Goodby, Silverstein & Partners parodia Retratos da Real Beleza para recepcionar diretor de criação

Ninguém pode acusar a Goodby, Silverstein & Partners de não dispensar a devida atenção – e bom humor – às contratações de funcionários. No ano passado, a busca de Rich Silverstein por um novo assistente executivo contou até com o Work4Richum hotsite com atividades interativas que deveriam ser executadas pelos candidatos. Agora, a agência criou uma paródia de Retratos da Real Beleza para recepcionar seu novo diretor de criação, Eric Kallman.

Criada pela  Ogilvy & Mather para a Dove, a campanha Retratos da Real Beleza foi uma das mais premiadas do ano passado, e contava com um artista forense para criar o retrato falado de algumas mulheres, primeiro com a descrição feita por elas mesmas, depois com a descrição feita por outras pessoas.

Em Goodby Silverstein & Partners Welcomes Eric Kallman, são alguns dos criativos da agência que descrevem como seria o diretor de criação perfeito. E os retratos finais só poderiam revelar uma pessoa com todas as qualidades descritas… ou duas, no caso de Rich Silverstein. Uma bela recepção.

erik1

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Adobe revela quem realmente presta atenção nos comerciais do Super Bowl

A Adobe resolveu provocar os anunciantes do Super Bowl revelando quem é que realmente presta atenção nos comerciais exibidos nos intervalos do grande jogo. Game Day tem criação da Goodby Silverstein & Partners e, de certa maneira, lembra um pouco o estudo divulgado pela Communicus, indicando que apenas 1 entre 5 anúncios veiculados durante a final da NFL realmente vendem alguma coisa.

Aqui, a família está toda reunida acompanhando o jogo, quando começa o intervalo. Em slow motion, as pessoas vão reagindo diante dos comerciais, como se fosse algum lance imperdível – provavelmente o sonho de qualquer anunciante/agência. Na tela da televisão, um anúncio que coincidentemente lembra o da Subway exibido ontem à noite.

Até que… a realidade acontece.

adobe1

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Cisco mostra como tudo mudará com a “internet de todas as coisas”

A Cisco lançou, recentemente, o manifesto Internet of Everything para mostrar como será o futuro com a “internet de todas as coisas”, quando a tecnologia não apenas ajudará a formatar a maneira como vivemos, mas irá se inserir de maneira ainda mais essencial em nosso cotidiano.

Para se ter uma ideia de como será isso tudo, a Goodby Silverstein & Partners assina a criação do comercial Circle Story, que começa e termina da mesma maneira, em uma casa, com um gato de estimação. Pode ser hoje, amanhã ou daqui a 10 anos, o que importa é como a tecnologia preenche o dia a dia da família que vive ali.

A produção é da Biscuit Filmworks.

cisco cisco1

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NBA Stars Play ‘Jingle Bells’ With the Most Festive 3-Point Shooting Ever

NBA stars are a festive bunch, with great timing to boot. They need both in the league's holiday campaigns. Last year, Dwyane Wade, Carmelo Anthony, Dwight Howard, Russell Westbrook and Joe Johnson impressively played the popular Christmas song "Carol of the Bells" just by bouncing basketballs (in a spot that soared to more than 8 million views). Now, here's the sequel—also from GS&P.

It stars Kevin Durant, Derrick Rose, James Harden, Steve Nash and Stephen Curry shooting three-pointers at nets outfitted with Christmas bells—producing an even more impressive musical performance, this time of "Jingle Bells." LeBron James punctuates the song with a dunk at the end, then asks, "Please tell me the camera was on." It's a perfect spot.

Like last year's spot, this one promotes special-edition uniforms, available for sale, that 10 teams will wear on their Christmas Day games this year.

See a making-of video, plus credits, below.

CREDITS
Client: NBA
Spot: "Jingle Hoops"

Agency: Goodby, Silverstein & Partners
Executive Creative Director: Jeff Goodby
Creative Directors: Nick Klinkert, Adam Reeves
Associate Creative Director, Copywriter: Rus Chao
Associate Creative Director, Art Director: Kevin Koller
Producer: Benton Roman
Executive Producer: Tod Puckett
Director of Broadcast Production: Cindy Fluitt
Account Directors: Jason Bedecarre, Janice McManemy
Account Manager: Heather Morba
Senior Business Affairs Manager: Julie Petruzzo

Production Company: O Positive
Director: Jonathan Klein
Executive Producer: Ralph Laucella
Line Producer: Angie Revell
Director of Photography: Eric Steelberg

Editing: Final Cut
Editor: Matt Murphy
Assistant Editors: Tara Wall, Nate Connella
Producer: Suzy Ramirez
Executive Producer: Saima Awan

Visual Effects: Moving Picture Company
Visual Effects Supervisor, 2-D Lead: Jake Montgomery
Nuke: Brendan Smith, Will Voss
Shoot Supervisor: Eric Pascarelli
Design, Animation: Casey McIntyre
Senior Producer: Juliet Tierney
Executive Producer: Asher Edwards

Title Graphics: eLevel
Creative Director: Brady Baltezore
2-D Artist: Chris Carmichael

Sound Design: Barking Owl
Creative Director: Kelly Bayett
Sound Designer: Michael Anastasi
Producer: Whitney Fromholtz

Mix: Barking Owl
Audio Engineer: Brock Babcock

And here is last year's spot:


    

20 Years of ‘Got Milk?’

—Jeff Goodby of Goodby, Silverstein & Partners wrote "got milk?"—one of the greatest marketing taglines ever. Here, he looks back at the campaign on its 20th anniversary.

It is perhaps the most boring product imaginable.

We have all tried it. Most of us already own some. There is very little to say about it.

Milk is not new. It is not improved. It is white.

And so it was that when the California Milk Processor Board first asked us to pitch their business in 1993, we were shockingly ambivalent. A number of us simply thought the product was inherently too boring.

Oversimplifications of the history abound. Here's what really happened: Jon Steel and Carole Rankin were at a focus group when the clouds parted and a woman said, "The only time I even think about milk is when I run out of it." Goodby scrawled "got milk?" on a poster board for a meeting and decided it might be a tagline. And Silverstein set it in that typeface that has by now been appropriated ("got ____?") by lots of junk, donuts, wine and Jesus folks.

And of course, a 20-year downturn in California milk consumption leveled off and has even headed upward now and then.

Actually, there were a number of false starts before all that, as you can imagine. Someone noted that people always seem to drink milk along with something else—which was a fine insight, but they wanted to call the campaign "Milk and…" There was also a contingent that perhaps loved hard, milk-fed bodies and whiter teeth a little too much.

In the end, however, the consummate patience and advice of the California Milk Processor Board members, their directors Steve James and Jeff Manning and a cadre of artists like Kinka Usher, Noam Murrow, Michael Bay, Tom Kuntz, Jonathan Elias, Don Piestrup, Terry Heffernan, B-Reel and Method (and hundreds of others there is not room to name) made all the difference. Not to mention dozens of my favorite people ever to have worked at Goodby Silverstein & Partners (if I begin listing them, I am certainly in trouble).

Our research shows that "got milk?" has become the most remembered tagline in beverage history, outstripping those of beer and soft drink companies with budgets many times the size of ours. It is so ubiquitous, in fact, that people don't think of it as a tagline anymore. It is a piece of culture that was always just … there.

We have always felt that it's fitting that the campaign got its start in California, which is at the leading edge of experimentation and health trends. But it has been a long time since it was exclusively a GSP creation. After a period in which the California campaign ran nationally, it has been ably extended by a number of national agencies, and extended into Hispanic America by John Gallegos with a unique humor and artistry.

In short, we have all been very lucky to find each other and have this happen. When something lasts 20 years in a very pure form, it reminds us all how much serendipity and chance contribute to what we like to think is a very orderly, brilliantly orchestrated process.

I wouldn't trade it for anything. May we have 20 more, please.


    

Cheetos propõe cobrir o mundo com papel higiênico. Digitalmente, é claro

A noite de Halloween costuma ser preocupante para algumas pessoas, vítimas de uma tradicional “brincadeira”: ter sua casa coberta por ovos e papel higiênico. Apesar de ser considerada um ato de vandalismo por muitos, a tradição segue firme e forte, este ano com direito até a uma versão digital. Criado pela Goodby Silverstein & Partners de San Francisco, o projeto Cheetos TP (toilet paper) propõe cobrir o mundo de papel higiênico, com uma ajudinha básica do Google Street View.

A ideia em si não chega a ser nova, já tem um tempo que a geolocalização tem sido utilizada para “personalizar” algumas ações – ano passado, por exemplo, a Stella Artois usou o recurso em suas mensagens natalinas –  mas a execução é interessante. Ao acessar o site, é possível escolher o endereço onde os papéis higiênicos serão jogados, o que pode ser desde a casa de um amigo até monumentos importantes.

O tempo inteiro há mensagem dizendo que isso não deve ser tentado em casa e que a marca não está estimulando o vandalismo – o que, na verdade, apenas cumpre tabela, já que na prática não deve fazer muita diferença. A imagem final traz o resultado da obra, enquanto nos perfis de Cheetos nas redes sociais é possível encontrar missões especiais.

cheetos cheetos1 cheetos2

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Advertising: For Journalists Who Seek Out Hidden Things, a More Visible Brand

As it finds new ways to expand its activities, the Center for Investigative Reporting is unveiling a new logo and marketing campaign.

    



Doritos convoca criativos de todo mundo para o Crash The Super Bowl

No começo deste ano, Doritos levou ao ar  no Super Bowl dois comerciais feitos e escolhidos pelos fãs da marca, dentro do Crash The Super Bowl. O sucesso dos filmes foi tão grande que, segundo o AdMeter, eles entraram para a lista dos 10 mais populares, em terceiro e sétimo lugares. Agora, em sua oitava edição, a promoção já iniciou a convocação de aspirantes a diretores, com uma grande novidade: desta vez, criativos do mundo inteiro poderão participar.

Para divulgar o Crash The Super Bowl, a agência Goodby Silverstein & Partners apostou no humor, apresentando um personagem bem canastrão para representar o “embaixador criativo” da marca.

As regras da promoção podem ser conhecidas aqui, onde também há um kit de ferramentas que os diretores vão precisar. Além de ter seu filme exibido no intervalo comercial mais caro e disputado do mundo, os dois ganhadores receberão US$ 1 milhão e farão parte da equipe de filmagem de Os Vingadores 2.

Os comerciais poderão ser enviados a partir do próximo dia 8 de outubro.

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Meet the Woman Who Beat Out 4,500 Other Applicants for the Toughest Job in Advertising

It was the greatest ad seeking an executive assistant in the history of executive assistants—sending applicants from an intimidating Craigslist post through a set of ludicrous online challenges and on to many rounds of interviews (in person and in Google Hangouts).

"Rich Silverstein answers to nobody," said the ad. "And that nobody could be you."

A month later, we have a winner.

After receiving a staggering 4,500 applications, San Francisco agency Goodby, Silverstein & Partners today revealed Rich Silverstein's new assistant. Her name is Grace Diebel. The Fairfax, Calif., native and U.C. Davis graduate wasn't put off by the horror stories of how demanding Silverstein can be. Like most of the applicants, she was intrigued by the creativity of the job listing and figured the work would be just as interesting.

"I could tell they were having fun with it. I thought, 'Yeah, this guy is probably a little intimidating,' but I wasn't afraid," she says in a Q&A. "I was a fan of the posters and branding-identity work that he'd done for the Golden Gate National Parks, so I thought that somebody who loved the outdoors and Marin [County] couldn't be all that bad."

Diebel, who was brought into the agency three times for eight separate interviews, starts this Monday. "The most important thing is that this isn't a reality-show contest; this is a job," she says. "And I was picked because they think I can do the job. So I'm going to do the job really well."


    

Adobe mostra o que acontece quando não se avalia direito as métricas de uma campanha

A Adobe diz que realizou uma pesquisa com profissionais de marketing e a conclusão foi alarmante. Segundo a empresa, mais da metade dos profissionais da área não tem ideia do que estão fazendo. Bem, não usaram esses termos, mas em resumo revelam o óbvio: Todos querem bons números para colocar no relatório, mas não sabem fazer uma leitura adequada desses resultados.

Através de uma empresa fictícia de enciclopédias, a Adobe ilustra – com bom humor – toda uma cadeia de consequências quando métricas de uma campanha online não são avaliadas profundamente. O comercial promove o Marketing Cloud, um conjunto de ferramentas para auxiliar o monitoramento de publicidade digital.

A criação é da Goodby Silverstein & Partners.

Adobe

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Adobe Shows You the Colorful, Weird, Scary, Brilliant Faces of ‘The New Creatives’

Adobe just passed the 1 million subscriber mark for its Adobe Creative Cloud and is celebrating with this eye-catching spot from Goodby, Silverstein & Partners—a salute to "the new creatives" in art and advertising.

"Creatives today do a little bit of everything, from illustration to filmmaking to Web design," says GSP associate creative director Will Elliott. "We wanted the spot to celebrate how all these different disciplines are coming together."

The spot features a series of artists whose work is projected across their faces. The artists include Joshua Davis, Dylan Roscover, Anita Fontaine, Jeremy Fish and Alejandro Chavetta. Additional artwork was crowdsourced from Behance.

The soundtrack is "Default" by Django Django. Full credits below.

CREDITS
Client: Adobe
Spot: "I Am the New Creative"
Campaign: "The New Creatives"
Agency: Goodby, Silverstein & Partners

Creative
Co-Chairman, Creative Director: Rich Silverstein
Associate Creative Director: Will Elliott
Senior Art Director: Patrick Knowlton
Art Director: Sam Luchini
Copywriter: Roger Baran

Production
Director of Broadcast Production: Cindy Fluitt
Executive Producer: Cat Reynolds
Director of Graphic Services: Jim King

Account
Associate Director, Account Management: Todd Grantham
Account Director: Joel Giullian
Account Manager: Varoon "V.J." Jain
Assistant Account Manager: Laura Black

Strategy
Group Brand Strategy Director: John Thorpe
Brand Strategy Director: Brendan Robertson

Media
Group Communication Strategy Director: Dong Kim
Senior Communication Strategist: Nicole Richards

Production Company: eLevel Films
Director: Brady Baltezore
Executive Producers: P.J. Koll, James Horner
Producer: Chris Whitney
Director of Photography: Juli Lopez
Stills Camera: Claude Shade

Postproduction: eLevel
Post Producer: Katharine O'Hara
Visual Effects Supervisor: Nathan Shipley
Animation: Jessica Gibson
Editor: Erik Johnson
Assistant Editor: Quinn Moticka


    

Isso, sim, é um anúncio de emprego

Se você pensava que a Heineken tinha mandado bem naquela pegadinha da entrevista de emprego, no começo do ano, é porque Rich Silverstein ainda não estava procurando por um assistente executivo. Esqueça as pegadinhas e comece lembrando-se de algo muito importante se você quiser ter “o melhor trabalho” no mundo da propaganda: “Rich Silverstein responde a ninguém. E esse ninguém pode ser você”.

O diretor criativo da Goodby, Silverstein & Partners começou sua busca com um anúncio no site Craigslist,

“Você já olhou a grandeza nos olhos – e chorou porque era tão linda que feriu seus sentimentos?
Se não, você realmente deveria conhecer Rich Silverstein.
Rich já foi introduzido em todos os halls da fama – sim, plural. Suas conquistas poderiam ser lidas como um romance, ainda que escrito por Stephen King.
Você provavelmente ouviu histórias. E elas são tão verdadeiras quanto enganosas. Ele é durão e espera grandeza. Mas ele também exige de si mesmo os mesmos padrões impossíveis.
O sucesso que ele teve é o material de “Mad Men”. E é coisa de loucos.
Rich Silverstein responde a ninguém. E que ninguém pode ser você.”

E se este texto não fosse o suficiente para convencer um candidato, o melhor então é acessar o site Work4Richprovavelmente um dos mais divertidos já feitos com este propósito. Para se conseguir uma entrevista com o diretor criativo, antes de mais nada é preciso superar seis desafios: ser organizado, ser obcecado por detalhes, gerenciar contatos, anotar recados, lembrar nomes e ser breve. Cada uma destas características deve ser comprovada por testes específicos e, só depois de concluir cada um deles, é possível se candidatar.

Ficou com alguma dúvida? Tente capturar o sinal de interrogação…

O mais legal é que todas estas tarefas têm de ser executadas de maneira criativa, provavelmente a principal exigência de Rich Silverstein. Se rolar um interesse, é possível se candidatar até o próximo dia 6 de setembro.

 

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Agency Creates Greatest Ad for an Executive Assistant in the History of Executive Assistants

Rich Silverstein is apparently not an easy boss to have. The notoriously demanding co-founder of Goodby, Silverstein & Partners in San Francisco is looking for a new executive assistant, as his current assistant is leaving. And judging by the Craiglist help-wanted ad, and the crazy-fun accompanying website, you should almost certainly NOT apply for this job. Here's how the Craigslist ad starts out:

Have you ever looked greatness in the eyes—and cried because it was so damn beautiful it hurt your feelings?
     If not, you should really get to know Rich Silverstein.
     Rich has been inducted into halls of fame—yes, plural. His achievements read like a novel, albeit one written by Stephen King.
     You've probably heard stories. And they're every bit as true as they are misleading. He is tough and expects greatness. But he holds himself to the same impossible standards.
     The success he's had is the stuff of Mad Men. And the stuff of madmen.
     Rich Silverstein answers to nobody. And that nobody could be you.

Then there's a list of prerequisites for the job (one of them is that you must not be "an agency spy. Or ever have written for AgencySpy"), along with a link to work4rich.com.

That's where things get truly cray cray, as the application process turns out to be a series of ludicrous Web challenges, including transcribing a fast talker's gibberish and memorizing a set of names in just two seconds.

You have until Sept. 6 to get past that step in the process, and then "Rich will handpick his favorites and invite them to the Google Hangout of the century." That should be a doozy.

Yes, that's right, you enjoy your current job just fine, thank you.

Credits below.

CREDITS
Creatives:
Zach Canfield
Pablo Rochat
Adaye Worku

Creative Developers:
Chris Allick
Russell Shearer


    

Jeff Goodby Sings About Agency’s New App, Which Lets You Reach Out and Touch Someone Virtually

The techies at Goodby, Silverstein & Partners' GSP BETA Group have whipped up a new app, which the agency is now promoting in decidedly offbeat fashion. The app is called Touch Room, and it's designed to help you not just see and hear but touch your loved ones from afar. The concept is simple: You both enter a virtual room, and when your fingers touch the same spot, your phones vibrate. It's a sweetly quirky idea that deserves some sweetly quirky advertising—provided in the video below by Jeff Goodby himself, who sings, in a warbly voice, an original song he wrote about the app while strumming an acoustic guitar. As for the visuals, well, it seems Touch Room will be particularly useful for people with freakishly long, extendable, ET-like fingers. GSP BETA Group is an in-house group of developers, UX specialists, producers, creatives and other makers that use technology to find creative solutions to problems. Download the app here. Credits below.

CREDITS
Ad Agency: Goodby, Silverstein & Partners' BETA Group
Campaign: Touch Room
Live Date: Aug. 27, 2013

Music, Lyrics: Jeff Goodby
Chief Digital Officer: Kalle Hellzen
Creative Developer: Chris Allick
Art Director: Pablo Rochat
Copywriter: Caroline Cappelli
Director of Interactive Production: Ellie Hardy
Group Executive Interactive Producer: Michael Phillips
Director of Business Affairs: Bess Cocke
Senior Business Affairs Manager: Judy Ybarra
Business Affairs Manager: Heidi Killeen
Co-Director of eLevel: James Horner
Shot By: Marco Svizzero, Alvin Shen, Juli Lopez
Postproduction Producer: Ava Rant
Editor: Marco Svizzero
Audio Engineer: Nic DeMatteo
Video Creative Direction: Stevie Laux
Director of Art, Print Production: Suzee Barrabee
Copyediting Director: Ryan McDermott


    

‘Bribe the Senate’ Gun-Control Campaign Is Altered Because, Well, Bribes Are Illegal

A jokey-yet-serious campaign called Bribe the Senate, intended to get the U.S. Senate to at least discuss the idea of mandatory background checks on gun purchases, has hit a legal snag and its organizers are rethinking their approach—lest they end up in prison.

Four creatives at Goodby, Silverstein & Partners came up with the project (a personal one, not an agency endeavor), which was designed to raise money to offset donations from the gun lobby to six senators who could provide the swing votes to consider legislation on the topic. At midnight Thursday—100 days after the Senate voted to keep background checks from even being discussed—the campaign's website will count down to zero, at which point it was supposed to start collecting donations. Now, that won't happen.

"Honestly, we started this whole thing with the intent to fundraise for the bribes," says Simon Bruyn, one of the creatives. "But the lawyers were very adamant that this was go-to-jail illegal. Not just for us, but for anybody who donated. So we had to change our approach late in the game."

Instead, the site will simply direct tweets to the six senators and ask them to revisit their stance on the issue. Not so much as a bitcoin will change hands.

"We get it. Bribes are bad. You can't pay a politician to change their vote," says Emil Tiismann, another of the site's creators. "Next time we will form a proper political lobbying organization so that we can collect unlimited cash in order to have a meaningful political conversation with our elected officials where we strongly express our opinions."

Tiismann adds: "Please don't send us to jail for this. We'd hate to have to share a cell with a mentally ill killer who bought his murder weapon at a gun show without a background check."

Jacob Sempler and Andrew Livingston were the other two creatives who built the campaign. Check out its appeal video below.

    

Goodby, Silverstein Turns Its Entire Building Into a Declaration of Gay Pride

Not just brands but ad agencies, too, are marking the historic Supreme Court rulings on DOMA and California's Prop 8. As you can see above, Goodby, Silverstein & Partners turned its own office building into an out-of-home display—a rainbow to celebrate gay pride. A young senior communication strategist named Krista Miyashiro came up with the idea, and Jeff Goodby and Rich Silverstein "immediately jumped on board to make it happen," the agency tells us. The display will be up all week.

    

Stars Past and Present Light Up Ads for the NBA Finals

As the NBA pivots from the conference semifinals to the league championship series, its ads naturally have shifted from memorable moments in the playoffs ("Big is now") to images from past NBA Finals ("Forever is big"). Dirk Nowitzki of the Dallas Mavericks and Kobe Bryant of the Los Angeles Lakers star in the first two NBA Finals ads, which were created by Goodby, Silverstein & Partners. Each execution freezes on a key shot each star took en route to a team championship. The action then shifts to the same frozen image as it appears on a cake, in action figures, etc. The latest spot, from the NBA's production arm, NBA TV, celebrates past winning teams with a montage that dates back to the old Minneapolis Lakers of the 1950s. Lots of basketball icons here, from the Celtics' Bill Russell and the Knicks' Willis Reed to the Lakers' Magic Johnson, the Bulls' Michael Jordan and the Heat's LeBron James, who smiles broadly amid a sweet spray of champagne. Daniel Meiseles was executive producer on this celebratory ad, known as "Finally Forever."

    

Goodby, Silverstein Brings the Funny for YouTube’s First-Ever Comedy Week

To hype its inaugural Comedy Week, which begins Sunday night at 8 p.m. ET, YouTube turned to an ad agency known for generating its share of laughs: Goodby, Silverstein & Partners. The San Francisco-based shop's New York office whipped up a load of ads (many of them :15s) that have been airing in recent weeks starring the Comedy Week's actors and comedians. Check out a whole bunch of those spots below. (At the bottom is a longer promo with Arnold Schwartzenegger, which YouTube produced in-house, but we have to include because it's awkwardly hilarious.)

Goodby also designed a special YouTube masthead that will run all day Sunday to promote that night's kickoff. It shows a bathroom wall inside a comedy club. You can scroll around, click different doodles and find Easter eggs like Venn diagrams for classic jokes; a mounted moose head who doubts Comedy Week will be funny (he says things like "I have serious doubts about the funniness of this week" and "the humor is very subtle … and by subtle I mean unfunny"); and a phone number—(888) 303-3771—you can call for a good time (if you're not having one already).

The first two-hour live stream starts Sunday at 8 p.m. ET. New shows will air each night this week at midnight ET through Saturday. Guests will include Ben Stiller, Vince Vaughn, Seth Rogen, Comedy Central's Tim and Eric, Conan O'Brien, Rainn Wilson, Ricky Gervais and Sarah Silverman, and YouTube stars The Gregory Brothers, Rhett & Link and Ryan Higa.

Schwartzenegger spot produced in-house by YouTube:

    

Goodby, Silverstein & Partners Looks Back on Its 150 Years in Advertising

Goodby, Silverstein & Partners excels at goofy little in-joke videos about the agency. Here's its latest one—a Ken Burns-y mini-documentary celebrating the agency's 150 years in business, created to mark the more truthful occasion of 30 years in business. It tracks the San Francisco agency's entire history, from its apparent founding by Jefferson "Applejack" Goodby and Richard Montgomery Silverstein in 1863 through its greatest marketing successes—notably, the "Have you any milk?" campaign—all the way up through today. Pretty funny stuff. Credits below. Also worth checking out: a piece that Goodby wrote for Adweek a decade ago about what he hadn't learned in 20 years of running an ad agency.

CREDITS
"Goodby, Silverstein & Partners Celebrates 150 Years"
Agency: Goodby, Silverstein & Partners
Written and Directed by: Ty Bardi
Executive Producers: Tim Pries, P.J. Koll, Jon Wolanske
Producer: Katharine O'Hara
Editor: Graham Willcox
Audio: Nic DeMatteo
Director of Photography: Juli Lopez
Gaffers: Alvin Shen, Frank Fusco
Artists: Ty Bardi, Jessica Gibson, Gideon Newell, Chad Ford, Marco Mejia
Starring: Dave Baker, Tim Pries, Mike Landry, Jon Wolanske, David Sullivan, Jeff Goodby, Rich Silverstein
Archival photos courtesy of San Francisco Maritime National Historic Park
Special thanks to Asche & Spencer

    

Jeff Goodby Has Advice for Don Draper Where Chevrolet Is Concerned

Jeff Goodby has some experience teaming up with another agency to work on Chevrolet—an experiment that didn't go so well for him. So, in light of Sunday's episode of Mad Men, he tweeted out this amusing note below on Tuesday. To be fair, it almost certainly won't end well for Don, either.