS, Google Play, PC, Amazon, Mac, Windows 8 e Windows Phone 8: download.angrybirdsstarwars.com.
Post originalmente publicado no Brainstorm #9
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Située dans le quartier de Shibuya à Tokyo au Japon, cette résidence appelée « Skate Park House » est une réalisation de Level Architects. Très réussi, ce projet permet à la fois d’offrir un cadre privilégié pour vivre mais aussi pour que les habitants puissent s’adonner à une de leurs passions, le skate. Plus dans la suite.
During the opening weekend of James Bond movie Skyfall, Sony Mobile carried out a stunt in true undercover manner to promote the waterproof smartphone Xperia acro S.
Advertising Agency: CP+B, USA
Executive Creative Director: Gustav Martner
Creative Directors: Jonas Wittenmark, Tobias Carlson
Art Director: Jonas Wittenmark
Copywriter: Tobias Carlson
Jr. Art Director: Jakob Eriksson
Jr. Copywriter: Elof Ivarsson
Client Service Director: Kristian Jörgensen
Business Director: Therese Olander
Content Supervisor: Karin Branmark
Agency Producer: Annika Andreasson
Event Agency: Grandins Flying Circus
Production Company: Vidiots
When I was working for a high tech and B2B ad agency that was experiencing growing pains caused by the transformation from small to mid-sized to large, I developed a traffic and production management system using a Mac and FileMaker Pro. No, really. Seriously! Prior to that system, there were nothing more than memos and email to convey information from account management to creative to production to traffic and back. It was inefficient, and many times information was lost in transit.
The FileMaker Pro system introduced job tickets and a workflow that, to the best of FileMaker Pro’s limited capabilities, aided in making sure the right people saw the right information and that the process was properly documented. This included a listing of those responsible for various aspects of the job, due dates, production specs and, if lucky, the creative brief.
It was far from a perfect system and rife with the limitations of early-stage FileMaker Pro. At other agencies I worked for, trafficking jobs and managing workflow ranged in sophistication from a simple phone call to a handwritten note to typed, four-part forms to email to clunky dumb terminal antiquation.
Read the rest on the Central Desktop blog.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
