Does Chewing Gum Make You Look Like a Fool? Brand Tests Identical Twins to Find Out

Here’s an unusual two-for-one deal from Del Campo Saatchi & Saatchi for Beldent gum. The Mondelez brand, known as Trident in the U.S., staged “Almost Identical,” a social experiment/marketing installation at the Museum of Contemporary Art in Buenos Aires, ostensibly to disprove the myth that gum chewing gives a bad impression.

Patrons were asked questions about five sets of identical twins. Each pair of twins was identically attired and quaffed—but one twin was chewing gum, while the other wasn’t. Queries ranged from “Which one seems like he has more friends?” to “Which one has a better sex life?” and “Which one is the bad cop?” (Two of the twins were dressed like police officers.)

Nearly 500 people took the test, and 73 percent of the responses positively favored the twin who chewed gum. (Given the experiment’s far-reaching implications for greater social understanding of gum chewers the world over, I’m surprised leading scientific journals haven’t put it on their covers.)

Watching the video, which is nearing 3 million views on YouTube since its posting last November, several observations spring to mind. First, the gum chewers, with their mouths in motion, seem to be smiling at times. They look more relaxed and happy than their tight-lipped twins, who make pouty expressions, as if thinking: “Damn, I wish I had a piece of gum!” Also, putting identical twins on public display is kind of creepy.

Plus, I’ve got the strangest craving for Wrigley’s Doublemint … oh, snap!

The campaign won eight Lions in Cannes last week: two golds in Direct, a gold in Outdoor, a silver in Promo and bronzes in Film Craft, Film, PR and Media.



5 Gum Campaign

Le photographe anglais Saddington Baynes a travaillé avec l’agence Energy BBDO pour créer ces visuels pour la marque de chewing-gum 5 Gum. Voulant illustrer la force et l’intensité du gout du produit, des iris de femmes sont ici retouchés pour y créer des mises en scène kaléidoscopiques. A découvrir dans la suite.

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Wrigley Extra Gum Commercial

Voici une très belle publicité pour la marque de chewing-gum Wrigley Extra Gum. Pensée par Omnicom Group’s Energy BBDO, cette création nous invite à découvrir le lien entre un père et sa fille, illustré par des grues d’origami en papier d’emballage partagées à travers les années. A découvrir en vidéo dans la suite.

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Trident Gum Airs Its Own TV Commercial Made From a Single Vine

Traditional TV may soon be overgrown with Vines.

Big players like Dunkin' Donuts, Nissan and Virgin Mobile have all either aired TV spots created on the Twitter-owned six-second video platform or plan to do so. The ad business is all about bandwagons, so expect just about every other marketer to hop on soon.

Trident launched a Vine spot on Fuse last night that will air 100 times in the next two weeks. The clip stars 24-year-old Brooklyn musicians Nicholas Megalis and his partner Rudy Mancuso (the David Ogilvys of Vine!) performing a jaunty jingle: "Layers of flavor, that's how the world gets paid. Strawberry, citrus, grape, lemonade!" (The Stephen Sondheims of Vine they're not.)

It's basically two dudes goofing around, singin' about gum. Nothing wrong with that. And Vine is so condensed, there's no time to waste. It's a quick burst of sound and motion, an image or two, some keywords, a social call to action … BAM! That's all you get. (Of course, this is really just a millennial spin on old-school advertising, complete with a catchy tune and the hashtag standing in for the tagline. But let the babies think they've discovered something new.)

Brevity usually raises the bar for creativity, forcing artists to finely hone their ideas, so Vine's transition into the mainstream could herald a super-short-form commercial renaissance, with lots of experimentation and mind-blowing approaches to come. Then again, I could see this trend going in an anti-creative direction, which is, in fact, hinted at in the Trident spot. Two of its four seconds simply show packages of gum and the #paymeinlayers hashtag.

Will marketers at some point just start tossing up six-second still product shots, perhaps with snatches of music and some lighting effects, and trumpet these unmoving video billboards as the next step in Vines? Will they create clips with bikini babes cradling their products while hashtags flash incessantly? Or pose the babes atop muscle cars, pickup trucks, home electronics and who-knows-what-else in six-second distillations of every shlocky commercial ever made? Will they run six brain-dead Vines in a row to fill traditional 30-second slots?

Marketers always stress creativity, foster innovation and take the high road, so I'm sure we've got nothing to worry about. Right?

Via Mashable.


    

Universe’s Most Indulgent Gum Gets a TV Commercial to Match

Stimorol Sensations, a South African gum that appears to be the same thing as Trident Layers, claims to be the most indulgent gum in the universe. In its latest spot by Ogilvy Cape Town, an office drone pops the layered gum, slips away into an indulgent fantasy of synchronized swimmers and fruit waterfalls that cop a feel, and, of course, walks across water to play a saxophone duet with a parrot. The whole thing was put together using an indulgent set that included 30 tons of pink goo. Check out the behind-the-scenes video for shots of the set and a delightfully unenlightening interview with the quirky director, Trevor Clarence. Credits below.

CREDITS
Client: Stimorol Sensations
Agency: Ogilvy & Mather, Cape Town, South Africa
Executive Creative Director: Chris Gotz
Associate Creative Director: Tommy Le Roux
Creative Group Head: Prabashan Panther
Agency Producer: Anthea Beylis
Art Directors: Reijer van der Vlugt, Matthew Pullen
Copywriters: Justin Osburn, Dean Paradise
Production Company: Your Girlfriend
Director: Trevor Clarence
Executive Producer: Linda Bogle
Postproduction: Black Ginger
Sound Design: We Love Jam
Voiceover Artist: Adam Behr


    

Stride Gum Makes a Gaming App That You Control by Chewing

"Everyone wants to control video game characters by chewing. Right? Right?!" Working off a brief that apparently read something like that, Stride Gum, Wieden + Kennedy London and Johnny Two Shoes have launched Gumulon, which uses the front-facing cameras of iOS devices to detect your mouth movements. By chewing, you can make a helmeted alien named Ace jump around to avoid the clutches of a prehistoric cave beast. Once Ace gets eaten, the camera take a shot of your crazily chewing face, which you can share on social media. (That's an improvement on the barf faces some party hearties like to send around.) Gumulon is available for free in the App Store because, really, who would pay for such a thing? It can also be played by tapping iPhone, iPad and iPod touch screens, so those with lockjaw won't miss out. Where will it end? Silicon Valley investors may soon be lining up to back Belchulon, SpitScreen! and Musical Toots—at all of which, by the way, I'd be unbeatable.

    

Orbit Gum Helps You Vanquish Giant Annoying Talking Meat and Potatoes

I've had way worse airline seatmates than the annoying, anthropomorphized, Jinx-playing serving of meat and mashed potatoes depicted in Energy BBDO's new commercial for Orbit gum. Beats getting stuck with ad-sales types ranting about CPMs, or bloggers with their sweaty palms and sad eyes. A second spot, set at a race track, features an outsized, whiny helping of nachos that would've been great as a '70s Dr. Who villain, intent on conquering the world by giving mankind indigestion. These latest helpings in the "Don't let food hang around" campaign are amusing—the costumes and makeup are, as always, fantastic—but they don't quite match the inspired culinary absurdity of that earlier spot in which a giant pita sandwich answers its cellphone "Falafel!" and ends the call with a deadpan, "Love you too." Classic! The challenge moving forward is to keep the campaign fresh, lest the talking-food joke repeats on you and spoils the fun. Credits below.

CREDITS
Client: Orbit (Wm. Wrigley Jr. Co.)

Agency: Energy BBDO
Chief Creative Officer: Dan Fietsam
Executive Vice President, Head of Integrated Production: Rowley Samuel
Senior Vice President, Group Creative Director: Leon Wilson
Creative Director, Copywriter: Miller Jones
Creative Director, Art Director: Aaron Pendleton
Senior Producer: Kevin James
Vice President, Senior Account Director: Pete Ruest
Account Supervisor: Brian Sisson
Senior Account Executive: Niki Shah
Print Producer: Liz Miller-Gershfield

Production Company: Recommended Media
Director: Chris Woods
Executive Producer: Phillip Detchmendy
Founder, Chief Executive Officer: Stephen Dickstein
Line Producer: Darrin Ball
Director of Photography: Neil Shapiro
Production Designer: Alison Sadler

Visual Effects: Legacy EFX
Visual Effects Supervisor: Alan Scott
Visual Effects Supervisor: Vance Hartwell
Visual Effects Assistant: Lyn-Del Pederson

Editing: White House Post
Editor: Carlos Lowenstein
Assistant Editor: Kenan Legg
Producer: JoJo Scheerer

Visual Effects: The Mill
Executive Producer: Jared Yeater
Visual Effects Supervisor: Phil Crowe
Visual Effects Supervisor: Iwan Zwarts
Flame Artist: Melissa Graff
Flame Artist: Randy McEntee

Chewing Gum Installations

L’artiste français Jérémy Laffon aime utiliser des éléments insolites pour réaliser des installations. Avec ces œuvres artistiques « Hollywoodoscopies », il créé des compositions uniquement à base de la matière des chewing-gums. Un rendu intéressant à découvrir à travers plus images dans la suite de l’article.

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