McDonald’s Unveils the Simplest Ads It’s Ever Made

Last summer, TBWA Paris unveiled a bold campaign for McDonald's that consisted entirely of classic menu items photographed up close—with no branding at all. (Did somebody say McDonald's? Not in those ads.)

Now, agency and client are back with a follow-up campaign that, in a way, is even more minimalist. Instead of the actual products, now we get clean, simple drawings of the products—turning them into actual icons. There is a bit more explicit branding on these, though, but it's still very subtle—a tiny Golden Arches next to the illustrations.

The ads feature McDonald's "Big 6" menu items—Big Mac, cheeseburger, fries, sundae, Chicken Nuggets and Filet-o-Fish—and will appear on more than 2,700 outdoor displays in France, with the major rollout beginning June 2. The agency calls the work "unique and modern, in the McDonald's brand image," "exclusive, simple and universal, just like the six iconic products" and "a fun and intriguing addition to our cities."

More images, plus a new McDonald's TV spot from TBWA Paris, below.




Coca-Cola Unveils First TV Ad Made Completely With User-Generated Content

Here's a first for Coca-Cola—a TV commercial comprised entirely of short video clips made by fans (aside from some very brief animations).

The spot, produced by Wieden + Kennedy and set to premiere during Wednesday's season finale of American Idol, came out of a contest announced a few months ago. The brand invited teens to submit short video clips sharing what it feels like when they take a sip of Coke. The best clips, they were told, would be featured in a national Coca-Cola TV ad.

Coke got some 400 submissions, and chose 40 for the final cut. The clips in the ad come from all over the world—from Brazil to Salt Lake City to Jacksonville, Fla.

The spot, titled "This Is AHH," will air this week on teen-focused networks including The CW, MTV and Adult Swim. It's part of a teen campaign called "The AHH Effect," now in its second year.




Looking for a Weird Way to Settle Scores? Oreo Suggests You ‘Lick for It’

Oreo would like you to start solving your conflicts by scrubbing its cookies against your tongue as fast as you possibly can.

This new spot from AKQA London (and Mind's Eye director Luke Bellis) shows pairs of what appear to be siblings and friends squaring off over various disputes—like riding shotgun in a car whose backseat is stuffed to the brim, picking what to watch on TV, or taking the blame for knocking the head off a statue with a soccer ball. But instead of, you know, flipping a coin or playing Rock Paper Scissors, they whip out Double Stuf Oreos, put on the stupidest faux-intense-concentration faces they can muster, and compete to be first to transfer all the cream from their cookies onto their tongues.

"We've all got something to settle," reads the copy. "Lick for it," adds the tagline, using a verb that doesn't quite accurately describe the action portrayed in the preceding spot.

It's a somewhat strange commercial, with slightly too much close-up footage of people's mouths, and it can't help but evoke Tootsie Roll Pops, which long ago cornered the repetitive-licking theme in advertising. But maybe it's just not meant for olds like us to understand. The target demographic is clearly tween-ish, a point driven home by the bad dubstep soundtrack.

It is hard to believe any sane person would have the patience not to just eat the cookie.




Cruzan Rum Wants You to Slow Down, Which Means No Speed Dating or Speed Chess

If you've been settling into a slower pace of life with Kona beers but want to move on to something stronger, Cruzan Rum might be right for you.

Building on last year's campaign, themed "The Don't Hurry," the brand illustrates that its version of relaxation isn't constricted to the kooky metaphorical island from which it hails. Nope, it's all about a state of mind—and whether you're speed dating or playing chess, you've got to kick back and savor life (and rum).

The five new spots by ad agency Walton Isaacson are similar to last year's, which highlighted the eccentric air that came with drinking the rum. This time, though, they've swapped spokesmen, promoting the soothing Barry White-esque voiced parrot.

CREDITS
Client: Beam Suntory
Vice President, General Manager, Mixables Category Business Team: Jared Fix
Senior Director, Rum and Cordials: Brendan Lynch
Senior Brand Manager, Rum: Nabil Wanna
Global Manager, Consumer and Market Insights: Janu Lakshmanan
Brand Assistant, Rum and Cordials: Corine Reed

Agency: Walton Isaacson
Co-Owners: Cory Isaacson, Aaron Walton
Executive Producer: Dana Offenbach
Group Creative Director: Miguel Garcia Castillo
Creative Director: Mark Westman
Associate Creative Director: Jose Martinez
Senior Designer: Laurent Varlet
Senior Account Director: Nick Vitellaro
Account Executive: Kelly Clark

Production Company: Tool of North America
Executive Producer: Oliver Fuselier
Director: J.J. Adler

Editing Company: Beast
Executive Producer: Peter Hulliger
Editor: Angelo Valencia

Music: Ramblin Man
Executive Producer: Yupa Wathanasin
Composer: Daniel Belardinelli




This 8-Minute Ice Cream Ad, With a Lesbian Love Story and Lily Allen, Is the Sweetest Ever

You might want to grab a snack and get comfortable, because Cornetto's newest ad is an eight-minute short film that is totally worth the watch. As with its other long-form ads, the ice cream brand takes a back seat to a bigger story. In this case, it's a love story.

Between the storyline, the style and Lily Allen's narration and cameo, it feels a bit like a softer and sweeter Judd Apatow movie, and I kept waiting for a Zooey Deschanel appearance. Directed by Lloyd Lee Choi for the U.K. market, the spot is clever and cute and funny, and as an avid fan of the Internet, I particularly enjoyed the part when the story's heroine meets brief fame and gets turned into a meme.

I don't want to give the whole thing away—you'll want to watch it for yourself.

Oh right, it also sells ice cream. Some may argue the product being an afterthought makes for bad advertising, but I think there's something to be said for its entertainment value and the consumer connection. Cornetto has done this before with a romantic three-minute video that's been viewed over 30 million times, and also with a cheesy-but-cute-but-confusing spot last month.

It's also just one spot in Cornetto's "Cupidity" series in the U.K. Others include a film about finding love on a road trip; one where a girl declares, "Everything is ugly beautiful"; and a remake of last month's aforementioned confusing video, minus the techno music. It's heavy on the hipster (Instagram photos, flowers in the hair, I'm sure there's a Pabst Blue Ribbon in there somewhere), but totally cute and appealing to what is likely Cornetto's target—millennials and TwoKays (born after 2000), which is apparently what we're calling the generation after millennials.

For the next video in the "Cupidity" series, I'm hopeful for a story about an underdog competing in a rap battle in Brooklyn.

Other spots from the "Cupidity" campaign:




Ads for Hawaii’s Kona Beer Remind Us Mainlanders That We’re Doing It Wrong

Hawaii-based Kona Brewing Co. has released a new ad campaign from Duncan/Channon reminding stressed-out mainlanders to enjoy life.

One of two new spots, "Sad Hour," suggests that we set aside one hour a day for all the tedious crap we hate doing so the other 23 hours of the day can be happy. A second spot, "Single-Tasking," introduces the concept of only doing one thing at a time (drinking beer, for example).

Kona is borrowing heavily from old Bartles & Jaymes ads here, and adding a healthy dose of island life stereotyping, but the big guy's delivery is good enough to make it all work.

The ads will air in Orlando, San Diego and Los Angeles markets throughout the summer. "The 'Dear Mainland' campaign truly captures the unique Hawaiian spirit of Kona Brewing and, in a fun way, delivers our message that reconnecting with family, friends and community is what truly matters,"
says Aaron Marion brand manager at Kona Brewing.




Coca-Cola Builds Adorable Mini Kiosks to Sell Mini Cokes

"It's the little things in life that makes us happy." That's the message in this print and outdoor Coca-Cola campaign from Ogilvy Berlin, and it's true in advertising generally. Unusually little things tend to get big props—whether you're talking doll houses, mini Abe Lincolns or tiny billboards.

Ogilvy placed these mini kiosks in five major German cities. They sold mini cans of Coke, which was the whole point, but also various other miniature products. They even had a pint-size vending machine. The kiosks sold an average of 380 mini cans per day, which Ogilvy says is 278 percent more than a typical Coke vending machine.

Via The Denver Egotist.




Kevin Bacon’s Brother Michael Does Ads for Turkey Bacon in Union of Less Famous Bacons

Brad Pitt's brother did it. Now it's Kevin Bacon's brother's turn.

Michael Bacon, the less famous of the Bacon brothers—though not entirely unknown, as he is one-half of The Bacon Brothers, the band—has signed up for an amusing campaign by Oscar Mayer to advertise another less famous bacon: turkey bacon.

The video below, from 360i, sets up the goal of the campaign, which is to get people to follow Michael on Twitter and catch his more famous actor brother. (This will be a challenge. Kevin has about 431,000 followers. Michael currently has about 1,300.)

"We really feel for Michael, and we want to support him as much as possible," says Tom Bick, senior director of integrated marketing and advertising at Oscar Mayer. "You just have to embrace each one for its own individual qualities. And that's what we do with our entire line of bacon products—each one is spectacular, because it's made by the bacon experts at Oscar Mayer."

Being used almost literally as a piece of meat doesn't seem to bother Michael, though. Good luck to him.




Coke Plays Peacemaker in Another War: the Milan Soccer Rivalry

Here's an amusing bit of mischief. Coca-Cola brought together fans on both sides of one of soccer's fiercest rivalries by making them give each other sodas.

"Fair Play Machines," a campaign from McCann in Milan, shows the brand placing a pair of its signature high-tech, manipulative vending machines at opposite ends of San Siro Stadium in Milan while club teams Inter Milan and A.C. Milan were facing off there. Fans of each team could hit a button to serve a Coke to an opposing fan at the other machine—effectively forcing opponents to do something nice for one another.

The clip is full of the happy vibes to be expected from Coke ads, and a nice nod to good sportsmanship—in a league where its opposite has been disturbingly true lately.

It's also reminiscent of the brand's "Small World Machines" campaign from last year, which tried to ameliorate the India-Pakistan conflict with a similar set of interconnected machines—though softening a sports feud is maybe a less pretentious bit of peacemaking for a sugar water company.

Credits below.

CREDITS
Client: Coca-Cola
Roel Annega – CSE Marketing Director
Andreas Johler – CSE My Coke Director
Guido Rosales – EUG IMC Director
Claudia Navarro – CSE IMC Director
Francesco Cibò – CSE Content Excellence Manager
Camilla Zanaria – CSE Content Excellence Manager
Agency: McCann Worldgroup Milan
Global Creative Director: Miguel Bemfica,
Creative Director: Gastón Guetmonovitch, Miguel Usandivaras
Art Director: Cristina Caballero
Copywriter: Curro Piqueras
Graphic Designer: Marina Tercelán
Account Manager: Sanziana Fanica
Account Director: Andrei Kaigorodov
Agency Producer: Massimo Busato
Production Company: Filmmaster Productions
Director: Edoardo Lugari,
Executive Producer: Karim Bartoletti
Producer: Elena Marabelli
Editor: Francesco Cusanno, Toboga
Music: Alberto Cimarrusti, Bronze Radio Return




Burger King Brings Back Subservient Chicken on His 10th Birthday, and Immediately Loses Him

The only thing Subservient Chicken got on his 5th birthday in 2009 was a blog post about how the agencies involved in his creation bickered over who really deserved credit. For his 10th birthday, though, the chicken flies again.

Except, actually, he's been grounded. The initial idea behind the new campaign—which promotes the Chicken Big King sandwich—is that the chicken has gone missing. BK placed half-page ads in a handful of Sunday newspapers asking if people had seen him. The photo above was posted to Twitter.

The subservientchicken.com website is live again, too, but brings up a 2004-style error message, which you can see below, and also includes some crudely Photoshopped surveillance images showing the chicken's most recent whereabouts. A short movie about the fleeting fame of Internet celebrities is expected to hit the site on Wednesday morning, followed by more creative executions.

It's not too surprising that BK is going back to the well on this one—many fast-food joints tend to revisit their big successes at some point or other. And Subservient Chicken was the go-to example of innovate digital advertising for years. Also, it's been so long since his heyday that lots of younger people simply have never heard of the chicken. As one fan wrote on Twitter of the missing-person teaser: "You guys buy Chick-fil-a?"




See Heineken’s 15-Second Film Based on a Fan’s Tweet About an Evil Abe Lincoln

Fifteen seconds is short for an ad, never mind a film. But Heineken and Wieden + Kennedy New York premiered just such a movie at the Tribeca Film Festival on Wednesday night—based on a fan's tweet about an evil Abraham Lincoln clone.

"They clone Abe Lincoln's DNA and name the clone president for life…except there's one problem: the clone is evil," Dennis Lazar, aka @awsommovieideas, wrote as his winning submission to the brewer's #15secondpremiere contest, which asked for fans' their wildest movie ideas. Those 115 characters (he had to leave room for the hashtag) were then crafted by a Hollywood film crew into 15 seconds of film—called Linclone.

You can check out the mini-movie below. The credits take way longer than the film itself—luckily there are some outtakes to keep things interesting.

Lazar was flown to New York and given the green carpet treatment by the Tribeca sponsor at the festival. Guests included Robert De Niro himself, who really should have played Lincoln if we're being honest.

Credits and more below.

 
The movie poster:

 
Lazar and DeNiro:

 
A deleted scene from the movie:

 
An interview with the director:

 
CREDITS

Client: Heineken
Project: #15SecondPremiere

Agency: Wieden + Kennedy, New York
Executive Creative Director: Susan Hoffman
Creative Directors: Eric Steele, Erik Norin
Copywriter: Mike Vitiello
Art Director: Cory Everett
Social Strategist: Jessica Abercrombie
Brand Strategist: Kelly Lynn Wright
Senior Interactive Strategist: Tom Gibby
Community Manager: Rocio Urena
Head of Content Production: Nick Setounski
Producer: Owen Katz
Print Producer: Kristen Althoff
Broadcast Traffic Supervisor: Sonia Bisono
Studio Designer: Chris Kelsch
Account Team: Patrick Cahill, Samantha Wagner, Kristen Herrington
Business Affairs: Lisa Quintela
Project Manager: Rayna Lucier

Production Company: Jefferson Projects
Executive Producer: Chris Totushek
Director: Eric Appel
Director of Photography: Mathew Rudenberg

Production Company: Whitehouse Post
Editor: Alaster Jordan
Assistant Editor: Matt Schaff
Executive Producer: Lauren Hertzberg
Producer: Alejandra Alarcon
Original Music: The Ski Team

Postproduction Company: Carbon VFX
Lead Compositor: Matt Reilly
Smoke Artist: Joe Scaglione
AE Artist: Maxime Benjamin
Executive Producer: Frank Devlin
Colorist: Yohance Brown
Surround Mix: Sound Lounge
Engineer: Justin Kooy
Executive Producer: Harrison Nalevansky

Cast and Crew
Abraham Linclone: Robert Broski
Dr. Satterberg: Eric Satterberg
Chief Justice: Paul Gregory
1st Assistant Director: Scott Metcalfe
2nd Assistant Director: Steve Bagnara
Production Supervisor: Megan Sullivan
DIT: Scott Resnick
Gaffer: Cody Jacobs
Key Grip: Kyle Honnig
Best Boy Electric: Brandon Wilson
Best Boy Grip: Ceaser Martinez
Set Decorator: Mark Wolcott
Prop Master: Eric Berg
Sound: Bo Sundberg
Boom Operator: Danny Carpenter
VTR: Carlos Patzi
Wardrobe Assistant: Beckee Craighead
Make-up Stylist: Kat Bardot
Make-up Assistant: Becca Weber
Production Assistants: Atif Ekulona, Eric Browning, Ewa Pazera, Julio Cordero, Desire Brumfield
Craft Services: Christina Gonzalez




Two Guys Suffer Through Relentless Downpours of Food for a Good Cause

Attention large-hearted rubberneckers: Watching some dude making dumb faces and getting slimed, Nickolodeon-style, with all kinds of food stuffs is better when some of the proceeds go to an anti-hunger charity.

A pair of Internet personalities, Steve Kardynal (infamous for his bearded Chatroulette reenactment of Miley Cyrus's "Wrecking Ball") and Alex Negrete (of meme animator Animeme), made these slow-motion, close-up videos of themselves getting showered by consecutive meals like hot dogs with extra ketchup and mustard followed by spaghetti and meatballs, and a Denver omelette followed by chicken and waffles. After releasing the clips, the duo decided to donate "a large portion of the profits" to Action Against Hunger, according to a fundraising page they set up to help the nonprofit's mission to feed malnourished children. (A number of YouTube comments had called out the video makers for wasting food.)

Presumably, any profits for the clips, which (as of this writing) have 1.5 million and 74,000 views, respectively, come from ad revenue earned via the video-sharing site.

As we saw with last week's Pedigree video, there's always the question of how much money viewers can actually generate just by watching videos, given downward pressure on YouTube ad rates. And sure, there might be better ways to raise awareness about hunger than dumping a bunch of edibles on your head for the amusement of others. But there's no use crying over spilled milk, and so far Kardynal and Negrete's fundraising page shows $280 committed of an $8,000 goal. At $45 to feed one starving child back to health, it's still a lot better than nothing—anything is.

As for the videos themselves, they're willfully stupid, disgusting and kind of amazing to watch, for a little while at least—beautiful in an odd way, but not anywhere near as charming as Proximity BBDO's masterpiece of pastry porn for French coffee brand Carte Noir.

On the bright side, these aren't likely to make you as hungry, either.

Via Devour.




The Women in This Tequila Commercial Only Have Time for One Kind of Bro

This new ad for Mezcal El Silencio tequila by agency Pablo Escargot starts off the same way many beer/liquor ads do—i.e., like from a clip of Ocean's Eleven, with bunch of guys in suits walking in slow motion to a steady rock/techno beat and a deep raspy voiceover.

It celebrates men being men, and the viewer quickly realizes it's satire. (The Post-it notes on the forehead are a nice touch.) When it comes to the requisite seduction scene, though, things totally fall apart and an unlikely hero emerges.

There's plenty of goofy overacting here, and the celebration of the strong, silent type isn't exactly revolutionary, either. But it's still a funny jab at all of the fist-pumping bro-mercials we've seen lately.

Via Co.Create.




Bud Light Does Its Own Version of ‘World’s Toughest Job’ … for Dads

Every giant viral ad needs a parody (or a few dozen), and so Bud Light is here with a spoof of the American Greetings "World's Toughest Job" video—celebrating dads instead of moms.

The joke writing is a little odd—it's caught between wanting to honor dads and wanting to make fun of them, and doesn't really accomplish either one very well.

The gold standard for this kind of parody was the spoof of Dove's "Real Beauty Sketches" where the guys suffer from excess self-esteem rather than the lack of it. That came from a comedy group, though, not from a brand with a vested interest in not making guys look too buffoon-like.




Klondike Bar Plays Doctor With a Hot Candy Nurse, and a New Product Is Born

Best ice-cream bar ever conceived? That would be the Klondike Kandy Bar, born an indeterminate number of months after an illicit tryst between a regular Klondike Bar and a tall, striking, chocolatey candy-bar nurse—according to a male shopper's adult-movie-addled brain in this sweet spot from The VIA Agency.

It's a fun idea, brought to life quite nicely. In particular, the visual look is pleasantly unique, blending real-world footage and animation. "A ton of ads use animated characters. So we made the decision to shoot as much as we could in camera," says Greg Smith, chief creative officer at VIA. "The awkwardness of putting 'real' characters on 'real' sets and then animating their eyes, arms and legs made it different and it helped us stay true to the lo-fi vibe we wanted to portray."

Turns out the Klondike-candy relationship extends beyond the '70s candy-porn set, too. Klondike is partnering with CollegeHumor to produce a comedy series about the couple. That should be interesting—particularly the inevitable reality-show squabbles over why she's the one who's way more phallic looking.




This Rad Mountain Dew Bottle Has a Built-In Hex Nut Wrench, So You Can Fix Your Skateboard

Fresh from the gnarly folks at Mountain Dew comes "the first soda that is also a tool."

A nifty new Dew bottle designed by Sancho BBDO Colombia is fitted with a hex nut wrench in the cap, so you can fix your board after you've face-planted trying to land a sick trick that ended up all sketchy. It's perfect for skaters who could use a little extra hand during their next search for Animal Chin.

I guess it is cool and all, but I'm pretty sure you can only tighten screws; if you tried to loosen them, wouldn't the cap itself just unscrew? It also doesn't seem like you'd get much torque this way. But I nitpick. It would be killer if the bottle came with some cash stuffed inside it for emergency room bills. Or Obamacare. Dude, put Obamacare in the bottle. 

But whatever, this poser's hella old—gotta bail. Wake me up when the hoverboard is real.

Check it, brah.


Brewer Goes for Adorably Terrifying With Half-Pony, Half-Dinosaur Mascot

Durham, N.C., resident Keil Jansen may have quit his job as a teacher to start a nanobrewery, but judging by its name, Ponysaurus Brewery, his old profession clearly rubbed off on him.

Raleigh ad agency Baldwin& designed the brewer's unique logo—half pony, half dinosaur—which looks like a McSweeney's parody of a medical illustration.

"There is a certain tension within the entire Ponysaurus design, where we are trying to balance a sense of the absurd and fantastical with the fact that we are dead serious about making the best beer," Jansen tells Cool Hunting. "The combination of 'old-timey' details, for example the style of the Ponysaurus drawing that invokes old medical or biology textbooks, with the fact that the drawing itself is of a half-pony, half-dinosaur is an excellent shorthand for what we wanted to achieve."

I don't know how well "The beer beer would drink if beer could drink beer" stacks up against every other goofy-named microbrew on the market right now, but I'd like to see Ponysaurus take on Kegasus in a drinking contest.




This Japanese Vitaminwater Ad Set in New York City Is So, So Bizarre

It's usually off-putting when inanimate objects have faces, but in this new Japanese Vitaminwater commercial, which features a person with a boom box for a head and spinning turntable eyes, that wasn't weird enough.

Nope, they had to go all out for a new coconut-flavored drink, and it's one of the weirder (but not gross!) things I've seen.

They had to have Heems from Das Racist rapping as Turntable Head dashes around to some of New York's latest trendy spots. It's all part of the New York remix, which is New York culture's way of giving old things new life, says Heems. (Ugh.)

Apparently the new coconut flavor is Queens-born Vitaminwater's own New York remix.

OK then!

H/T: Nerve's Liam Mathews.




Ad Guys Make Popsicle Stick Jokes That Are So Sad, They’re Hilarious (GIFs)

You probably remember popsicle stick jokes as a fun, charming, innocent part of your childhood. Jason Kreher and Matt Moore are here to wreck those memories.

The pair of creatives at Wieden + Kennedy in Portland, Ore., have made a fake product called Schadenfreezers—popsicles with the most depressing jokes you can imagine. (For now, at least, they're just animated GIFs.) The tagline is: "The strawberry, blueberry and lemon-flavored joy derived from the suffering of others." When you read them, your sense of happiness drips away much like the sad melting treats themselves.

Kreher and Moore made the first GIFs last year. (Sample jokes: "How many lives does a cat have?" "Only one." "Why did the lifeguard wear pants?" "Because he was ashamed of his body." "Why did the clown go to jail?" "For his collection of child pornography.")

Now they're back with a whole new set. You can check some of them out below, and the rest over at schadenfreezers.com. There are 11 new ones, and more will roll out gradually.

We caught up with Kreher and Moore over email to ask them just what their problem is.

This is Round 2, but take us back a bit. Where did this twisted idea come from? Did neither of you have a happy childhood?
We honestly can't remember how these came about; it was probably just us wanting to visualize the awful things we think are funny. It's kind of like wagging your penis around in public when you're a little kid … it's the wrong kind of attention, but it's attention nonetheless.

Popsicle-stick jokes are generally corny. Why make them existentially bleak?
I don't think either one of us is particularly cynical, but it's fun to take something innocent and make it profane. There's nothing wrong with pondering life's greatest tragedies while enjoying a nice snack.

What's your joke writing process like? How do you know when you have a winner? And how do you know when you've gone too far?
We probably wrote around 200 of these to get to our final ones. I think they work best when the setup feels like it could be an actual popsicle stick joke, but then stabs you in the gut with the punch line. And with these, there's no such thing as too far. If we suspect one has gone too far that means it's probably going to make the cut.

What are your favorite jokes from the new batch, and why?
Jason: The janitor one is my favorite. It's probably the most dehumanizing and bleak thing that's ever occurred to me, which was kind of my bar for these.
Matt: That plane one feels like it's going to be some awful pun and then it ends up as an awful truth. Kids love that.

There was some outcry about the original round of jokes. Do you think people don't want to see innocent popsicle-joke humor messed with?
The only people who got really riled up were the few who thought this was an actual product, and that we'd somehow bribed the press to feature them. I like thinking of us as a corrupt, fat-cat popsicle corporation greasing the palms of the Huffington Post Arts & Culture editors.

The animations seem more sophisticated this time. Was that just a general improvement you wanted to make?
What a nice thing to say! Matt has been wanting to experiment with stop motion for a while now, and this new round was a great opportunity to make these stand out. We host the site on Tumblr for a couple reasons, but a big one is that Tumblr features a lot of funny stuff and a lot of artful stuff, but rarely do the two meet. These feel different because they're something you want to look at and also something you might laugh at.

Have you ever actually produced Schadenfreezers as a product? If not, would you be interested in that?
Sure. If any of your readers are popsicle manufacturers who secretly kind of hate themselves, please have them contact us at your earliest convenience.




Ad for Popped Wheat Thins Has the World’s Slowest Airborne Police Chase

Wheat Thins revisits the golden age of ballooning in this weird spot from New York agency Being for the cracker brand's new air-popped snacks.

Why they went with cops trying to pull someone over, I have no idea; the concept doesn't really need them, and neither does the visual gag they're setting up (being outpaced by a slow-moving bird). But I suppose the randomness is part of the charm.

I suppose Wheat Thins probably should be a controlled substance, though. They taste too good to not be drugs somehow.

Credits below.

CREDITS
Client: Wheat Thins
Spot: "Air Chase"

Agency: Being, New York
Executive Creative Director: Matt Ian
Creative Directors: Samira Ansari, Lisa Topol
Copywriter: Jerome Marucci
Art Director: Steve McElligott
Executive Producer: Jason Souter
Director of Business Affairs: Samantha Norvin
Broadcast Traffic Manager: Betty White Butler
Talent Manager: Felicia Simmons
Group Account Director: Brett Edgar
Account Director: Hayden Lockaby
Account Executive: Kelly Mendola

Production Company: Dummy
Director: Harold Einstein
Executive Producer: Eric Liney

Editorial: Mackenzie Cutler
Editor: Erik Laroi
Executive Producer: Sasha Hirschfeld
Postproduction: Evan Meeker
Sound Designer: Sam Shaffer

Visual Effects: Moving Picture Company
Executive Producer: Justin Brukman
Producer: Adele Major
Visual Effects Supervisor: Ricky Weissman
Visual Effects Team: Chris Bernier, Mikael Pettersson, Marcus Wood, Carolyn Figel, Sang Lee

Telecine: Co3
Colorist: Tim Masick

Audio Mix: Sound Lounge
Mixer: Tom Jucarone
Music: Butter
Composer: Dave Quattrini
Producer: Annick Mayer
Executive Producer: Ian Jeffreys